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Like music? Like beer? Read this!

hay plains

Hay Plain – Julia Jacklin

It’s a rite of passage for many of us. Going from South Australia to Sydney and driving across the Hay Plains.

In the summer of 1989 old Kapunda mates Bobby, Swanny, Puggy, Pinny (not actually his nickname but it seems a shame to exclude him) and I drove it in a hire car.

It was a Commodore wagon with a radar detector we’d borrowed from local publican and iconoclast Puffa. It went, as your Uncle would say, like the clappers.

I’m sure we had other cassettes but I remember the B52’s Cosmic Thing featuring, of course, “Love Shack.” It was a fun album, but twice a day for three weeks became, for me, audio water-boarding.

cosmic thing

Around Coffs Harbour the tape somehow ended up buried in my suitcase. Someone, I suspect it was Swanny, solved the mystery of the Missing Cassette and rescued the tragic tape. On it went! Yippee. “If you see a painted sign…”

Every night all five of us slept in the same big room. At least one would sleep in his clothes. I can only guess at the olfactory horror of those murky, blokish spaces.

I’m pretty sure we ate KFC every day for about three weeks. It was like that alarmist documentary Super Size Me. I blew up like an inflatable raft.

KFC

Julia Jacklin is a great alt-country singer songwriter and her debut album Don’t Let The Kids Win features beautifully-crafted songs. “Hay Plain” is an atmospheric, plaintive number in which she uses her charismatic voice to engaging affect.

In it she makes reference to that iconic Sydney road, the Western Distributor. In 1985 on my first trip to Sydney with Trev, Chrisso and Woodsy in his Datsun 180B we stayed with a mate in Drummonye and used this road daily.

Right by the exit was a huge billboard with a giant image of a funnel web spider baring its metre-long fangs, warning people to avoid these horrific fuckers.

One night we got home and our old school mate Brendan, now peeling prolifically because of Bondi sunburn, yelled out, “No! We’ve been robbed. Someone’s stolen my cup of skin.”

Julia Jacklin’s on my list of acts to see and this clip from a show in Melbourne’s Northcote Social Club captures her warmth and talent-

https://www.youtube.com/watch?v=gf6YdmKIChU

Pleader- alt J

British indie darlings alt-J toured Australia late last year and old mate Brett and I went along to the Adelaide Entertainment Centre on a Tuesday. Tuesday being the convenient and traditional night for major touring artists to play in our little city.

Having avoided incapacitation by a Coopers Clear – surely the Trevor Chappell of this distinguished beer family – we ventured into the barn-like room and I was delighted by the crisp and punchy sound quality. The band were amazing unlike their set at Singapore’s Laneway Festival in 2014 when, dogged by technical problems, they sulked off stage mid-song.

singapore laneway

I texted Brett the day after the Adelaide concert and shared that I thought the final song of their most recent album was the highlight of our night. “Pleader” is a moody six minutes’ voyage with the opening three a foreboding instrumental before the last half of the track has a stunning choral outchorus, complete with agrarian imagery and biblical textures.

The accompanying video is inspired by the Welsh mining classic novel How Green Was My Valley? Among the unforgettable scenes is one with a landslide caused by the detonation of a WW2 German V2 bomb.

The vocals are distinctive and rarefied and the lush orchestration builds the sense of doom. Hugely impressive.

https://www.youtube.com/watch?v=RrhSJzM8NLE

Coopers Session Ale

Released mere weeks after the apocalyptic 1993 preliminary final in which the Crows choked after half time, Coopers Black Crow came into the market. This marked a spectacularly dismal month for crows, everywhere.

black crow

A mid-strength lager, it was massively disappointing, especially for an enthusiast such as me. It was named by public competition among significant fanfare. A more accurate name would have been Dead Cat Piss.

Bursting into the world last October was Coopers Session Ale. It is everything its feathery, deceased predecessor was not.

Tropical, fruity, and with citrus complexity beyond big brother the celebrated Pale Ale, it speaks of a lazy afternoon on a Pacific island. Marrying Galaxy and Melba hop varieties with secondary fermentation, it’s animated in the glass, a triumph of golden straw colour and fetching aroma.

Each and every Friday around 4.27pm I pay wave $12 at Gavin, mine host at the Broady and receive two crisp pints in return as the murmuring and the post-working week shuffling builds in his front bar.

I must mention that the packaged version is inferior, and humbly submit that the colossal Sparkling Ale is the only Coopers beer which is better out of a bottle, a bloody big bottle.

Still the Session Ale is a ripper. Perfect.

0

A Day on the Green: Getting Shirty

hi

If the great Australian play, Don’s Party, and the often-maligned film, The Big Chill, both concern themselves with university graduates a decade or so into their careers and juggling work, family, and reconciling fading student idealism and with their tarnished realities, then the Day on the Green music festival is also populated by a specific demographic.

These are about us Gen X types. For many of us, music in the 1980’s was unspeakably horrific, and post-2000, a little spasmodic if not disappointing.

The 1990’s were it.

So yesterday on the outskirts of McLaren Vale, as American grunge outfit Veruca Salt worked through their excellent set, we were sitting back on our chairs and watching all the punters and all their different band shirts. It seemed to be an unspoken uniform.

Anyhow, the wife suggested I make a list of the band shirts I saw.

Midnight Oil – Head Injuries and Great Circle tour edition
Bad/Dreems – making expertise use of the West End design
Fat Boy Slim
Rise Against
Cold Chisel- Adelaide 500 edition; sadly no East album shirts

BD

Frank Carter and the Rattlesnakes
The Living End – is it cool or even appropriate to wear a band shirt to their concert? Is it done ironically?
Ed Sheeran – this poor kid had obviously been dragged along by her parents!
Some band called Bintang – I think they’re big in Bali, specialising in Khe Sahn covers
AC/DC – For Those About To Rock
The Hard Ons – given the demographic, at future concerts they’ll be supported by rising punk stars, The Viagras
Tool – see above

dotg

Motorhead
The Clash – London Calling shirts; impossibly cool
My Bloody Valentine
ZZ Top
Nirvana – the smiley face version
Joy Division
Pink Floyd
Guns ‘n’ Roses
Cosmic Psychos – nice day for some beetroot

line up

Adam Ant – What do we make of this?
DZ Deathrays
Boony Army – great band out of Tasmania, lead singer a stout moustachioed cult hero
Green Day
Screaming Jets
King Gizzard and the Lizard Wizard

aa

Pennywise
INXS
NOFX
Foo Fighters
The Audreys
The Smith Street Band

ts

Old Day On The Green shirts – again is this cool, or sad? How would I know!
Sturt Football Club – I think they play the, wait for it, blues
Rage Against the Machine – male, middle-class and white
Pantera
Dropkick Murphys
Dandy Warhols
Metallica – not the Speed of Sound tour, as roadied by The Dude
Red Hot Chilli Peppers
The Darkness
Fred Pants and the Footy Pies – this one intrigued you didn’t it? I just made it up. But I’m going to get it printed before my next concert. I’ll be the coolest guy there.

clash

Quite a list.

