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Port Adelaide v Collingwood: a Messerschmitt up your arse or free bird seed

free bird seed

During the second quarter, on the fifty-metre arc, at the Punt Road end was, to paraphrase Hunter S Thompson, when the stories and the beer began to take hold.

Six of us are in Row S, connected by the time we spent together at Kapunda High School, and variously on the Barossa’s cricket and footy ovals.

Much of our conversation is our old cars and coaches and mates and publicans and parents and maverick teachers who shaped us.

It’d been a ripping trip so far: early flights, the North Fitzroy Arms for the Footy Almanac lunch which concluded with the final siren at the SCG, the obligatory Young and Jackson nightcaps, and a Saturday laneway breakfast.

With the Uber app showing cars descending like black Pacmen three of us ride in a Caprice, and I’m reminded of the great Dave Graney and his song “Feelin’ Kinda Sporty” which opens with the magnificent

A black Statesman “73

Caprice.

Leaded.

At high noon, and accompanied with ample yarns, we entered the All Nations Hotel to confer with the ghost of Bill Hunter, and then white pub-vanned to the MCG as the match commenced. Each of us is merrily apathetic about the result.

I love footy, but occasionally its lone function is to provide a panoramic context across which we can splash our stories. Rocket would love to be watching his beloved Sturt while Nick, the Hayward boys (not Kapunda’s Gatlin boys) and Lukey are Norwood men, but as neither is scheduled at the MCG today we get along to Collingwood and Port.

With the match chugging along Nick and I discuss contemporary AFL footballers and old players from home, in particular one Mail Medallist and local publican who loved scrapping at the bottom of a pack, like a nuggetty 1970’s Selwood.

“You know what he used to do in the sheds before a game?”

“No. Tell me.”

“He’d smear heaps of Vaseline on his eyebrows so the elbows would slide off.”

I giggle.

Needing to refresh their refreshments the Haywards return with their shouts: Bundy for them, and mid-strength beers for us. For a moment, I fear we’ll need petroleum jelly too, but happily there’s no fight in the forward pocket.

We move onto that most vital of topics: Which Test Cricketer would you most like to have a beer with? (until very recently in pre-production at Network Ten)

“Warney?”

“There’s nothing to discover. Nothing.”

“Yeah, and I can’t have a beer with someone who calls their book, ‘My Autobiography.’”

“That’d have been a funny meeting at the publishers.”

I take a difficult sip of my mid-strength. “Waugh twins?”

“No. Steve’d bore you to death.”

“The worst kind of mental disintegration.”

Ultimately our choice is clear. One of the most stylish middle-order bats we’ve seen, and still a bloke about whom little is really known. An anti-Warney. The one who quit the night of the famous 2006 Ashes victory in Adelaide. Damien Martyn.

On the ground, Port is doing well with Robbie Gray slotting a few while Unley Jets alumnus Brodie Grundy is holding his own for the Magpies.

We wonder if the Chappell brothers still own the Leg Trap Hotel, and if David Warner is less likeable than a curved television and if it’s possible to make Boonie more Australian. It isn’t.

This brings us to the best quotation ever, the one which places sport and our little, self-tortured world into perfect context. Nick remembers his Dad giving him Australian allrounder and WWII pilot Keith Miller’s book. “Pressure,” Keith said. “I’ll tell you what pressure is. Pressure is a Messerschmitt up your arse. Playing cricket is not.”

Still laughing at the magnificence of this, Rocket heads off to a cavern and emerges with some appropriate beers. Normal transmission is resumed. Pendlebury is smooth and constructive, as usual. We note that Ollie Wines has thighs like Californian redwood.

The conversation then tends, as it must, towards other nostalgia and juvenalia. We’re now at Stalag 13. The verdant field of the MCG recedes and we’re all in front of a black and white TV, sliding our paws into packets of Lolly Gobble Bliss Bombs.

“Burkhalter and Hochstetter.”

Much giggling, given to misty eyes.

“Captain Hoganhoffer?”

“No prisoner has ever escaped from Stalag 13.”

More giggling.

“I’d like to hear this on the BBC World Service: Munich Messerschmitts 2, Stalag 13, 3.”

