2

Hottest 100 (minus 90) Stubby Holders of the Week

Apologies to Triple J, those entrusted with preparing gravy, Billie Eilish, fans of the long barbeque lunch, Humphrey B. Flaubert, Jock Cheese, Eugene de la Hot Croix Bun and Ron Hitler-Barassi.

In a very particular order, and with no editorialising, here they are. Judges votes are final etc.

10. And Stubby Holder of the Week (SHOTW) goes to the Cobdogla and District Club (est.1958).

cobby

9. And Stubby Holder of the Week (SHOTW) goes to the Kapunda Footy Club. Congratulations. Your prize will be sent by carrier pigeon.

KFC

8. And Stubby Holder of the Week (SHOTW) comes to you live today from the Kimba Golf Club where, in a curious twist, the winner is the Kimba Golf Club.

kimba

7. And the winner of Stubby Holder of the Week (SHOTW) is the Footy Almanac. Congratulations to all involved.

almanac

6. And Stubby Holder of the Week (SHOTW) is the one Allan Border signed when I met him at the Holdy. Yes, it is a XXXX Gold holder (don’t show your kids).

AB

5. And the winner of Stubby Holder of the Week (SHOTW) is the Sharks FC, one of Singapore’s finest Australian Rules footy clubs. Your prize will be posted shortly.

sharks

4. And the winner of Stubby Holder of the Week (SHOTW) is Coopers Session Ale. Obviously, no actual beer was harmed during the taking of this photo.

session

3. Congratulations to former Adelaide resident and Le Cornu shopper Ben Folds on receiving Stubby Holder of the Week (SHOTW).

folds

2. And the winner of Stubby Holder of the Week (SHOTW) is Crows’ icon Darren Jarman- Around the body, that will do. That. Will. Do. Congratulations Darren, your prize will be mailed to you.

fudd

1. And Stubby Holder of the Week (SHOTW) goes to Adam and Caitlyn. I bloody love youse. I have never met you.

airlie

3

Club Review: The Cobdogla Club

wp-15794046645621556528622.jpg

I need to apologise to the wonderful Kimba Area School Year 9 class of 1992 whom I took on a week-long camp to Burra, Barmera, Renmark and Clare.

Planning the event I booked some aquatics at Lake Bonney and struggled to find another activity when I stumbled across the Cobdogla Steam and Irrigation Museum. It somehow seemed reasonable. Recently in the car my youngest Max said to his brother Alex, “Why would you ask Dad a big-brained question when we know he’s a small-brained man?” and dwelling now upon that early- 90’s afternoon, I see this as a terrible pattern on my behalf.

I should’ve taken the Year 9’s to Lake Bonney and demanded they jetty-jump for six or seven hours. Provided they had their swimming jeans.

We had a tour guide: an aged man of terrifying, non-infectious passion and an ability to lecture at length matched only by his ability to not sense the crushing boredom he was inflicting upon his audience. If teenaged violence had erupted that day in Cobby, no judge would’ve convicted anyone.

pump

He spoke to us for 45 excruciating minutes on the world’s only working Humphrey pump with charcoal-fired gas producers. During his unbroken monologue I found myself wondering if I’d turned off the iron, how the Nicaraguan soccer team was travelling and what Allan Border might’ve had for breakfast that very morning. I’m sure the actual inventor of that wretched pump would’ve nodded off himself.

So, again I’m sorry. I owe you a drink.

However, just up the road is the Cobdogla Club which is one of my favourite places. We were there last Thursday and this happened to be Schnitzel Night. If you live in this part of the world the pubs and clubs have it neatly organised so that every night of the week is Schnitzel Night, although this could be both a dietary blessing and a curse.

wp-1579404734004741456906.jpg

On the front door is a friendly sign asking the patrons to not swear, and in 2020 when the casualisation of this is rampant, I like it and get the boys to read it.

Inside is spacious and rustic. The boys rush to the free iPads which is fair enough as they’ve endured a horrific ten-minute car ride from the holiday park without a device.

The drinks menu is broad and the wine prices seem frozen at 1995. A glass of white (no, not Hock) is $4.70, and the lack of Coopers on tap is disappointing, but XPA cans are a fiver.

The salad and veggie bar is always a treat. Brussel sprouts are what Max calls, “balls of leaves” and I inhale six. There’s corn, carrots, and cauliflower and broccoli bake. It’s terrific.

We talk of the coleslaw. It can’t be easy being coleslaw, especially if you’re mostly cabbage and therefore overly pale and grim. Next to the rich colours of the beetroot and the Asian noodles you, poor coleslaw, look more ghostly than the long-gone inventor of the Humphrey pump, sitting quietly across the fields, in its dusky horror.

The schnitzels arrive quickly and are a generous size. They’re tasty, perfectly cooked and in another demonstration of the Cobby Club’s timelessness, the meat isn’t on top of the poor fecking chips, making them squashed and sweaty as happens in too many places forcing diners to go through the mindless ritual of rescuing their fried potato friends.

scnitty

No, dickhead. Not like this.

Who started this nonsense? Bring them to me, and I will scold them for 45 excruciating minutes, in an unbroken monologue, about the profound annoyance of this, and how in a world crying out for simple, uncluttered joy we must keep our schnitzel and our chips separate.

But, of course, this doesn’t happen at The Cobby Club. And that’s one reason we’ll be back next year.

club

 

0

Ten Footnotes from Vampire Weekend at Melbourne’s Forum

wp-1578598874803-1966599144.jpg
I notice it early. The drummer, lashing and bombastic and then gentle, is wearing a Collingwood jumper. Chris Thomson is the stickman for Vampire Weekend and here in The Forum, in the heart of Melbourne, it’s a gesture emblematic of this band’s magnanimous outlook. I’m not a Magpie fan, but I smile. It’s an offering, a symbol of hopeful connection.

*

I instantly love The Forum. An arts venue must be evocative and not simply functional. It should also be an instructive text, and a participant in the unfurling theatre. Inside’s a blue night sky, kitsch yet confirming Roman busts, spaciousness, coolness, and a beguiling solidarity amongst the eclectic gathering, all there for the same connection. A generous security guard takes our photo, while the beardy Scottish one near the VIP section is chirpy denial when we ask to sneak in.

wp-15785987283521052820881.jpg
*
Third song in is, “Unbelievers” from Modern Vampires of the City. It’s chugging, train-like rhythm and stubborn optimism, but I love the distillation, the there’s-a-life-right-there, gorgeous binary of

I know I love you

And you love the sea.

