2

Round 20- Adelaide v Port: Barney 43

hill

I blame the shameless brewers of that most horrific muck West End Draught. Where were the dissenting voices at that fateful marketing meeting? Here we are, into the third decade of the state’s biggest football event and it’s still, somehow, called the Showdown, as determined by the fifteenth best beer manufacturer in Adelaide.

However, it’s also another example of American linguistic imperialism. If we were talking about Ole Miss and Arkansas in the Cotton Bowl then the word would work, but here in South Australia we should’ve gone with Dust Up, Yike, Blue, or my preference, Barney.

“We’re underway in Barney 17.” Or-

“There’s the siren. Adelaide has won a thriller in Barney 31!”

For the first time this millennium I’m on the Hill, just down from the world’s best scoreboard. We’re in a tidy quintet of chaps. There’s ferocious rain and wind and the sky is like an aubergine. The mud and slushy grass is tundra. Old mate behind us has on a Power scarf and is in shorts. My phone says it’s eight degrees. Jason pulls out his sunglasses, “Reckon I’ll need these soon.” We laugh, and Chris asks, “Did anyone bring the 50+?”

With a significant wind-assistance Adelaide traps the ball within their arc, and like an over-zealous debater, makes point after point after point before The Hoff collects his own kick and soccers cleverly. This, I’m delighted to report, would be the Power’s sole major until about ten minutes into the third quarter.

The Crows dominate across the ground and despite the conditions are clean and sure in disposing by hand and foot, which is a happy contrast to their dismal first half at the MCG last Sunday. Tex Walker appears impatient with his side’s inability to punish the Power so, both as captain and big forward, monsters his teal competitors in taking strong grabs and slotting telling goals.

Paddy Ryder has been in colossal form and various denizens of the Hill voice their anxieties about how Sam Jacobs might handle the Power star. They needn’t have worried for while their aerial and ruck duels are spirited, the boy from Ardrossan is also outrageous at ground level and kicks a great pack snap for a rooster who’d bang his red-combed head on the hen-house rafters.

Despite now missing his appendix Eddie Betts kicks some amazing goals, including one from his pocket just down in front of us. As the ball bent through, the heaving crowd about me leapt and there were ponchos and scarfs bouncing and flapping like a Latino dance party. The only deviation from the Happy Days script is when yet another goal-of-the-year contender is deemed by the evil umpire to have been touched by an evil Power player.

And what of Port? They’d appeared to be entirely unlike Port such is their pedestrian spectating. They seem disinterested, and must be waiting for The Choir Boys to reform. In the sheds at half-time only Robbie Gray has earnt his hot cup of Milo.

September looms and pleasingly Sloan finds plenty of it, and creates well. On the Hill, I spy a gent wearing a bespoke shirt featuring a picture of Rory’s blonde bonce with this accompanying prose-

Men want to tag him

Women want to shag him

The crowd is boisterous and enjoyable. I see lots of Crows fans standing with Power faithful, and the banter is lively. Not Disney channel, but not Tarantino either.

Suddenly, Charlie Cameron has it and he accelerates through the middle. It’s among our game’s most exhilarating sights, but while his pace is Lamborghini, his kicking is still often Holden Gemini.

Then Brad Ebert gets one, but unlike last Saturday against the Saints, it really is too late, and the Port supporters are shuffling towards the gates like an Alabama chain-gang. The Nissan Urvan will soon be pointed towards the Lefevre Peninsula, and I just hope that Uncle Ernie managed to fix the heater when he popped round yesterday.

Adelaide records its biggest winning margin against the INXS wailers, and after two decades now lead 22-21 in these most magnificent of contests, the Barney.

I must get back to the Hill again.

nissan

 

2

Round 3 – Port Adelaide v Adelaide: A Moment

tex

In contrast to the previous torrid energy it was an uncontested mark with nothing in the way of opposition pressure, such as a spoil, or a sudden, secretive fist to the ribs.

