2

Pub Review: Sir John Franklin, Kapunda

pub

Noted navy man and Arctic explorer Sir John Franklin contributes his name to this Kapunda boozer which is neither especially naval nor Arctic given the town’s dusty location in the driest state in the driest continent. I doubt this old mucker ever enjoyed a Cooper Sparkling Ale. But let’s not quibble over these minor details.

Franklin had a distinguished career before he untimely extinguished in remote Canada from starvation, hypothermia, tuberculosis, lead poisoning, and scurvy. And, I suspect, from an overly long and grim death certificate.

This should have come as no surprise to him given that his 1819 expedition ended with most of his party expiring following unpleasant cannibalism, or a shoddy diet of lichen and their own footwear. This gained Franklin the nickname of, “the man who ate his boots” which must have been somewhat embarrassing for him at barbeques and footy club progressive dinners.

sir john

Sir John Franklin, in happier times

Happily, neither fellow diners nor Blundstones are on the menu today at this grand old pub. Although on a recent post-cricket visit (I was probably there long enough to have been described for tax purposes as a lodger) I chose not to dine (I was afraid of getting parmigiana on my new cricket whites) while fellow guests Matt Ryan and Fergie Higgins spoke well of the meals and, as grandma would have liked, left nothing on their plates.

To provide some entirely unnecessary, indulgent context the balcony of the Sir John Franklin was the first place I saw and heard that most distinctive 1980’s artefact: the ghetto blaster. A ridiculously enormous silver affair, it was owned by one of the Hutton brothers, whose father George was the publican when I was in high school.

As various HQ Holdens and Valiants warbled up and down the Main Street we supplied the soundtrack which, of course, was the masterful 1980 compilation cassette Full Boar. My affections were torn between Mi Sex and their tune, “Computer Games” and Rupert Holmes’ “Escape (The Pina Colada Song)”. I’m still not into yoga and I have half a brain.

th_cover_front

The front bar features Sky Channel and a TAB, both of which were splendidly embraced on our recent visit by esteemed former local Chris Hayward while he waited patiently for his similarly veteran-statused cricket colleagues. Of course, his investments were accompanied by a schooner of West End Draught, although tragically this didn’t enhance his returns.

I’m thrilled to report that this space within the pub is more than adequate for the compulsory spoofy tournament, or two. The bar stools are ergonomically perfect for this, and for competitors who use the Paul White stand as you play technique, the carpet is forgiving and offers suitable support for those tense moments when you’re in a final against Goose Mickan and you’re holding none, but have called five.

mine host

Built in 1849, the pub has a social club and my research staff tells me that among the office-bearers are former Kapunda Football Club trainer Peter Wenke (no-one ran the magic towel out to the half-back flank with more grace) who in a surprise to your correspondent, was in this very bar late Saturday morning. I continue to love the notion of the pub social club that affords its members a sense of ownership and decidedly human investment. But that’s enough reflection upon the role of social capital in contemporary Australian watering-holes.

Finally, on a personal note I must mention the superb bag-minding service run by the pub. If, like me, you left a small Auskick backpack (borrowed from your son Max) by the bar prior to rambling home late Saturday evening to the Clare Road digs of your mate Woodsy, then the most excellent staff will take care of it until you collect it, sheepishly, Sunday morning. My cricketing colleague Stef can also vouch for this wonderful facility.

So, next time you’re in Kapunda, there’s much to enjoy in my favourite pub named for a British explorer who perished in Canada from a greedy, rather excessive mix of starvation, hypothermia, tuberculosis, lead poisoning and scurvy.

dining room

Advertisements
2

The tomato and me

 

tomato
In this complicated world my most complicated relationship is with that most global of South American plants, the tomato. Of course, it’s a berry, but often functions as a vegetable. In much the same way that we have a Prime Minister who functions as a grinning, baseball-capped, mouth-breather.

Fresh tomato

No, not an amorous salad ingredient.

