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Pub Review: Five Cups in Fremantle

Indian

To visit Fremantle is to understand that this earth is essentially good and bright and joyous. I’ve had a remarkable afternoon.

I guess it’s an emblem of country-boy faith that not for the first time, hotel concierge staff consider it appropriate to swear at me, in cheerful, inoffensive and welcoming ways. Perhaps I’ve an inviting face, for when I ask about public transport, the smiley front-desk person said, “Don’t use a travel card, for they’re shit.” Oh.

I spoke. “Where’s the city station?”

The well-groomed, nicely-vowelled girl then replied, ” Oh, you’ll know it’s Perth station because there’ll be people pissing out of it.”

I blinked. “Thanks.”

On this Sunday the sun splashed on my face all afternoon. It had the redemptive power of Mykonos or Napoli. I asked some locals if it was extraordinary and most nodded in a dismissive way. I imagine this is typical in Fremantle.

On the train down I glance up at the network and note the Mandurah line stops at Murdoch and then Bull Creek. I suspect, given the deplorable mass media of this country that this is ironic. The sun is wholly magical, for a July day. So, I went to five pubs.

Surprising, I know.

pub

 

National Hotel – it’s bustling, and a fierce footy locale when I stroll in to Sandy Roberts chirping about North and the Gold Coast Suns, who I am told, are an AFL team. I ask for a Panhead Extra Pale Ale from NZ. It’s satisfactory, and I’ve got down here on a train trip for only $4.80. As I walk up to the balcony bar there’s a 2013 Grand Final Freo jumper and rock concert posters such as Hendrix, Woodstock, and of course, the iconic, groundbreaking Leo Sayer. The red brick, the exposed brick is lovely. As the Roos v Suns progress a Harley eases past the open doors. I talk with an old mate, who’s a Dockers bloke. He’s unmoved by the deplorable state of Tassie footy. Exiting, I see Monday’s industry night with an Old Skool arcade machine that I trust is Frogger.

Sail and Anchor– I remember our old friend Shelly urging us to look up! Look Up! And there’s a beautiful pressed tin ceiling. The air is high and effervescent, with a blue light. I order a Nail Brewing Pilsner but it’s circumspect; stand-offish; spikally brash beyond what a modest chap might ask of a pilsner. If a pilsner won’t behave, then where do we actually stand, in 2018? For the most isolated city on our tiny planet, there’s people everywhere, all in rude health; their kids behaving; nostalgic music a comfy bed as all attack the schnitzel and chip with a rare gusto. I then remember that it’s mid-winter but observe every second bugger is slopping about in thongs. Gee, I love this place.

Ball and Chains- Immediately, I mistrust this boozer. There’s an artifice and confection that’s worrying. I nervously order a Minimum Chips lager, and then order, as an incestuous accompaniment, a minimum chips. There’s a pensive mood about it all. I gulp my beer, so I can leave. However, the sunlight here is ridiculous. Big blokes wolf Emu Export. I avoid eye contact. I sit at a big timber outdoor table on the impossibly fetching esplanade. A Morton Bay Fig is among the Norfolk Island Pines. I’m drenched in sun, and instantly drunk on light. But, I scarper.

rope chandelier

Bathers Beach is right on the beach and beyond ridiculous. I’m with a Cheeky Monkey Pale Ale, on a sun lounger right on the sand, by a post with the waves crashing and the sun washing over me in a deeply medicinal way. A gull yarps while flapping above my head. By me are two English girls who surely can’t comprehend their enormous luck. It doesn’t matter, but the beer is pure muck; a modern nonsense that is profoundly difficult to love, even by a leviathan such as Sir Les or Thommo. I’ve rarely spent a better fifteen minutes, in the heart of winter, anywhere, including Luton, despite the toxic lager.

Sail

Little Creatures Brewing: Interrogating the bar-keep as the hugely wonderous sun rolls in, I ask about the Session Ale. I repair to the balcony and watch the boats wade in. The beer is affectionate, but lacks the warmth of the Coopers equivalent. A seagull drifts across my vision. The water looks warm enough that I could swim. How could this be? Perth is more Mediterranean than Mykonos or Capri.

I’ve had an afternoon of astonishment and glee. It’s been a Beatles album; a Hyde Park concert; an opening wicket from your first-born on a crisp morning as the sun stretches across your face.

How can I not have been to Fremantle until now?

Creatures

2

Pub Review: The Prince of Wales, Kapunda

prince

I’d driven non-stop for over four hours, dodging kangaroos, AM radio (up next the latest from Danni Minogue!) and berserk truckies like the one in Spielberg’s Duel, and Friday-exhausted, fell into the front bar around 8pm. It was a hike from Kimba.

“Hello West Coast smack-head,” greeted mine host. “Christ you’re getting fat, Mickey.” He continued. “Are you still driving that dopey sports car?”

Welcome to Kapunda’s Prince of Wales hotel, run with gruff affection by lumbering iconoclast Peter “Puffa” Jansen.

The blunt cranial and corporeal references are like warm handshakes. These are Puffa’s way of welcoming me into his cosy pub. His is an inclusive environment: no-one is spared his jibes, and these are all part of the boisterous charm. To not be abused would be offensive.

But to understand the publican we need to know more of his curiosities. He was fond of a mid-week luncheon and these sometimes included local identities such as Norton Schluter. Norton ran the Greenock Creek Tavern: a Barossan boozer with such similar atmospherics it could be a sister pub to the Prince.

Legend has it that Puffa and some captive chaps once when out to lunch. When traversing the state Puffa preferred to sip cans. He reckoned they “travelled better.” Post-dessert they inexplicably then drove to Broken Hill in the big publican’s even bigger Falcon and returned four days later.

The Prince of Wales is a snug pub with a front bar like a lounge room. It’s this spatial dynamic which assists the natural intimacy.  The decor is spartan and the space is dominated by the beautiful, antique pub fridge with timber doors and those ancient chrome door handles. About the bar are maybe ten black-topped stools.

bar

Often, early in the afternoon, there’d be but a single conversation with the tethered denizens such as Roger and Matesy, and the quips would shuttlecock about the bar and there’d be volleys of chirping from in their cups.

Retrospectively, I can see that chief among its attractions was a clear-minded absence of TAB, thumping music, big-screen TVs and dining options. The Prince was solely dedicated to conversation and cups although I recall watching the 1989 Grand Final in there on, I imagine, a boxy old Rank Arena, and willing on Ablett the Elder before the clock ran out.

It was a venue for personal firsts. On a lazy Sunday afternoon I was introduced to the English public school tradition of spoofy which initially only required three coins but, if you lost, it resulted in significantly more fiscal investment, especially if there were six or seven of you in a roaring circle. And the pain of loosing to Goose or Whitey went far beyond the mere monetary.

spoofy

Also in 1989 some mates and I hired a VN Commodore wagon and headed to Brisbane for about three weeks. Of course, we set off from the Prince. Ever the social benefactor Puffa said, “Here you yo-yo’s take my radar detector. I’ve seen how you blokes drive. It might save you a few bucks. Just bring me back a carton of that new Powers beer from Queensland.” And the detector did ping numerous times across New South Wales. We delivered Puffa his slab.

I also remember old mate Trev and his band ‘Imelda’s Shoes’ playing one Sunday afternoon in the bottle-o drive way. I stood by the war memorial as the drums and guitar blasted down Mildred Street.