Resulting from a David MacKay disposal it was an unhurried and simple catch; the kind associated with circle work at a country oval’s Tuesday night training, while inside the glowing clubrooms volunteers squeezed pies and pasties into warmers.

In January 2015, many were surprised that Patrick Dangerfield wasn’t appointed captain of the Crows. However, with a likely acceptance that their star player would soon wish to return to Moggs Creek, there was a quiet nodding of sage heads at the news that the role had been assigned to Taylor Walker.

A key component of the Phil Walsh legacy, he was about to demonstrate the wisdom of this decision.

Having taken the grab Walker wheeled around like a rattling cattle truck and assessed his options. He made a quick, barely perceptible scan of the landscape and decided.

Despite his Barry White/ Stephen Kernahan/ Dad joke baritone possibly suggesting otherwise Tex is an astute footballer who knows intimately the ecosystem of Adelaide Oval. With the Riverbank Stand towering taller than the MCG he knew that its surrounding microclimate, largely windless and advantageous on this autumnal evening, would assist his endeavours.

Watch now as into that rare real estate, sufficient space, he strides, not as a gut-busting midfielder, but as sizable, agile forward. Yes, he thinks, the time is right. The fifty-metre arc slides into distant view.

He balances and connects.

Despite the infantile and myopic scrabblings of the game’s rules committee and cash-drunk administrators and the carnivorous stadium vendors and the grasping media outlets and the petty trivia of the footy news-cycle, it’s these moments that’ll endure, that’ll guarantee the endless charisma of our game.

For lesser footballers, this spot on this long, lean ground might be no man’s land, an uncomfortable location where the options are crippling. Do I pass to a leading forward? Centre the ball? Aim for the top of the square? Handball to team mate on the burst? However, at this spot, seventy metres from goal there’s another possibility, but it’s only available for an elite few.

Tex Walker has a kicking technique that’s akin to a David Warner pull shot. Elegant in its simplicity, it marries outback power, untainted physics and Mick Jagger arrogance.

Now launched, the ball spins in a somewhat ungainly fashion, lurching through the air, slinging itself goalward with hungry velocity, rather than with the pure, fizzing momentum of, say, a Luke Hodge pass.

It travels through the roaring night and there’s now a sudden, muted quality to the stadium soundtrack that’s universal disbelief, Port Power horror and Adelaide Crow awe. The ball travels and travels and continues to travel. The pregnant seconds stretch onward, invested with everything we love about our mighty, Indigenous code.

Unlike a Malcolm Blight torpedo, it traces a low parabola across my screen as the crowd rushes past in the background, a smeared Monet. Walker’s drop-punt is at once sublime, but also gigantic. It taunts the line between possibility and impossibility.

It’s a goal.

As the Sherrin thuds into the turf midway between the goal line and the fence, leaving a crater in the Santa Ana, the clock announces that four minutes remain. Adelaide is three goals up.

Now, for all present at the ground, or at home or in a pub across Australia, or peering at a screen in midday London or Auckland or Albuquerque, all is denouement.

The necessarily curved narrative of football is concluded. We’ve had a moment.

oval

 

http://www.afc.com.au/video/2017-04-08/highlights-r3-tex-seals-it

 

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December 5 2006 in Adelaide

SK

Beyond the family home Adelaide Oval is among my favourite places. Previously, it was uncluttered and open and big country-townish; more like the St. Lawrence Ground in Canterbury than a modern Australian stadium. Its boundless space and light have been replaced by vertiginous, curved shapes.

It’s the final day of Adelaide’s 2006 Ashes Test. Earlier, in the twilight of my teaching year, between tortuous enrichment activities, I’d watched the cricket in the staff room with some chaps, leaning in towards the screen, increasingly enticed by the grip of the action. Across our city in offices, shops and factories folks were getting itchy. Some mates and I volleyed texts at each other. Let’s get in there. Sorted.