Of course, I was sat there in a checked shirt, looking like an accountant searching for a water cooler. Maybe I could’ve worn my c. Marsh b. Lillee shirt.

Later, in the rain wandering through the crowd I had on a plastic poncho. A bloke yelled at me, “Nice poncho. You’ll never catch me wearing a condom!”

“Fair enough.” I replied, “But I’m trying to keep the stuff out, not the stuff in.”

Heading along the Southern Expressway (to home, not Yr Skull) I glanced at the dashboard clock, and said, “It seems like midnight! At this rate we’ll have to go to a Lunchtime on the Green in future.”

It was just after 9pm. “Or maybe Brunch on the Green,” replied the wife.

Meanwhile, let me know if you spot a Fred Pants and the Footy Pies shirt.

stones

6

Finally, a pub review: The Broadway

pub front

I write today with shame in my heart.

As this modest blog moves into its fifth year I apologise to my small and disturbed audience.

I’m yet to pen a pub review.

I thought of pubs in town and pubs overseas. I remembered pubs on the West Coast and pubs in Kapunda.

I thought of shameless beer barns and boozers with utterly miserable happy hours.

bar

No such problems at The Broadway in Glenelg South. Despite being a resident of the area on and off over the last couple decades I’m a recent convert to the collected charms of The Broadway enclave.

It’s parallel to the more celebrated Jetty Road, but superior in myriad ways. Named for the small town in Worcestershire in the Cotswolds, it presents and functions as an English village but with generally better weather.

It has Glenelg’s best butchers, fish ‘n’ chips, book shop/café, dental surgery, pizza – Pizza on Broadway although it’s actually on Partridge Street; I guess Pizza on Partridge may have led the munchers to think they were getting roasted spoggy on their Italian takeaway, and I’ll admit this is a niche category, the best restaurant/dry cleaners in a former petrol station/ garage.

The Broadway pub is great. Most Fridays I wheel in there around 4.27, depending on traffic and invest an energetic hour. I get there then because I have a medical condition which renders me physically (psychologically, spiritually, mentally etc) unable to remain at work beyond 4pm at week’s end. After this time it’s also not possible for me to guarantee the safety of my colleagues, and I’d rather not end up on A Current Affair.

For a brief, deluded period I frequented a boozer much closer to home, near the Buffalo, but it was also frequented by clots (I employ this metaphor advisedly) of high-vis chaps, who seemed to have been in the pub since mid-morning, as they were bleary-eyed and looking like they might thump some strangers. This idea has decreasing appeal for me so I decamped to the Broady.

The bar staff, led by Gavin, is attentive and anticipatory. There’s a flock of TV screens showing lots of sport, but these are turned down low and a Triple J- type playlist drifts across the pub-o-sphere. Last night I heard The Smiths and Queens of the Stoneage. I’ve never heard P!nk. On Saturdays there’s a warmer bursting with snags, and a loaf of bread nearby to keep the punters happy.

The house next door was recently bought and its front yard; turned into a beer garden (how good would this really be? A garden that grew beer!) from which you can watch folks exiting the neighbouring dentists; one hand nursing their numb jaw, the other nursing their bruised wallet.

garden

A while back I made a solemn promise to my old mate Bazz. I said I’d ring him every time I went to the pub. Not out of any deep human concern; I just thought it would be funny. And now, about a year in, when I ring every single Friday at 4.45pm I seem to go through to Bazz’s voicemail. It’s a mystery.

Yesterday old mucker Trev* joined me and we had a terrific hour. As old school mates we moved between the sunny nostalgia of old friends and old music and old times. We laughed, as Les Norton used to say, like drains. We dissected and discussed and were merrily diverted. Of course he immediately referenced this line from The Blues Brothers when Jake is talking with Bob from Bob’s Country Bunker

I’d better check up, see how he’s doing, see I have to sign it too. I usually sit in the car and write it out on the glove compartment lid.

And, courtesy of the Broadway’s excellent happy hour, we did it over six dollar beers which, of course, starts the weekend in an appropriately brisk and lively style. If a pub’s optimal function is to replicate your lounge room then this pub succeeds, easily.

Next time you’re in Glenelg South, give me a shout, and I’ll sneak in there with you, and let you buy me a beer.

*his real name

dudes

0

The Ragged and Clumsy Beauty of Cricket Clubs

club

Psst. Come over here. Lend me your shell-like ear for I’ve a confession.

I learnt more at cricket clubs than I did when undertaking my degree.

Now, this isn’t a criticism of my alma mater, or untoward praise of the gents with whom I shared a summery oval and a clammy protector, just a reflection from my current viewpoint.

And why shouldn’t it be?

Yesterday, the Plympton Bulldogs Cricket Club had its Under 12’s Presentation Night (Presso), and after twenty-odd years it was great to again be in a cricket community.

The wood-panelling was festooned with premiership pennants, and the dates on these were sufficiently regular and recent to confirm that we’d made a wise choice for our boys.

If their last flag had been in, say, 1953, it might have spoken of the club’s resilience and bright optimism in slogging away over fruitless decades, but as any mug punter will tell you, if I can mix speculative and seafaring metaphors, it’s necessary to have an earn or two along the journey, to keep the scurvy at bay.

Happy in their undisputed real estate at the corner of the bar were a couple chaps in red and black Bulldogs polo shirts. On the back, triumphantly listed, were their team-mates: Dogga, Perky, Kev, BK etc. In the roster were universal names, and a few quirky inclusions that also suggest a healthy and robust culture.

Glancing up at the TV to check the score from South Africa I see that everyone’s fourth favourite Test-playing, West Australian Marsh: the elongated Mitch (behind Rod, Geoff and Shaun) was assembling a tidy innings. He seems in danger of becoming a useful cricketer.

The family in front of me struggles to finalise their meal order as the kids are compulsorily indecisive. “But you said you wanted gravy. Are you sure? Once it’s on the schnitzel we can’t take it off. Lemonade or squash? You might just have to have water.”

If this was a pub there could be an impatient urgency, born of a commercial subtext, but this is a community, and the matronly manager runs both her till and club with the reassuring and unhurried calm of a pilot’s pre-flight announcement.

Each coach presents a trophy to all his players, and makes a considered, careful, encouraging, inclusive speech. The words are promises and handshakes. Most refer to their stapled pages, and these hand-scrawled notes are emblems of investment, beacons forward for a modest, suburban cricket club.

alex 2

About an hour in, Alex’s coach cycles around to the bowling trophy. The audience has been respectful and attentive, only occasionally requiring a shrill whistle from an elder to refocus the boisterous pups by the bar.

The coach continued. “This lad’s only just turned ten. And after playing the first game in the Under 10’s he came up to our team.” I speculated silently on the recipient. “He always bowled a really good line and length, and across the season had over a hundred dot balls (each player only gets two or three overs a game).”

