NYE in Adelaide Oval’s Bay 127

Jan 1, 2016 | Mickey Randall

th3AJK36NQ

Late December 31, 2014 we watched Thunderball in our St Mary at Hill hotel room by the Thames. Outside, in the brisk, cider-drenched London night several million folk pressed onto the riverbanks to enjoy the fireworks while we slept. Twelve months on, having taken our boys to Europe, seen some more of Asia, and farewelled Singapore, we’re back in flat, kindly, unhurried Glenelg.

Tonight contrasts with the previous NYE: it’s hot, we’re in a public place, and we’re more likely to see Troy Bond than 007. We’re at Adelaide Oval. It’s the first time our boys have been to a cricket game of any sort.

I’m not sure why our local Twenty20 franchise is called the Strikers. Is Adelaide a particular focus for industrial discontent? If so, then what would The Don think? Would the Piping Shrikers be better?

We’re up against the Sydney Sixers, and I can’t uncover any deep etymology concerning their name either. To paraphrase Butch Coolidge from Pulp Fiction: “We’re an Australian cricket franchise. Our names don’t mean s**t.” Others under consideration were the Sydney Edge and the Sydney Rocks. I’m trying to locate meaning or symbolism where there is none. I need to adjust my headset.

We’re with some dear old friends in Bay 127 at the bottom of the Riverside Stand, so-named because it’s adjacent to the Torrens Lake.

This contemporary form of our game has many critics who suggest it cheapens the skills, offers no narrative arc, and is shamelessly disposable. But I prefer to celebrate the unique situation of there being three distinct versions of our sport. I’m not sure they’re cannibalising each other.

Whilst it’s now only an oval in name my memories dart about the towering arena like friendly, swooping phantasms: the astonishing Day 5 victory in the 2006 Ashes, Mark Waugh’s century on debut, and Australia’s one-run defeat when Curtly Ambrose dismissed Craig McDermott in 1993.

I hope tonight becomes the first in a lifelong succession of cricketing reminiscences for our boys.

Juggling the obligatory clappers, pirate hats, battery-powered sunglasses, Kentucky-fried poultry buckets, four and six cardboard signs we take our seats. I doubt this event will be carbon neutral. Following various drills, the Strikers warm up with a few dobs of the Sherrin, and I’m surprised that the Glenn McGrath tripping on a footy at Edgbaston in the 2005 Ashes catastrophe still hasn’t resulted in a Cricket Australia ban. Dizzy should lock the footy in his cupboard.

Since arriving we’d been blitzed by hip-hop music, pyrotechnics, peppy dance crews and other hyperventilating stimuli, and when the Sixers’ innings finally commences, I like that it’s with the placid spin of Travis Head. This is an old-fashioned island in an ocean of now, and I exhale. Three hours later Head would conclude the contest in superbly volcanic style.

Michael Lumb and Ed Cowan use the field restrictions well, and accumulate runs steadily. An early wicket seems as remote as former PMs Rudd and Gillard eloping. Alex Ross takes a great catch at deep extra cover which is reminiscent of Glenn McGrath’s 2002 classic against England. Nic Maddison strides to the wicket, but completes a sharpish U-turn courtesy of a golden duck.

Every delivery is punctuated with a stab of music ranging from “YMCA” to The Black Keys’ “Lonely Boy.” Fortunately, we passed peak- “Eye of the Tiger” a few years back, and are spared. But the administrators might soon realise that our spectator experience is deficient in olfactory spurs, and install clandestine devices which at frequent market-researched points release perfumes called “Sweaty Protector,” “Freshly Mown Outfield” or, for the ladies, “Joe the Cameraman.”

Jon Holland comes on from the Cathedral end, and I’m terrified to check his player profile in case his nickname isn’t Dutchy. Adil Rashid bowls well in taking three wickets, and we stifle the Sixers’ scoring during the middle period of the innings before superannuant Brad Haddin hits out productively at the finish.