I’d gone on Day 2. Like most I went home assured of an inconclusive match as Paul Collingwood accumulated a double century, while SK Warne struggled to 1/167, in an analysis cheerlessly reminiscent of his 1992 debut at the SCG. Then, after our first innings, the draw appeared more certain.

Indeed, the first four days suggested nothing else.

My most recent Test match experience had been September 2005 during the Ashes at The Oval. Down from Hertfordshire on a sodden Saturday we watched as rain repeatedly forced Langer and Hayden back to the sheds. The urn we’d held since 1989 was slipping away. The Barmy Army’s affectionate Shane Warne back catalogue offered musical entertainment when the sport provided little.

I love speculating about cricket’s fascinating relationships. The Waugh twins. The Chappell brothers, educated at the primary school our boys attend. And SK Warne and pretty much everyone he encountered on the pitch, and off. Like many of exceptional talent he was attracted to those with approximate, but ultimately different cricketing arsenal.

With his infuriating confidence and bird-poop splattered hair, Kevin Pieterson had a curious affinity with our leg-spinner. Shuffling forward and attempting a sweep, he swatted crudely at one outside leg stump. Lobbing in the rough, it stole behind his limb like a spy, and his feebly listing front pad, before spitting poisonously. In yet another wholly engrossing single-act production, the Kookaburra finally, fatally bit his off peg. It had spun several feet. It was the summer’s most compelling moment. KP had been schooled by his elder, and England was in trouble.

By now, each delivery from SK Warne was Vegas show business, but pure in its fizzing, hypnotic joy. And then Ashley Giles registered a duck to a monstrous delivery, while the supporters continued to splatter the ground, as if populating a Monet.

I contemplated my friend BJ O’Sullivan at home in Harrow. Barry identifies as Irish, and had significant quid invested in Australia triumphing in the series 5-0.  At mammoth odds, too, so he’s enthusiastic from afar. Incidentally, I once hosted a party in England, and among the guests were the same Barry of Norf London, Jimmy from Glasgow and Paddy from Ireland. True.

England is skittled in the penultimate session. Australia bowls cleverly in pairs with the blonde one taking 4/49; not spectacular in the seismic sweep of his career, but within this Test, and this series, it’s contextually huge.

From our members’ bench, we look eastwards towards the low, brown Adelaide Hills, noting how these continue the topographic theme established by the squat stands of this cricket ground. With school holidays, Christmas and a languid summer approaching, our mood is brash and buoyant.

The intrigues and narrative complexities gone, Australia is presented with a simple plotline: 167 from 36 overs. Langer clubs the first ball through mid-wicket for four. Vivid as ever, Bill Lawry bursts, “He goes bang. Four. It’s a one-day game.” As should happen the match is to be decided late, in its fifteenth session.

When Hayden goes it’s 2/33, and there’s some frisson. Questions murmur beneath the fig trees, and we bristle, momentarily. But, Michael Hussey is authoritative with 61no, and declares in an interview that he, “Bloody enjoyed it!”

oval

As the winning run is clipped through midwicket Bill yaps, “Look at the seagulls flying about. They’re saluting the Australians!” Beside a second Ashes victory it’s the locals’ ninth consecutive Adelaide Oval victory. The players rush down the steps next to us in a celebration as demonstrative as a football festivity.

The leaden sky of the previous London summer has vanished somewhat, and with lingering sentimentality, I feel at home, in this, my tiny, flat city, which clings to an inconsequential gulf. Transitions, especially the ones back to familiar places, can be angular and troublesome.

Later, among the eddying ecstasy, Damien Martyn, surely our most picturesque bat since Mark Waugh, clarified his feelings about his spot within this coterie. Richie Benaud had noted that at some stage everyone looks in the mirror, and on this most magnificent of Australian cricketing days, Martyn retires instantly, but with a stylish absence of extended tabloid explanation.