Puffa loved a bet. Up on the wall behind his bar, next to the clocks, was a row of coasters on which the wagers had been scribbled. It was like a silent bookie. Puffa once said to me just after Christmas, “Don’t worry about the Sydney Test, smack head. It’ll be a draw. It’ll be rained out.”

I’d seen the forecast, so retorted, “I reckon it’ll stay dry.”

Puffa then barked, “I’ll give you 4 to 1 that it’ll rain. Easy money for me, you yo-yo!”

Of course, Fanie de Villiers bowled South Africa to victory in a rare, entirely rain-free Test. After I returned from New Zealand in late January Puffa took down the coaster and I enjoyed his cash momentarily, before donating it in yet another ill-conceived spoofy final. I had a skill for that.

Although it now offers a broader range of tap beers I’m sure we only drank West End Draught in either schooners or butchers. My A3s cricket captain Kym Ryan took his lager in a handled mug, and this seemed sophisticated. In 1986, it probably was.

*

Early one morning during our last year in Singapore my cousin Puggy- called a “smack head” by Puffa as often as anyone- sent me a message to say that the iconic publican had passed away.

Trev and I called in a while back when in Kapunda for Woodsy’s birthday. We invested a vigorous hour as the pale sunlight bent through the windows, and I expected Puffa to burst behind his bar and bark, “Hello smack head!”

When next in Kapunda I urge you to visit and enjoy a butcher of West End Draught! But not a game of spoofy.

Puffa

0

Like music? Like beer? Read this!

hay plains

Hay Plain – Julia Jacklin

It’s a rite of passage for many of us. Going from South Australia to Sydney and driving across the Hay Plains.

In the summer of 1989 old Kapunda mates Bobby, Swanny, Puggy, Pinny (not actually his nickname but it seems a shame to exclude him) and I drove it in a hire car.

It was a Commodore wagon with a radar detector we’d borrowed from local publican and iconoclast Puffa. It went, as your Uncle would say, like the clappers.

I’m sure we had other cassettes but I remember the B52’s Cosmic Thing featuring, of course, “Love Shack.” It was a fun album, but twice a day for three weeks became, for me, audio water-boarding.

cosmic thing

Around Coffs Harbour the tape somehow ended up buried in my suitcase. Someone, I suspect it was Swanny, solved the mystery of the Missing Cassette and rescued the tragic tape. On it went! Yippee. “If you see a painted sign…”

Every night all five of us slept in the same big room. At least one would sleep in his clothes. I can only guess at the olfactory horror of those murky, blokish spaces.

I’m pretty sure we ate KFC every day for about three weeks. It was like that alarmist documentary Super Size Me. I blew up like an inflatable raft.

KFC

Julia Jacklin is a great alt-country singer songwriter and her debut album Don’t Let The Kids Win features beautifully-crafted songs. “Hay Plain” is an atmospheric, plaintive number in which she uses her charismatic voice to engaging affect.

In it she makes reference to that iconic Sydney road, the Western Distributor. In 1985 on my first trip to Sydney with Trev, Chrisso and Woodsy in his Datsun 180B we stayed with a mate in Drummonye and used this road daily.

Right by the exit was a huge billboard with a giant image of a funnel web spider baring its metre-long fangs, warning people to avoid these horrific fuckers.

One night we got home and our old school mate Brendan, now peeling prolifically because of Bondi sunburn, yelled out, “No! We’ve been robbed. Someone’s stolen my cup of skin.”

Julia Jacklin’s on my list of acts to see and this clip from a show in Melbourne’s Northcote Social Club captures her warmth and talent-

https://www.youtube.com/watch?v=gf6YdmKIChU

Pleader- alt J

British indie darlings alt-J toured Australia late last year and old mate Brett and I went along to the Adelaide Entertainment Centre on a Tuesday. Tuesday being the convenient and traditional night for major touring artists to play in our little city.

Having avoided incapacitation by a Coopers Clear – surely the Trevor Chappell of this distinguished beer family – we ventured into the barn-like room and I was delighted by the crisp and punchy sound quality. The band were amazing unlike their set at Singapore’s Laneway Festival in 2014 when, dogged by technical problems, they sulked off stage mid-song.

singapore laneway

I texted Brett the day after the Adelaide concert and shared that I thought the final song of their most recent album was the highlight of our night. “Pleader” is a moody six minutes’ voyage with the opening three a foreboding instrumental before the last half of the track has a stunning choral outchorus, complete with agrarian imagery and biblical textures.

The accompanying video is inspired by the Welsh mining classic novel How Green Was My Valley? Among the unforgettable scenes is one with a landslide caused by the detonation of a WW2 German V2 bomb.

The vocals are distinctive and rarefied and the lush orchestration builds the sense of doom. Hugely impressive.

https://www.youtube.com/watch?v=RrhSJzM8NLE

Coopers Session Ale

Released mere weeks after the apocalyptic 1993 preliminary final in which the Crows choked after half time, Coopers Black Crow came into the market. This marked a spectacularly dismal month for crows, everywhere.

black crow

A mid-strength lager, it was massively disappointing, especially for an enthusiast such as me. It was named by public competition among significant fanfare. A more accurate name would have been Dead Cat Piss.

Bursting into the world last October was Coopers Session Ale. It is everything its feathery, deceased predecessor was not.

Tropical, fruity, and with citrus complexity beyond big brother the celebrated Pale Ale, it speaks of a lazy afternoon on a Pacific island. Marrying Galaxy and Melba hop varieties with secondary fermentation, it’s animated in the glass, a triumph of golden straw colour and fetching aroma.

Each and every Friday around 4.27pm I pay wave $12 at Gavin, mine host at the Broady and receive two crisp pints in return as the murmuring and the post-working week shuffling builds in his front bar.

I must mention that the packaged version is inferior, and humbly submit that the colossal Sparkling Ale is the only Coopers beer which is better out of a bottle, a bloody big bottle.

Still the Session Ale is a ripper. Perfect.

6

Finally, a pub review: The Broadway

pub front

I write today with shame in my heart.

As this modest blog moves into its fifth year I apologise to my small and disturbed audience.

I’m yet to pen a pub review.

I thought of pubs in town and pubs overseas. I remembered pubs on the West Coast and pubs in Kapunda.

I thought of shameless beer barns and boozers with utterly miserable happy hours.

bar

No such problems at The Broadway in Glenelg South. Despite being a resident of the area on and off over the last couple decades I’m a recent convert to the collected charms of The Broadway enclave.

It’s parallel to the more celebrated Jetty Road, but superior in myriad ways. Named for the small town in Worcestershire in the Cotswolds, it presents and functions as an English village but with generally better weather.

It has Glenelg’s best butchers, fish ‘n’ chips, book shop/café, dental surgery, pizza – Pizza on Broadway although it’s actually on Partridge Street; I guess Pizza on Partridge may have led the munchers to think they were getting roasted spoggy on their Italian takeaway, and I’ll admit this is a niche category, the best restaurant/dry cleaners in a former petrol station/ garage.

The Broadway pub is great. Most Fridays I wheel in there around 4.27, depending on traffic and invest an energetic hour. I get there then because I have a medical condition which renders me physically (psychologically, spiritually, mentally etc) unable to remain at work beyond 4pm at week’s end. After this time it’s also not possible for me to guarantee the safety of my colleagues, and I’d rather not end up on A Current Affair.