“The winner is Alex Randall.” And up from his plastic chair in the fifth row he went, boyish and shyly pleased, as his Mum and I both got a bit of dust in our eyes, simultaneously. We found each other’s hand, and after an exhausting week had a moment that suddenly reminded us again of the worth in those often hideous Sunday starts, the washing of grassy whites, and the nagging to pack away the sprawling cricket coffin.

Wandering back to the car along the balmy, twilight oval past assorted kids running and hollering and launching balls skyward I thought, not for the first time these past weeks, about the trajectory from childhood across the adult decades.

Situated along this arc there’s many gorgeous people competing for our loyalty and love – wives; husbands; kids; parents; friends. But in trying to best shape ourselves I’ve decided there’s another who I’ve forgotten, and who I now really want to impress: a golden-haired, perfectly-conceived boy who sees you exactly as you want to be seen.

My ten year-old self.

Meanwhile go and hug a cricket club, in all its ragged, clumsy beauty.

alex 1

0

Southwark Mugs

southwark

The monstrously-thirsty actor Robert Shaw, spitting feathers after his iconic performance in Jaws’ Indianapolis speech, barked across the set to a young Spielberg, “Stevie, for Chrissakes, get me a longneck of Southwark!”

Now the fine detail of this may not be entirely accurate, but I’d like to think that the man who played the great shark-hunter, Quint, would’ve been a Southwark slurper. It sits well against his gruff, world-weary until a colossal shark devoured my character when I slid down a sinking boat into its mouth, image.

Of course Jaws was already a classic, and Robert Shaw had long been shark food in 1992 when I made the purchases, and claimed my complimentary glassware. How ancient does this now seem? Indeed, it was half a lifetime ago.

quint

The Adelaide Crows had only just been hatched, and their first flag was half a decade away; Nirvana’s Nevermind was still newish and novel; mobile phones were rare and about as smart as Channel 9’s evening programming.

I remember Southwark beer as something Dad occasionally drank. The distinctive green label. Hot summers and kikuyu grass and World Series cricket. My ten year-old self, riding a blue dragster along the tired streets of Kapunda, with cardboard strips pegged to the spokes.

In 1992 I was in Kimba and bought, over a few months, four cartons of the then recently re-badged beer. Green death was, well, dead. The label was now a stylish dark blue, no doubt a marketing strategy to seduce the wide-eyed kids.

Coopers was but a niche refreshment, and a few hipster laneways behind main street. I think the glasses and not the beer was my key motivation. Like buying a crappy car because the clunking model you test-drove was in your favourite colour.

Among my memories of 1992 are the high rainfall of that summer. It started pouring late in the year, continued across harvest and beyond Boxing Day. Typically, the West Coast is a hot and dusty place around then; a parched and baked land, but it was awash, biblically. Parts of the farming country were sullen seas, and reaping was impossible.

Driving home to Kapunda for Christmas I had to go via Whyalla (that’s a disappointing phrase) because Highway One was blocked. Iron Knob was more Soggy Knob, and as we all know, this is never good.

Despite being amorphous solids, such is their resilience that I still have all four of these Southwark mugs twenty-six years on. Since then we’ve lived in ten houses across three countries and both hemispheres. These mugs have housed cordial, milk, water, Coopers Sparkling Ale, and assorted European lager- beers my old mate Bazz affectionately describes as “kooky stuff.” Even Bitburger, Germany’s eighteenth best lager. The mugs are indestructible. They’ve become nostalgic symbols.

They speak of country football; losing cricket grand finals; punting syndicates featuring forgotten horses with energetic mates; VHS versions of Pulp Fiction; Sunday barbeques that stretch into the muggy dark; Chad Morgan cassettes; buying my now wife a Happy Hour beer in the then great front bar of the Kimba pub; a midnight quiet only broken by a lone long-haul truck.

chad

With last Saturday’s sun setting we were mustered about our patio, and it became medically urgent for Mozz and I to upturn a robust ale into glass. As Dr Hook ministered above the effervescent evening (only sentimental songs from irrecoverable ages will do with ancient friends), out came the old mates, the old muckers, those Southwark mugs: silent servants, patiently working as they have since Mark Waugh had an unironic mullet.

Musically, it wasn’t going well for Sylvia, her mother, or Sylvia’s former and anguished flame, but well into their third decade of faithful companionship, the mugs again came good, and the ale danced in the glass. Now, in a curious first, I toast the brilliance of the Southwark mug by raising the Southwark mug! Meta-toasting!

As IA Healy would nasally suggest, ” ‘Bowling Southwark!”

mug.jpg

 

 

3

Qantas Schmantas: customer care feedback

sad

Dear Sir/Madam

I’ve played by the rules, but you haven’t, Qantas. Five weeks’ ago, I filled in one of your so-called customer care feedback forms. You suggested I’d get a reply quickly. I haven’t.

It’s almost as if you don’t, well, care. So I thought I’d try this.

We booked our recent flights to and from Brisbane with Qantas as we wanted a full-service experience. We were happy to pay extra as we travel with our sons who are seven and nine. Our experience was poor. It was, at best, a decidedly budget experience.

On our first flights, we had rear seat screens, which were great. On the return flights, we did not. It is a grim lottery with the winning ticket a personal screen and the losing ticket the offer of an entertainment app. We do not each have an iPad, and if an app is deemed a service then it’s one for which I’d rather not pay. I can load films, music and games on our devices if required. Yeah, crazy, I know! But, I’d like to know in advance.

It was a long and uncomfortable flight home.

The inflight meal was a bag of about six split chick-peas and some horrible eggplant dipping sauce. Of course, our boys love eggplant, as I’m sure you know, as do all young boys. Just kidding! This was rubbish, and in no way justified the extra money we had spent.

bag

To then be offered a beer or wine for six dollars was an additional insult. Seriously? Given the money we paid I reckon a free (not really) beer is the minimum offering. Even a crappy XXXX Gold. Full service? Not on my planet.

On this flight one of the rear, economy class toilets was not working so we sent our boys to the toilets at the front of the plane. The one working toilet at the rear was occupied. The male flight attendant immediately and ungraciously sent them back from the business class facility as if they were rabid dogs.

As we’re toiling proletariat this I can partly understand, but less than a minute later an adult passenger, also from economy, made his way to the business class toilets. He was not sent back, and this, quite frankly, pisses me off. If we’re having total segregation, then do it properly, please. In 2018, ageism is such an ugly look.

I must say that the female flight attendants were excellent in that they were friendly and helpful. My wife and I really appreciated their efforts.

However, this did not convince me that we should fly Qantas again.

I’d rather save my money and go with Virgin or Tiger. With these you get what you pay for. With Qantas, you pay extra and receive a very budget, very disappointing service.

This continues a rather poor run of experiences with your company.  One Christmas when we lived in Singapore we flew home to Adelaide. We were very excited. But we were sat by the toilets, on the overnight flight, which I can only suggest, quickly reminded me of a poorly-maintained abattoir during a heatwave.