At this time my wife, some of my cricketing colleagues and many thousand others rushed towards Robbie Williams, pop singer of Stoke-On-Trent, who was to perform at Football Park. Curiously, Robbie was often referred to on BBC Radio 2 by Jonathan Ross as the “bug-eyed yelper.” Those at West Lakes enjoy the former Take That troubadour, and his most magnificent show.

Football Park is now abandoned and Adelaide Oval has been vividly reshaped. December 2006 was the last time I would see McGrath, Langer and SK Warne play Test cricket.

Nonetheless, December 5, 2006 was a really good Tuesday.

 

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NYE in Adelaide Oval’s Bay 134

zooper.png

Is there anything more disappointing than a soggy pie?

No, there’s not. The expectation of firm pastry and the meaty joy within was instantly ruined. No sooner in his seat and having slid his pie from its bag, it collapsed in our eldest’s lap like a Home and Away extra during a Summer Bay disaster.

Our members’ tickets are in Bay 134, at the bottom of the Fos Williams Stand, and about six rows from the fence. At about backward point it’s a top spot.

With noise and music and fireworks and the ceaselessly moronic countdown our innings begins courtesy of the hoopla-free off-spin of Johan Botha. He played for the Strikers and the Redbacks but is now with the Sixers. Every confected cricket event needs a villain, and Botha swishes his black cape for the crowd.

The civilised world’s favourite sporting Hodge opens briskly, as does his partner Jake Weatherald. We progress at a goodly clip, and when Dunk comes in he takes seventeen from one over of former wig salesman and current outlaw-bikie impersonator, Doug Bollinger.

*

Is it possible to drown the week between Christmas and New Year’s with too much cricket, both televisual and backyard? With Alex and Max receiving a cricket set and some Zing bails, we’ve gone close.

Balls have lobbed over the northern, eastern and southern fences and into the neighbours’ like F- bombs in a Tarantino flick. Our house is on the western side of the modest backyard and balls: tennis, rubber and various assorted have cascaded down into the gutter like stones across a holiday-camp lake.

*

Brad Hodge (at 42, the competition’s second oldest Brad) holes out, and to the wicket sprints Travis Head, hero of last year’s corresponding fixture. But his lean tournament continues and he’s rapidly back in the sheds.

Looking like a participant in a slo-mo beer advertisement is Jake Lehmann and he then takes careful block and three balls later is bowled for zero. Perhaps next time they should strap a set of pads to his moustache and just send it out for a slog.

When his stumps are disturbed and the bails flash and dance, the hoardings and screens light up with animated Zooper Doopers and I’m suddenly aggrieved for the great loss of 2016. Bowie? Cohen? Prince? Bah. Hang your head for the demise of the great summery ice-treat, the Sunnyboy.

I know the between-balls musical stabs are highly orchestrated, like elevator muzak and shopping centre soundtracks, but tonight’s seems improved with Wilson Pickett’s “Land of a Thousand Dances,” and The Black Keys’ “Lonely Boy.” A highlight is “Shout” by the Isley Brothers, although for me and many of my generation the iconic version of this 1959 classic is by Otis Day and the Knights, as performed during the toga party scene in Animal House.

The sun sets beyond the Chappell Stand and the Strikers go to sleep before Pollard and Jordan rescue the situation with some controlled bludgeoning. It’s a beautiful batting deck and I reckon we’re about twenty runs short. For the Sixers Sean Abbott is impressive taking a Michelle.

*

Human creativity is eternally astonishing, and our boys find limitless ways to argue on the backyard pitch. A couple times this last week some cricket has even broken out between them. Mates who’ve brothers tell me it’s common.

Over Christmas lunch I ask Mum about my childhood cricket. “You’d come home from primary school and play every afternoon with Brett.” Brett was two years older and lived down the road. “Did we argue?” I ventured. “Like cats and dogs,” Mum replied, “You never stopped.” I was instantly reassured. I was normal.