For a brief, deluded period I frequented a boozer much closer to home, near the Buffalo, but it was also frequented by clots (I employ this metaphor advisedly) of high-vis chaps, who seemed to have been in the pub since mid-morning, as they were bleary-eyed and looking like they might thump some strangers. This idea has decreasing appeal for me so I decamped to the Broady.

The bar staff, led by Gavin, is attentive and anticipatory. There’s a flock of TV screens showing lots of sport, but these are turned down low and a Triple J- type playlist drifts across the pub-o-sphere. Last night I heard The Smiths and Queens of the Stoneage. I’ve never heard P!nk. On Saturdays there’s a warmer bursting with snags, and a loaf of bread nearby to keep the punters happy.

The house next door was recently bought and its front yard; turned into a beer garden (how good would this really be? A garden that grew beer!) from which you can watch folks exiting the neighbouring dentists; one hand nursing their numb jaw, the other nursing their bruised wallet.

garden

A while back I made a solemn promise to my old mate Bazz. I said I’d ring him every time I went to the pub. Not out of any deep human concern; I just thought it would be funny. And now, about a year in, when I ring every single Friday at 4.45pm I seem to go through to Bazz’s voicemail. It’s a mystery.

Yesterday old mucker Trev* joined me and we had a terrific hour. As old school mates we moved between the sunny nostalgia of old friends and old music and old times. We laughed, as Les Norton used to say, like drains. We dissected and discussed and were merrily diverted. Of course he immediately referenced this line from The Blues Brothers when Jake is talking with Bob from Bob’s Country Bunker

I’d better check up, see how he’s doing, see I have to sign it too. I usually sit in the car and write it out on the glove compartment lid.

And, courtesy of the Broadway’s excellent happy hour, we did it over six dollar beers which, of course, starts the weekend in an appropriately brisk and lively style. If a pub’s optimal function is to replicate your lounge room then this pub succeeds, easily.

Next time you’re in Glenelg South, give me a shout, and I’ll sneak in there with you, and let you buy me a beer.

*his real name

dudes

5

Three Little Bops

bops
These phone calls only happened between 5 and 5.30pm, and when they did the excitement was unequalled.

Childhood friendships are hatched over countless connections, both pure and mischievous: footy, pinball, pinching cars, but for Trev and me, our lifelong pact came through 6 minutes and 41 seconds of televisual delight.

The Bugs Bunny Show aired on weeknights and for us its highlight was even better than Happy Days when Pinky Tuscadero was injured and out of the demolition derby thanks to the Mallachi Crunch, but Fonz still wanted to marry her; was even better than Blankety Blanks and Ugly Dave Gray’s jokes about Dick (Did Dick? Dick did.) and was even better than Lizzie Birdsworth’s daggy Wentworth antics on Prisoner.

We’d a simple code, the equivalent of “London Bridge is down,” and because of our urgency the conversations were spy-thriller brief:

-Hello?

-It’s on!

-Yep.

(Rotary-dial phones simultaneously slam down, and two teenage boys, in country-town houses about a kilometre apart, rush at their boxy Pye TVs)

The first impressive aspect of Three Little Bops was that I’d hear the Bill Haley-like jauntiness of the intro before I’d see those distinctive title cards (Director: Friz Freleng), and then with electric anticipation I’d shriek out to Mum or my sister Jill or whoever was in earshot as I tucked into a plate of Saladas with their vegemite worms slithering out in their salty, alien blackness.

title card bops

With a rollicking melody penned by the celebrated trumpeter Shorty Rogers who’d later offer musical direction on The Monkees, The Partridge Family and that supremely orchestrated buddy-cop series, Starsky & Hutch, it’s a song with rich resonance.

Released in 1957 within the broad context of Beat culture, the score is prototypical rock ‘n’ roll rather than jazz, and shares little with that year’s seminal album Kind of Blue by Miles Davis. Like so many memorable tunes its simplicity of purpose is genius while its execution is comic and engaging.

*

Beyond decades of personal bliss this cartoon once secured us (minor) fiscal reward. Late last millennium some mates launched a Schnitzel Club which met at a different pub every Wednesday, and among other vital mid-week pursuits, we ate schnitzel.

Once we descended upon the Arab Steed hotel in Adelaide’s east, and post-crumbed veal, lingered for the weekly quiz. Coincidently, this is my favourite question: Apart from AB who’s the only Australian Test cricketer to play in the 70’s, 80’s and 90’s? Answer: Peter Sleep.

Our laddish dining collective was an eclectic ensemble, but scoring modestly until this Round 8 challenge: How many keys on a piano? Although we were music fans none had technical insight.

crowd

And then as we murmured and frowned about our table, suddenly emerging into my frontal lobe from a Coopers fog, these lyrics from Three Little Bops appeared as neuronic sign-writing

Well, the piano-playing pig was swinging like a gate
Doing Liberace on the eighty-eights.

Who says there’s no gain in an (occasionally) idle life of miscellany? With this ebony and ivory insight, we came second, by a schnitzel crumb. Sometimes the jetsam of youth washes up on your adult beach, and it’s grand.
*

Of course, I maintain a persistent, entirely ridiculous fantasy during which I take up the rooster-like position behind a charismatic pub bar as mine host. Among my first landlord chores is to rename my boozer the Dew Drop Inn, because there is no better label in all hostelry

The Dew Drop Inn did drop down!
The three little pigs crawled out of the rubble
This big bad wolf gives us nothing but trouble
So, we won’t be bothered by his windy tricks
The next place we play must be made of bricks

*

In this masterpiece what are my treasured moments? There’s so many! The galaxy of my youth was brightened by these comets

Be very quiet. I’m hunting wabbit.
and
I knew I should have made a left toin at Albukoykee”

But the following is unsurpassed in its goldenness, although I didn’t then connect it to Liberace. When you’re a kid, drenched in cartoonish fun, context is sometimes nothing.

I wish my brother George was here.

The script and the vocals were by cult comedian Stan Freberg who’s credited on this, the only Warner Brothers film to not feature Mel Blanc doing voice characterisations.

Sixty years on, his remains a magnetic vocal performance ringing with muscularity and irresistible confidence. In that post-war cultural repositioning, his phrasing and delivery heralds American brashness and Rat-Pack cool.

A transformed fable, its essential familiarity lends it much charm. With the power migrating from the recast outsider wolf to the pigs, our trio goes from victims to smug porcine hipsters. Universally, we’re barracking for the wolf as he’s turned from predator to loopily-grinning fanboy, and villain to tragic hero. This narrative inversion generates much of the comic energy, and as our aficionado blows his sleek horn while broiling in a Satanic pot the final lyrics provide a catharsis

The Big Bad Wolf, he learned the rule:
you gotta get hot to play real cool!

wolf hot

As a ubiquitous pebble, this cartoon rippled into so many of my childhood spaces: the arithmetically-unresponsive back row of Year 9 Maths; the cold Mid-North showers of under-age footy; the endless roasting sun of Kapunda swimming pool summers. Our affection for it has flowed down the decades, and I promise myself to again locate it on YouTube, and show the boys. I reckon it’ll grab them too.

And soon, on a languid afternoon just after 5pm, I’m going to ring Trev and shout, “It’s on!”

plus one

12

Holiday!

IMAG0149.jpg

There is no question.

This is the best photo I’ve ever taken. Nothing in Iceland. Forget the Grand Canyon. Rule out Iron Knob.

Every compositional element is within. Summer in that magical time between Christmas and New Year. Holiday park. Our boys. Big screen Test cricket. If you move the camera slightly to the right. There, that’s it. Yes, that’s a cup of crisp pale ale. Perfect.