Here’s the deal: with olive oil drizzled liberally, I love tomato chunks on bruschetta. It’s an indulgence, and perfect entree. However as long as my bum points to the ground, there is absolutely to be no tomato within five leagues of a sandwich (toasted or otherwise) or in a Subway. Again, I implore the various franchisees: six inches is insufficient and twelve is too many. Why not introduce the nine-inch model?

Indeed, my mantra when ordering at the New York underground rail shop is to blurt, robot-like, “All the standard ingredients, thanks. Apart from tomato, which in this culinary context, is particularly repulsive and downright evil. Have a nice day, kindly sandwich artist.”

soup

Tomato soup

One of life’s utter joys. Serve me up a steaming bucket of it on a winter’s afternoon and I’ll then curl up like a cat by the open fire I trust you’ve unselfishly set ablaze and nap, purring away with a warm belly. From homemade to café to the doubtless horrific tinned-stuff, I’m in. As a principally thuggish Essex gang member might snarl, “Bring it.”

sauce

Tomato sauce

As always in this zany life circumstance is king. Now, members of my small and disturbed audience might know that I’m mad for a free park BBQ and especially a well-crisped sausage. And while I can woof these down naked (the sausage, not me as I’ve never tried) meaning without sauce, the one time on this fetching blue planet I can enjoy tomato sauce is on a newly-sizzled snag. It’s just a tremendous nuptial: unhealthy, German-inspired, imitation-meat product, bread and condiment.

However, dear reader, my vision of hell isn’t other people or Room 101 or devils and pointy tridents, but the following catastrophe: fried eggs and bacon, murdered by tomato sauce. Why on earth would anyone want to contaminate an impeccably decent fry-up? Placed together in this unholy fashion, every sense is affronted. It tastes awful, looks like a sudden medical emergency, smells unspeakably and I’m confident, is nightmarish to pat. I bet when it sings it even sounds gruesome like Meatloaf at the MCG.

grilled

Grilled tomato

It must be testament to the powers of ignited gas because I reckon these are also a treat at a BBQ or for breakfast. Cooked in halves is best although I’m quite happy to enjoy a whole one, as the chef desires. I do urge these to not be on the cusp of internally boiling so I might avoid third-degree burns to my mouth and face, and other body parts, for this matter. It can be a lively and fun way to start a Sunday. As the Velvet Underground didn’t sing, “Sunday morning, brings the grilled tomato in.”

So there we go. With our long and frequently difficult relationship, we’re probably a bit like Mick and Keef.

The tomato and me.

mick and keef

 

0

Kapunda Cricket Club: the Comeback

A5's

A bumpy guess says it’s been 10,629 days since I last fronted for the Kapunda Cricket Club.

Moreover, 90+ years, collectively for Tommy, Puggy and I. With Hollis and Stef also donning the drawstring creams we average over fifty. Years, not runs. My cousin Froggy is our captain. He’s played cricket continuously for nearly four decades.

Nuriootpa’s number 2 oval is scandalously slow, and the eastern side caravan park will come into dreadful context later. If I bowl, I fear for the Millards and the elderly gents in white singlets shuffling with their toiletries bags to the amenities block.

Winning the toss, we bat and make a bright opening. Coming in at three and four, Tommy and Puggy (another cousin) bat together. They’re watchfully cautious, but the scoreboard is glacial. From our gazebo an informative voice (possibly mine) inquires, “You chaps know it’s a forty-over innings and not a five-day match?”

Across the afternoon there’s marginal opportunity to sledge the opposition for we’re too busy sledging each other.

I bat for a few overs with Stef.

For many of our teenaged years we spent a summery week down at Port Willunga. There was relentless, fierce backyard cricket with his cousins Nick and Adam. Despite the therapeutic presence of a taped tennis ball this often disintegrated into a physical fight.