*
An Oxford comma is a controversial punctuation mark. It’s also the title of the first Vampire Weekend song I heard in which it’s a symbol to critique affectation and exclusivity. It references Dharamshala in India, site of the world’s most strikingly situated cricket ground with the snow-capped Himalayas creating a painterly mis-en-scene. Dharamshala is also home to the Dalai Lama. I hope Vampire Weekend write a song about the apostrophe. Gee, we need’s it.

DCG
*
Fresh from lunch at Il Tempo on Degraves Street we amble up Flinders Street to investigate The Forum. The capitalised black font on the front’s white hoarding rouses a frizz of frisson. Next door Hosier Lane ribbons with its urban art while across the road is angular and aggressive Federation Square. Like the difficult, exciting world itself we’re at once confronted and comforted.

wp-15785988760771686529898.jpg

*
That other 2020 Australian phenomenon, the power outage, quieted the band part way into “Cape Cod Kwassa Kwassa” and twenty minutes later they took up the song where it had collapsed before it plunged again and Ezra said that a third, and final attempt to fix the electrical issue would proceed, but we dreaded our night would suffer voltage interruptus and Claire and I would wing back to Adelaide, unrequited and hollow. Blissfully, the show then rollicked through 27 songs including an encore request for, “Ottoman” which shares lyrical intertextuality with, “Cape Cod” courtesy of the gently self-mocking

it feels so unnatural, Peter Gabriel too.

It could be a nod to the band’s supposed Afro-beats cultural appropriation.
*
To soar music needs space and silence. Within songs and across songs this transpires Tuesday night in The Forum. I like being invited to dart into the air and light by harmony. Colour and texture and welcoming lulls for my mind and ears. Art’s a conversation, a handshake, an invitation to make an investment. I can hear former band member Rostam Batmanglij’s legacy: bewilderingly pretty piano lines; unique guitar resonances; sonic and human fragility.

wp-15785988765011398036362.jpg
*
Greta Morgan’s a multi-instrumentalist touring with Vampire Weekend and like everyone on stage, she contributes effervescently. We enjoy her 80’s dancing behind the keyboard during which she sways from side to side like she’s in a Human League tribute band. Brilliant. She plays a maraca too, and in a 7-piece outfit, in this age of drowning sounds and buffoon noise, we watch and concentrate and pick out its tiny sunny rattle. At once each band member is both within the ensemble and without, operating in a private territory and yet coupled to organic whole.
*
Of the songs I’ve anticipated across both hemispheres and many decades we especially want to hear Vampire Weekend’s “Hannah Hunt.” It’s a text of deep and shuddering significance. At 2.40 the music bursts, and the moment is perfectly formed with beauty and despair and somehow, despite it all, triumph. After the song, front man Ezra Koenig describes how the opening lines were inspired by dialogue from Picnic at Hanging Rock. It’s also an offering, a symbol of hopeful connection.

A gardener told me some plants move

But I could not believe it

Till me and Hannah Hunt

Saw crawling vines and weeping willows

As we made our way from Providence to Phoenix

*
Two giant blue and green globes are thrown among the mosh pit who bounce and tumble them about with joyous physics. It’s been a superb set and the realisation of a shared goal. The final song is “Ya Hey” and it’s introduced with an acknowledgment of the bushfire crisis and there’s poignancy in the lines

Through the fire and through the flames

You won’t even say your name.


It’s also an offering, a symbol of hopeful connection.

wp-1578598730332-1505136455.jpg

2

Sausage Roll Review: Orange Spot Bakery, Glenelg

wp-1578025493307-963679648.jpg

Such is my undying dedication to critical thinking with regard to contemporary baked goods that although it was already one hundred degrees (Fahrenheit is decidedly apocalyptic) just prior to midday I gritted my teeth, pushed through the punishing heat, walked in and bought their finest specimen.

Is $5 too much? In 2020 and enjoying life in my seventh different decade, I guess not. Of course, I then heard these sinister words.

“Would you like sauce?”

No, came my overly curt reply. I should’ve worn my patented anti-sauce cap to save her the bother.

dexter.png

Back outside I found a table and chair on the footpath/sidewalk/pavement (delete as required). I had no competition. It was hot.

My sausage roll and I were ready for each other, like contestants on Perfect Match, except there’d be no lies about loving bushwalking and horse-riding and rock-climbing. And no Dexter to provide a compatibility percentage.

wp-1578025491037-578297621.jpg

I looked across the road and saw the Watermark. The extra-large, charisma-free, over-priced, charmless, mid-strength beer-haunted, pokies-riddled pub. I must get in there again soon I thought to myself. Especially around five on a Friday if I feel an odd need to receive a kickin’ from a high vis type who has been in there all day and because his jet-ski is about to be repossessed, is angry with the world, in a generalised, nagging, Cro-Magnon sort of way.

wp-1578025494463991629677.jpg

I took a bite of my sausage roll. It certainly tasted like one. This was a promising start, but then again, if you hear “Hey Jude” on the radio it’s instantly recognisable although it mightn’t be the Beatles but some pale photocopy of a boy band, all clothes and choreography and clueless.

The aroma confirmed this but didn’t engage me. It sat there in my nostrils, but like me at a salsa party, there was no dancing, just a sullen inertia.

I think the pastry fundamental to the sausage roll experience and this was somewhat sweaty and fell just short of that most disagreeable state: oily.

The meat was of an appropriate consistency, but as the aroma suggested, lacked memorable character and arresting spiciness.

wp-1578025496681-377759847.jpg

Just over in Colley Reserve I imagined the big hole by the Patawalonga. Recently, the replica of the HMS Buffalo, proudly built in 1980, was finally demolished. In 2030, Mayor Chad Cornes will announce plans to build a replica of the replica of the Buffalo as it will “create exciting tourist opportunities” for Glenelg. Not any humans mind you, but seagulls and pigeons and exiled magpies. There’s nothing more likely.

buffalo

I continued with my meal, but like a small child found it no longer had my interest. If I was a toddler it could have been the day’s third apple out of which had been taken a solitary bite.

Safely home, I reflected on my sausage roll with Claire and we decided that I could be seeking higher meaning where none exists. Despite the endless awards – name a country bakery that hasn’t won a prize for its pies – the very best ones are the home-made variety. You know, those with the fork marks sealing shut the pastry, the fork marks that suggest love and family and hope.

Oh, how I love those blessed fork marks!