During the break I focus on the wonderful old scoreboard, and the Sixers’ team. I then amuse myself by constructing various adult-themed, 1960’s-styled sentences using the names Bird, Silk and Bollinger. I’d mentally written half a Carry On movie/ Warney biography when our eldest and I are sent to refill the water bottles.

We make our way to the Gary McIntosh Bar, where, hideously, the line for free water is longer than the queues for beer. As if this weren’t sufficiently cruel, we miss the Strikers’ opening two overs in which Craig Simmons and Tim Ludeman get us away smartly. A crowd highlight is former Redback skipper Johan Botha gifting us four overthrows off own bowling from a delinquent return to the keeper.

Strikers captain Brad Hodge and Travis Head now come together. They’re circumspect, like a Cup jockey not going too early. Doug Bollinger’s bowling is more Cold Duck but still economical, and like Zimbabwe’s hyperinflation, the run-rate is climbing.

At the fifteenth over, they push the button. The chase is on. Sean Abbott takes a great catch at mid-wicket to dismiss Hodge, in the best public display of 2015 by any Abbott (onion-eating aside).

Alex Ross departs, and suddenly the run-rate is a call-the-fire-brigade seventeen. Rashid comes in with the Strikers requiring fifty-four. He faces a solitary delivery for two runs. Head then creates his narrative, a thrilling narrative which is action flick, boys’ own adventure and bed-time story.

As he clubbed the Sixers to and over the fence it became quickly clear that we were seeing something folkloric. Such was his energetic precision that each shot travelled exactly where he wished, as if guided by military software. There was a happy inevitability in the fluency with which he struck Abbott for three successive sixes, the last of which not only won the match, but also brought up his century, while closing the cricketing year.

He’d scored fifty runs in ten minutes. It was blistering punk-rock, but delivered with an elegance that Lords denizen Sir Mick Jagger would have appreciated.

Our boys smiled and waved their cardboard six signs and jumped up and down in their Bay 127 seats. They’d seen something remarkable, something rare.

I reckon they’d just had their first cricket memory.

Finals Week 1 – Western Bulldogs v Adelaide Crows: Disco-Tex and His Sex-O-Lettes

Sep 14, 2015 | Mickey Randall

It was a moment of unfussy beauty.

At home and at the MCG we were looking at the goals, and dared to hope that he’d kick it straight. The distance wouldn’t bother him. But then Jenkins rushed forward, and we were fearful that the footy might go his way. He’d hardly touched it all night.

So why wouldn’t he have a ping? Minutes before, from a set shot, he’d brutalised a goal from sixty, in a statement of daring and confidence. Our game affixes much currency to the physical, to risk-taking, to muscular magnificence. And many would have rightly expected this from a swaggering centre-half forward. We could have expected a captain’s goal.

But we want our leaders to see what others can’t, and to show the way with the brain, and not only their brawn.

Until this point the camera had ignored Charlie Cameron, and then he appeared just beyond the goal square. It was an exquisite stratagem. With a low, spearing pass Tex found him, and he goaled. Done.

Taylor Walker has displayed enormous bravery in this season of unspeakable tragedy, his first as captain. He has moved from lovable country lad to a figure of purpose and clarity. On the field, in his debut final as leader, with only moments remaining, this is his finest effort. It wasn’t a pack mark, or inspirational goal, or brutish bump. It was an act of intelligent selflessness.

It was an act of such clarity that I wonder if Tex had recently read Sun Tzu’s Art of War.

About the only Latin I know is the phrase in medias res which means, “in the middle things” and it’s often used with reference to a story that begins in the midst of action. If the Roman satirist Horace was at the footy Saturday night he’d have recognised this in the explosion of dramatic events beginning with the opening bounce.

South Australia has again debated switching to the Eastern Standard time to align with the bulk of the nation’s population. The Crows were similarly uncertain about their clocks for they were their customary five or so minutes late in taking to the field. In that period the Bulldogs kicked four of the five opening goals.