During the break, there’s a win $500 if you take a catch competition for those caught on camera with a KFC bucket on their bonce. It’s criminally inadequate compensation. However, the security guard/ cult hero from the Strikers’ first home game joins in, and with his final attempt completes a nice overhead grab. It’s no John Dyson on the SCG fence in 1982, but still, it’s tidily done. We loves it. If KFC was available at Adelaide Oval I’d buy thirty-eight pieces, inhale them and wipe the grease through the hair of my loved ones.

*

Hughes and Roy (Surrey import, not Slaven) get the visitors away brightly, but then the wickets fall regularly. Lanky Queenslander Billy Stanlake bowls with pace and penetration taking three, including that of Brad Haddin, who in stomping on his stumps, appears to have taken his midnight cups prematurely.

Test discard Maddinson arrives and departs limply. His year concludes bleakly, but with national selection logic proving impenetrable his two from eight deliveries may be sufficient to earn him a recall or a position on Turnbull’s front bench.

With O’Connor and Laughlin operating in tandem the Strikers are attacking with Anglicized forms of Gaelic, and this is effective as they snare four collectively. “Jump Around” by House of Pain, everyone’s beloved Irish hip hop collective (if LA’s a Belfast suburb) blasts out and O’Connor takes a sharp return catch from Abbott to make it seven for not-nearly-enough.

When the wickets aren’t tumbling, the bowling is so economical there’s more dots than a Morse Code Festival (email me for details). Like octogenarian Port Power fans clapping every single fecking disposal the crowd now applauds each maiden delivery. Our boys are really excited.

Sixer Sam Billings swots a couple into the western stand named for benefactor and KFC-devotee, Sir Edwin Thomas Smith, but with his departure the required run-rate accelerates like Zimbabwean inflation and the game is over.

Doug doesn’t even get to face.

*

A few years’ ago, during the Boxing Day Test our eldest began shrieking from the lounge. “Dad. Dad! Come quick!” I burst in. What was happening? What had I missed? “What is it?” Alex looked up at me, his toddler’s eyes wide. “Dad, Peter Siddle’s about to bowl!” Ah, the enthusiasms of the child. Not many could get excited by that.

Not even Mrs. Siddle.

*

In our car, we venture home and into the new year.

*

The following is fantastic. Voiced by Richie Benaud it captures what we love about cricket and summer.

 

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Round 23 – Adelaide v West Coast: Optimistically and Misty-Optically

casper

I’m at the game tonight, but would’ve been happy at home as it’s the last Friday night, minor round clash to be called by Dennis Cometti. With his 1970’s AM radio drive time vocal stylings he’s become a cherished feature of our game. Combining this with precise description and fabulous wit has made him iconic.

“Gasper, the unfriendly post” is his best line in a galaxy of gems. Imagine his joy as the Sherrin was launched by the star Tiger and banged into the upright. How long must he have sat on that?

My personal metric indicating his influence is that every time I say in my head, “West Coast Eagles” I can only complete it in the voice of Dennis. And now like the famous definition of an intellectual: a man who can listen to the William Tell Overture without thinking of the Lone Ranger, I challenge you to silently repeat, “West Coast Eagles” but not in the honeyed tones of Dennis. See? Impossible.

We saw the 2006 preliminary final at Footy Park between the Crows and Eagles in which we were ahead comfortably at half-time. Probably cursing us, a friend texted- We’re going to the GF. As Ben Cousins gathered disposals at will and shrugged off desperate, lunging Crows in the second half, and the result became certain a mate grunted, “Bloody Cousins is killing us. It’s like he’s on drugs.” Mmm.

Drafted as an emergency ruckman former Kapunda boy and church minister offspring Jonathan Giles is at his fourth AFL club having been at Port, Essendon, and most productively, the Giants. He enjoyed an interregnum at Sturt where he won the 2010 best and fairest, while his SANFL life started at Central District. I’d like him to next go back to Kapunda and win a flag, then go to Glenelg and do the same before finishing his career, like many a road movie, in Fort Lauderdale. His “Places I’ve Played Footy” Facebook app is busy.