Yes, that’s what I need to do. Make some home-made sausage rolls. These will solve my existential crisis, and correct my view of the world on this hot, punishing day!

Right, where’s the mince and pastry and my precious fork?

Hang on. Just as soon as I’ve had a restorative nap and watched the cricket.

wp-1578025495482551236845.jpg

2

Christmas (Baby Please Come Home) by Darlene Love

1963

The 22nd of November 1963 was a dark day in American history, but also one of the brightest too. Their president, John F. Kennedy, was assassinated in Dallas, but A Christmas Gift For You From Phil Spector was released. It didn’t perform well at the time, but is among the greatest festive records, and has now enjoyed both commercial and critical success.

The album has been on high rotation for me and running for just over half an hour, it features The Ronettes and The Crystals. Its songs are secular and mostly covers, but performed with wide-eyed innocence, speaking of mid-Western values, fresh snow and an idealised version of an American Christmas.

ps

They are uniformly effervescent. Produced by visionary record producer Phil Spector using his famous “wall of sound” methodology he described this as a Wagnerian approach and it’s akin to a musical collage. Often in mono, the instrumentation is layered and sumptuous, and influenced the Beach Boys, most notably on ‘God Only Knows.’

hair

Paul Kelly’s ‘How to Make Gravy’ and ‘Fairytale of New York’ by The Pogues are central to my auditory experience of the year’s penultimate week, but not that nameless aspirant squawking at the Sidney Myer Music Bowl in front of those sleeping babes during Carols by Candlelight. You know the one: she came seventh in season 6 of X Factor and is now upsetting Alf in Summer Bay. At time of writing I trust the cryogenic defrosting of serial baritone warbler Dennis Walter is on schedule.

‘Christmas (Baby Please Come Home)’ is the highpoint of A Christmas Gift For You From Phil Spector and rightly assumes an elevated position in popular culture. It’s performed by Darlene Love (a minister’s daughter) who like Aretha Franklin, Whitney Houston and Marvin Gaye learnt to sing in church.

And what benefits her religious upbringing has brought us! Sadly, for your correspondent, a sustained childhood in Kapunda’s St Rose’s Church, with a suitably pious stint as an altar boy, provided me with no vocal assistance as my ungodly atonality attests.

DL

In addition to Darlene Love performing it for thirty consecutive years on Letterman it’s used as a dramatic counterpoint in Martin Scorsese’s acclaimed gangster film Goodfellas. Robert De Niro’s character Jimmy (of course) has just pulled off the country’s biggest ever robbery at JFK airport, the so-called Lufthansa heist, and at their Christmas party various mobsters are bragging about what they’ve bought. Jimmy is upset. They need to keep low.

What did you say? You being a wiseguy with me? What did I tell you? What did I tell you? You don’t buy anything, you hear me? Don’t buy ANYTHING!

Despite all its sweetness and joy the song generates jukebox menace as we know there’ll be ugly consequences. It might be Christmas, but someone’ll get wacked! After all, De Niro’s involved.

heist

This aside, it’s a gorgeous, uplifting track; rollicking along in an irresistible, up-tempo way that evokes connection and fireplace closeness. I reckon if you listen carefully, you can also hear seventeen-year-old Cher singing backup vocals. It was among her first jobs.

But in 1963, back when our planet was alive with youthful promises of the space age and small-town purity and neighbourly generosity, Darlene Love gives an almighty musical performance.

Go on, play it as you enjoy Christmas lunch. The pudding will never have tasted better.

https://www.youtube.com/watch?v=exSDgA9eMtU

0

This (first love) life

typewriter

She appeared at the doorway, and said hello.

Like most boys at thirteen, his youth and inexperience in the world rendered him essentially inarticulate, but within him something profound spoke, as it would every time he saw her across the next four decades.

She was summery: pretty swirling dress, tennis shoes, hair in pigtails. She was cute, unaffected, curious. Fresh cheekbones, wide smile, bright eyes. She came from the city she said. Magill. He’d heard of it, but couldn’t place it on a map.

He found her electric, but smartly aware of her surroundings. She had a compelling voice. It was melodic, confident and engaged him as if he were an infant. In his universe it would ultimately occupy an exalted place. Its warmth blanketed him in previously unidentified ways, and made the space around him melt so that all else vanished. It was a voice from which he’d happily never recover.

It was the first quality about her that he loved.

A cloudless November day, the little primary school room was empty. His former art teacher invited him to run a disco at the annual fete, so he’d brought his cassette player and it moved along with songs from Grease, Saturday Night Fever and other tunes of the day.

cassette player

Involuntarily committing this moment to memory, his higher-self took charge and the infinite, twinkling stars comprehended more than he, as we need stars to do. Over the years he’d return to that enchanted sliver of time and space, and strain to recall the detail.

But he had no cinematic vision, no snippets of dialogue to replay in his mind. Just a knowing sensation below the crust, the lithosphere, the mesosphere, in his now-surrendered inner core.

With the trajectory of a distant comet, prodigious events were at that point set in silent motion. He couldn’t see them, and of course this knowledge would have been both comforting and terrible in its certainty.

Cosmology intervened and before she left, he had subscribed to her orbit. How remarkable that his short life had been a rehearsal for this dream role. He was unaware that he’d already been cast.

She was with him in that wooden room for eleven minutes.

kilimanjaro

His molecularity, his neurology, and his fledgling heart now had a brief meeting. At its conclusion they all nodded towards each other. Let the record show, they chorused, that this would be the defining moment.

Later reflecting that he could scarcely list the actual beginnings of any key relationships, this one would stand above all others like Kilimanjaro above the savannah.

He was thirteen.

Although it wasn’t an urgent and consuming affection, he knew it was a significant encounter, unlike a meteorite which collapses to earth, and is forgotten, for it was more substantial than that.

They were to be classmates and friends and inescapably connected. High school’s happy days extended out beyond their immaculate horizon. Then would follow university, other loves, travel, kids, sadness and the wider planet.

She skipped back out through that doorway, and he was happy he’d see her again soon.

And so, he fell in love with her.

Their story had begun.

comet

0

Pub Review: The Lighthouse Wharf, Port Adelaide

imag07631482442971.jpg

Lighthouses have significant symbolic power as they represent saving innocent lives, but also those lost to the infinite power of waves. Tributes to consuming love and optimistic simplicity, lighthouses are also emblematic of aspirational elegance.

Besides, who hasn’t entertained the thought of a month in one, with the person of your dreams?