Someone slides next to me with a pie. A message comes through that another Kapunda High contemporary is on the second deck behind the Port cheer squad. We wave at Maria, who waves towards our bay.

Looking back now it makes sense, and indeed there’s a happy inevitability in the childhood image that would become our weekend’s talisman. The footy is now on mute as we moved towards the creature that Mark Twain described as “a long, slim, sick and sorry-looking skeleton.” The coyote, but of course for us, Wily E Coyote.

I don’t know how we came to this, and I don’t want to know, but as the shadows lengthened across Melbourne, Lukey, with his talent for the comic and the absurd mentioned it and we were off.

“Easily the greatest cartoons ever.”  

The coyote hanging in mid-air until he realizes that he is about to plummet into a chasm!”

“Yeah, and he’d hold up a sign like ‘Goodbye cruel world.’”

“Or ‘Help me.’”

“‘Mother.’”

By now the laughter and the memories and the beer and our good fortune at being in this fun space meant, for some of us, there were tears of childish abandonment.

“What of the Giant Kite Kit?”

“The roller skates and the fan blowing the coyote along?”

“From the Acme company.”

Bombs, detonators, nitroglycerin. Not so funny in 2017, but when you’re seventeen and watching Looney Tunes…

We talk of the Road Runner’s ability to enter the painted image of a cave, while the coyote cannot, which showed us that the existentialists are correct: it is an unknowable and absurd universe. Cartoons teach us this.

And then as the Paah (sic) delivered their knockout blow to Collingwood, Lukey delivered his knockout blow to us. A childhood picture that captures the fun, the innocence of the endless battle between the Roadrunner and the Coyote.

“Free bird seed.”

And there it was. Only three words. But a beautiful mantra of the past, a pulsing refrain, and the best televisual picture of a little bird nibbling at food in the desert, likely just outside Albuquerque.

coyote 

 

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At 4pm on my birthday I remembered something remarkable

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Having fled work, I was scurrying along Greenhill Road towards its most westerly origin where it is neither green nor hilly. I was thinking ahead to the hour or so of Friday sunshine left in the week and how it’d be happily spent. Park, dogs, boys, a few dobs of the footy in the closing dark.

As birthdays go it’d been fine. Not quite up there with the birthday I had years ago, by Lake Balaton in western Hungary when we had a lovely lunch of pilsner beer and goulash overlooking the water in the glorious European summer, but pleasant enough.

Then I remembered.

Like a car’s agitated navigator trying to really concentrate on a crucial part of the journey, I turned down the radio as the thought formed fully in my mind.

A decade. It was now a decade.

I swung down Anzac Highway and commenced the vaguely downhill run to home. A few tears then formed hotly. I was having a moment.

It was ten years to the day that we learned Alex was on his way.

*

I recall much of Saturday June 16, 2007. My dear old mate Chris was down from Brisbane, and he had stayed with us the previous night.

It was a sunny day and early in the morning Kerry thought we should definitely go to the doctor. She’d done a test at home. It was positive.

From then on, the day, my birthday assumes a nimble quality as though we’re in a floating cocoon and the world is spinning but without our interest or participation. This most physical, most real of events is confirmed, and all about me has now assumed a gentler quality; a welcoming, smiling face. The simplest household items are invested with magic and wonder.

While hanging out the washing I rang Mum and Dad on the cordless phone. Pegging the socks and jocks we had a brief excited chat. The future, especially early 2008 swirled and leapt about me.

That evening we dined with friends at a now long-closed Polish restaurant just off Henley Square. The Adelaide Crows played the Kangaroos on the Gold Coast and in those pre-smart phone days my mate Bob was texted the score at the end of every quarter. We won. The food was good, but I mostly remember the sense of our brilliant warm secret, the fuzzy binary code and a feeling that we were in a happy, symmetrical orbit.

*

Like every decade, it has been full and fast. Everything has changed. Much is as it was.

Alex was born a week after his mum’s birthday. Two years after his little brother Max came along. We left Australia for Singapore, and then returned. Now there’s karate and dogs, guitars and school.

And so, every year I remember that birthday, now a decade back, when the anniversary of my birth was also the day we learned that Alex was on his beautiful, astonishing way.