Once this tumbled onto the street. Of course, the brothers were at it like a mobile MMA bout, and Stef, spectating bemusedly with me in the January dusk said, “Should we start throwing a few punches at each other, just to fit in?”

Batting is about partnerships. Stef and I do this by scrambling some byes and keeping the scoreboard, as IM Chappell would recommend, ticking over. We turn some easy twos into panicked singles. We urge Kapunda’s score toward the century. It’s great fun to spend time in the middle after many, many years.

perfect

We have a mid-pitch chat. With widening eyes, Stef says, “I’m going to start swinging.” I like his thinking. The ancient leggy tosses one up. On this hard wicket, he extracts ridiculous bounce. I get after him. Like an Adam Scott lob wedge the ball is instantly vertical.

I’m caught mid-pitch by the keeper. For a duck. Can you believe it? A beautifully-compiled duck. Like the slaughtered buffalo in Apocalypse Now, I stagger towards the non-striker’s end, and know, preternaturally, that I should’ve paused inexplicably, allowed him to pass, dropped my shoulder and then decked him, accidently.

Having made just over a hundred, we take the field. Our tally is Invincibles-like given that a few weeks’ back we were rolled for 21 after being 7/7. And that was with the captain and oldest player, Dr Max, making 18. If he’d made zero point zero it might’ve been truly, profoundly hideous.

The next two hours are fabulous fun.

We spend it laughing, largely at each other. There’s a Grand Canyon between my cricketing memories and the rotund, slow-motion parodies trundling, and on this warm Barossan afternoon, listing about in the outfield like matinee ghouls.

Tradition dictates that we establish a Schooner School. In this a dropped catch equals buying everyone a beer while claiming one earns a cup from each participant. Tommy and Puggy argue that I owe all a beverage for my undeserved duck. Froggy shakes his head and says no; the rules must be as they were in 1987. Blood is thicker than beer. Six of us sign the verbal contract.

We take a solitary wicket, dropping three catches which, of course, is great for the Schooner School but not our cricket. After one grassed Kookaburra I giggle rhetorically, “Do you blokes want wickets or free beer? What’s wrong with you?” Today is a celebration of contemporary failure and not just a nostalgic reunion with our sunny past.

Greenock

I bowl from the northern end, which is acknowledged rightfully as the difficult, or as I call it, the heroes’ end. After one exotic and ragged nut, Froggy completes a decidedly athletic and unthematic manoeuvre on the mid-wicket fence to save a certain four, heaves the ball back in to me, and yells at the batsman, “Don’t try to hit my cousin for six, pal!”

The day is going magnificently. Towards the end of my third over I’m cooked. Stef hollers, “You’ll be good for fifty overs, Mickey!” I reply, “Well, yes, but maybe over three seasons.”

As a team, we strangely only sustain one injury, if embarrassment, humiliation and self-satire are ignored. Having been forcibly, if not brutally removed from first slip, Puggy is banished to short mid-wicket when one of my deliveries is punched in his vague vicinity, and with the elegance of a land-locked sea mammal he flops belatedly at the ball, and in an alarming gesticulation which will forever haunt those who saw it, rises ashen-faced, grabs inexactly at his groin and cries, “I’ve done my groin.”

At Nuriootpa number 2 most of us read this as a clear medical sign that he had, in fact, done his groin, at least in a musculature sense. Puggy subsequently spends the rest of the match, evening and financial year hobbling like a knee-capped, low-level gangster in a C-grade mafia movie.

The net result of this groinal misfortune is that he can’t replace me as scheduled at the heroes’ end. Froggy asks, “Can you keep going, Mickey?” I nod yep, assert that my groin is fine, and from cover point Hollis quips, “Heart of a lion, heart of a lion.” Much laughter. A little bit of wee nearly comes out.

We share a post-game beer with our Nuriootpa opponents, including Horrie Moore who enjoyed sustained infamy as the Barossa’s premier fast bowler. As is often the case in sporting demonology he is a ripping bloke.