According to them internets Australia’s lighthouses are variously classified as: active, deactivated, destroyed, automated, solar-powered, survived cyclone Tracy, abandoned, struck by lightning, and my favourite, kerosene-driven. Is kerosene still available? I hope so, and might later pop down my local servo with a rusty tin and get some, just to keep in my shed.

With its suggestions of whale-boned corsetry Lady Bay Lower Lighthouse in Victoria is an evocative example while Malcolm Point on Lake Alexandrina features the country’s only inland lighthouse built to support River Murray trade. I can picture Sigrid Thornton frowning beneath its towering majesty in a big frock and bonnet. It was turned off in 1931.

imag07661163646156.jpg

South Australia has 27 lighthouses and there’s one on the Port River following its relocation in 1986. Red and white, cast iron skeletal and hexagonal, it stands 82 feet tall and is adjacent to the Lighthouse Wharf Hotel.

Drifting in around 5 bells as part of my now annual visit to this part of town I’m impressed by the light and breeze and welcoming mis en scene, all exposed brickwork and craft beer taps. I mention Greg Phillips the former publican, Port Magpie powerhouse and sire of Erin Phillips, herself an icon, but the bar staff reply

“I’m only new.”
“Check with Nick. I’ve only been here a month.”
“Greg who?”

Waiting for my $5 happy hour pint of Coopers Pale Ale (delicious and inexpensive) I note a poster advertising the pub’s Trivia Quiz Nights. I can only conclude that these include questions like

What is the most common form of trivia?
Did Shakespeare use the word trivia in any of his comedies?
What are the top five topics for trivia in Moldova?
Should pubs avoid tautology in their marketing and have either trivia nights or quiz nights?

lighthouse

Old mate Bob and his lad Jack join me out the front and we take in the Customs House, sailing ships and knots of punters (maritime metaphors are compulsory down here) who are also in their Thursday, Adelaide Test eve, chirpy cups. Jack has a Coke and a bag of chips, which is surely all that an eight-year-old needs after basketball training and with a mere month until Christmas.

Nautical suburbs are inescapably compelling and Port Adelaide, with its tangle of narrow streets and grand architecture, is wonderful. However, its promised rejuvenation seems a way off. Bob and I agree that a key strategy must be to increase the local population with affordable housing.

The Hilltop Hoods are playing in the background and urging us in myriad ways, to myriad unforeseen destinations. We have another beer.

imag0770-1792180963.jpg

Lighthouses feature in music too. British prog-rock pioneers Van der Graaf Generator have a song in their sludgy catalogue called, “A Plague of Lighthouse Keepers,” a ten-part, 23-minute concept piece ruminating on the complexities of lighthouse keeping, what with all those storms and ships smashing upon jagged rocks and sailors perishing. But it’s not blasting over the speakers in this beer garden today.

I prefer Sydney troubadour Josh Pyke’s paean to these beacons called, rather unconfusingly, “The Lighthouse Song.” It’s about the beauty of binary and the need to flee a crushing planet.

So we are moving to a lighthouse, you and I
While seas drown sailors, we’ll be locked up safe and dry
And though our doors may knock and rattle in the wind
I’ll just hold you tight and we’ll not let those fuckers in

We vow to return soon. There’s much left to experience such as a meal hopefully not featuring a schnitzel inexcusably crushing its desperate bed of hot chips, live music, and that most potent symbol of great hostelry, the giant connect four game in the beer garden.

imag0771-786794450.jpg

0

Beer Review: Bitburger 0.0%

Imagine the worst beer in the history of our bluish green planet.

Horrible, isn’t it? Ghastly, offensive, and a reminder of all that troubles you. You shiver, involuntarily at the memory.

Now, imagine it again, but make it twice as bad.

Ladies and gentlemen, Bitburger, Alkoholfrei 0.0%.

Gritting my teeth, I sat down to begin my work. Tried to unscrew the cap. No. Bitburger, like computer, says no.

I needed an opener. Or as my old mate Dick used to call them a Bill Lawry.

Why would they make drinking these beer-free beers difficult? Maybe, I’m thinking, there’s deeper magic at play here. The brewers realise how dreadful they are, and are trying to save you from the horror. In a weird way, they actually care for you and your well-being.

No, they don’t.

The aroma is distinctly Bitburger: sharp, aggressive and confronting like the stocky, pimply Year 10 boy who tries to intimidate you on your first day of high school. All snot and snarl. But, unlike Bitburger, there’s a chance that once you get to know the boy and perhaps play footy with him and listen to some Supertramp records together, you’ll become friends.

Once, years ago, up in Clare for the October long weekend, old mate Bazz asked me to buy us some beer. Looking back, I must’ve been suffering undiagnosed concussion because I returned with a box of Bitburger.

With pure hearts and expectant smiles, we cracked a couple open and taking a sip, Bazz then remarked, “Buy any of this ever again, and our friendship is over.”

He meant it.

I glanced downward in shame. I then looked over at the beer. Mmm. Only twenty-two were left. A sullen pall settled down on us. In time we recovered, and earlier this afternoon, and without adult supervision, I bought one for scientific purposes.

And dear reader, to spare you the awfulness.

At this point in the review I’m tempted to insert a string of metaphors to describe the taste of Bitburger 0.0%. I could write about it being like making love in a canoe (again as Dick says) or that it’s for bathing in and not drinking (as Andrew says) or I could invoke German high culture with reference to Bach and Wagner, and Mozart and sauerkraut and then speak of the global disgrace that this beer is, but I won’t.

It’s simply terrible.

So, I spent the curious sum of $3.09 on this, and now my social responsibility in warning you of this is done. Taking the bottle to the recyclers will net me ten cents and when the young man hoicks the bottle into the crate the sound of smashing glass will be akin to sighting the Brandenburg Gate on a summer’s day or hearing Ride of the Valkyries.

Don’t. Do. It.

Excuse me now and thank you for reading. I need a Coopers Sparkling Ale.

Continue reading

4

Sausage Roll Review: Banjo’s, Moseley Square, Glenelg

Approaching the bloodthirsty climax of Francis Ford Coppola’s Vietnam War tour de force Apocalypse Now there’s a scene in which Colonel Kurtz: bloated, monstrous, world-weary, insane, hidden in the jungle dark, murmurs to his would-be assassin Captain Willard, “Get me a sausage roll.”

Sadly for film aficionados this didn’t make the final edit, but the idea translates into contemporary living.

With thoughts of luncheon foodstuffs swimming before me like the haze of the Mekong River delta I ventured to Moseley Square, which hosts a new bakery, named Banjo’s. Like fruit bats or swine flu South Australia is the final challenge in their plan to colonise our country.