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Finally, a beer review

 

sparko

Good art is evocative. It jumps on the individual and transports them elsewhere. Gee, even bad art can have you skipping across the planet.

Can beer be art too? Of course. It functions like a frothy time machine. Or something like this.

One afternoon I went on a little holiday, while sitting on our modest patio. Here’s my travel diary courtesy of the following fun refreshments.

Chang

On Boxing Day 2005 we arrived in Bangkok from London. Having survived part or whole of three shadowy English winters meant the Thai heat was monstrous. Like the black monolith in Kubrick’s 2001, it governs the landscape (and the moonscape).

Late morning, we took a boat along the Chao Phraya river, pausing at various Buddhist sites, and marvelling at the coconuts, bobbling in the brown water. When thirst conquered tourism we moored at a floating restaurant for a drink, and such was the hotness and absurd humidity that we demolished a squadron of large Chang bottles.

It’s a pale lager with a straw hue, and while it’s not bursting with personality and stories, it’s crisp and refreshing in a functional way, like an old Casio calculator. It’ll never MC your best mate’s wedding.

Our session was brisk and energetic, and soon there was a phalanx of green bottles on the table, in silent evidence of our stern tropical application. De-camping to Singapore a few years later I learnt that a handful of tinkling ice cubes in a frosty beer glass is no gastronomic crime, in fact it’s medically necessary.

With the sun slipping into the Andaman Sea and your green chicken curry steaming on the Ko Lanta table, a Chang is gorgeously contextualised. Don’t forget. Chang means elephant.

Tsingtao Beer

Gee, we’re all now situated within an Asian century and like Roy and HG, I find it tremendously exciting. This pilsner was originally brewed under the mythical German Purity Laws in a joint Chinese/ Bavarian operation. These enigmatic ideals are now abandoned and rice is an ingredient, but it works in a happy, meaningless pre-season fixture fashion.

Like an episode of Have You Been Paying Attention? it’s fun and compelling at the time, but in the morning, you’ll recollect little of it. However, this is fine. Live a little and ignore the cultural import.

Tsingtao attends to its easy drinking brief with a casual nod to the grandstand as the chestnut conveyance strides past the post in an early spring Group 3 race over, say, 1600 metres. It’s pale, golden in the glass and unlikely to inspire a revolution, cultural or military. While I enjoyed it, at no stage did I hear Communism barking in my ear as I supped. I should’ve listened to Little Feat’s “A Apolitical Blues” to allow beer and art to mingle in that deathless, exotic exchange-

Well my telephone was ringing

And they told me it was chairman Mao

 

Well my telephone was ringing

And they told me it was chairman Mao

Coopers Sparkling Ale

At the end of a holiday, even a lager-themed trip, it’s good to come home. And so, we look at the mighty CSA, as I’m confident it’s not known in the trade. In my coterie, it’s a Sparko although this familiar, friendly nomenclature disguises a dark truth.

Kids: this is not a session beer. The graveyard is clunking with the skeletons of those who fought it, and lost.

Sparkling ale speaks with preternatural eloquence. I tell you, every bottle bursts with Jack Nicholson, the Velvet Underground and ultimately, Hemingway from his tiny Spanish bar. As an aspirational product, it’s looking down fondly upon us all from its Nepalese retreat.

It presents with citrus, cereal, ferment, danger, sex, death. It can be eaten with a fork. Avoid it at breakfast, especially if you’ve booked a duel with a mortal enemy. But taken moderately, in the late autumnal sun, it’s invigorating and celebratory.

After three circumspect sips, you’ll possess the wit of former Australian PM, Paul Keating who once described the performance of a parliamentary foe as “like being flogged with a warm lettuce.”

Coopers Sparkling Ale is huge like Merv Hughes in his twilight, but under the hum and roar of a party, it leans in and whispers conspiratorially, “Can you believe our good fortune to live where we do?”

And you smile in that reflective way while sort of staring into the middle distance and think yep, that’s fecking true.

bangkok

 

 

 

 

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On Sunday we went to a lovely lunchtime wedding in a park

bee gees

I reckon for many of us it’s about a decade. It begins in your mid-twenties and drops away as forty looms like a stop sign. I speak, of course, of weddings.