But that is a story for another time.

Regards

 

prisoner

 

 

 

 

 

5

Three Little Bops

bops
These phone calls only happened between 5 and 5.30pm, and when they did the excitement was unequalled.

Childhood friendships are hatched over countless connections, both pure and mischievous: footy, pinball, pinching cars, but for Trev and me, our lifelong pact came through 6 minutes and 41 seconds of televisual delight.

The Bugs Bunny Show aired on weeknights and for us its highlight was even better than Happy Days when Pinky Tuscadero was injured and out of the demolition derby thanks to the Mallachi Crunch, but Fonz still wanted to marry her; was even better than Blankety Blanks and Ugly Dave Gray’s jokes about Dick (Did Dick? Dick did.) and was even better than Lizzie Birdsworth’s daggy Wentworth antics on Prisoner.

We’d a simple code, the equivalent of “London Bridge is down,” and because of our urgency the conversations were spy-thriller brief:

-Hello?

-It’s on!

-Yep.

(Rotary-dial phones simultaneously slam down, and two teenage boys, in country-town houses about a kilometre apart, rush at their boxy Pye TVs)

The first impressive aspect of Three Little Bops was that I’d hear the Bill Haley-like jauntiness of the intro before I’d see those distinctive title cards (Director: Friz Freleng), and then with electric anticipation I’d shriek out to Mum or my sister Jill or whoever was in earshot as I tucked into a plate of Saladas with their vegemite worms slithering out in their salty, alien blackness.

title card bops

With a rollicking melody penned by the celebrated trumpeter Shorty Rogers who’d later offer musical direction on The Monkees, The Partridge Family and that supremely orchestrated buddy-cop series, Starsky & Hutch, it’s a song with rich resonance.

Released in 1957 within the broad context of Beat culture, the score is prototypical rock ‘n’ roll rather than jazz, and shares little with that year’s seminal album Kind of Blue by Miles Davis. Like so many memorable tunes its simplicity of purpose is genius while its execution is comic and engaging.

*

Beyond decades of personal bliss this cartoon once secured us (minor) fiscal reward. Late last millennium some mates launched a Schnitzel Club which met at a different pub every Wednesday, and among other vital mid-week pursuits, we ate schnitzel.

Once we descended upon the Arab Steed hotel in Adelaide’s east, and post-crumbed veal, lingered for the weekly quiz. Coincidently, this is my favourite question: Apart from AB who’s the only Australian Test cricketer to play in the 70’s, 80’s and 90’s? Answer: Peter Sleep.

Our laddish dining collective was an eclectic ensemble, but scoring modestly until this Round 8 challenge: How many keys on a piano? Although we were music fans none had technical insight.

crowd

And then as we murmured and frowned about our table, suddenly emerging into my frontal lobe from a Coopers fog, these lyrics from Three Little Bops appeared as neuronic sign-writing

Well, the piano-playing pig was swinging like a gate
Doing Liberace on the eighty-eights.

Who says there’s no gain in an (occasionally) idle life of miscellany? With this ebony and ivory insight, we came second, by a schnitzel crumb. Sometimes the jetsam of youth washes up on your adult beach, and it’s grand.
*

Of course, I maintain a persistent, entirely ridiculous fantasy during which I take up the rooster-like position behind a charismatic pub bar as mine host. Among my first landlord chores is to rename my boozer the Dew Drop Inn, because there is no better label in all hostelry

The Dew Drop Inn did drop down!
The three little pigs crawled out of the rubble
This big bad wolf gives us nothing but trouble
So, we won’t be bothered by his windy tricks
The next place we play must be made of bricks

*

In this masterpiece what are my treasured moments? There’s so many! The galaxy of my youth was brightened by these comets

Be very quiet. I’m hunting wabbit.
and
I knew I should have made a left toin at Albukoykee”

But the following is unsurpassed in its goldenness, although I didn’t then connect it to Liberace. When you’re a kid, drenched in cartoonish fun, context is sometimes nothing.

I wish my brother George was here.

The script and the vocals were by cult comedian Stan Freberg who’s credited on this, the only Warner Brothers film to not feature Mel Blanc doing voice characterisations.

Sixty years on, his remains a magnetic vocal performance ringing with muscularity and irresistible confidence. In that post-war cultural repositioning, his phrasing and delivery heralds American brashness and Rat-Pack cool.

A transformed fable, its essential familiarity lends it much charm. With the power migrating from the recast outsider wolf to the pigs, our trio goes from victims to smug porcine hipsters. Universally, we’re barracking for the wolf as he’s turned from predator to loopily-grinning fanboy, and villain to tragic hero. This narrative inversion generates much of the comic energy, and as our aficionado blows his sleek horn while broiling in a Satanic pot the final lyrics provide a catharsis

The Big Bad Wolf, he learned the rule:
you gotta get hot to play real cool!

wolf hot

As a ubiquitous pebble, this cartoon rippled into so many of my childhood spaces: the arithmetically-unresponsive back row of Year 9 Maths; the cold Mid-North showers of under-age footy; the endless roasting sun of Kapunda swimming pool summers. Our affection for it has flowed down the decades, and I promise myself to again locate it on YouTube, and show the boys. I reckon it’ll grab them too.

And soon, on a languid afternoon just after 5pm, I’m going to ring Trev and shout, “It’s on!”

plus one

2

First Day of School

tin tin

Today is the first day of the new school year for our boys.

At about ten to eight Max asked, “Can we go now?” And then about half an hour later his brother urged, “Let’s go so we can see everyone.”

With teeth brushed and hair styled- Alex’s sticking up, not unlike Tin Tin’s, and Max’s smoothed flat onto his head- just as I did for a while in the way which maddened my Mum. And just like me he was impervious to suggestions that it looked a bit, well, gooby.

I took some photos out the back as the boys posed on the lawn. Often siblings have to be welded together to construct an appearance of closeness, have to be moved like pieces of Lego, but I felt a hot tear when, without prompting, Max flopped a loose arm about his brother’s elevated shoulder.

They smiled willingly. Alex with his boyish radiance, all hope and joy and beauty. Max; restrained but with a cheeky knowingness that shares a confidence and a wink with the camera.

In the playground they both scarpered to friends and spent some boisterous minutes before the bell.

I watched, grateful and happy and sad, and all the things a parent feels on the first day. Both boys enjoyed those carefree moments of movement and interpersonal exchange, when time is endless, and unburdened.

I felt another tear of thankfulness when I reflected upon that other parental nightmare: to happen across your child, sitting alone in a busy playground.

*

Later I remember another first day of school. I walked from home, and soon caught up with a mum and her kids, making the same journey, in the dust and descending West Coast heat. I said hello and the mum, the wife of a bank manager replied, “First day?”

“Yes, it is.”

“Are you looking forward to it?”

I nodded. “I am, although I’m a bit nervous.”