We’ve been on a short getaway. A holiday. A self-contained location with all the amenities. It’s brilliant, and after three separate visits in 2017 it’s a favourite. We’re getting to really know the terrain.

When I was a young, numpty/teenaged type, with all the attendant boof-headedness this implies I found considerable mirth in someone I know once knocking on the door of a school-mate, saying, “Is Billy home?” His mum gave a sincere, nodding reply, announcing, “No. He’s gone on holiday, to Greenock.”

From this, the closed ancestral home of Kapunda to Greenock was a steady ten minutes in the family Valiant. Roar! How we laughed! How could this be a holiday? I’d ridden my (sister’s) bike there and back!

But, tonight, to you, with sincerity and delayed wisdom I confess that we’ve spent our Yuletide break about eight kilometres down the road. Not nearly as far as Greenock.

Why? Because it’s terrific, we can slip home and feed the dogs, and pick up some essentials like eggs, a torch and some extra-cold Sparkling Ale.

I also reckon it’s because I now know that a holiday is not about the distance travelled, but locating a fitting headset, and finding a place that works.

IMAG0151.jpg

Here’s the other key attraction. Our boys, Alex and Max stay there in the compact camper-trailer with one of us, while the other, eases into the car, and DRIVES HOME TO AN EMPTY HOUSE (APART FROM THE DOGS) FOR THE EVENING.

For those of you who’ve forgotten, this means the non-holiday park parent gets, in the morning, with its luxurious new light, to wake up without provocation, and avoid the existential horror of being WOKEN UP.

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Developing a functioning relationship with a holiday park includes locating a barbeque who’ll love you back. One who’ll respect you, and also not give you any nonsense.

This one is gentle on a sausage, appropriately robust with a chicken patty, and massages a steak like it should. It’s also by a creek and some friendly trees. I like it.

But this bugger, yeah, this one here-

IMAG0150.jpg

It looks sleek and cooperative, but it’s benign appearance is deceptive. It doesn’t cook, which, if my dictionary serves, is the job of a barbeque. It’s Yorkshire on Boxing Day. I may give it a kicking.

You may as well line up six of the park’s dopey yet kindly ducks, point their arses at your chops, and light their farts.

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A modern holiday park offers entertainment for the kiddies and this one has a huge games room, complete with multiple distractions, including Space Invaders and its crazy derivatives, and shoot ’em up adventures. In a symbol that captures the regard with which we hold this fantastic space there’s also a Skill Tester/ Grabber.

And for the first two days it was free!

This morning after a tremendous sleep-in Max stumbled out of our tent, nodded vaguely at me, and marched straight to the games room, such is the hypnotic power of the Grabber. I yelled “Fried fritz?” at him but he shuffled onward.

When a boy refuses fried fritz, we all know life is a-changin’. I’m not sure of how many chocolates our boys extracted from this contraption, but it was, as my old boss would say, a goodly number.

Since we visited in March a beer garden has been added. How can this space get any better, I hear you ask? Next to the pool, there’s a giant TV screen, grassed (fake) expanse, assorted beanbags, under-cover booths and agreeable bar and kitchen.

Yes, it is one of our tiny world’s best spaces. If I were a ghost you wouldn’t see me here, on a chair.

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I’m happy to say the Marion Holiday Park is great value and provides a wonderful, surprising escape.

Find it here-

Home

 

4

21st birthdays- good old Eagle Rock’s here to stay

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How great was that procession of 21st parties? Footy clubs, town institutes, trotting tracks, backyards and in my case, a cosy golf club. It was a time of fuzzy optimism and innocence and skinny leather ties. It was the eighties.

*

One lunch-time in the Kapunda Golf Club when we were nineteen Davo and I learnt a key life skill. An elder statesman of both the club and the community Gus Higgins lined up some glasses and began.

“Now boys, you want to keep it tilted. That’s it. Don’t panic, but snap it off quickly.”

Gus was teaching us how to pour a beer. We were excellent students. We wanted to acquire this universally-admired expertise so we could take our place among the men of the world, or at least those of Kapunda. His gentle tuition continued.

“Don’t over-fill it. You want to leave a nice head on the glass.” As Davo eased the West End amber into a butcher, Gus uttered his final, terrifying command, “Make sure you don’t choke it.”

This was a rite of passage. Happily, we passed. My 21st was another.

For my party, I recorded four TDK cassettes of music. Six hours’ worth. Much like Rob Fleming making a mixtape in High Fidelity I saw myself as an artist who was curating an artefact of considerable beauty. If this is possible with The Bangles’ “Walk Like an Egyptian.”

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The tapes are long gone, but I remember the Hoodoo Gurus featuring prominently, especially “Like Wow – Wipeout” with its urgent rhythms and connotations of Sydney beaches and oddball Australian off-spinner Greg Matthews. Johnny and June Carter’s “Jackson” was on there too, as I loved, “We got married in a fever, hotter than a pepper sprout.” When Bob Dylan’s “Like A Rolling Stone” played there’s a youthful, exaggerated drawl as we sang along- “How does it feeeel?” And we didn’t really know, for we were twenty-one.

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I was also a fan of sixties music, mostly British bands like the Beatles, the Stones, and the Kinks, so this became the dress theme. My dear friend Trish designed the hand-drawn invitations. On the night, much paisley and purple swirled about the brown timbers of the club house. Wide ties flapped. Nick came as a blonde Mick Jagger, complete with Union Jack flag flowing behind him as he strutted about the bar and dance-floor, most notably when “Jumpin’ Jack Flash” blasted the room.

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Woodsy made a VHS video of the night including the speeches. Mick Dermody told a joke with the punch-line concerning train passengers pooping in each other’s shoes, but said some lovely, touching things too. I made exactly the speech an unworldly country boy would make.

Woodsy and CAae

In the photo album there’s happiness and smiles, but sadness too for some of these people are gone, and some have drifted away. I think of the Australian writer Tim Winton who views life as a series of corridors of time and space. And then we or they move through a door.

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But what a fun corridor this was. Not a school kid anymore, but not really yet an adult either. At uni and on the cusp (cups). A honeyed place in which you’re finding your way, and the world’s opening up, beyond the dusty town you call home.

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“Eagle Rock” was a preposterous badge of this confidence, this unarticulated need to separate ourselves from the generation that came before. There’s a belief that this tradition originated at the University of Queensland and migrated to South Australia. My first recollections of it were from 1985, at a St Anne’s College toga party with Rocket and Stolly and Harmesy and others.

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This Daddy Cool classic saw you instantly crowding in a circle, dropping your trousers and then swaying along to the song with your Levi’s bunched down over your Adidas Romes and dragging onto the brandy-sticky carpet.

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 Of course, it doesn’t stand up to modern scrutiny. It does, however, have an undeniable tribalism, even an evangelism that functions as a crude declaration of independence. But these broad churches held no salvation for some of the older adults who departed soon after, grim-faced and steering their Holdens north.

Around breakfast on Sunday the cold sun bent through the windows and the captain came in. Some of us had slept on the floor. I was near the honour board, as near as I would ever get, under one of those brown, laminated tables that’s compulsory in country golf clubs. Watto simply announced, “You’ve got an hour to clean up before the first group tees off.”

I stood up and adjusted my tan velour tie. I started picking up beer glasses.

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Road Trip- Kapunda cars and boys

 

Once upon a time we took photos by cars. Were vehicles more important when we were young? I suspect they were, and now we’re defined by other things: family, houses, work.