Stop-overing at old mate Chris Higgins’ Greenock Brewery, it’s bursting with happy Kapunda people who are there for a 50th. We invest an animated hour, and as ritual commands, each fetch a paper-bagged longneck for the arduous fifteen-kilometre expedition back to Kapunda.

me

In Hollis’s Prado are five blokes who’ve triumphed with the stellar sum of six runs and so we endure the ruthless, unforgiving Greenock Road and Thiele (named for Colin) Highway before decamping, more or less permanently, to the historic Sir John Franklin Hotel, located on Kapunda’s main street, which is conveniently named with the Google-friendly nomenclature of Main Street.

At half-eight it is time for spoofy. With nine players it means the potential number of coins is twenty-seven. Given the fiscal incentive to cheat engineer the result (the loser buys everybody a beer, so there’s little change from $100) Dan is summonsed to record the live data: Goose- 12, Puggy- 16, Froggy- 17, Tommy- 22, Whitey- 9, Hollis- 20, Stef- 23, Mickey- 19, etc.

If you’re from Kapunda and haven’t suffered a spoofy final with Goose Mickan then local mythology suggests you’ve not lived, or felt existential pain. I sweat through two finals with my (read: everyone’s) old nemesis and we share the (dis)honours.

spoofy

There’s continuous handshaking and back-slapping and affirming cheer. My fellow veterans and I vow this to be an annual event. We conspire that a 2020 away fixture at Greenock would be ideal, and schedule a late-spring, high-altitude training camp in Denver.

I love being back home.

2

An absolute banger by Grouplove and Tony Martin’s Sizzletown

OB

It was a lovely suprise. A moment in which I rediscovered something I had previously enjoyed. Hugely.

Strolling past the Oyster Bar (or Booga Shop as some call it) down at Glenelg’s Marina Pier, I heard the opening vocals to Grouplove’s “Tongue Tied.” Although it was only released in 2011 I hadn’t happened across it for some time. I stopped to listen.

It is indie-pop perfection. Pop music you say? Well, yes. For the record I freely declare that “Shake It Off” by Taylor (Tay- Tay) Swift and “Uptown Funk” by Mark Ronson ft. Bruno Mars are both genius.

There’s so much I like about this song. The instrumentation is soaring and joyous. It’s fun. Although it has a moderate tempo I reckon it’d be fantastic at a festival. The kids would go spare. There’d be dancing. As our Max says, it’d be lit.

Like much in this genre it’s a celebration of youth and being carefree. The excitement, the bursting life is irresistible. The vocals echo this and are almost shouted with enthusiasm like a mad pub singalong.

The lyrics all speak of teenage hopes and vitality, and I hear these lines and am instantly elevated.

Take me to your best friend’s house
Go around this roundabout
Oh yeah
Take me to your best friend’s house
I loved you then and I love you now
Oh yeah

Best friends. A roundabout. Love. It’s all there. Summery and glittery like the LA beaches of the band’s home town. I’m glad I heard it.

*

I’m not madly into podcasts but one that I love is Tony Martin’s Sizzletown. I’m a massive fan of Tony’s work, especially his radio legacy including Martin/Molloy and Get This! with Ed Kavalee and the late Richard Marsland. The name Sizzletown comes from the Martin/Molloy days late last century when a radio station executive implored Tony and Mickey to take their show up a level or two and add extra “sizzle.”

MM

The premise is great. Although it’s a podcast the concept is that it’s a late night talkback radio programme with a number of recurring callers and guests. Of course, it’s entirely written and performed by Tony Martin himself. It’s technically brilliant too, with the conversations all spliced together in a most natural way.

There’s Dave Clacton who hosts The Busted Nut, a “proper comedy” club in Melbourne’s outer suburbs. “No inner city, latte- loving” stuff on his watch. A regular comic is Barry Dickbags and his show “Cock-Eyed Christmas!” I think you get the idea.