Eddie Betts then occupied that rarefied space in which we all knew that no matter how many opponents were between he and the ball, no matter what cruel trajectory the Sherrin took before or after it bounced, that he would welcome it into his sure hands, and kick a goal. I was reminded of the Frank Zappa song from Just Another Band From LA fittingly titled, “Eddie Are You Kidding?”

Red dirt and whirly-whirlies and haunted, silent pubs. Broken Hill was our first stop on the road to Queensland. We wandered about the Living Desert sculptures just out of town. It is a place where sky and sand and heat and people connect. In the hot morning sun we started pulling up the tent pegs prior to the long drive across to Cobar.

Our caravan park neighbours were packing up too, and the woman made me think of the diverse country this is. She was handsome; on the cusp of middle age, but wearing a blue bikini, and although it was 2001, she was smoking a pipe. I hadn’t seen anyone smoking a pipe since my primary school principal, who’d patrol the corridors, leaving an olfactory, if not educational impact.

Until Tex arrived I’d thought little about Broken Hill and the Bikini-Clad, Pipe-Smoking Woman. But I like that Tex similarly brings a singularity of unique thinking to his game, influenced by the place that gave us Pro Hart and Wake in Fright and the Flying Doctor.

Neither side could outrun the other. At various moments Stringer, Dangerfield, Dahlhaus, Sloane and Dickson all seemed to charge into the straight with the baton a pumping, and the finishing tape mere yards away. But then the opponent would surge, and we’d gasp.

It was unrelenting entertainment. It was a Tarantino movie, a Ramones album, and it concluded in a Flemington photo-finish.

Finally, with a clever dispatching of a Bulldog on the wing, Tex seized the footy like a chalice, ran methodically, bouncing twice, before approaching the fifty metre arc.

With his sure disposal honed by long afternoons dominating kick-to-kick at Willyama High School, and then among men at the North Broken Hill footy club, he took a breath and sent the ball inward to Cameron.

Our captain had just won the match.

Ringo almost buys van Gogh’s Sunflowers: Our Scottish wanderings (2005)

Jul 29, 2015 | Mickey Randall

Pigeon expert dies, aged 86

is why I love opening our front door each Thursday afternoon. Roxy trots down from her bed and the Hertfordshire Advertiser awaits, convulsing with similar stories. Despite this county heaving with a million folks, one lead headline blazed the engagement of a local lass to Jason Priestley of Beverly Hills 90210 fame- proving that St Albans is where Hollywood D-list dreams can come true! Time is short so I’ll just list the main narrative elements of my favourite article; this one, I swear, a genuine tale of the galactically stupid:

a video camera

secluded woodland near Hemel Hempstead

petrol-filled fluorescent light tubes (exploding)

Star Wars fans hospitalised with critical burns and lacerations.

On the hottest May day in fifty years (a humid 33 degrees) our hire car’s air-conditioning didn’t work- the vents but flatulating pigeons, we left for Scotland’s Invertrossachs. Awaking to a soggy Saturday we explored the surrounding Highlands; particularly Perthshire’s Balquhidder Church and its eminent gravestone. Rob Roy’s (1671-1734) tomb inscription- ‘McGregor despite them’ exemplifies these brusque Scots as did King Robert the Bruce at the media conference after his team thrashed the visiting opposition at the Battle of Bannockburn in the 1314 season opener. When quizzed about the victory he uttered that they’d simply sent the English, ‘home tae think again.’

Circumnavigating Loch Lomond we found acute contrasts. Whilst boats slid soundlessly across the inky depths; sky and mountains completed a staggeringly appealing canvas. However, like a reality TV show in which the public votes for the most repulsive misfits to join a freak circus, I present the village of Luss. Clinging to the Loch, this scabrous hub is infected by Special Brew lager (9%) garglers whose meaty limbs wobble with illiterate tattoos. Down on the freezing beach, gangs of these happily head-butt each other. Its pier- any waterside town’s focus – features this hostile sign

No Swimming

No Fishing

If I had a pen I’d have added

Stuff your puffy carcass with tepid snacks!

