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The Frog and The Footy

volleys

Ordering rissoles in Bali is a sign that I need to go home to Adelaide.

It’s a Friday night, and I’m in Barb’s sports bar for the Crows season opener. With an Adelaide Crow tattoo on his arm, mine host Ian ambles by as the club song choruses from the TV. He mutters, “It’s got a good beat, but I reckon the kids won’t dance to it.” He’ll say that another twenty-one times before September. There’s a galaxy of Indonesian dishes on offer, but I inhale a plate of meaty patties, chips and veggies. The footy is streamed from Channel 7 in Perth and, frosty long necks of Bintang aside, when I find myself getting misty-eyed about the Bunnings ads, I know the score.

Then there’s the frog. He lurks in the grounds of our Singaporean condominium, and he’s seeking a mate. After dark, his thoughts turn, as Barry White may have sung, to making a little love or as HG Nelson certainly said, to “wielding the night tools.” His call is a loud, resonating, metallic honk. He honks nightly into the cruel fug. His throbbing desperation wakes me up and keeps me sleepless. Nightly. I want to escape his amphibious ardour so am heading to South Australia for a June holiday.

Despite living on the equator, I love winter. The endless summer here delivers an effortless lifestyle of shorts and swimming, but Adelaide extends her charms. I like dressing for the cold; faded jeans and my boots- indestructible Blundstones bought in Kimba twenty years back. Include Dunlop volleys and a pair of dusty thongs and what other footwear is there? The Southern Ocean often lashes its wind at us so I’m a convert to the hoodie. I’ll stick a pair of rubber boots on each of our boys Alex and Max and they’ll be right. Cousins are often among our first friends and, happily, they’ll all soon be running, yelling and settling their necessary disputes.

I’ll relax in Adelaide, but also tour the Barossa, McLaren Vale and Coonawarra – viniculturally. Confirmed by one ignoble episode, tropical life and cabernet sauvignon simply don’t combine for me. It’ll be superb to plonk down with some old winter friends from Turkey Flat, d’Arenberg and Katnook, and discover what they’ve been up to. I’m confident that every bottle will burst with stories as I sit at assorted tables with Dad and uncork some robust conversations about footy, the Ashes tour and everything else.

Winter back home often hosts cloudless, still days of pale sunshine; ideal for beach walks and parks. Blokes occasionally label their pubs; Rundle Street’s Exeter is, “The X.” The boys name their preferred coastal playgrounds- the Nemo Park, the Buffalo Park and the Rock Lobster; baptised for the B52’s song I unthinkingly played them once. They also have to climb some trees with their mates.

Enthusiastically standing on the terraces as Glenelg play at Brighton Road could placate my football pang. Contemporary AFL spectators have little opportunity to appreciate the contest, as it should be enjoyed. Standing, skilfully, allows for better talking, laughing and barracking, and also expedites what Roy Slaven described as, “drinking in concert.” Unlike modern colosseums, I can wander to Snout’s bar or the BBQ while maintaining an eye and an ear on the ball, without burrowing down a concrete hole, like a rodent, seeking a snag or a pint.

Improbable footballers such as cult Roosters full forward Grenville Deitrich charm me. Treasured exceptions who, despite their prohibitive shape, advance to a high level. Thankfully, these survive in the SANFL. Just. I favour this over the AFL as the national competition is increasingly conquered by charisma-free robots, automatons manufactured into facsimiles of footballers like an Asimov dystopia.

A fire is vital. Grumpy’s Brewhaus at Verdun boasts a German-inspired microbrewery, wood-oven and combustion stove. A golden pint of Tomcat pilsner and a few slices of Funky Chicken pizza on a Sunday and I’ll be set. I taste it all now and can smell the drifting eucalyptus smoke as Alex and Max scurry through the last of the autumn leaves on Grumpy’s lawn.

Life here in the endless summer is fine, but like gravity, winter at home exerts an indisputable pull. It will be a languid exhalation but, ultimately, I’m hoping that when I return to Singapore, the amorous frog is on his honeymoon.