It’s a bright and spacious retailer with swarms of tables and chairs and a large menu board. The first problem occurred as I peered into a glass display case, otherwise warm and oddly exciting.

A cheery, young thing hovered behind the counter.

“Someone chopped all your sausage rolls in half,” I noted.

“This is how we make them,” she retorted rather obviously, I thought. A bit like saying, “Ouch, that hurt,” when a white pointer makes off with your favourite leg.

“Oh.” I wasn’t keen on an argument, just a full-sized sausage roll. They were all squat and abbreviated. What fresh madness is this I moaned inwardly.

“We have an offer,” she continued eagerly, entirely unlike Bill Murray’s character Phil in Groundhog Day. “You can buy three for $5.60.”

This seemed better than a half sausage roll for $2.70, so me and my gizzard signed up.

Francis Ford Coppola himself would’ve enjoyed the mis en scene of my outside table, two happy dogs and Glenelg’s seaside square, on a spring afternoon.

I sat with my trio of sausage rolls which might’ve been described by a minor character in Apocalypse Now as trio de petits pains aux saucisses.

I began modestly, with the traditional version. It was appropriately hot and the pastry was flaky and sweet, but not sweaty as it can often be at times. Taking a bite I examined the innards. It was alarmingly pink and pale, and I must report, tasted just this way. If I ran a photocopying franchise, I’d analyse it as being a crappy copy of what must be an insulted, once illustrious original.

A sausage roll should possess subtle spiciness.

Coming in after this golden ball duck, the next batsman was nervous. It was curry and chickpea. Yes, in a sausage roll. Does this strike you as being overly-ambitious for a common or garden sausage roll? It did me, but I found it pleasant enough to endure, although I’m unlikely to venture there again, which is what visitors say about the North Wagga Wagga RSL.

The dogs next to me continued to show interest while their female owners chatted. Apparently Corey had disappointed Kylie. And not for the first time either. In fact, he had been poorly behaved for a while. Move him on Kylie I thought. You’re better than that.

About my third sausage roll the bakery server (Hello, my name’s Siobhan and I’ll be your server today) said, “It looks like a sausage roll but tastes like a pasty as it has the same ingredients.” She smiled at me and I wept for the future.

Sweet Jesus I said to myself (if there’s kiddies watching flip the screen down now). What the actual fuck are these people doing?

Happily my inner monologue stayed just that.

I ate it outside in the warm sun, and you’ll be comforted to hear that it tasted just like a pasty although like a shape-shifter in a dreadful teen horror movie it was dressed up as a sausage roll.

Why?

Having set off earlier with pure intentions and a simplicity in my heart, my dream of a single, uncomplicated sausage roll had become overly complex. Banjo’s had not been in tune.

No wonder Colonel Kurtz went mad.

 

imag0723-18907121.jpg

 

 

2

The Uplifting and Unparalleled Uraidla & Summertown Show

imag0679-743213883.jpg
Entering the showgrounds Alex (A1) and his friend from up the road, Alexander (A2) commenced an eating marathon, or in truth, sustained the one started in the car.

First up were snow cones, a marketing triumph of crushed ice drenched with hallucinogenic Cottee’s (I hope so) cordial. Using eleven cents of ingredients it retails for $5. But, as they say in Brixton, the boys were well pleased.

It was an Adelaide Hills spring day with crisp air and clouds rushing. We kept our eyes skyward and there was a tree-climbing competition on a massive gum, whose sturdy girth meant it had a fair grip o’ the earth.

Our home town of Kapunda recently hosted an international climbing event at the duck pond sponsored by the Crimson Bovine energy drink which I imagine exactly zero of the competitors enjoyed before, during and after competition. However, Claire and I agreed it was excellent to see the difficult work of arborists codified and celebrated.

tree climb

Setting the boys adrift Claire and I took in the stalls run by passionate backyarders. With foodstuffs, handicrafts and all manner of rustic enticements The Onion Factor caught our eye (and nose) and its vendor loved her onions and encouraged these into relish, sauces and pickles. Recommended.

While Claire went to the toilet/restroom/bathroom/bogga (strike out those not applicable to your cultural context) I along with many others in a loose church of haybales listened to a woman giving a talk/quiz on vegetables.

It was disconcertingly compelling and displayed the conditions necessary for a cult. The leader stood on a stage clasping assorted produce as we gazed dead ahead, unblinking and transfixed, drool appearing on some.

“Who can tell me the difference between squash and zucchini?” Narelle’s hand shot up, like she’s four and a people-pleaser.

And then, “What’s the name for this odd-looking vegetable?” Immediately, Doreen, late fifties, eager, bleats out, “Pimply pumpkin.”

It was like an old science-fiction film, but without the primitive laser beams.

US3

Mercifully, Claire returned before I renounced my former life and surrendered my shoes and bank details.

With A1 and A2 back we made a slow lap of the oval, admiring the marquees, footy and netball club stands, book counters, and local church volunteers giving away cakes and biscuits.

By the cricket pitch (hard not turf) was a gazebo and under it a business was selling a dozen queen-size mattresses. Claire asked, “Who comes to a show to buy a bed?” I hoped at least a couple couples, but thought it unlikely. “Righto kids, let’s go to the show. You can have a toffee apple and go on some rides while mum and dad head to short mid-wicket on the town oval, and buy an ensemble. Later tonight, we’ll try to make you a sister.”

The cult of the Adelaide Hills wineries now draped its inescapable charisma over us, and we discovered ourselves on some stools sipping CRFT winery droplets. Situated in Carey Gully, I was taken by the Grüner Veltiner, an Austrian varietal that was snappish and elevating, suggestive of apple and autumnal breezes, perfect for hot afternoons down on the plains.

Detecting a yiros van on the half-forward flank fence we became fixated. But, taking a break from their eating Olympiad A1 and A2 later told us the yiros was gone. They scarpered off on their quest to leave penniless.

imag0680-1411553016.jpg

Not wishing to queue with the BBQ van crowd we opted for the pasta truck. Reading the menu board Claire (a polymath) said, “Do you know what puttanesca means?”

I did not.

“It comes from the Italian for prostitute. It’s an appropriately frugal dish,” she continued.

Contemplating the Venetian vamp diet, we both ordered the carbonara. Claire had a kid’s serve ($7) while I went the adult ($12) although as near as we could tell for my extra coin I’d received three additional tubes of penne.