Only seven quid to buy a stylish, ‘Having a fcuking ball in Luss’ snow dome.

Now if you ever stray across the Scottish soap High Road have handy a stack of vomit bags- its exterior scenes are filmed, inexplicably, in Luss. I don’t think we’ll return.

St Andrews is superb. A gorgeous town of 11,000, it stars the university at which Prince William finished a Master’s in Geography, the ruins of a cathedral and a castle and the golf nirvana: all within three streets. Walking along the esplanade towards the Old Course my waddle became athletic, like Kevin Spacey’s Verbal at the end of The Usual Suspects. St Andrews’ golf is characterised by egalitarian openness- we wandered wherever we wanted. No security fences. No black-shirted fridges grumbling into walkie-talkies. This I liked.

Charmingly interactive, The British Golf Museum taught me that etiquette urged tee-off at eleven followed immediately by the captain’s lunch. Fines were inflicted upon members playing but then slinking off without dining; encouraging the natural order as I see it: gentle, good-humoured exercise pursued by industrial lashings of lager.

Watching behind the first tee, I was as excited as those swinging the Pings. Golfing pilgrims often win their round courtesy of a lottery and the not unreasonable 85- pound green fee- it is the world’s most distinguished walk. The awesome theatre along the 1^stor ‘Burn’ (each hole has a name) is heightened by grandstands- newly erected for the 27^th St Andrews’ Open. Most tee-shots tidily splice the fairway but hacker that I am takes reassurance when one Hotdot is yanked left in a violent arc to the middle of the 18^th or ‘Tom Morris.’

A bracing breeze escorts Kerry and I as we stroll alongside the first, drawing in the air and 600 years of golfing history before we pause at the Ladies Putting Club (1867). Again St Andrews stands up exceedingly well to a socialist deconstruction as the LPC or Himalayas- likely to sneak onto your TV during the 2005 Open- is better known as Crazy Golf! A round is ninety pence. But the brisk showers and looming closing time deny us mini-golf majesty. Ours was a vivid, engaging day.

It’s heavy rain but we’re the only people under an umbrella. No surprise really as we’re in Glasgow and its harsh residents are customarily agreed upon only one point: the rest of the world is soft. Despite its regal name- George Square- local literary hero Sir Walter Scott (Lady of the Lake) and not a namby English king or pouncy politician is honoured with the most prominent statue.

The city and its shipbuilding docklands are now gentrified and the sandstoned affluence makes it seem astonishing that in its industrial past Glasgow had the planet’s highest lung cancer incidence. As our bus crawls about the wet-shiny streets the guide comments, inevitably, on Edinburgh- ‘Don’t waste your time going there, it’s one street and a castle.’ He closes with the Billy Connolly-like, ‘You’ll have more fun at a Glaswegian funeral than an Edinburgh wedding.’

As slaves to all things canal-boating we detour to the new millennium’s marvel of Scottish engineering; the Falkirk Wheel. Linking two canals separated by a drop of 115 feet, this rotating boat lift- resembling a shrunken London Eye- replaces a flight of eleven locks. Each giant pod or caisson can lift or deposit four sixty-foot boats in four minutes but uses no more power than is needed to boil two kettles.

So, suitably staggered, the wife sends me up a steep, grassy hill to take photos. Ascending towards the aqueduct I remember climbing New Zealand’s Fox glacier. Even clearer in my memory is peering below at the treacherous ice, when I wondered, if I slipped, the many angry Kiwis, mops and buckets which would be required to remove my sloshy stain. Back in Scotland, I tumbled down the knoll like a novice competitor in a cheese-rolling event. Hearing my tangled flailings, Kerry was aghast. Cried she, ‘Are your keys and wallet OK?’

Our Scottish digs were on a working deer farm by Loch Venachar. The hosts warned us, ‘Don’t be concerned if you see a wee carcass hanging on that shed wall.’ Spying a live stag on our road one afternoon, Roxy gave cute, deeply deluded chase, finishing many lengths behind Bambi but nonetheless paying a tidy quinella.