HAL

In one episode Tony talks with HAL 9000, the speaking computer from Stanley Kubrick’s epic film 2001. My favourite part is instead of singing “Daisy” as he is dying aboard the spaceship, Discovery One, he launches into

I got my first real six-string
Bought it at the five-and-dime
Played it ’til my fingers bled
Was the summer of sixty-nine.

An excellent character is Nils Nyquist, the elderly gent haunted by suburban paranoias including a fixation with nanobots. He has a stereotypical lisp and aged voice, but towards the end of their chat Tony asks him what records he’s been playing. Nils is clearly a man of about eighty, but his musical tastes are decidedly youthful. It’s funny.

“What are you listening to?”

“Just a bit of shoegazing.” (early 1990’s alternate music characterised by its ethereal-sounding mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.)

“Anything else?”

“Some dubstep. I also listened to the new single by Aphex Twin.”

“And what did you think of it?”

“Oh. It’s an absolute banger.”

I reckon Nils would also enjoy “Tongue Tied” by Grouplove.

sizzle

0

Eleven

alex 1

You and I were both up early on your birthday. I gave you a hug and a kiss and said, “Happy birthday Alex.”

You sang, “Dad, I’m so happy to be eleven!”

*

Of course, you’re embarrassed by Dad’s music. You don’t think much of Fleet Foxes or Vampire Weekend, but you like Lana Del Rey, and Ben Folds is our road trip soundtrack. Every time. We turn it up loud.

In the same way there’s days you love the Old Gum Tree Park, and other days, when not so much. You swing between being a little boy and an almost teenager who, some might say, can be a little demonic! I guess your emotional vocabulary is developing, and this isn’t always easy to spectate. But I mean this in a kindly way.

It’s what happens when a boy is eleven.

All you wanted for your birthday was a lunch at an all you can eat restaurant (term employed loosely here, I think) so off we went to Charlie’s Diner at the Brighton Metro. As I’d been at a conference Saturday morning I arrived late and you’d all eaten.

alex 2

Where Max had sat appeared as a site in Pompeii when the tables and houses were frozen forever as the lava struck. There were plates and drinks and bowls, all with just a sip or bite taken, as if Vesuvius had burst through. It wouldn’t take the archaeologists long to discover whose meal this was.

I loved that you and Max immediately took me on a tour about Charlie’s to the bains-marie as you both pointed out the endless offerings.

“Dad, here’s all the pizza! There’s the Asian food.”

“Look at all the chips. They’re pretty good.”

“Right now, come to the dessert bar. Around here. You can come back as many times as you want!”

*

You’re a beautiful big brother. As one of the people down the park said to me last week- “Alex is caring, and tries to look after his younger brother- I don’t think Max listens too well.” But you do laugh at and love him as we all do.

I become misty when I think of you both in fifteen years. I can see you at the Ashes cricket, or at a music festival (I think you’ll come around to Vampire Weekend), and I know you’ll be there for each other. There’ll be knowing nods and gruff exchanges and glances across the pub just to check on your best friend, your brother.

I know you love him with gentle ferocity.

boys

Your humour makes me happy. Just like an eleven-year-old should, you laugh at YouTube and those crazy physical dares and stunts that are all a bit Three Stooges, but I also love how you watched Frontline with me- and can quote the clueless current affairs show host Mike Moore, and at random times around the house you’d say, “Mmmm. Martin Di Stasio there with that disturbing report.”

I love that you roar instantly with me at Mad As Hell when Micallef features one of his fake promos, for funny ABC shows like

The Rise of Hollywood’s Power Mice

The Depraved, Godless, Sicko Hedge Sparrows of Yorkshire.

*

You’re nearly finished at primary school and are in the senior unit where, in an innocent, unlikely symbol of your unstoppable progression, you can use a microwave or boil a kettle to have noodles for lunch. I can see you in there quietly leading your friends with your constant sense of justice.