fire

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crutches

 

swinging metallic crutches

and his narrow frame form

a pendulum as he

steps… stops…

steps… stops…

along jetty

to palm-tree square

 

empty trouser fabric pinned neatly

in a flat rectangle

his remaining leg suffers the weight

of this hollow world

 

a blast beyond nightmares

in a jungle

thousands of miles

and years

from this twinkling esplanade

 

refusing to rest

on a peeling bench

a solitary soldier

and his crutches funeral- march toward

a darkened room where

 

sleeping

he escapes the landmine’s orange anger

and wishes

he only

lost a leg

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london & you

london & you

lost and excited along oxford street drinking in the colour and the promise on our first morning

in boxy bunks chatting in the dark like teenagers in orbit (the toilet flushing next door)

offering vegemite to europeans as the summer sun pushed in the hostel kitchen window

you sending home emails from the smoky lounge and me delighted by your wit and exuberance

blitzkrieg chunks and holes in cleopatra’s needle and putting our astonished hands into the cold wounds

ending an exhilarating first day with you proudly sipping a shandy in soho’s white horse pub and then

dipping hungrily into the rock ‘n’ roll guide to london after you, always knowing best, insisting on this gift for me

piccadilly circus to ourselves at 7am, jet-lagged and euphoric; awake since the 4:30am sunrise

like peering into cupped hands at a secret, mesmerised by the sutton hoo in the british museum quiet

a tiny squirrel in greenwich park and our pure delight as it scampered

you photographing me on the lords dressing room balcony, knowing I’d treasure the image

your hysterical laughter as I kept jumping at the spider web display in the museum

our soft afternoon calm, strolling by the round pond in kensington gardens

the abbey road pedestrian crossing and despite my tantrum and the traffic you persevering so the moment was caught

hot drinks huddled among the pigeons in the trafalgar square grey breeze

your pink thongs slapping and dashing up the theatre stairs as shrill bells ring for mamma mia and

chasing the yeoman warder’s baritone as it animated history and myth at the tower

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golf at clare

clare

 

golf at clare

for bazz, hen, klingy and maurie

 

buggy tracks and shoeprints darken chilly fairways

dense valley morning sliced by birdsong

excitement strides to the first tee

on the last putts weary exhilaration

 

conversation surges but every shot accepts an anzac dawn hush

chattering carts explore thirsty creeks

and admire vines swollen with shiraz

balls freeze towering above the seventh green

 

like bungee jumpers, scores dive and climb

our girls happily skirt the eighteenth

and birdies and bogeys echo as

golf tales bubble over laughing beers

 

lake

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Homecoming

cricket

Like Gatsby preparing to again see Daisy, I’d imagined it vividly and often. However, our plane simply rose from the Heathrow runway, and ended our English adventure. Leaving became only a transaction, a mere connective between one life concluding and the old one, recommencing.

Returning to Australia after nearly thirty months is like being both troubled and delighted by the sudden, unmistakable scent of a forgotten friend. I ‘d missed our popular culture, and drifting through the in-flight entertainment during my 3am restlessness I discovered Billy Birmingham, the Twelfth Man, being interviewed by Adam Spencer.

Billy’s first success, I‘d forgotten, was co-writing 1983’s Australiana. How weirdly wonderful, as we rushed over the Tanami Desert, sleeping in the silently breathing below, to be stirred by those faintly pathetic puns- Well a few of the blokes decided to play some cricket. Boomer says, ‘Why doesn’t Wombat? Yeah, and let Tenterfield.’

I then watched Crowded House’s farewell concert from the Opera House. Could that have been a decade ago? I recall my sadness as we journeyed along the Grand Union Canal in a narrow boat, and I read in The Guardian of Paul Hester’s passing.

Through the 767’s window, the sun then burst up over the Western Plains. Not a stunning sunrise but as it’s my first Australian sunrise in nine hundred days, its poignancy makes me misty.

Which band could have served me other than Crowded House? Favourably compared to the Beatles with their fetching melodies, but manifestly local, they’re as effortless as a Sunday BBQ. When they performed, “Better Be Home Soon” I realised the golden corridor, my arrival, was close.

Scurrying about the Sydney airport shops, I beam at things unremarkable transformed by my excitement to native treasures. Powderfinger CDs. Steve Waugh’s autobiography. Boost Juice! Their realness is exhilarating. Within the terminal, the uncluttered spaces, affable colours and the brazen January light are deliciously Australian.

After the gloomy British currency, visiting an ATM makes me gawk at the crayfish-coloured banknotes. And everywhere, voices, our voices. Here, accents don’t crash like improper cymbals above a mortified English string section. I eavesdrop, and the chatter is as comforting as a Coopers.

Waiting with our hand luggage while my wife goes for a stroll, I fiddle with my Walkman radio, singularly ravenous for Australian sounds. My morning’s second musical epiphany occurs as Triple J plays Sarah Blasko’s version of Cold Chisel’s “Flame Trees.” Originally released as I began uni when life was inching beyond my dusty hometown, Kapunda.