“You’ll be right,” she reassured me. “The kids here are pretty friendly. So, what year are you in?”

“Err,” I looked down at my Roman sandals (yes, I’m still a style icon) and said, “I’m actually teaching.”

*

I arranged with Alex and Max to meet me by a tree so I could walk them to their new classes. On the bell, I farewelled one of the other dads and made my way there. After a minute or two with the playground emptying I smiled to myself, strolled inside and joined the bustling corridor, all new bags and shiny uniforms and shepherding parents.

Alex was in his class and at a table, with old friends. As the adults swarmed about all keen to invest a minute or so with the new teacher I gave Alex a pat on the shoulder, ruffled his product-ed hair and said, “Have a good day mate.” But my voice broke a little at the end, and he glanced up, not concerned for himself, but me.

Next door Max and his class were already on the mat with Mr Smith gently giving instructions. I caught Max’s eye and gave a wave. He looked happy and comfortable, and the world was bright and sunny and spinning silently on its axis.

The first day had begun, and would soon be over, and replaced by another. I hoped they would continue like this, and flow all year like rain.

playground

 

 

0

The Catch

catch 2

Scorecards sometimes disguise the truth. 

Lillee c Willey b Dilley is among cricket’s most famous scorebook entries yet it’s a wholly unremarkable wicket, a mere 1970’s transaction at the WACA.

In the same group as the Indian spelling bee-worthy Chamundeshwarnath c Balasubramaniam b Ananthapadmanabhan at Visakhapatnam, perhaps.

Match 35 of BBL07 was likely to be remembered, if at all, for the Strikers’ import Colin Ingram swatting a handful of crisp sixes at the Docklands stadium in front of a languid Monday night crowd, the spectator numbers down like a late season MBL assignment with the Arizona Diamondbacks hosting the San Diego Padres on an airless August evening.  

This scorecard is essentially innocuous:

Bravo c Weatherald b Khan

Cricket might be a team game played by individuals but Bravo’s dismissal was a masterpiece of collaboration, a triumph of imagination that reminds us of sport’s capacity to thrill and surprise.

Among the Bucketheads and the Bruno Mars song grabs and the confected entertainment this catch, although probably insignificant in the broader context of the night’s result and the lengthened summer, was a moment to rival John Dyson on the SCG boundary and Glen McGrath at horizontal stretch in front of the members at Adelaide Oval.  

jd

Dwayne Bravo, the Trinidadian cricketer, lofted a Khan delivery high towards the Docklands’ angular roofing architecture and it began its descent at extra cover with journeyman carpenter Ben Laughlin cleverly netting the ball close to the rope, too close as is often the way, and as cruel momentum pulled him like iron filings at a magnet he somehow saw the blue flash of a team mate.

Jake Weatherald was inboard, but at a full pitch distance from the immediacy of the heroics. With Laughlin airborne and scorching at the line he flicked the Kookaburra towards his bluish colleague with the authority of a Federer backhand before diving into the turf, the first act of this drama complete.

Weatherald has had a modest campaign which has threatened, but not fired. He now became the Jagger to Laughlin’s Keef, producing an equally athletic manoeuvre to take the catch with a diving effort that, in this often-singular enterprise, demanded cooperation of balletic beauty as well as Zen-presence and advanced physical literacy.

It was a remarkable relay catch that even the most visionary fans of the last century could have scarcely conceived.

Football and cricket continue to evolve, and watching old grand final and Ashes footage are sometimes acts of almost ridiculous nostalgia so as to make these games often seem beyond the child-like in their structure and execution.

I can’t wait to see what happens next.

catch

  

 

 

 

0

Thoughts from my Caloundra Balcony

FM radio is illegal in Op Shops

Going to the late Steve Irwin’s Australia Zoo is a waste of money for in Queensland dangerous and toxicologically startling fauna comes to you, for free, every minute of the godless day

By 2020 “GPS signal lost” will be the biggest killer of over-fifties in this country

I love our boys, but to teach them about privilege and perspective I’m writing a series of books with titles such as, “The Boy Who Died Because He Had To Listen To Triple J In The Hire Car” and “The Boy Who Died Because He Ate His Pavlova Slowly”

What does it mean that the small town of Murgon boasts ten churches of different denominations?

Bundaburg has the nation’s best Target, I think

How do I process the grief of buying my family a pepperoni pizza that achieved the astonishing, postmodern feat of being entirely free of pepperoni?

Country radio provides two truisms: David Bowie was boiled shite in the 1980’s and Neil Diamond was always great

Cricket conversations are fantastic: Is Peter Siddle one of your favourites? and, Dad, was it Lillee caught Dilley, bowled Willy?

At least every six months we should camp somewhere free of light-pollution, and sit about a fire, and stare up at the remarkable blanket of stars, and remind ourselves to live well, and to love fiercely

7

NYE in Adelaide Oval’s Bay 135

ZD

I’m calling it.

My fellow lovers of confected cricket, we need a national conversation. I ask this plainly: why has the Zooper Dooper been banished? In case you’ve not heard, it’s been replaced by a chewing gum brand for the BBL wicket celebrations. Won’t someone think of the kiddies?

-Dad, it’s really hot here in Adelaide Oval’s Bay 135 for this important NYE fixture. Can we have a sugary iced treat?
-No, have a stick of chewing gum.
-But I’m dehydrated.
-Chew faster.

I’m also reminded of my favourite graffiti, seen on a condom-vending machine: This is the worst chewing gum I’ve ever tasted.

*

So, we’re underway in the traditional NYE 6.40pm time slot. Despite his early-tournament successes, former GWS Giant Alex Carey misses a straight one from Lalor. Shortly after fellow opener Weatherald also plays around one and travels back to the sheds.

Unlike Trump’s twitter-feed the Strikers are circumspect. When everyone’s favourite Colin, he of the tribe Ingram, comes out, all four batters have been non-right-handers. Thus far not a great evening for the sinistrophobics, and I wonder what’s the collective noun for left handers. A Hooksey, I decide.

Jono “Orson” Welles comes in, fresh from swiping a monstrous six at the SCG a night or two back, but he pops one to extra cover in a feeble dismissal which reminds me of PJ Keating’s description of John Hewson’s parliamentary performance: being flogged with a warm lettuce.

Lehmann the Younger contrasts with his dad who, despite his finesse, particularly against spin, always looked high-vis and Old Bushman Hotel front bar. With an ironic moustache upon his peculiar dial Jake is foppish and dandy; part Wolfgang Amadeus Mozart, part Adam Ant, part Caddyshack gopher. Metrosexuality aside, he is dropped first ball and then twice more in collecting a useful twenty-odd. Brisbane’s inability to hold catches would prove to be a significant difference.

*

Of course, the BBL isn’t only a cricket contest. It’s an ethnomusicological event with the between balls stabs central to the entertainment, but the playlist is now tired. I suggest themed evenings.