I attended lots of great ones in little country churches surrounded by paddocks of waving wheat, on golf courses, by the beach in Victor Harbor, at large suburban places of worship.

The receptions have been in country footy clubs with the catering done by the matronly pillars of the community, no nonsense women. Pubs, backyards, function centres and more than I can count have been at Ayers House, in the middle of Adelaide which I think is somewhat compulsory if you live here.

One Saturday we had four weddings and as we’d both been given a duty, I went to the one in the Barossa and Kerry, another in the city. She was a bridesmaid and I was asked to do a reading from Corinthians 13. You know the one-

I may be able to speak the languages of men and even of angels, but if I have no love, my speech is no more than a noisy gong or a clanging bell.

Sunday’s affair was special. The boys were invited, and it was their first. The last wedding we’d been to was in Singapore over three years ago at the Fullarton overlooking the harbour and the heat.

It was in a park along the Torrens with the reception in a community hall. It was one of those great days where the sun shines and everyone enjoys it knowing it could be the last time before winter’s rain and cruel wind forces us inside.

The ceremony was lovely and people smiled and took photos on their phones but also held hands and cried when the groom choked up as he said his vows and I paused and thought of the many things for which I should be grateful.

Max sat on the grass right at the front listening intently and drinking in the language, and his special treat of a can of lemonade while Alex sat on the nearby wooden fence looking about the trees and sky but also concentrating.

After the knot was tied the new bride sang along with Tina Turner’s “Simply The Best” which will weld these two together whenever I hear this song. This is the job of a song.

Central to the catering was that most 2017 of experiences, the food truck. Parked on the fresh bitumen behind the hall, folks lined up and ordered Argentinian burgers. We had the steak, the chorizo and the chicken. They were great. Alex had some pumpkin soup, but it wasn’t as good as Nanny’s.

People sat inside or out in the sun on plastic chairs. There was music, mostly from the sixties. I’d finished my lunch and was talking with the celebrant about St Albans and London. On her second glass of Bird In Hand bubbles, from across the table my wife winked at me. They then played one of my favourite all time songs, the Bee Gees, “To Love Somebody.” I wiped a tear from the corner of my eye.

There were other kids and pregnant women and older folks too. A widower got in my ear with lots of detail about the vans and dogs he’s owned, but I didn’t mind. There were reminders everywhere of the richness of life. Max and I went for a walk along the linear path. Alex flopped his gangly self about the playground. For the last hour we sat in the sun on an ornamental rock with old friends who’d visited us when we lived in England.

Around mid-afternoon we drove home through the lazy Sunday traffic and I took the dogs down to the Old Gum Tree where there were two or three gently swirling groups also enjoying life’s landmarks.

It was a wedding. A gentle, affirming wedding.

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Round 10 – Adelaide v Fremantle: The 2013 Wolf Blass Brown Label Classic Shiraz Is Dramatically Better Than The Dockers

fire bucket.png

Fire, footy and friends.

Of course, my wife’s right. She bought it about six weeks ago, from the sausage sizzle hardware emporium. It’s been a great addition to our patio and we’ve had many nights around it. As autumn descends to winter there’ll be many more.

It’s a fire bucket.

Once aflame, a chair, a cup and some company’s all that’s needed.

Among our party tonight are some of my favourite folks, including three girls with whom I shared house when at uni. As you know, there’s a lifelong attachment made when sitting cross-legged on stained carpet, in a daggy rented house in a then pre-gentrified suburb, glugging cask wine by candlelight.

Surprisingly, Josh Jenkins is better in the wet. Our warm, still autumn has not been kind to him. Tonight, the harder the Dylanesque rain falls the nimbler the monstrously-built forward plays. Maybe he’s more whale than herbivore dinosaur. Light on his feet, he finds space, and like Lennon in the Dakota Building seems happier in this dissimilar environment. I was bewildered by his sudden recall, but he does well.

Among our friends is a junior footballer. Jed’s nine. He and our boys burst about the house like joyous thunderclaps. Bedroom, backyard and back. Repeat. About four games into their 2017 season Jed’s team’s been utterly scoreless so far. Not a lonely, lazily rushed behind. Nothing. Happily, no-one’s keeping score and their competition has no cruel premiership ladder. A Sunday afternoon text tells me they scrambled four behinds today. Despite another loss, they’re on the board.