We slept in the estate’s former kennels; a canine honour roll hanging by the door- Timmy 1912-1918, Reginald 1927-1940, Jock 1942-1955 etc. Roxy wees on it. Approaching summer solstice at 56 degrees north, first light is before 4am and dusk stretches on towards 11pm and the sky becomes a curved, blue cathedral. Our backyard is a bubbling splash of brooks and springy ferns. We dine, walk and sleep well.

Oops. I’ve not yet mentioned a pub. York is The Beatles’ White Album of pub culture: classy, avant-garde but also populist and patchy too. You could lob a smelly spud from the Minster’s spire into the Three Legged Mare and if you were Ricky Ponting, hit the tap dispensing their celebrated ale, Wonky Donkey. The ‘Mare’ was chic and colourful.

Over on Coppergate, The Three Tuns was crowded by girls whose daddies or credit cards had bought them breasts so horribly pneumatic I feared that once they’d had sufficient alco-pops they’d float up from their chairs and bounce across the ceiling like helium balloons.

But our penultimate cup-house was alarming. Innocently, we waltzed in. It thumped me like a mugger. I worried for my wife but could understand it in a 1989, Oz beer-barn. But sophisticated, dishy 2005 York? Hearing

Flamingos walk, and sway in peace

Seeing this, it makes my troubles cease

The sun is hiding, leaving a pink scar

That stretches right across the sky

That’s all we’ve seen so far

And all I do is look into your eyes

For that special touch of paradise

I wordlessly grabbed Kerry’s hand and we fled that molten metal poured in your ears by John Farnham/ Beelzebub torture vortex. But yes, York is lovely.

British comedy still amuses me. This was recently on Radio 2: I’m not happy. My favourite horse broke its leg. I shot it. Now it has a broken leg. And a gun-shot wound.

I’m off to ring the local paper. I can see next Thursday’s headline-

Australian man, 38, sends email.

Best wishes,

Michael, Kerry and Roxy

This story comes from the collection of letters I wrote from 2003 to 2006 when we lived in England. They’re on this website at https://mickeytales.com/2014/02/22/the-ringo-tales/

Round 9- Adelaide v Fremantle: Colin Sylvia’s mother says

May 30, 2015 | Mickey Randall

In even greater news the Fremantle Dockers have adapted Dr Hook’s 1972 hit, “Sylvia’s Mother” as their new club song

Colin Sylvia’s mother says, ‘Colin Sylvia’s busy

Too busy to come to the phone’

Colin Sylvia’s mother says, ‘Colin Sylvia’s tryin’

To start a new life of his own’

Colin Sylvia’s mother says, ‘Colin Sylvia’s happy

So why don’t you leave him alone?’

With their gargantuan pressure evident immediately Fremantle forces an error, and Mundy goals for the Dockers. Walters snaps tidily and it’s two majors to zip. Freo is big and fast and skilful. Adelaide is bedazzled. Then Ballantyne (Gandhi would doubtless find him punchable) gets one too.

Evoking the joyous regularity of Warney jagging one back from outside leg and onto an Englishman’s off stump, Betts kicks a cracker from the pocket. Moments later his protégé Cameron slots it truly.

The rain is torrential. The splotches of poncho colour give the screen’s sweeping vista a Monet quality. We’re getting the Fox telecast here in Singapore, and the absence of BT gives the experience a Christmassy quality.

Fittingly, Adelaide’s third goal is courtesy of Ellis- Yolmen, meaning all three have come from indigenous players. While Fremantle dominated the opening scenes, the Crows have since applied themselves productively.

The second quarter opens with both sides slugging away in a scrappy yet engaging affair. Cameron takes a super grab reminding me of Mick Jagger’s comment to the crowd about his drummer during their live album Get Your Ya Ya’s Out, “Charlie’s good tonight.”