Just as I can still see you in our Singaporean condo on your first ever school day as you headed out under the towering cityscape and into the hugging heat. My hot tears from that day are never far away.

alex 3

Tim Winton is my favourite Australian writer and one of his best lines for me is not found in Cloudstreet or The Riders or Dirt Music, but the Young Adult novel he published thirty years ago.

Lockie Leonard, Human Torpedo.

At the end Lockie is talking to Vicki who, like some adolescent girls, wants to grow up too fast, and I’m so joyful that in this gorgeous character’s reply I can hear you, dearest Alex.

“I hate being a kid,” she said.

“See? I’m weird,” he murmured. “I love it”

LL

0

Backyard Cricket

cricket 1

During that beautiful hour or so before dark when the light is golden and the world’s rough edges disappear the boys and I played cricket in the backyard. It was warm and still and the kids next door were having a pool party. They had a great soundtrack and sang along to Gang of Youths and The Smith Street Band. They even played Eagle Rock.

Max likes to bowl leg spin, that most difficult of the cricketing crafts. But he has reasonable control and can get them to bite and spit. With his blonde locks he’s not unlike a certain SK Warne. I encourage him. “Don’t try to bowl fast like your dopey old Dad. There’s millions of very average medium pacers out there. Keep the leg spin going!”

Our home is in a constant state of tennis ball crisis. An already modest backyard, it will continue to shrink as the boys likely stretch into six footers. We share fences with five properties and all have endured our friendly fire.

A couple months back the people behind us had their yuccas removed. They ran the length of their back fence and were quite tall. I came home from work and suddenly could see the eastern sky as that vegetative wall was gone. And on our lawn were about ten tennis balls and a toy or two which had taken refuge in the trees. I was surprised there wasn’t also a Jetstar blanket, a German motorcycle and the Best of the Jackson Five. They were big trees.

yuccas

After a brisk delivery from Alex, Max edged one over the tree and into Mrs Hambour’s yard. Like Farmer Fred’s wethers we had no balls. Mrs Hambour is 97. She lives alone. She makes me laugh.

Earlier in the week when the temperature reached 46 degrees I rang her from work during the day just to check on her. She told me (again) of how she’d been recently hospitalised at the new Royal Adelaide following a fall during which she suffered two black eyes and hurt her nose.

“It was very nice Michael. They were good to me. I even saw one of those heart people- what are they called?”

“A cardiologist.”

“Yes, that’s it. And I said to him, ‘Don’t worry about my heart. It’s no good. Have I broken my nose?'”

The boys returned with two tennis balls and two chocolates each.

Having had a bat and a bowl I took up the prestigous position of umpire/ commentator/Dutch beer drinker in my chair under the patio at short extra cover. I channelled Australia’s finest all round broadcaster Tim Lane.

lanes

“Max comes in and tosses one up just outside off stump. Alex steps into it and punches it through mid off for four!”

The boys found it amusing, although, if truth be told, not as amusing as their Dad. I continued.

“With his characteristic loping approach Alex bowls and Max is defending this one back up the pitch. There’s no run.”

And then like all great commentators (real and backyard) I had to show the power of brevity.

“Edge. Gone!” I made myself giggle.

Being brothers there was frequent disagreement so I turned to more televisual theatre to help. Alex was sure Max was out LBW. It was irresolvable. So I made the TV rectangle with my fingers. We’d go to DRS (Decision Review System is a technology-based system used in cricket to assist the match officials with their decision-making). I began.

drs

“Can I have side-on vision of the bowler please?” For reasons unknown I adopted an English accent for my third umpire duties. There’s probably some interesting post-colonialism going on here. Alex and Max had stopped fighting and were watching me and my recreation. “Yes, that’s a legal delivery,” I said to no-one and everyone, putting my hand to my invisible ear-piece.