The Honourable Edward A. Betts snaps a goal square major that must be barely satisfactory for him, such is the unchallenging simplicity. Indeed, each of Betts’ majors is registered from the square, away from the boundary lines with which he enjoys a preternatural, endless affinity. Another lashing rain shower jangles on our roof and we’re unable to hear special commenter Mark Ricciuto and his monotone monosyllables.

During his thousand-day absence from the Crows, dual knee reconstruction survivor Andy Otten came to our island home one weekend as a guest of the Singapore Sharks footy club, and provided much curious excitement for the ex-pat urchins. Now back in the Adelaide tri-colours and sporting an Oregonian lumberjack’s beard, he’s enjoying an attractive stretch as an enigmatic forward. Four goals courtesy of his considerable footy smarts is a luminous return.

Again, the brutal rains lash our city, oval and house with a ferocity that reminds me of The Deadliest Catch, save for the Alaskan King Crabs. Instead, we’ve party pies, garlic bread and various processed Germanic meats. It’s comfort food, and I feel decidedly comfortable. Our patio blaze crackles and exerts a happy gravity onto our loose circle of friends.

Wayne Milera’s been hovering on the cusp, and presents well in this Indigenous Round match. I hope his growth continues. With Chas and Eddie, they’re a vivacious triumvirate. They’re huge fun.

At halftime, we bring out a chocolate cake with a solitary candle to acknowledge the recent major birthday of one of our guests, RS Bowden, and we share a 2013 Wolf Blass Brown Label Classic Shiraz, and we nod at our good fortune. Indeed, Wolfgang Blass, AM, is also a dedicated Rolls Royce driver and Norwood fan. I wonder if he and Garry McIntosh have met. As always, his plonk goes terrifically. It’s luscious and at once, atomic and universal, while whispering of our tremendous providence, in a lifted fruit and gorgeously brick dust and ironmongery scented way.

The fire roars on into the wintry dark. Our visitors drive off into the suburban night. The Dockers, now doubtless suffering the troubled sleep of footballers tormented by a coach with more unfathomable psychobabble than constructive game plan.

On an inhospitable night where they somehow registered forty-three scoring shots, the Crows remain top. I have leftover chocolate cake for Sunday breakfast.

wolf blass

 

 

 

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We love our new kennel

 

kennel

Cockroaches might withstand nuclear attack, and forcible drowning as my garden hose was turned right up and blasting onto their stinking evil-black little scuttling arses, but as we know a rubber thong, like a Texan electric chair, guarantees a swift, if messy exit.

Unsurprisingly, there were three or four of these dreadful bugs living in our new, second-hand purchase along with some spiders, who, having heard and possibly witnessed the executions, headed south along the lawn to the pumpkin patch.

The boys and I were cleaning our dogs’ kennel. Buddy and Angel (or Angela Merkel as we also respectfully know her) need an outside bed.

Ignoring the time-wasters and spectacularly moronic wanna-be scammers I love Gumtree. Kerry reminded me just after lunch to have a look, and by mid-afternoon it was home and enjoying an aquatic enema, of sorts.

It was fifteen dollars, but to buy the timber would cost, I reckon, about fifty. It’s sturdy and has a beautiful, homemade, bespoke quality to it that screams, “I was built in a Fulham Gardens garage by a lovely old Italian gent while his wife was in the kitchen cooking.” No, not a cheap stereotype, the truth. She told me as I hauled it to the car, taking some bark off my shins.

With its off-white finish, asymmetrical spires and welcoming façade we immediately christened it The Chapel of Love. Speaking of christenings, remember after the birth of one of his kids when David Beckham was asked if he and Posh were getting the child christened and he replied, “Yeah, we have to fink about it. We’re not sure which religion yet.”

If I squint and imagine a stunning tropical esplanade behind the kennel it also reminds me of St Marys’ by the sea in Port Douglas, but I concede, this might be fanciful.

So pleased were we with our purchase that we sent photos to family and friends celebrating our good fortune and clever commerce.