Sinatra

In the games leading up to Christmas let’s have only Yuletide tunes by the Rat Pack. What could be better than acknowledging a Bradley Hogg wicket than with an immaculately-phrased grab from a Frank Sinatra song? After all, they’re from the same generation.

Imagine the excitement of the punters gushing into the Gabba knowing that play will be punctuated with excerpts from Ripper ’76. Going from Supernaut to Sherbet to Split Enz. And to complete the experience why not get Molly to do the ground announcing?

But let’s also go beyond the rock and pop staples, to broaden the auditory appeal.

-Dad is it true? Is tonight Miles Davis night at Bellerive?
-Yes, it is son.
-The second great quintet featuring Herbie Hancock and Wayne Shorter?
-Of course! How could the Melbourne Stars now not win?

MIles

*

Michael Neser bats with intelligent aggression in assembling forty, including a lusty blow which lands in an adjacent bay. Impressive Afghan youngster Rashid Khan arrives with mere deliveries remaining, hits a six (I’ll never use maximum: oops, too late), but then holes out in what is surely the most eventful two-ball innings conceivable.

In our final over Neser skies one, and a volcano of Heat fielders converge, but with home-town luck running nicely, its lands, splat, right in the crater.

As is now tradition with the Strikers batting first, they’re about thirty runs short.

*

Returning to the Eastern Stand as desultory half-time rituals take place across the turf our eldest asks:

-Dad, it’s hot, can we have a Buckethead?
-But these offer no protection. As hats they fail.
-Please!
-No. Every time one is worn, somewhere a koala gets an unpronounceable disease.

bucket

*

Brisbane Heat has a menacing batting line-up: think Goodfellas with Kookaburra Kahunas, but tonight they’re the ones getting wacked. Within the opening over Brisbane loses a wicket.

Lynn in, carn Khan. Gorn! The Heat’s most exhilarating bat is dismissed for a Mr Blutarsky: Zero…point…zero to the quickish leggie who, three games in, has the competition spooked.

The violet sky then hosts fireworks from across the river/lake in Elder Park and the booms and bangs echo and shake the Gavin Wanganeen Stand, and I wonder if the batters notice these seismic blasts. When former Striker Alex Ross is bowled the scorecard reads as a distinctly Under 9’s-like 4/15.

It’s still light and there’s a chance the game could finish early. I hope not for Adelaide Oval’s fireworks during daylight would lack spectacle and pizzazz, like bringing out a brussel sprout birthday cake at a Macca’s party.

Curiously, Heat allrounder Ben Cutting is out cutting (caught at gully) in what must represent a major disappointment to his family. Still his is a bright innings while those about him fall meekly.

Jake Lehmann takes his second smart catch out by the rope to remove Brendon ‘Baz’ (I prefer Mungo) McCullum for an atypically sheepish tally.

Khyber-Pakhtunkhwa Province’s finest  strides out and playing the first ball Yasir Shah’s agonised leaping at the crease convinces me that he’s stepped on a piece of Lego.

Soon, it’s a numerically-attractive 9/90 and then all out. Tellingly, the Heat has not registered a single six. The Strikers head (sorry) to 2018 top of the table.

We enjoy the 1970’s disco funk medley and pyrotechnics and then drive carefully, west along Hindley Street.

alex poster

12

Holiday!

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There is no question.

This is the best photo I’ve ever taken. Nothing in Iceland. Forget the Grand Canyon. Rule out Iron Knob.

Every compositional element is within. Summer in that magical time between Christmas and New Year. Holiday park. Our boys. Big screen Test cricket. If you move the camera slightly to the right. There, that’s it. Yes, that’s a cup of crisp pale ale. Perfect.

We’ve been on a short getaway. A holiday. A self-contained location with all the amenities. It’s brilliant, and after three separate visits in 2017 it’s a favourite. We’re getting to really know the terrain.

When I was a young, numpty/teenaged type, with all the attendant boof-headedness this implies I found considerable mirth in someone I know once knocking on the door of a school-mate, saying, “Is Billy home?” His mum gave a sincere, nodding reply, announcing, “No. He’s gone on holiday, to Greenock.”

From this, the closed ancestral home of Kapunda to Greenock was a steady ten minutes in the family Valiant. Roar! How we laughed! How could this be a holiday? I’d ridden my (sister’s) bike there and back!

But, tonight, to you, with sincerity and delayed wisdom I confess that we’ve spent our Yuletide break about eight kilometres down the road. Not nearly as far as Greenock.

Why? Because it’s terrific, we can slip home and feed the dogs, and pick up some essentials like eggs, a torch and some extra-cold Sparkling Ale.

I also reckon it’s because I now know that a holiday is not about the distance travelled, but locating a fitting headset, and finding a place that works.

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Here’s the other key attraction. Our boys, Alex and Max stay there in the compact camper-trailer with one of us, while the other, eases into the car, and DRIVES HOME TO AN EMPTY HOUSE (APART FROM THE DOGS) FOR THE EVENING.

For those of you who’ve forgotten, this means the non-holiday park parent gets, in the morning, with its luxurious new light, to wake up without provocation, and avoid the existential horror of being WOKEN UP.

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Developing a functioning relationship with a holiday park includes locating a barbeque who’ll love you back. One who’ll respect you, and also not give you any nonsense.

This one is gentle on a sausage, appropriately robust with a chicken patty, and massages a steak like it should. It’s also by a creek and some friendly trees. I like it.

But this bugger, yeah, this one here-

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It looks sleek and cooperative, but it’s benign appearance is deceptive. It doesn’t cook, which, if my dictionary serves, is the job of a barbeque. It’s Yorkshire on Boxing Day. I may give it a kicking.

You may as well line up six of the park’s dopey yet kindly ducks, point their arses at your chops, and light their farts.

IMAG0156.jpg

A modern holiday park offers entertainment for the kiddies and this one has a huge games room, complete with multiple distractions, including Space Invaders and its crazy derivatives, and shoot ’em up adventures. In a symbol that captures the regard with which we hold this fantastic space there’s also a Skill Tester/ Grabber.

And for the first two days it was free!

This morning after a tremendous sleep-in Max stumbled out of our tent, nodded vaguely at me, and marched straight to the games room, such is the hypnotic power of the Grabber. I yelled “Fried fritz?” at him but he shuffled onward.

When a boy refuses fried fritz, we all know life is a-changin’. I’m not sure of how many chocolates our boys extracted from this contraption, but it was, as my old boss would say, a goodly number.

Since we visited in March a beer garden has been added. How can this space get any better, I hear you ask? Next to the pool, there’s a giant TV screen, grassed (fake) expanse, assorted beanbags, under-cover booths and agreeable bar and kitchen.

Yes, it is one of our tiny world’s best spaces. If I were a ghost you wouldn’t see me here, on a chair.

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I’m happy to say the Marion Holiday Park is great value and provides a wonderful, surprising escape.