Here’s some old photos. Each tells a story.

 

Some friends- Chris, Stephen, Rodney and I bonded while at Kapunda High over a shared ownership, and then, love of the iconic Adidas shoe, the Rome. We became the Romers. There were four of us, and in this snap we’re heading off on a trip in Stephen’s Holden Gemini, but for reasons I can’t recall, Rod is absent.

Of course, we’re all blubbing and bellowing into our hankies, wondering how we’ll cope without Rod.

Yes, well spotted. I’m wearing a Kapunda Cricket Club cap.

Why did they stop painting cars in that particular green?

In 1988 Paul, Mikey, Chrisso and I ventured to Melbourne in Paul’s VK SS Commodore. It accelerated, as they say, like the clappers. We went to the MCG and saw Dean Jones up close, hitting a few in the net. I was keen to see the Australian captain, Alan Border, bat. After some refreshments I wandered down in the bowels of the stadium to use the facilities.

Coming out into daylight and blinking, I looked at the scoreboard. AB had made a duck. It was the last time full-strength beer would be served at the MCG for many a year.

Yes, well spotted. I’m wearing hideous, fluoro-coloured, hyper-coloured board shorts. No, I don’t know why.

In January of 1985 Woodsy, Chrisso, Trev and I drove to Sydney to stay with Stephen and Brendan in Drummoyne.

Yes, Woodsy and I are wearing Adidas Mexicos shorts, which for humanitarian and visual arts reasons are now banned.

On the way we stopped in West Wylong and met some local girls who, apparently because of our accents, thought we were British. In Sydney we played cricket, and went to the SCG and saw Simon O’Donnell make his debut while sitting on the Hill. We swam at Curl-Curl, Bondi and Manly. It was innocent fun. Then we went to Kings Cross where our country boys’ eyes were widened.

We also went to the Basement to take in some jazz. One afternoon in The Rocks we saw Kamahl and his Rolls Royce.

Ah, the days of the Road Trip!

19

Philip Road, Elizabeth- Holden cars and me

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There was still a post-Coronation glow across the Commonwealth when Holden started making cars in Elizabeth, just north of Adelaide. Indeed, our Queen had only been in Buckingham Palace for a few years, and with this respectfully in mind, those mapping the satellite city instead decided that the thoroughfare next to the car manufacturing plant should be named Philip Highway, Elizabeth. I guess Philip Road, Elizabeth was a bit horizontal in tone, especially in the 1950’s.

I’m not a petrol-head, but as a country boy, I was always going to buy a Holden for my first car. Purchased from solid farming folk near Greenock, it was a pale blue HR Holden complete with two-speed Powerglide. It had razor-blade thin tyres, which had the unfortunate habit of prolonged squealing as I gently rounded a corner, or accidently drove in circles at the intersection just up from the Kapunda Pizza Bar. Prior to buying an FM radio, for my driving pleasure I had a portable cassette player and a kazoo. The HR’s registration was REM-097.

Part way through my degree I upgraded to the model I’m confident was made in greater numbers than any other at the Elizabeth plant: a HQ Kingswood (white). In our little country town, there must’ve been twenty of these, and they were mostly driven by us young fellas. Sometimes there’d be three or more of these in a diagonal row, outside Nugget’s Clare Castle Hotel*, late on a Sunday. Owning one seemed almost compulsory, and it functioned as a type of vehicular uniform for our silly army. Its rego was UXA-100.

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For a few months, my friends commuted to uni and back with me. Claire and Trish* were Abba fans and musical theatre devotees, and I now confess that I took fiendish, even megalomaniacal delight in controlling our musical accompaniment. They’d holler, “Put on the radio” and “We want SA-FM.”

Deaf to their words, I’d then lean over and pump up the volume on a ten-minute blues song like, “Key to the Highway.” Somehow, we’re still friends.

Nineteen. There may well be an age at which Australian males are more stupid, but I doubt it. With sudden and inexplicable urgency one Friday night, when I was barely nineteen, three friends and I decided that we needed to race down to one of the Kapunda main street’s four pubs (or possibly, all of them).


So, we left the home of the mate that for legal reasons I’ll refer to as Woodsy* and failing entirely to navigate the dirt road behind Kapunda High School, my left fender prised open about twenty feet of the corrugated fence like it was a tin of Whiskers*. The car came to an immediate halt. Our friend was studying electronic engineering at Adelaide uni, so I said, “Chris*, you’re smart, fix it!” He couldn’t.

Subsequent crash analysis revealed a major cause being the HQ Holden’s front bench seat on which, for now obscure reasons, all four of us were, for want of an ergonomically accurate term, sitting. Apparently, this lack of physical space made it difficult for the driver (me) to successfully operate the steering wheel.

Later, another mate, Crackshot* remarked that despite it being only eighteen months since I’d somehow won Kapunda High’s Paul Giles Memorial Prize for Character and Leadership, I still clearly wanted to make a lasting mark on my former school. Under the cold light of Saturday morning, in grim conversation and looking at my Adidas Rome-d feet, neither the headmaster nor the town’s police officer, saw my yearning for scholastic legacy as a legally relevant issue.

The final Holden I owned was the most expensive of the three, and certainly the least likable. Heading off to the West Coast to teach I bought a VK Commodore from Hage’s in Tanunda. It drove well, if thirstily, but the stereo was terrible and the front speaker rattled like buggery whenever I’d turned up a tape, like Billy Joel*. Billy deserves better.

One evening after a prolonged cricket fixture and raffle-ticket selling duties in the Wudinna Club, the VK batted last and was dismissed, run-out by a Ford at a railway line on the road back to my farmhouse accommodation (I wasn’t driving). After extensive rehabilitation, during which I drove Jock* and Snook’s dune buggy, I sold it.

I didn’t know it, but my relationship with Holden’s was finished. I’m unsure whether I’m yet to have my mid-life crisis, or if I’ve been having one all my life, but I often think that one day, I’ll buy myself an EH Holden.

I might even take it on Sunday drives, and do a lap of Kapunda High.

Thanks, Holdens.

 

*names not changed

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0

To old mate Chris Hayward, on his 50th

 


About a month back six former Kapunda High scholars- Rocket Ellis, Nick Lienert, Trevor Lucas, Andrew and Chris Hayward and I were at the MCG taking in Port versus Collingwood: a truly post-apocalyptic and dentally-challenged fixture. Ours was a tidy collective.

During the second quarter Chris returned with his round, and this is instructive for he had not six, but two Bundies. One for his brother, and yes, one for himself. Now some of you are possibly thinking, that’s a bit selfish. Indeed, some of our ensemble in Row G may have thought this too- despite none of us liking Bundy. What do we make of this purchase? The meaning is, of course, that Chris values family deeply, and for this how can we but admire him?

And those in our group at the MCG not called Hayward were pampered by Chris with refreshments. Yes, light beer. No, one each. As the insipid lagers made their sorry way to the downcast recipients there was anger and a fight threatened, and partly because it was Port and Collingwood and we wanted to blend in, a fight threatened.

But this is to misunderstand the situation. Ever a visionary, Chris had foretold that we’d end up in an Irish bar at 3am, and plainly, he was looking after his mates. Our safety, and our health were, as always, his priorities. So, thanks for your human concern Chris. Indeed, leadership can be lonely.

Chris is a tremendous enthusiast, and as all of us know, this great gift is contagious. To spend time in his company is one of life’s joys for Chris finds happiness and fun everywhere. He loves laughter and people, and lives in robust and generous ways. And for this, we thank him.