I’d long appreciated the song’s jaded melancholia and evocations of happy hours and old friends. But the girl’s plaintive singing gives it an aching warmth. This is a welcome contracting of my planet back to the recognisable; a sensation not easily found in a confronting, often unknowable Europe. Having hugged me so tightly upon my homecoming, this song again sits in my heart.

It is fitting that Sydney was covered by cloud for when we land in Adelaide the unbounded sky is a cathedral. Walking across the tarmac, I take in the low, auburn hills and the thirsty plains and later, the idyllic drone of the cricket as we move through the empty afternoon streets of our screen-doored suburbs.

After months and hours of hungry longing, I am home.

flame trees

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Mother’s Day 2008

boys

Mother’s Day

Like Verulamium Park as spring surges, there’s clustering throughout.

we claim our corner in Wattle Reserve

surrounded by sea and thudding balls and sky.

 

Squinting into the autumnal sun, I snap photos of you both

cocooned on the rug; enjoy our silence, wonder about Alex’ voice.

Who will he sound like and what will he say? We’ll be listening.

 

Chilli olives, fetta in bell peppers and pesto. Alex sleeps in his pram.

bouncy kids follow footies, rush around swings and slides

soon he’ll be there- too soon, too soon…

 

Drift south to the Brighton café wallpapered with Marilyn Monroe.

The menu board can’t spell, but we comprehend

Maltezer cheesecake and I have a lemon, lime and bitters.

 

We’ve explored Central Park and Madrid’s Retiro;

Greenwich Park and the World’s Prime Meridian but

For us three this tiny common is our world.

 

Mother’s Day Dream

Like a persistent vision, I’d seen it often and vividly…

You’re strolling across Wrigley Reserve;

excited dogs and swirling colour and laughing picnickers

burst across the glittering, autumn afternoon.

 

I imagine you both hand-in-hand, chatting away.

in our private universe Alex christens you “Mummy” and

asks curious question after curious question with

a voice innocent and eager and trusting.

 

I’m watching as the sun catches his blond curls and

perfects this image. Now that Alex is here

my dream is speeding towards us and

I can’t wait to witness that mother and son moment.

 

park

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Autumn 2004

derby

it is snug and perfectly pretty

a vague dog bark and whispering breeze.

listen.

now it is hushed.

trees guard the dappled streets

their molten leaves

fall

and carpet like painted snow.

we swim along the footpath

our shoes drown

under swirling colour.

the village green is proud and prim

its gnarled set of stocks

vivid like a sepia photograph.

suddenly, a boisterous tractor and

then it grumbles to a stop.

a green-capped farmer

vaults

from his cabin

nods at us and

saunters into the Red Lion

her antique vine, blazing burgundy

Friday lunchtime and

we’re blissfully cocooned

in this Derbyshire hamlet.

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Max Benjamin Randall

autumn

Now and again, almost certainly when unexpected, we get what we want. Somewhat ambitiously, Tuesday was nominated and Tuesday it became. We had two restful nights’ sleep and were ready. Your mother woke around four and at five thirty, I blinked into life and briefly contemplated running down to the gym. Kerry announced simply, “I’ve been contracting for about an hour,” and so began the day.

Alex also had an excellent night and dropping him at child care I thought, the next time we see him, he’ll have a brother. The well wishes from Sarah and Sharon amplify my excitement but also my anxiety. How would our day unfold?

Back home on this fetching autumnal morning, presenting a calm exterior is, as always, a challenge. We begin timing the intervals between contractions. I soon abandon the stopwatch on my phone and resort to my trusty watch. The mid-morning television bleats and this makes me extra eager to get to the hospital. Now the contractions inexplicably- to me at least- began to extend and, seemingly in preparation for the vast effort presently required, your mother dozes.

After waking, we again ring the hospital and finally begin the drive to Flinders Medical Centre. If Hugh Grant and Meg Ryan were unavailable and, instead, we were starring in a rom-com, our ride to the maternity ward would feature zany near accidents with dim-witted garbage trucks, impossibly witty and loud front seat exchanges and our car, belatedly swerving to miss two fat guys in overalls carrying a large sheet of glass across the road.

We arrive at the hospital and leave behind the bright, rushing world. At the Birthing and Assessment Centre we are ushered into Room 2.

The midwife is Sam and she has a fascinating hybrid accent, resulting from being born in Bristol and residing in London, Cornwell, Manchester and various parts of America. Your mother’s contractions intensify and occur more often, dulled by the gas. An excellent epidural accompanied Alex but his labour was still painful beyond masculine conception. However, that you were coming via natural childbirth, I’m assured, makes any previous discomfort akin to trimming one’s fingernails. I shudder to think.