Giles is brilliant tonight, and makes the Crow ringleader appear tired. Interviewed after the match, Sam Jacobs confessed, “The only one who could ever outreach me was the son of a preacher man.”

As has been the season’s pattern the home side is sloppy early, and save for a couple clean bursts, this endures all evening. The Eagles apply good pressure across the ground and we make catastrophic quantities of errors in every facet of the game from kicking to handballing to dropping easy marks to unplumbed decision-making, most notably when Lyons snapped at the Riverside goal and missed, instead of getting it to a team-mate in the square. I’m also certain that for their post-match meal some of the Crows even went the tofu option.

It takes the Crows twenty minutes to register a major and this comes through McGovern. At the other end the Coleman Medalist is murdering us, continuing the long relationship between grassy expanses, deadly accuracy and Kennedys. He gets five in a solid outing.

Gaff, Priddis and Shuey are getting industrial volumes of ball, and we don’t seem to be doing much about this. Having reinvented himself as a half-back flanker, former Hoodoo Gurus guitarist Brad Shepperd is going well. Good times for him, indeed.

Local highlights are rare, but Tex offers some after midnight insights with his deft footwork in the centre before it lobs to Eddie who goals. The competition’s biggest scoring forward line has a Bolivian prison evening with but two majors to its members.

Our third quarter is goalless. Someone later comments that the match felt like a forfeit. Let’s hope the Adelaide Crows’ 600th game was an exorcism.

Leaving a sullen Adelaide Oval as the West Coast Eagles song plays I realise where I’ve heard it before. It was in 1985 during the final credits of a (bad) Andrew McCarthy film.

steeple

 

 

0

Courtney, cabernet and camels

camel

“Boxing Day Blues

I know that I let you down

You’re not keen on what you found

Courtney Barnett has many musical skills. Blistering guitar and compelling deadpan vocals, but chief among her gifts is crafting exquisite lyrics. The Melbournian uses sparse, arresting questions with potency.

When’s the funeral?

Do you want me to come?

I like how within a couplet she creates a backstory of considerable heartbreak. The questions speak of a sudden schism, destruction visited upon an intimate relationship. It’s sad.

Questions hang, and generate an ocean of regret. Courtney knows when to provide space for her listeners. The song breathes and gently sobs. It’s stunning.

*

In the days after we flew back from Queensland I chaperoned into our house a dreadful Clare shiraz. It was as if the grapes had been grown unnaturally out the back of a chip shop and the wine made, even more unnaturally, in the shed of an Ipswich car detailer.

I then ventured to the safer cabernet country of Langhorne Creek. Bleasdale is a ripper winery and its Mulberry Tree from 2013 is most companionable on these bracing evenings. The luscious fruit was an insulating treat, and I’ll engage it again soon. Friday looks likely. In Singapore it’d cost one of your limbs: prosthetic or God given. Here there’s change from twenty. Genius.

*

Despite being well beyond its sesquicentenary Adelaide continues to grow up. It’s moving from big town to city. An example of this is how the Torrens Parade Grounds was recently transformed into the Alpine Winter Village.

Borrowing heavily from German Christmas markets there was mulled wine, bratwurst and sauerkraut. Decidedly warmer than Munich in December it was brief fun under last Sunday’s pale rays. As it was booked out we couldn’t go ice skating (probably not me anyhow) but found a table and drank (and ate) in the continental troposphere.

And as you’d expect in this wintry European enclave there was a string of camels! The huge, silent beasts were led through along the village paths, their bulbous, poop-matted knees brushing my shoulders as they went past like noiseless, coffee-coloured combi-vans. Just like Bavaria!

Of course, our boys scampered off about the village to do some exploring. They returned, fresh camel turds smeared and speckled across their coats, ready for our evening at the football.

We look forward to the return of the Alpine Winter Village. But the camels can go back to the desert.