So happy 50th Chris. To Chris!

0

Brewery Review: Greenock Brewers

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In one of his more reflective and tender moments Australian poet-balladeer Kevin “Bloody” Wilson offered the following as a courtship inquiry

            Does your Dad own a brewery?

I’m unsure what reply Kev received- probably one in the negative, but I do know that a bloke from my hometown of Kapunda runs Greenock Brewers Barossa Valley in this gorgeous hamlet about an hour from Adelaide.

If you ask the average punter their favourite law what do you get? Thou shalt not kill? The deliberate out of bounds law? Unlikely.

I nominate the German Beer Purity Law of 1516, and happily the owners, Chris and Lisa Higgins are fans of this one too, and it guides their craft. And, of course, it’s especially relevant here in the Prussian-settled Barossa with its tradition and strict codes and nodding respect.

I ducked in last week, and while Chris was down in town, Lisa let me in and after a couple snifters, I strolled out with some tremendous cargo in the form of two six-packs. I drove back to Glenelg with matronly care.

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Bunawunda Blonde is dangerously easy to drink. But unlike many commercial beers (read muck) this lager rewards with complexity and maturity that doesn’t scream, “Messy Millennials on a hot Sunday.” There’s delicate spice infused with a smiling approachability. I like it. It’d find a cheery spot around a BBQ, or at five bells on a Friday (or earlier in the week).

The brewery is set just off the town’s main drag on Mill Street. Coming from Nuriootpa (where a young HG Nelson once kicked a footy) if you get to the pub, once run by iconic mine hosts, Norton and Mick Schluter, then you need to turn the EH Holden around. But if you slip into the Greenock Tavern’s front bar, never fear, for the brewery’s excellent product is available there too.

Having spent not a few winters up at spoggy’s on a Saturday and playing footy in various Barossa towns I can assure you it gets decidedly crisp, and in these times of personal need the application of dark ale becomes vital.

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Greenock Brewers Dark Ale is like the Bunawunda Blonde, in that it’s a beer of subtlety and elegance. It doesn’t get in your face like a Tanunda Magpies fullback or an Angaston opening bowler, but moves with seduction. This, as many will tell you, always works better and jags the win. There’s some lingering Mocha and wafts of smokiness too that seems perfect for an evening around a cracking fire, after the Kapunda Bombers have had a top day in the lead-up to finals.

When I poked my head in the other day I spotted a cosy outdoor area with tables and chairs and a fire. The brewery itself is housed within a fetching old stone wheat store that immediately makes a wonderful impression. It sets a tone, and turns up the thirst a few Fahrenheit notches.

Couple this with occasional live music- probably no Kevin B Wilson, although I can’t be certain- and it makes the Greenock Brewers Barossa Valley an attractive location, in an attractive town, in an attractive valley.

I’m there.

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https://www.greenockbrewersbarossavalley.com.au/

 

 

2

Battery Point Boozers: Brave Journeys into Hobart’s Hotels

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Striding up Runnymede Street into the heart of Battery Point and the beginning of Friday night with the dark and the cold pressing down upon me, I take in my surroundings. I dichotomize Arthur Circus, Australia’s only circus, with its cottages built close to each other as if they’re all huddling together around a scrub campfire.

These are streets with houses and restaurants and stores all pushing for attention, right up on the footpath. There’s no sweeping front lawns and yawning gum trees, but cobblestones, and a distinctly London-like topography.

I’m in Hobart for a conference and tonight the Crows are hosting the Bulldogs back at Adelaide Oval. As there’s also a pub back in my hometown of Kapunda called the Prince of Wales I involuntarily step inside the Tassie version, and find my place at the side bar.

It’s a snug corner populated with eccentric locals and bohemians and ordinary folks and tourists who seem to possess some organic ownership over this space. One of the staff, Aaron, is the brother of Nathan with whom I worked in Singapore. Between his pouring and my emptying, we chat in a necessarily staccato way.

I then have a yarn with a raspberry farmer, Phil and his partner Mary, about Turkey. How do these conversations commence? Together, we roam through Kusadasi and its heady lanes of Irish bars, and on to Istanbul and the Bosphorus and the Grand Bazaar and the Blue Mosque, and then, finally, to Gallipoli.

Phil offers me half of his burger. I buy his wife a Bacardi and Coke. Just like the Crows, we’re all winning. Later, they move to the front bar, to dance to a jazzy blues band.

After the siren, I again cut across Arthur Circus, and head down the hill.

*

Saturday, late afternoon and the dark is rising as I amble past the chippy and the curry house towards the Shipwrights Arms, all white and majestic like a billowing sail. Safely inside and perched like a parrot on a stool, I examine her stained-glass windows and nautical photos.

There’s Sydney to Hobart memorabilia including pictures of my favourite yacht, Brindabella, while across the wall is a black and white depiction of HMAS Vampire. By the door is a rack. Black coats hang as if deflated ghouls. The footy’s on a tele and Sydney’s again galloping towards the finals.

Suddenly, I realise the aural beauty. The commentary is muted, and there’s no music pounding down from ceiling speakers, and no jiggly death clatter from hidden pokies. There’s only the lowing conversations from happy knots of folks. No TAB and Sky racing insistence, just human voices like a heartbeat line, traced on an ECG, with laughter providing the graph’s healthy spikes.

It’s a pub in which chat is treasured. The business plan could be: encourage them to talk and relax, just like they would at home. I could be in Cornwell or Yorkshire.

The Shipwrights Arms has but five beers on tap, and around its lavish bar are scattered some older blokes who each buy a stubby, and pour it into a small glass. Although I wasn’t born, it seems very 1955. I recognise one fellow from last night at the Prince of Wales. He’s just retired, and is heading to Sicily next week for a few months. He’s pretty excited. I’m happy for him.

In another nook, by the fire, I see another television screen. The darts is on and Barney is in strife against Chisnel in the Shanghai Masters. By the bar, just next to me, Ted and Ron and Bruce are ribbing each other with the gentle affection of old mates. They drink pots, and talk of absent friends and golf and the daily driftwood of a quiet island life.

*

I know I should pop into a most marvellously named pub, Doctor Syntax, over in Sandy Bay, but time is against me. It’s branded after a famous nineteenth century British racehorse, and as I’m in town for a literacy convention the name should also be personally symbolic or hyperbolic, but maybe instead it’s a name for an editing franchise. Having trouble with apostrophes? Call Doctor Syntax on 1-800-COMMA.

When I walk into a pub I try to look at the floor for I reckon this can be informative. Polished concrete? Run for your life! The Whaler, in the heart of Salamanca Place, has old worn tiles that echo with Moby Dick and Ishmael and the swish of harpoons.

Inside is deep like an old friend’s hug and chocolate dark and above the bar timbers there’s stained glass that’s austere and haunted and vaguely Eastern European. In front of me a circle of young women, possibly tertiary students, are all in black coats. One, clearly the alpha, is setting a fierce Chardonnay pace, and she’s lapped her peers. I’ve seen this movie before. It could be lights out at eleven, for her.

Given it’s a uni pub there’s music. There’s 60’s soul and then songs featured on hip alternative films from the nineties. It makes me smile. A girl from the circle shuffles a few steps across the prehistoric tiles to Morphine’s “Buena” and its saxophone, all sultry and snaking and menacing, but when no one joins her, she flops onto her stool.