With local red wine in our stemless glasses (still unsure about this) we claimed our chairs by a wooden crate as on the back of a truck The Finns sang Irish songs. In a massive iron bucket, a fire was blazing, a nearby infant and his chin and his cheeks relished his spaghetti (sketti), close to us a dog slept, and off to the side a toddler was stumbling about with her dad in outstretched pursuit.

It was an idyllic location and reminiscent of a Zeffirelli mise en scene.

Accompanying our merlot and pasta were stirring renditions of “Dirty Old Town” and “Black Velvet Band”. One of the backup singers rarely even used a tambourine and was more interested in his Coopers Pale Ale than harmonising, which I could partly understand. Doubtless, he’ll be asked to leave the band by Christmas, due to musical differences. However, the girls on the double bass and banjo were excellent.

The Finns comprise nine folk and vocals are shared although one male chased but couldn’t catch the correct key. Claire noted he wasn’t quite Meatloaf at the grand final, but if he parachuted onto a cannibal island and started warbling, by the first chorus of, “We’re Bound for South Australia” they’d have the pot boiling.

But it was a splendid afternoon of food, wine, music and mattresses. It’s how they love it in Ireland, Italy and Uraidla.

 

US2

 

 

 

2

Pub Review: A Story from the Story Bridge Hotel

gem

The waitress plonked down two Beef and Guinness pies, but my food envy was immediate and crushing.

Like a grinning fool I had ordered mine with chips and coleslaw, but ever the better judge, Claire went with mash and green beans.

Bugger I thought.

It was strangely wintry Friday in Brisbane with the temperature pathetically marooned in the teens (some would suggest not unlike my psychology). Flying in from Mackay like characters in an old Paul Kelly song a tropical storm threatened.

SBH1

Appropriately, we were in the Shelter Bar of the Story Bridge Hotel with our dear friend Stephen. We all went to Kapunda High, but it had been years since we’d sat around a pub table. Working in aviation he’s lived in Queensland for many a decade.

Continuing my misappropriated maxim of act local, drink global I opted for a Balter XPA, brewed down the road in Currumbin, while Claire chose a house white. Mine was tasty and compelling, but it was late afternoon on a Friday; a time when I’ve been known to stick my bonce in a sheep trough and come up smiling.

At school and in those golden years immediately following we were close with Stephen. He owned a new lime green Gemini. It had that most miraculous automotive accessory of the late twentieth century: the sunroof. Which when coupled with a Midnight Oil or Australian Crawl cassette made for unparalleled exhilaration on, say, the straight stretch past Freeling in transit to Adelaide Oval.

SBH4

Dining and sipping Stephen reminded us of the old Story Bridge boozer. “It had low ceilings. Was always smoky and sweaty. I saw many bands in here. It’s one of a few iconic Brisbane pubs.” Looking about all was glass, polished timber and shafts of light. I wondered if the renovations had robbed it of its rough charisma, and imagined that I could be in Perth or London or Singapore.

Then I spotted a brush turkey pecking a chip in the beer garden. Perhaps not.

Our pies were magnificent.

The meat was tender, the pastry was suitably flaky and inviting to both fork and mouth, and the caramelised onions slumped over the lid were a zesty, brown treat. My coleslaw was a little bland; a result of over-reliance upon cabbage in the same way that if Prince Charles was a sole after-dinner speaker, then the entertainment might be wanting.

Claire’s mash was pinnacle potato. Of course.

Immediately upon collecting us at the airport I recalled why we’d been friends with Stephen. He was interesting, thoughtful, witty and generous. Although it’d been years, too many years, we chatted as if one had simply ducked into the loo and re-joined the circle in Kapunda’s Clare Castle Hotel.

brush turkey

We spoke of the re-emergence of vinyl records and Stephen’s proud purchases including Daddy Cool and Captain Beefheart’s Trout Mask Replica which like Van Morrison’s Astral Weeks was an album that only revealed its curious but profound charms when our adolescence was safely in the rear-view mirror (of the Gemini).

We had another drink. I stayed with the Gold Coast’s own and Claire switched from house white to house red. This was catastrophic (in a decidedly first world way) with the wine undrinkable, even, I suspect, by alcoholic cats. I wondered about the marketing potential in travelling about our vast country, and cataloguing and reviewing house wines for a specific, perhaps, caravanning audience. As my old Wudinna mate Dick would say, “It’s a pissabolity.”

Having moved easily and happily between the present and the recent and not-so-recent past it was time for us to go. It had been a wonderful afternoon of nostalgia and news.

Kangaroo Point’s Story Bridge Hotel is a superb place for old friends. Especially those who shared many a moment in a lime green Gemini.

SBH3

4

Pub Review: Dingo Pub

fb_img_1570680300348-998565849.jpg

Rodney splashed more chardonnay into the glass.

Moving about his bar with suppressed nervous energy, he now declared, “As I’ve filled it above the line I’m obliged by Queensland law to inform you of this because you mightn’t want the extra wine.”

Unsurprisingly for a Kapunda girl, Claire dismissed that idea with a, “No, thanks, that’ll be fine.”

It was around 2pm on a Tuesday in Dingo Beach. We were in the Whitsundays. We had explored the beach- the tide was out- but did not swim because of stingers and Irukandji jellyfish. I had read that Irukandji jellyfish actively hunt their prey. I had little interest in becoming prey to a tiny, blobby marine killer, especially as Glenelg had just won the SANFL premiership.

dbp

Rodney has four beers on tap: XXXX, XXXX Gold and two types of Great Northern.

Generally, I have limited truck with these, and might’ve opted for a stubby of Coopers, but surely the traveller’s obligation is to be brave and try to experience life as a local.

So, I took a deep breath, steeled myself and heard these words fall, haltingly, from my quivering gob, “I’ll have a pint of Great Northern, thanks.”

I felt unsteady on my thonged feet. To offer her support in this difficult circumstances, Claire rubbed my forearm kindly.

The kitchen had shut so we had an impromptu lunch of cheese and dips and olives at our beer garden table. Rodney did not mind.

A few other Tuesday patrons drifted in and mostly headed to the smoking section. There were older men with orange shirts and ghostly goatees. On the tree between us and the beach a riot of kookaburras took up brief residency, announcing their arrival with brash, Motown song. Then they flew off, possibly seeking Coopers on tap.

imag0629-1437322261.jpg

Our Mersey cheese was tremendous. It really is the Allan Border of cheeses: predictable, attacking when required; defensive if needed. I stuck another piece on my Jatz (traditional not pepper).