The Gobi will do.

courtney

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Round 19 – Adelaide v Essendon: Dons’ Party or Don’s Party?

l and s

And a polite patter of applause is hird (sic) for Crows coach Don Pyke on defeating Essendon. Congratulations to Don on another first in his debut year.

Like the Stay Puft Marshmallow Man in Ghostbusters, the spectre of the disgraced 1996 Brownlow Medallist looms large. With which metaphors do we now designate this fallen figure? Is he a cultic prophet who fabricated his own Waco? Macbeth is probably too obvious a motif, so could the golden one now be the spectral illuminatus?

But, he was an astonishing footballer. When the Bombers stole a flag in 1993 I became a fan. However, it wasn’t until this millennium when I finally watched him at Footy Park that I became certain of his genius. His grace, immaculate skill, and tellingly, preternatural vision made him among the best I’d witnessed.

*

Roy and HG once considered the sledging skill of a rugby league player, who’d run around with the Lithgow Shamrocks, under the gruff tutelage of Grassy Grannall, expertly baiting his opponents, while using subordinate clauses.

The boys and I begin our afternoon on the Northern Mound at the Adelaide Oval, a secular temple of colossal beauty. We’re adjacent to the heritage scoreboard. With its elegant lines, and yellow and white lettering evoking Bradman and Chappell and Ebert, it’s a majestic icon. I hear no insults of lexical prettiness.

*

Despite the negligible obstacle of being delisted in 2009, a disappointment is that former Crow Robert Shirley isn’t in the side to tag Bomber Jayden Laverde. Who wouldn’t love the match-up of Laverde and Shirley? Happily humming, “Making Our Dreams Come True” I skip to the bar and request refreshment from Milwaukee’s finest, the Shotz Brewery, but instead am presented with a West End Draught.

Adelaide gets one within thirty seconds courtesy of McGovern, but then the footy is marooned for six turgid minutes in the Bombers forward line. It’s much like spending Christmas in Iron Knob: unexpected and increasingly disconcerting. Then, out it pops, and Eddie is scampering across half-forward and the crowd response is customarily seismic. He bounces thrice and goals.

Former Norwood boy Orazio Fantasia replies and Essendon are away too. The early period is characterised by a tussle before the Crows begin to assert themselves and the inevitable occurs. Watching Adelaide mechanically dismantle their opponents is largely joyless. Among the many negatives of the Essendon drug saga is the loss of narrative. It’s difficult to locate a compelling story.

But, footy fights back and presents Joe Daniher. With his moustache and oddly laconic dial, he looks like he should feature in the slow-motion action of a Carlton Draught advertisement. He takes multiple contested grabs, and must be the Bombers highpoint in this most wintry of winters. With less grace than the sacrificed buffalo in the last scenes of Apocalypse Now he stumbles on the grass, but somehow goals. Daniher’s high marking is exhilarating, but his kicking is more Travis Cloke than Travis Cloke.

At the other end of the paddock Charlie Cameron is also generating joy for his club. Like David Cameron his last month hadn’t been flash, but unlike the Tory lizard Charlie triumphed today with clear public approval in getting four majors, and keeping us in Europe.

The last quarter is forgettable until Josh Jenkins- he’d been quiet, possibly fiscally pre-occupied, marks assertively and goals. A dreary Festival of Fifty Metre Penalties ensues, but only the umpires have bought tickets. Eddie earns a free and handballs to ex-Magpie Paul Seedsman who again converts from the arc with a penetrating spear. Thank you Collingwood.

Tomorrow’s a school-day for the boys, and Escape to the Country is due to soon begin, doubtless featuring a smug empty-nester couple from Middlesex who’ve convinced themselves that they really do need seven bedrooms, so we start our Riverbank Stand descent towards basecamp. The Bombers get three late goals and the Crows remain outside the top four. It’s an evening carved with Baroque shapes.

scoreboard