Find it here-

Home

 

4

Jesus was born at Christmas, and died at Easter: what’s the odds?

hugh

Of course, you’re all a-blubbin’ watching festive favourite Love Actually, and by the film’s finish in Heathrow with “God Only Knows” on an endless loop, and all the happy folk hugging and crying you’re a cheerfully sodden mess.

Me too.

My first story is also set in Heathrow and features not one but two, sodden messes.

Many hate it, but for me, London’s biggest airport’s a place of excitement and marvel, forever connected to the thrill of exploring Europe. 700,000 people fly out during the holiday week.

Christmas Day, 2005 was our final day living in England, and having visited the Cathedral in the morning to hear the carols, and taken our last lunch at The Spotted Bull we speared down the M25.

In one of many airport queues they presented themselves quickly. Two women: stinking of smoke, shitty wine and undying stupidity, attracting the attention of Terminal 2 with their selfish behaviour. Let’s nod to Dr Seuss in calling them, with appropriate affection, Slapper 1 and Slapper 2.

While they unknowingly auditioned for Heathrow’s Most Horrific Harpies (coming soon to Channel 9) I whispered to the wife, “Gee, I wouldn’t want to be on the same flight as those two.”

sign

Boarding our overnight plane to Bangkok we left S1 and S2 to their unholy squawking and drunken flailing. I anticipated a meal and a beer, a film, and a long sleep as we slipped across Eastern Europe, Turkmenistan, and India.

I heard, and then smelt them before I saw them. Not only were they on our flight, but they were in the seats directly behind us, now an aeronautical Ground Zero, and dumping their fetid carcasses the trouble, as the English say, kicked off, when S1 thought it within her Lutonian rights to not only bang our chairs, but having detached her grog-soaked shoes, she plonked her gangrenous feet on top of the wife’s seat, right by her ear, and asked to remove these hoofs, both S1 and S2 made some throaty, threatening remarks infused with toxic spittle, tooth decay and, at least to my mind, a lingering, unconscious displeasure at their own massively moronic selves.

This continued for several horrendous hours.

Flying over the Black Sea, after BA belatedly moved us for our own safety, the flight attendants mentioned potential police action so I can only hope both were booked into a Thai prison with cockroaches for festive company. Cheers!

gift

*

At 4am we’re all awake. Our Singaporean body clocks reckon it’s midmorning. The room in Munich is tiny and we’ve enjoyed more space on a Tiger flight, despite it being a well-known chain I won’t mention, but I’ll give you a hint- it rhymes with Novotel.

To sedate the boys, we try TV and of course flick past innumerable soft-porn channels so beloved in the Fatherland. I take them to the hotel playroom, but their noise and energy are seismic. Continental Europe seems too small for us.

After a Bavarian week, it happens. Is anything better than falling snow? On Christmas night, after an unusually warm spell, it cascades down, and bedspreads the city and us. It’s bliss.

Rushing down to the carpark there’s dancing flurries, and these swirling, silent flakes form a carpet across the pavers. All is now magic. The boys shape a snowman. We heave some snow about, and at each other beneath the tumbling sky.

airport scene

We’re a long way from baking and dusty Australia, and getting here has been significant, but for this enchanted hour, in the dark of a Munich Christmas, it’s simple, joyous fun. I hope the boys remember this. I will.

Later, with Alex and Max asleep, Kerry opens a window, thrusts her paw at the ledge, and makes a vodka and fresh snow! You can’t buy one of these from a Peel Street mixologist. Our snowy pilgrimage is complete. It’s the perfect coda to our week in Munich.

*

Christmas across the globe can be memorable, but back in Australia I’m especially looking forward to this one. Stretched, languid days; too much ham; staccato splashing from swimming pools; a good book; backyard cricket with a fuzzy tennis ball; kindly blue sky; and afternoon naps as the Boxing Day Test wanders along.

love actually

4

Ripper ’76

ripper 76

I admit that neither Dickens nor Shakespeare were on my early reading menu, but instead Enid Blyton’s The Secret Seven starring Peter- whom I’d now cheerfully describe as a wanker, along with Janet, Jack, Barbara, George, Pam and Colin. Truth be told, Scamper the English Cocker Spaniel remains the most likable of the lot.

secret 7

But, I also came late to Revolver, Blood on the Tracks and Exile on Main St. Among the weighty vinyl of my childhood was Ripper ’76. It’s the greatest ever compilation.

Beyoncé: And the Grammy goes to…Ripper ’76!

(Kanye and his So Fresh: The Hits of Spring squad storm the stage.)

You Messed About I Caught You Out

Suitably, Sherbet’s “Howzat” opens the batting. Garth Porter’s lush and languid keyboards invest it with a distinct 1970’s feel: all Sandman and Chiko roll. It’s a celebrated song, nevertheless the band’s finest tune, I’d argue, is “Summer Love” and yet, across their discography the tail is exposed prematurely, as Phil Tufnell bats at six, all bewilderment and eyes-shut slogging.

Of course, Sherbet’s lead singer Daryl (in Molly’s world folks had only one name) is now mostly known to liquefied crowds both at and away from Flemington for “The Horses.” Initially recorded by Ricky Lee Jones, one-time partner of unorthodox, but lusty ball-striker Tom Waits, it was co-written by Steely Dan founder Walter Becker who passed away earlier this year.

gatting

For cricket-themed albums may I present quirky British ensemble The Duckworth Lewis Method? “Jiggery Pokery” remains the finest song I’ve heard chronicling the Edwardian spectacle of the Gatting Ball. Richie may even have approved of this.

My Favourite Noosha

At track 7 is “S-S-S-Single Bed” by Fox. An enigmatic outfit, another of their songs is “If You Don’t Want My Peaches Don’t Shake My Tree” possibly reminding you of the lyrics in Steve Miller’s “The Joker” which itself references The Clovers’ 1954 song “Lovey Dovey.”

As sexually-charged fruit images go, this peaches motif has endured for many a season. Indeed, it’s always ripe for a-pickin’. Fox vocalist Noosha Fox is seen by some as a prototypical Kate Bush, but I’m unsure. I do think she’s my favourite Noosha.

Britpop had Oasis versus Blur while in Countdown Era (CE) Australia we witnessed the Skyhooks and Sherbet war. Closing out Side A of Ripper ‘76 is “Million Dollar Riff” by Shirl and company. Another Greg Macainsh tune about song writing, it’s driven by their urgent guitar and prickly irreverence. The battle of the bands? For me, Skyhooks made bigger cultural and personal impacts.

Side B blasts forth with the record’s penultimate track (of four) beginning with “Love” in the title as Billy Ocean sunnily accuses, “You run around town like a fool and you think that it’s groovy.” Talk to any veteran vinyl album and it’ll tell you that it ain’t easy kicking off Side B, but “Love Really Hurts Without You” does it as easily as a Sunday night bowl of Rice-a-Riso®.

Happily, it includes expert use of a tambourine. Forget Polywaffles, where have all the tambourines gone? Did Josie and The Pussycats nick them all?