Suban gets one for the visitors with an impressive left foot poke to give them back the ascendency. Like a series-winning moment in Australia’s Funniest Home Videos, Dangerfield then kicks the ball into the back of an oblivious teammate’s head, giving the footy shows footage for tomorrow.

Adelaide’s controlling the ball, and Betts slots one from the boundary with an exquisite, almost slow motion left foot checkside punt, ensuring his 2015 highlights DVD is already into its second hour. He’s become the most watchable Crow since McLeod.

Against the flow Fyfe takes a telling contested mark. He’s in Exile on Main St form, and has had important touches. Talia punches the footy away from Pavlich to save a late goal, and show his sublime All Australian skill. Half time.

Are you aware of Crows Forever? It’s a bequest programme founded in response to the insufficiency of the billion-dollar AFL underwriting the Pride of South Australia. So, I’m bequeathing my modest assets to the Adelaide Football Club. However, the seventeen future cats my octogenarian self is destined to share house with are going to be disappointed when they read that they’re out of the will.

The good Adelaide Tom Lynch, and not the evil Gold Coast version, starts the second half with a wily conversion to give us confidence. Dangerfield and Fyfe are magnificent. Each is symphonic, brave and artistic. Punctuating this the star Docker goals to claw his purple haze back.

West Torrens royalty Pavlich has been quiet, and puts the Dockers but a point behind. Walters benefits from panicked Crow kicking, and they surrender the advantage.

Both sides trade majors in a pulsating period. Fremantle’s death row pressure is again evident as Adelaide’s defensive work stutters. Monster truck Jenkins ties things up, and moments later Pav gets his just desserts. Three quarter time. If this were East Enders I’d make a cuppa tea. But it’s hot Singapore, so beer is medically necessary.

Was it only twenty years ago that the Dockers had their first game against Richmond at the MCG?

Ill-fated forward Chris Groom took four marks, yet only had three possessions. Following his fourth grab, did he simply sit on the ball and refuse to budge, like a toddler in a supermarket aisle? Half back flanker Todd Ridley received two Brownlow votes for the best twelve-possession performance in the history of our code.

In the last stanza Fremantle kick a goal. Another score review. Touched. The match is like a gripping forth innings run chase. It’s Brett Lee and Kaspa at Edgbaston during the 2005 Ashes. Half way through the quarter we’ve a nil all FA Cup thriller with both sides bursting and holding, bursting and holding.

Barlow then gossamers it from the boundary to put them up by over two majors. The Dockers surge. Pleasingly, Pearce is off with his kick at goal, but Adelaide is being trooped to the gallows.

We trap the ball. The clock gallops. Another behind. We pump it in, but there’s three Dockers smothering our square. It comes out. It splutters back. Our final quarter is gallant. Dangerfield loads one through from the boundary. Score review. A behind. Fremantle win.

The good Sandilands- Aaron and not evil Kyle, records sixty-nine hit outs, while collectively Fyfe and Dangerfield have nearly eighty possessions. While we’ve luxuriated in our chairs, these two have played us Let It Bleed, and also Revolver.

As my loved ones sleep I now sit silently, and morosely, staring into the hot dark, looking tearfully out at the eighteen wheeled truck I don’t have, and feeling forlorn about my football team, and myself, like a wretched character in a bad country song.

Like, possibly, a Dr Hook song.

Posh: Bye, bye Becks, Hello Ringo!

May 28, 2015 | Mickey Randall

Hello. Is it me you’re looking for?

A month on and we’re still recovering from the rush. A gargantuan week as the UK whizzed along in a mad passionate whirl. Of course I refer to October 25 to 31 which, if you’ve forgotten, was British Sausage Week.

Up in the Peak District we bought and fried six sausages from Tideswell’s butcher but these gastronomic impostors were stunningly devoid of texture, aroma and flavour. The week was saved only when we strayed past a York pub window and read its British Sausage Week (BSW) testimonials. Mr W of Leeds wrote, and I beg you to contemplate this during Christmas, ‘My wife still talks of the sausage the chef here gave her two years ago.’