On Sunday we’d bought some supplies in Mackay and seemingly both possessed by one of lesser demons in The Exorcist, stuck some rosemary and gin olives in our trolley. In appropriate contexts all three are excellent, but put together and Father Karras can’t save you or Regan, despite the power of Christ.

priest

The tub was swiftly despatched to Rodney’s beer garden bin. Apologies to the bin. Apologies to Rodney. Bins deserve better.

We spoke of the town, its wide beach and family-friendly foreshore with playgrounds and barbeques and endless picnic tables. We were both taken by the islands dotted about the ocean. Coming from South Australia our experience with off-shore land masses is largely informed by Granite Island. Switzerland is better served by islands than us.

Keen to swim Claire asked Rodney of this and he began his repetitive, circular discourse: ”Well, me and my kids go swimming all the time without stinger suits. But I don’t want to tell you what to do. You might get stung and come back and sue me.”

DB

Claire nodded.

Easing into his work, like Keating and the Redfern speech Rodney continued, “Me and my kids go swimming all the time without stinger suits. But I don’t want to tell you what to do. You might get stung and come back and sue me.”

Claire excused herself, having developed a sudden taste for gin and rosemary olives (albeit in the bin).

And my pint of Great Northern?

It was cold and flavoursome and the head was creamy and inviting. In its proper context at the Dingo pub it commanded the stage with quiet confidence.

It was utterly delicious and, of course, now back in a shoe-wearing state, I’m unlikely to ever have another.

About half an hour from Airlie Beach, the Dingo pub is a must when in the Whitsundays.

dp2

2

A Love Letter to the Clare Golf Course

imag0480-81659870.jpg

In the world of cinema it’s known as mise-en-scène and refers to the poetic arrangement within a camera shot. This embraces composition, sets, props, actors, costumes, and lighting and is designed to evoke certain audience reactions.

Indeed, golf and film might share this idea, if not the term, and the seventh hole at Clare in South Australia’s mid-north valley is beautifully-constructed visual art. Set among fetching hills and riesling vineyards on the town’s outskirts, the course speaks of the joys of nature, our extraordinary privilege, and the enduring value of connection.

Last Saturday dawned brisk as it does approaching 1300 feet above sea-level, but after breakfast the sun was breathing balminess into the earth and onto our faces. It was wispy-cloudy and the kindest of breezes moved about the trees. The AFL grand final would commence mid-afternoon and we’d claim our spot by an open window in the Taminga pub.

imag0478387115478.jpg

If a golf course presents a narrative then the fifth is a memorable scene. With driver or three-wood from the tee care must be taken to not drift right as an out of bounds vineyard awaits patiently growing fruit. For some these grapes represent golf’s truest occupation: a long walk before a crisp cup; a healthy delay until Bacchus takes considerable charge.

Never mind that it has been deceased for decades, but the ghostly eucalyptus guarding the fairway fringe is a mighty reminder that perhaps golf should be of only minor consequence during a round. If there’s painterly beauty and awe in death, then this tree could be it, all cryogenic limbs and leafless silence.

imag0477-671463525.jpg

Like Mediterranean sailors and the sirens’ call most of our group’s Hot-Dots are lured to this solitary gum. On the green as Mozz lines up his long, curling putt I whisper to Claire, “Golf can be like being at war with yourself.” Mozz leaves it about ten foot short. I lean in again, “He might be losing.”

But, of course, we’re all winning.

If we continue our theatrical theme then the next hole is a climactic point.
The preceding holes have climbed quietly and the seventh tee is the natural and dramatic pinnacle, providing a vista over the course, Inchiquin Lake and the drowsy township. Sevenhill, Kybunga and Polish Hill hug the horizon.

However, looking down at the hole it’s astonishing how much it communicates. The original course architect must have smiled as he imagined the simple challenge; how he must have nodded at his good fortune to conceive this marriage of human invention and astounding nature.

It’s an unforgettable golf hole.

imag0482-1696066031.jpg

130 feet below in the amphitheatrical apron a willow sits patiently by the wide green.
A nine iron only from off this cliff and the ball hangs frozen in today’s azure, before gravity escorts it back to earth.

One of our ensemble, Paul, fluffs his shot and lands in the rocky creek bed that twists like a reptilian. Amid the banter I’m aware that his tiny calamity is emblematic of our huge luck in being here, in the morning air with full bellies and endless ease.

Like the sport itself it’s a hole that invites optimism (surely the golf bags of the pessimists are dusty at the back of countless garages), but condemns arrogance and only one of our group, Bazz, finds the outwardly impossible-to-miss putting surface with a shot in this grand context that’s humble and reverential.

There’s nods, and staccato yelps of, “Nice” and “Yeah, done Bazz.”

imag0479-771983200.jpg

Our electric carts whirl down the goat-track through the scrub and bush, and the seventh green materialises as a verdant altar. Birdsong is both hymn and soundtrack. As we exit Clare’s golfing cathedral and go to the eighth, scores are confessed and then forgotten.

We press on through the laughter and the brief disappointments, and as it should, golf performs as a prop for poetic connection and conversation.

taminga

3

Our Grand Final

ROAR

Less than a minute in the umpire blew his whistle to pay a holding free kick to Glenelg, and from a few rows behind us came the comforting, Pavlovian yelp, “He’s been doin’ it all bloody day, Ump!”

A convivial tone now set in the bottom deck of the Fos Williams Stand at Adelaide Oval our afternoon unfolded in exhilarating fashion. Even the subsequent Popcorn Chicken Incident served as a petit carnival of community and generosity.

Footy jumpers, scarves, caps and t-shirts in Port and Glenelg colours smeared across the outer like a monochrome Monet, and with the crowd split evenly the atmosphere was enthusiastically tribal, but also exhibited an unedited defiance of the AFL, in celebration of local footy as it was before we capitulated to national (Victorian) interests, and permitted our suburbs to be annexed.

imag0428-637066473.jpg

Admittedly, I’m also an Adelaide fan, but there’s a deeper, elemental quality about your footy team having its own discrete place and particular geography. Last Thursday I walked along Jetty Road and about Moseley Square, buoyed by the balloons and streamers and team posters in the windows. However, in this city the Crows are both everywhere and nowhere. They have no earthly claim; no Alberton, no Patawalonga.