There’s an early evening ease, but then an agitated young guy and two barely clad girls burst in, and the spell is broken. There’s now a ménage a trois edge. Time to bolt. I tip down my ale and head home to the footy and Rockwiz.

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0

A Day on the Green: Annie’s Lane

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One of life’s unexpected joys is to chance upon a game of cricket. Arriving in the Clare Valley we locate the bush camping ground ($10 a head) at the Watervale Oval. Setting up our camper trailer is like every couple assembling Ikea furniture together, but without the fun, laughter and argument-free marriage-building.

Indeed, a game of cricket is happening. The oval is shielded by an impressive stand of gums along its eastern side while a handsome grandstand sits atop a gradient that makes Lords appear flat. A round robin Masters tournament is underway, and my lunch is a snag in bread ($3 a pop, sauce no extra) and a Rabbit & Spaghetti ‘The Fox’ Hop & Rye Lager ($5 per 500ml can, 4.8% ABV).

The boundary is in, and the boundary is breached, often. Very few singles are taken. None are run. One innings is opened by inaugural Crow and dual Margery Medallist, Andrew Newton Jarman, who makes, as you may suspect, an exotic and inevitably brief seven.

We stroll up to Annie’s Lane winery for A Day on the Green. Models began and are serviceable, but more cask white than perfumed Riesling, with “I Hear Motion” the highlight. There’s lots of darting, skipping infants here, and between sets the DJ spins Bowie’s “Suffragette City” and a boy of about ten immediately sings along. I’m impressed. He’s wearing a Coopers brewery cap, advertising Mild Ale, which at 3.5% is mid-strength. They’re obviously responsible parents.

NMFC fan and guitar-slinger Tim Rogers is next, and announces that the Adelaide Crows have won the grand final. A mate and I discuss which Tim might perform. I say, “When I last saw him in November we got bad Tim. I hope good Tim’s here today.” Neil replies, “Oh, I don’t know. Bad Tim could make it interesting.”

I get a Fat Yak ($8, 355ml) and a local sparkling shiraz for the wife ($35 a bottle, 13.7%, with “lifted aromas including black olives, figs and Christmas cake spices”). Good Tim does an up-tempo version of “Heavy Heart” which has this great lyric

Been watching so much TV

I’m thinner than I should be

I’m like a waterlogged ball

That no-one wants to kick around anymore

Stopping by various islands of friends I visit the merchandise stand, and settle upon a Day at the Green stubby-holder ($10, but bottomless) while the wife selects a Violent Femmes t-shirt ($40, the one featuring their eponymous album’s cover). There’s gorgeous autumnal light on this tropical afternoon, and it endows the valley with a McCubbin quality; even the curved line of rickety porta-loos ($0, minimal wait time).

The Whitlams are excellent, and I’m struck by the agelessness of Tim Freedman’s voice. With their blend of wit, quirky sentimentality and piano-driven pop they remind me of Ben Folds Five, North Carolina’s finest trio. Among their terrific lines are, from “Melbourne”

If I had three lives, I’d marry her in two

and their signature song, “Gough”

Come over have dinner with me, we’ll play chess and drink claret

Walk slowly down my little street, can you bring Margaret?

Finishing with “You Sound Like Louis Burdett” we rename it to honour the iconic Adelaide Oval curator, Les Burdett. I get another Fat Yak (still $8, mercifully no variable pricing) and the wife and I pull apart and devour our savoury pull-apart ($6, you know the bakery chain, the one with the jangly jingle).

The next act is introduced as coming from Ohio, but the Violent Femmes are from Milwaukee. Is it a mistake, irony or an alternative fact? Is there an issue with what Colbert calls “truthiness?” Invigorated by winery produce and news of Hawthorn’s imminent loss the crowd is up and dancing as they zip through their country-twinged songs about adolescent desperation.

“Blister in the Sun,” “American Music” and “Old Mother Regan” are superb. It’s charming to also be in Clare with my dear old friend Clare and she films us, if this is the correct verb, singing “Country Death Song.” Clare promises to post it on social media, and I’m sure we’ll soon be celebrated as a contemporary Sonny and Cher. However, Sunday afternoon’s initial viewing exposes this as unlikely (probable recording contract value, $0).

“Add It Up” is all psychotic teenage anguish and the Gen X crowd is jumping to this last song. Gordon Gano’s voice has been perfect: at once sunny and whingy and smiling, leading us to happy places, while Tasmanian resident and MOMA curator Brian Ritchie monsters xylophone, jaw bone and bass with good humour too.

Led by Flacco lookalike Dave Faulkner, I saw the Hoodoo Gurus in the late nineties on their break-up tour, which of course, was from the pre, post-truth world, and never something anyone really believed. For the right fee, even the Ramones might again tour. So here we are in 2017 as they perform “Leilani” and “Bittersweet.” Along with Jackson Browne’s “The Load Out” and the Rolling Stones’ “Torn and Frayed” the anthemic “1000 Miles Away” is among my favourite road songs.

Remember how “Like Wow, Wipeout” became the theme song of Brylcreemed, ear ringed and punkish Australian off-spinner Greg Matthews? That was 1986. The song endures while Mo Matthews is now a radio commentator so I’m unsure if he still uses hair product from when Menzies was PM. It’s the final song of a fun day.

Prior to breaking camp and over a breakfast latte ($5.50, red van by the oval) I check the footy and cricket scores. I also see that Dad’s Nuriootpa Tigers Division 1 bowls team has jagged another flag, his twelfth.

All about the campsite there’s deceased camping chairs (too many $$, the sausage sizzle hardware mega-store) in Salvador Daliesque tangles of disappointment and enthusiastic Sauvignon Blanc. Our twenty-year veteran chairs ($40, Port Pirie camping store, late lamented) are in the boot, ready to ride again.

The cricket begins. We drive south, into our muggy Sunday.

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2

The Kapunda Cricket Club: Long Necks in Brown Paper Bags and the Patron Saint of Spoofy

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In 1880 the Australian Test side played a match in Kapunda against a local team. The shops shut at noon and thousands gathered. The national captain, Billy Murdoch, congratulated the club on the Dutton Park pitch. It was coconut matting.

The national side made 401 with opening bat AC Bannerman registering a century. The local side accumulated eighty, despite there being a batting line-up of twenty-two chaps. Only one fellow, TR Bright, got to double-figures with twenty-seven. Ten made ducks. Can you imagine a Wade/ Maxwell conversation happening back then?

“Hey Skip, got a minute?”

“Sure. What’s the problem?”

“I see you’ve got Bennett coming in at eighteen. And I’m batting at nineteen.”

“That’s right. He’s actually made a run this year.”

*

Saturday night saw the celebration of Kapunda Cricket Club’s sesquicentenary, and it was held at Dutton Park. Arriving late afternoon Woodsy, Bobby Bowden and I wandered down to catch the closing stages of the A grade fixture against Freeling. On the grass and under the shade we had a yarn with Tolly, Bart, Whitey, Goose and Rexy who were taking refreshment as preparation for the evening. Kapunda took four wickets to secure second place.

*

Away games still mean meeting at Rawady’s deli in the Main Street, just next door to the Sir John Franklin hotel. Thirty years ago, we’d head off to Eudunda or Angaston or Truro in a car with no air-conditioning. FM radio barely existed. Bench seats like those in HQ Holdens allowed six so only two cars might be needed. Toranas and 180Bs were rightly seen as selfish.