I continued. “Can we go to Hotspot please?” The boys eyes widened. “Can you rock ‘n’ roll it please?” A meaningful pause. “Again… Thank you. No edge showing.”

I took a sip of beer. “Let’s go to ball tracking please.” We were getting close to the truth. “Yes, it’s pitching in line.” Another pause. “But the ball is going over the top of middle stump. Can you please reverse your on-field decision to not out?”

And do you know what? The boys nodded and returned to their positions. Dispute ended. I learnt something too.

And with this the game continued under the orange sky until we again exhausted our tennis ball supply and it became time for baths and then bed.

It had been a brilliant hour.

cricket 2

1

Vampire Weekend’s Hannah Hunt

2

It’s an enthralling, alliterative name. Say it aloud. Hannah Hunt. It’s easy to pronounce. There’s an affable rhythm, and linguists suggest the repetition of “H” creates romantic introspection.

See, it’s started already.

That autumnal afternoon Hannah was the girl you noticed strolling across the uni lawns, smiling and chatting, smiling and chatting. Not having seen her before, suddenly you looked for her everywhere.

She had an irresistible laugh; a laugh that promised unexpected fun, and every time you heard it you fell further. She wasn’t routinely beautiful, although Hannah was deeply attractive. You’d pinch a peek at her and she’d be unaware; unaffected; completely at ease with herself, and her moment. You loved this too.

vw 1

But Hannah was maddening. She was dangerously spontaneous and you kept tumbling. You never felt more alive. You always forgave her.

And then, that was it.

How many of us have fallen in love with a Hannah Hunt? I have.

*
Discovering Vampire Weekend a decade ago, I grew to love their sunny, literate pop. I’d often listen on my phone to their second album, Contra, as I moved beneath Singapore’s concrete towers and jungle heat.

I then enjoyed their third release, Modern Vampires of the City, but it was years before track six, at the record’s heart, stirred something significant in me.

Hannah Hunt opens in a seascape. A gentle, pretty song, it initially glides in that ethereal space between sleeping and waking. There’s a quietness, an almost meditative quality to the music that maybe mirrors our narrator’s quest for peace.

vw4

We first meet the couple when their world is bright and astonishing and they share those daily discoveries, as all new lovers do.

A gardener told me some plants move
But I could not believe it
Till me and Hannah Hunt
Saw crawling vines and weeping willows

Lead singer Ezra Koenig’s voice is hopeful yet haunted, and harmonises with Rostam Batmanglij’s murmur in a pristine fragility. It’s almost acapella, so sparse is the instrumentation.

The narrator and Hannah are on their road trip and such is the cinematic scope the song feels like a four-minute film. They travel from Providence to Phoenix (in America two especially symbolic names) and Waverley to Lincoln before their westward wanderings end, as they must, among scenes of desperation, on the bitter Californian coast.

In Santa Barbara, Hannah cried
I miss those freezing beaches
And I walked into town
To buy some kindling for the fire
Hannah tore the New York Times up into pieces

Like the best stories there’s an atom of doubt in how it concludes. Seemingly a break-up song, but in Dylanesque style we remain unsure.

If I can’t trust you then damn it Hannah
There’s no future, there’s no answer
Though we live on the US dollar
You and me, we got our own sense of time

But he’ll forever remain in her orbit, no matter how wide the galaxy.

vw3

Following the second verse there’s a gorgeous explosion when the drums, bass and that detuned piano burst into aching life. This is among my favourite ever melodic instants. With Gatsby-like uproar, and swelling anguish, it’s a flowering. Like Hannah, the piano sounds broken yet still attractive, while the drums are as insistent as the pounding heart of her protagonist.

Finally, we have Rostam Batmanglij’s guitar solo. It’s the perfect coda. Played with a soaring slide effect it provides the listener with release, wailing and crying like the human hurt that inspired it.

I love the joy and transportive passion. It’s aural splendor.

I’m going to listen to it now.