The pre-game concert is another ritual, and I loved You Am I in 2015 with footy-mad Tim Rogers up front siphoning Pete Townsend and Ray Davies. Local outfit Bad/Dreems are energetically gruff and glug West End Draught as they romp through their set. The drummer sports the prison bars of a Magpies guernsey.

imag0431-1-1976798487.jpg

History always hovers at the SANFL grand final. Former stars Peter Carey who I pass walking his dog on the esplanade most mornings and Greg Anderson, whose timeless locks are surely in the Mullet Hall of Fame (next to those of Billy Ray Cyrus) do a lap in a ute while clasping the premiership cup, and both relish the sunny applause.

Glenelg skips away early. Their tackling has jungle ferocity and as if channelling the glory days when footy was only on boxy black and white Pye TVs, they kick long into their forward line.

Port are flint-hard and the twenty years since they’ve won a flag must present as volcanic outrage. They harass and coerce, but the Tigers use crafty handball to dominate possession.

For Magpie fans the unknowable has arrived, and nineteen excruciating minutes elapse in the second quarter before Frampton comes alive and they register their afternoon’s first goal.

imag0430-717184147.jpg

Alex and Max and two of their primary school mates are as unrelenting in their eating as Glenelg is in their attack so I muster extra supplies. Juggling food worth the GDP of a small Pacific nation I shuffle back down aisle 133 as Marlon Motlop kicks a clever goal, and a rejoicing fan’s arms shoot out periscopically and clock me. Instantly, it’s raining popcorn chicken all over the concrete steps and my person. I’m a friendly-fire casualty.

The colonel can’t help me.

The Glenelg fan apologies saying, “Can I buy you another one of those?”

My automated response is a polite but stunned, “No, mate it’s fine.”

I surrender the surviving chook to the boys who are wholly unsympathetic to my fiscal, social and psychological loss, and inhale them. Old mate comes down and announces, “Mum feels badly so she’ll get you some more chicken.” Claire and I nod thanks. He’s about forty years old. Perhaps he’s already spent his pocket money.

imag0467-1614902830.jpg

Another most kind witness to the Sudden Chicken Storm appears with a box of popcorn poultry, and says, “I felt very sorry when I saw what happened. Some Port fans started laughing.” She hands these over, and before she can reclaim her seat, the boys have slurped them up. So, the kindness of strangers gladdens our hearts, if not our arteries.

Claire is bemused that my only contributions to the stadium noise are the binary and monosyllabic, “BALL!” when a Magpie player has had too long and, “YEEEAAAHHH!” when we kick a goal. On advice of my singing coach I ration these, but come Monday morning my vocal stylings are still more Joe Cocker than Tiny Tim.

The clouds dart and race, and we alternately soak up the sun and then shiver. Glenelg controls the narrative from prelude to epilogue. At the siren the four boys are on their seats shrieking and waving their yellow and black flag. The Tigers club song loops about the arena.

We cross the pedestrian bridge over the Torrens, and then head for home and our premiership suburb, by the silvery sea.

imag0471-647940146.jpg

4

Glenelg fan hilariously heckles Himmelberg

hindenburg

It came from the Sir Edwin Smith Stand.

A booming baritone with a certain gruff, yet worldly quality, it was also evocative of the larrikin 1970’s. If I closed my eyes, I could see spectators in duffle coats with Ebert, Carey and Blight on their backs. Some were wearing black ripples, and eating Chiko rolls.

Its owner knew some theatrical principles and employed expert timing and escalating repetition and like a comedy festival veteran, held his Adelaide Oval audience in high estimation. We thought we were here for the SANFL preliminary final between the Glenelg Tigers and the Adelaide Crows.

himmelberg

A Glenelg fan, the Heckler’s target was Elliot Himmelberg: a stark blonde, tall and imposing Adelaide Crow. If there’s wisdom in going after the biggest enemy, then Himmelberg was it.

In his mockery was an arsenal of cultural and historical allusions.

He put me in mind of the celebrated Sydney Cricket Ground supporter Yabba who bellowed at an opposition batsman from his spot on the Hill, “Send ‘im down a piano, see if ‘e can play that!”

yabba

SCG’s Yabba statue

His opening shot utilised famous fictional wizard Harry Potter, Hogwart’s School, and one of its four Houses, ironically the one best known for hard work and fair play. Following a Himmelberg skill error and turnover the Tigers scored a goal. Shortly after and aimed sharply at number 34 this boomed around the arena:

“Thanks very much. That started with you, Hufflepuff.”

I cackled in my chair. He now had my attention.

harry potter

About a quarter later The Heckler then took his pop references in a more 1970’s and 1980’s direction itemising everyone’s favourite Baywatch and Knight Rider star, and unfathomable German pop icon. With the scores tight he barked at the Crow:

“Try and get a kick, Hasselhoff.”

Students of our game will note that Hollywood’s David Hasselhoff and Port Power champion Justin Westhoff share a nickname, “The Hoff.”

This makes it an especially brutal barb, given that Westhoff has played 268 games and is regarded as one of the best and fairest ever in a Port Power jumper. Additionally, Himmelberg’s team and Port Power are fierce, if not bitter cross-town rivals. For the Crows’ AFL side Elliot’s played but eight games.

The Heckler had moved briskly into stinging satire.

tigers

Laughing to myself on my seat in the Sunday sun, it was excellent unofficial entertainment. Public witticisms always amuse me, especially when wholly unexpected.

I wondered if these were all studiously prepared, in a manner similar to that of the retired AFL commentator, Dennis Cometti, who once observed that Libba, a Western Bulldogs footballer, came out of a collision with a sore head by saying:

“He entered the pack optimistically and emerged misty optically.”

A polished performer The Heckler understood the Rule of Threes, and his finish was impeccable. In this he married a 1937 German passenger airship disaster to a fashionable phrase originating in World War 1 aerial dogfights.

In the last quarter as Glenelg surged towards the grand final his roaring jeer again riffed upon Himmelberg’s surname, and was delivered with sparkling confidence.

“Hey, Hindenburg! Crash and burn. Crash and burn!”

Laughing uncontrollably, I then had to explain to my eleven-year-old and his mates.

“Crash and burn” is a metaphor expressing spectacular personal failure, and the New Jersey zeppelin calamity has continuing global infamy.

H2

The Crows’ forward misses yet another mark

Was the heckling low and inappropriate? Perhaps. Is satirising another’s name poor form? Maybe. Was it different to the usual hollering mindlessness? Undoubtedly.

However, it was an originally funny sequence to hear at a SANFL football match. Having shared it with family, friends and colleagues, days later I’m still giggling.

I’ve not met you but well done, sir.

tigers