Under the patio sitting around our new fire bucket- more on this soon- that night I kept sneaking glimpses of our kennel. We love it and it invests the backyard with a sense of completion; a warmth that arises from both its function and its daggy, delightful form.

Now, if we can just get the dogs to sleep in it.

chapel

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Iconic Instants in Rock Music

 

guitar

No, not Elvis gets his guitar, or Mick and Keef meet at the Dartford train station, but snippets of sound from within songs, that punters sometimes scramble to identify at quiz nights.

A Hard Day’s Night- the Mighty Opening Chord

Revealing a curious etymology, there was both a film and an album ready to go, but the Fab Four were told that it’d be incongruous for there to not also be a song.

With the title originating in a Ringo malapropism, Lennon composed the track in an evening, and the following day, refined the lyrics with help in a taxi on the way to the studio. The song was recorded in three hours. It starts with untouchable majesty.

George Harrison’s Rickenbacker generates most of the moment, but each Beatle contributes to its revered musicology. As with much art there’s a secretive, unknowable complexity behind it. Instantaneously recognisable, but also mysterious in its alchemy, one academic, Dominic Pedler, dedicates a sizable chunk of his 800-page volume, The Song Writing Secrets of The Beatles, to the chord, and lists twenty-one compositional possibilities.

In one theory Pedler deploys a process called a Fourier transformation: the decomposition of a sound wave into its constitute pure tones- as modelled by sine and cosine curves- to come up with a scientific solution.

But, for me, the tale of this thrilling chord is its cultural potent. It’s both a daring announcement and a promise. Innocent and eager, it exemplifies the Beatles’ giddily evolving confidence in both their music and social power.

That the guitars are slightly out of tune only magnifies the charisma, and suggests a bouncing mid-summer walk along London’s Oxford Street, in the bright, blossoming city.

It’s an aural intoxicant.

Paradise City- Whistle Blower

When Elvis first gyrated his hips on TV, I’m sure that in countless homes the first rock obsessions were also born. A few decades later, in the unspeakable 1980’s, a particular Guns ‘N’ Roses fan from Lafayette, Indiana- Axl Rose’s home, too- began investing time and not inconsiderable money touring the world to claim an elusive plastic whistle.

Of course, he’s seeking a concert souvenir: the whistle blown and nightly thrown into the crowd at the 1:21 mark of “Paradise City” from Appetite for Destruction, the album so beloved by aging leather jackets and Triple M music directors. So far, our trophy-hunter’s been unsuccessful. His cabinet remains bare.

In this moment, there’s juxtaposition at work as the song transitions from its opening section and momentum builds. The anthemic tropes are present, but exhilaratingly assembled: pounding drums, driving guitars, and wailing vocals married to shameless subtexts.

Suddenly climbing above this grind and growl is the simplest addition: a lone whistle blast that invests the song with a military discipline, demanding both band and listener focus and follow. It also evokes the urgent start to a football match when the warm-up is done, and we’re in the huddle together, and it’s just us and them.

It’s a riotous call to arms.

The Tourist- The Mourning Bell

Radiohead’s OK Computer is an album of luxurious, sparkling gloom, best listened to through headphones at midnight. Its themes of nagging horror and emptiness are expressed with pristine melodies that seem to bend out through a Kubrick-like universe.

Once described as possessing “… soaring, operatic choruses, and a towering bridge,” the record is closed by “The Tourist.” Its dramatic context is a pending car crash, and over Jonny Greenwood’s guitar Thom York pleads for the driver, possibly himself, to “slow down” and as we wince against the grim inevitability, the roaring doom, instead we hear a tiny bell. What happened? Was there even an accident? And, if yes, of what ultimate consequence?

Again, TS Eliot is right.

What does this bell denote? Some suggest it’s the ding of a microwave, that millennial symbol of mundane gnawing consumerism; for others, it conjures an ancient typewriter in a nameless attic, signalling how this musical story, and our fragile human story is indeed, finished.

Irrespective, it’s a sonic conclusion of poignancy and uncommon beauty, befitting the preceding 53 minutes of searing maelstrom.

It’s a punctuation mark, but also a prayer.

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