A second midwife, Nikki, comes to help. As labour progresses I vigorously rub your mother’s back and mop her hot brow with a cold flannel. I also try to interpret the glances, nods and assorted looks exchanged by the midwives. Either I can’t read their secret language or nothing untoward is being communicated. Brittany, a midwifery student, also attends and during the now ferocious contractions, we all bellow encouragement as a tuneless choir. I hope I do not sound like Lleyton Hewitt.

Throughout your mother is amazing. Her maternal determination and physical courage are boundless. This final stage of labour pushes past an hour and a half. It is now three thirty. I wonder briefly about Alex. I imagine him at child care playing, sweetly playing, oblivious to how close his brother is. Between contractions I peer through the blinds and see above the grey car park a sky of attractive blue, reminding me of the world beyond our room, spinning dumbly.

And on your mother labours. The ECG machine to which you both are connected maintains its noiseless vigil and I glance at the screen to check your heart rate. Despite its brisk fluttering, it is within a safe range. This comforts me but spectating is difficult. The clock on the wall is either racing urgently or alternately, freezing, motionless and mocking us.

The midwives speak of you progressing beyond the point of no return, the most significant landmark to be overcome. We are at this difficult place for a long time, too long. The fierce pushing continues and with each set of contractions, the awe in which I hold your mother grows. However, a black storm looms on our horizon and, a midwife gives dreadful voice to my fear. “You’ve been pushing really hard for a while now. I’m worried that you might start to fatigue so I’m going to ask the registrar to come in and have a look.” I am anxious that this might mean another Caesarean and the complications of a six week recovery. It would be cruel to have laboured so well, so successfully, for this to now happen.

The doctor comes in and I happily notice she’s wearing crocs. How can it be two years since I observed this at the birth of Alex? There’s something deeply reassuring about these crocs. The comfort they offer the medical staff on their long shifts must be tremendous. I like that this takes priority over any formality of professional appearance and can’t imagine that it would be tolerated in England. The doctor speaks to us and her manner is as relaxed as her footwear. She doesn’t seem alarmed. This helps significantly.

During the next contraction I’m invited to come and see your head, which I’m told has a mat of dark hair. I’m scared to look but do and suddenly, you become real and almost here. Despite everything, there has been an abstract unreality to my afternoon, an uncrossable divide. This nine month voyage is nearly over. We’re about to meet you.

Contrary to my fear, the ominous arrival of the doctor somehow assists us. With a colossal push it finally happens. After hours of externally invisible progress you arrive in a rush, like a slippery bobsledder, like a fast motion sunrise. Everything blurs together in a barely distinguishable flurry. Hysterical laughter, your first yelps, our tears. I cut your umbilical cord as you and mummy hug. It is a swift five hour labour. It is a slow five hour labour. It is just after 4pm.

Everything about you is tearfully perfect. You seem older than a new born, so wonderfully and patiently has your mother grown you. Your limbs and torso are proportioned exquisitely and you are impossibly handsome. What most impresses me is how alert you are. Your stunning eyes look thoughtfully all about the maternity room and seem alive to the possibilities. Yes. This is the way I’d like for you to live your life. Alive to the possibilities. Your arrival is wholly invigorating, a blessing and now, our world is enhanced.

Kerry-ann is then taken to theatre for stitching and the horribly termed manual removal. This allows us some time together. You’re weighed and I’m surprised by your official size. 9 pound 6. Only on Friday the obstetrician, Dr McKendrick, examined you both. I had been told that I’d like her. I do. Following a two hour wait, we walk down the corridor to her consulting room and her first words to your mother are, “How are you girlie?” Her view is that you’d be about 8 pound 12 and whilst her prediction isn’t wildly inaccurate, it shows how inexact much of this is.

How feeble our humanly attempts at controlling this are. How inadequate at comprehending this dazzling intricacy, this metaphysical mystery. Ultimately, we’re like the toddler with a kite on a windy beach. At any moment the string could be tugged away, from our tiny hand, by a pitiless gust.

Then your mother returns and you sleep. After all, you have had an immense day. We elatedly text and ring family and friends. I take some photos. Again, time dashes. Then it’s late and I have to go home.

Tuesdays are probably the least celebrated day of the week but this one, because of you, is extraordinary. Part jokingly, part optimistically, we’d planned for you to arrive today, just prior to Easter and dared to describe the itinerary for how we’d like your birth to transpire. Like the remarkable boy you are, you listened to us and agreed. Your name, indeed, does mean the greatest.

So, welcome to our world Max Benjamin Randall. On behalf of your astonishing mummy, gorgeous brother Alex and I, welcome to the world.

easter