Josie

This Song is a Social Commentary

Ol ’55 provided Happy Days-like fun, and Ripper ‘76 showcases their first single, “On the Prowl,” Frankie J Holden’s rollicking recount of a burglary gone awry. Though I prefer “Lookin’ For an Echo’ perfect for six-beers-in and hand-over-an-ear-backing-vocal-stylings. Both are also compulsory karaoke songs in a Clare Valley motel with old friends, to the auditory risk of all within earshot, and without.

But you already knew this.

A Chartreuse Micra-Bus

“Convoy” is homage to interstate truck drivin’ by William Dale Fries, Jr. (born November 15, 1928), best known by his stage name C. W. McCall. It was my introduction to the idiosyncratic, oddly-mesmerising language of CB radio, and by extension, the marketing might of Radio Shack.

When you’re next in an outback truck stop it’s on the dusty K-Tel cassette you’ve idly picked up while waiting for your dim sims and, depending upon geography, potato cake/scallop/fritter.

cassette

The album does feature a few Jimmy Higgs ducks such as the Silver Studs and a flaccid Bee Gees track, but for sustained value, I give Ripper ’76 four and a half episodes of The Paul Hogan Show.

Or for the kids, a Pitchfork 9.2.

Side A

Sherbet – Howzat

Maxine Nightingale – Right Back Where We Started From

Elvin Bishop – Fooled Around and Fell in Love

Silver Studs – Happy Days

Billy Thorpe – It’s Almost Summer

Thin Lizzy – The Boys Are Back in Town

Fox – S-S-S-Single Bed

Roxy Music – Love Is the Drug

Nazareth – Love Hurts

Skyhooks – Million Dollar Riff

Side B

Billy Ocean – Love Really Hurts Without You

Donna Summer – Love to Love You Baby

Ol’ 55 – On The Prowl

Bee Gees – Fanny (Be Tender With My Love)

Supernaut – I Like It Both Ways

Jon English – Hollywood Seven

Split Enz – Late Last Night

C.W. McCall – Convoy

Daryl Braithwaite – Old Sid

10cc – I’m Not in Love

PH

0

A brisk lunchtime in the Cathedral Hotel

hoggy

The satirical polemicist Voltaire once asked, “Is there anything better than a brisk lunchtime session in the Cathedral Hotel, on the first morning of an Ashes Test?”

In all matters philosophical and cricketing our French friend is accurate so I presented myself at the revitalised old boozer. It’s a Keith Stackpole jaunt from Adelaide Oval; our tremendous, alluring oval.

Friday night at the Adelaide Lutheran Christmas function (Catholics now admitted) Harmsey said, “Meet you at the Cathedral pub. 11.15.” I was enthralled and curious that the declared time wasn’t 11 or 11.30, but 11.15. This promised things exciting or dimly dangerous or both.

Whilst grateful I cling to a heady dream in which my ear is bent by this thrilling invitation: Meet you tomorrow in the _____ Hotel. Front lounge. 4.37 pm.

4.37. How good would this be? Who could resist such an exotic offer?

Strolling in from the misty wet the ancient Barossan adage swirled overhead, as it must for those with a connection to its verdant valley: One at eleven, or eleven at one. The Cathedral was bellowing; part matinée circus, part West End production. The Barmy Army merchandise card-table in situ, its custodians in throaty, summery cheer. Only 11.15? It was as if the pub had been throttling along for hours. Perhaps it had.

For me, an unsurpassed way to invest an energetic hour or two is to stand about a tavern’s table, by an open window, with a loose knot of like-mindeds, and trade cricket yarns: personal, public and apocryphal.

And so we did.

 

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Outside, a curiously impotent army of Warwick Capper number 39’s had mobilised, while inside, PJ Flynn and company attacked their fare (2016 Burgers of the Year, no less. No word yet on the 2017 winners- I’ll keep you posted) and the stories impatiently assembled.

Of course, after the obligatory SK Warne and IM Chappell anecdotes, we migrated to RM Hogg. When he played for Australia I was a kid who loved his ferocious bowling, and the hostility with which he steamed to the wicket; all Serengeti chesting, and scowl. He presented as one you’d have on your side, in a fight (Do cricketers have scraps and footballers have barneys?). Even his blonde locks flounced with anger.

Flynnie’s story went thus:

After his international career concluded Rodney played in Willowfest: the Australian amateur cricket championships, up in Mildura and Wentworth. Hoggy remained properly livid and fast. One afternoon his captain threw him the ball.

As he paced out his run-up a mischievous scorer, grasping the demon quick’s permanent volatility, yelled out towards the 123 Test-wicket veteran with faux ignorance, “Bowler’s name?”

From over my Coopers Session Ale in the Cathedral I could envision Hoggy’s lips tightening in a snarl. He didn’t bother to respond. But his captain did. “Hogg” came the reply.

Not done yet, the scorer chirped again, “One ‘g’ or two?”

As the yarns volleyed across our ales, a film-crew strode in and captured one of the Barmy Army, in staccato, bursting voice. By now the Wiz and his post-modern disciples had either departed, or been moved on by management. Perhaps Dr G Edelsten had invoked an injunction.

The Don DeLillo of cricket authors, Gideon Haigh, shared some probing insights on Jonny Bairstow, Ben Stokes and the outlandish turf wickets he’d encountered recently in Melbourne. As lunchtime pub entertainment and education, it was unparalleled.

I was asked of my earliest Adelaide oval cricket memory. It was the 1974/75 Ashes with Dad. On the scoreboard hill among fractured foam esky lids like Canadian ice-floe, and floppy towelling hats reminiscent of those draped upon Arthur Dunger, I recalled an over each from DK Lillee and JR Thompson. This closed the day’s play.

To my eight-year old ears the noise was a pyroclastic event. I was exhilarated by the vivid and escalating possibilities as they splashed across my bow.

My next Adelaide Oval experience, I recounted to Flynny, was one Sunday during a match against Tasmania in the 1982 Sheffield Shield season. Some Kapunda contemporaries and I had wandered in and taken our seats in the former Sir Edwin Smith stand. The crowd was dotted about like inmates in a TB sanatorium.

 

MH
I only recollect the spell of Michael Holding.

As accepted fast bowlers are athletes until they reach the crease, and Holding was supreme in his gliding beauty. Pace men such as Craig McDermott and Mitchell Johnson are menace and violence as they tear in. But the West Indian was noiseless and painterly.

With the Taswegian keeper back halfway to the Cathedral End fence, it seemed that at the moment of release the ball, instantly forty yards away, was being scooped across to second slip.

Neither the batsman, nor I, were optically able to track the fig. I became aware of a remarkable connection between mechanics and biology. This became metaphysical majesty. I was slack-jawed. We all were. I don’t know if Holding took a wicket during our short sojourn. And, in many ways, an edge or explosion at the castle would have spoiled this most bewitching of sporting vistas.

Time had passed, and all by that window had an engagement, so we left the pub. Across the road, an Ashes Test was waiting.

 

Wiz