You’d be squeezed in and somewhere like Riverton was only about twenty minutes away, but with cramping calves and eyes stinging with the smoke of a dozen Winny Reds you’d slide from the seat with a soaking back like you were being born.

This is the Kapunda Cricket Club.

*

In a change room at Dutton Park some memorabilia is on display. I wander through. Old bats- GN Scoops and Fielkes, and boxes- such as the one made famous by Froggy are there, as are old score books. One from 1987 is on a bench and Bobby Bowden finds the match against Greenock, the one cruelly documenting his eighteen ball over. I’d forgotten that he and I opened the batting, but then when this happened, why would we?

Sudden by international standards, the demise of England’s G Swann was glacial compared to Bobby’s. At the start of his final ever over for the Kapunda Cricket Club he was a reliable medium pacer. Eleven agonising minutes later his bowling career was dead.

It began with a couple of wides, progressed to a malignant lack of confidence and culminated with Bob, broken, walking to the wicket like it was the gallows, and trying to complete a legitimate delivery. It often ended up at slip, or skidding forlornly, ashamedly, down to fine leg. His mental self-disintegration was total.

Subsequent pub analysis confirms that Bob’s eighteen-ball over only contained seven legal deliveries, and therefore nearly thirty years on, remains incomplete. I was at mid-off, and lobbed the ball to him, fifteen times. I felt increasingly like I was throwing him a box jellyfish. Or a can of XXXX.

This is the Kapunda Cricket Club.

*

Cricket clubs provide much. Social instruction. Gentle exercise. Weekend structure. But mostly they generate memories. Eagle Rock with whites around ankles, slopping up beer and Bundy in a Tarlee disco. Tony Clarke spinning the black vinyl of “Walk Like An Egyptian.” A fella like Flab who, in astonishing dedication, wore his cricket whites until Tuesday. Yeah, Tuesday. Twice. Did these have to be burnt? If we had a nuclear waste storage facility (no doubt on the site of the former Railway Hotel) they probably should have gone in there.

I think of Spoofy. I think of the front bar in Puffa’s late on summer afternoons. Boys drinking West End from handles. No TAB or big screens. No pumping music. Just three coins, clasped behind the back. Not trying to win, but trying not to lose. Goose Mickan. Someone chirping, “Good call.”

The final moment and someone- hopefully not yourself, trudging off to buy for everyone like GS Chappell after his fifth consecutive duck. This, of course, all belongs spiritually to Whitey, the patron saint of Spoofy, or as he now calls it, “The Free Beer Game.”

This is the Kapunda Cricket Club.

*

And then, late afternoon somehow squeezing back into the HQ Holden as Chris Hayward once said, “Like ten pounds of spuds in a five-pound bag” we’d drive through the dusty warmth back home. This often included calling through a pub like the Greenock Tavern to get a long neck in a brown paper bag. One each for the journey.

Just as the drive to cricket could seem eternally long, as a seventeen-year-old the trip back home with a derro could be horribly brief as now within Kapunda’s town-limits you tried to gulp down the last of the beer. The HQ would swing into a park outside the Clare Castle Hotel, and you’d stare down the neck of the bottle, looking for the fish bones you’re sure are swimming about in there, wondering how the older blokes actually drank the stuff. Safely inside, after three schooners of Nugget’s finest, you’d recovered and all was fine. You were set.

This is the Kapunda Cricket Club.

*

It was a great night. There were stories from JL Mosey and Sarge Johnston and laughs and life memberships. Wayne Phillips made a funny speech in which he referenced Fatcat and IVA Richards and the beginning of his relationship with his wife which, in part, began atop Gundry’s Hill overlooking Kapunda.

After midnight, everyone drifts outside to the veranda. It seems like it’s only nine o’clock. There’s a looming full moon and the skittish clouds race across the velvet. After a blistering week, the cool change is arriving.

I call back into the club next morning on my way home and ask what time the celebration wound up. Matt says, “I left at ten to four and there were still about sixty here.” Impressive.

Some nights the stories just won’t let you go to bed. There’s too much to say, too many hands to shake.

And, this is the Kapunda Cricket Club.

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KCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch onKCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch onKCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch on

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“And see which one of us can tell the biggest lies”

khs

I’m not sure why it was chosen. Maybe, because it’s convenient and the tram runs outside the front door. The Kings Head on King William Street prides itself on offering only local beers and wine and its food is also sourced entirely within the state. Brilliant.

So, last night about a dozen old mates congregated in the pub. Congregate’s a good verb for we function as a congregation which, of course, means people attending worship. We exchange the important details. Home. Kids. Schools. Work. And then we get to the evening’s real agenda: the past. The stories tumble like a waterfall.

*

There’s the footy grand finals, and Lukey’s screamer at Angaston oval. There’s Bongo’s unlikely major from inside the goal square. There’s the boys all getting a hat like Rexy Ryan’s.

There’s the cricket grand finals. Where is Jeff Charity?

There’s schooner schools and the afternoon when Stef dropped four and owed 28 beers and had to drive back to She-Oak Log to get more money.

And then there’s Tarlee discos with Tony Clarke spinning the records and the lads still in their cricket whites.

There’s the boys at Adelaide Oval late in the day after lots of niggle with some rough-nuts further up the hill and someone retorting, “If I want shit from you I’ll squeeze ya head” and then it was on, and as the toll climbed there’s Lukey advising, “If you just lie there, then they won’t hit you” and then with our Spidey senses tingling, knowing to all meet up in a pub an hour or so after scattering.

There’s Chris on the boundary at Angaston and “Gilesy, you dropped an expletive lemon” and the rest of that ragged evening doing laps of Quodlings’ farmhouse with his Dad hobbling after him.

There’s Sundays at the Railway and opening the blinds around mid-morning with Uncle Mick Dermody and raspberry in our butchers.

There’s Mikey’s T-18 and Woodsy’s 180B and Crackshot’s ute and Lukey’s Alfa.

There’s Cathy Coppin’s sympathy when we didn’t have enough for a ‘goon ($2.20) and she said, “Here. Just take the bloody thing.”

There’s spoofy at Puffa’s and Whitey saying, “Good call.” And then he lost and had to shout anyhow. Again. But you already knew this.

There’s the Pines and the Duck Pond and Gundry’s Hill.

There’s Kapunda High and a HQ Holden opening up a rear gate and a Torana having strife out the front one Saturday after a cricket club show.

There’s a woolly-faced monkey (Puggy/Slide/Greg) buying more than one of us our first beer in the Clare Castle Hotel. When he was fifteen.

There’s the Kapunda Pizza Bar and Johnny Guzzo and getting kicked out from tilting his pinball machine. “Fungul! Out! Out!”

There’s Lumpy Nixon and Dobby and black duffel coats and black ripples.

There’s a bus trip to Coolangatta and all falling asleep in a nightclub watching Boom Crash Opera and missing “Onion Skin” after fifty cent Bundy’s.

There’s New Year’s Eve at Lukey’s and Dad saying, “You young lads won’t drink a keg” and replying “We’re already on our second.”

There’s Puffa saying, “Here you yo-yo’s take my radar detector. Buy me a beer when you get back!” And we drove all the way to Brisbane and returned.

There’s Whitey and the Lienert brothers and Beetle Teagle and Wally Moyle and Nugget Coppin and many others.

*

It’s a ripping night. There’s giggling and tears of laughter and stories. Just stories. No politics or work or superannuation. Just stories.

Christmas is off to a flier.

cch