York is staggeringly handsome and we liked spending our anniversary there ambling among its abbey, across the River Ouse (why it belongs to all of us!) and atop the Roman Wall which smartly entraps the city. The Minster is a towering, honeyed church and humbling to behold.

However we didn’t venture in as the six pound fifty ‘compulsory donation’ appeared a little, well, un-Christian. Gladly, St Albans Abbey demands no fixed fee but visitors may part with their pounds through a credit card swiping machine, positioned conveniently in the bookstall at the cathedra’s entrance.

Dining in York’s improbably haunted Golden Fleece pub was tremendous, despite the ghosts! Continuing my uncertain flirting with Real English Ale I purchased a Yorkshire Terrier and straining it through clenched teeth, the taste and temperature made me wonder if every pint of this distinctively Northern brew came directly from a yapping dog’s kidneys.

Sitting hidden by undulating green hills is Tideswell whose market square is hugged by stone shops. Tindalls is stuffed with exquisite home-cooked breads, cakes and pasties and apron billowing, stood Mother beaming behind her wooden counter. Father’s glass cabinet parades black-pudding, scotch eggs and streaky bacon and in their olden store, eternally 1952, the doorbell chimes welcomingly and foodstuffs are dispatched eagerly in thick brown paper.

Also noteworthy are the chippy (chip shop) advertising not opening hours but frying times and that, courtesy of the summer sun’s disappearance at 11pm, the Tideswell Cricket Club competes in Wednesday evening fixtures. How fantastic is that? Time was wretchedly against us so we couldn’t visit Castleton’s most delightful emporium, World of Icing but, hopefully, another day…

Exploring European cities aside, our preferred pastime is rambling, with Roxy, about the countryside and Derbyshire presented abundant opportunity. The hamlet of Litton sleeps in an autumnal hollow. It is hushed apart from a sporadic dog bark. Their branches blazing burgundy; trees watch its placid streets, leaves like a Hawaiian lava flow. We swim through the footpaths, our shoes drowning in swirling colour. The village green is pocket-sized and wooden stocks speak of an unruly past… A boisterous tractor roars past unexpectedly and lurches to a halt. Bounding down from his cabin, a green-capped farmer nods at us and ambles into his lunchtime pub.

Friday evening in Litton’s Red Lion was the finest pub experience we’ve had in either hemisphere. Tilly the Airedale transversed the antique entrance, a jovial fire bellowed and homely chairs creaked with rustic tales and belly laughter. We’d been in the bedroom-sized bar but a minute when Harold pumped my paw, thrust a Black Sheep at me and opened a yarn about his 1992 Australian holiday; notably punctuated by wearing his pristine Crows tie during a roasting Christmas at Christies Beach.

The grimacing Terry doles out the falling-down water in this family-run pub whilst matriarch Joyce steers her kitchen and insists on autographing her little home-made booklets of home-spun poetry. The titles are flawlessly kitsch: Re-Joyce, Jump for Joyce and the forthcoming Orange Joyce. We bought copies for Kerry’s grandma in Gympie.

Retreating bar-side after some tremendous lamb shanks I’m button-holed by Joyce’s husband, thirty years my senior but insisting, Yorkshirian style, on calling me Sir. He asks of Adelaide and cricket and St Albans as if these are the most vital things in his world. Meanwhile Kerry chats merrily with the rugby-loving couple from Portsmouth who is also commemorating their second anniversary. Afterwards we retreat to our cottage and its popping, cracking fire. Perfect.

Steering the Fiat Punto at the appealingly tranquil Eyam proved fascinating for we learnt that in 1665 it lost much of its population. Shortly after unwrapping a package of cloth from London a local complained of feeling poorly. He was soon dead and the Plague again lowered its cold noose. Panicking, the minister urged his brethren to quarantine themselves in their houses and only collect provisions from designated places and mercifully this self-sacrifice partly confined the disease.

Strolling the 4WD-ed boulevards we read solemn plaques describing the demise of families of eight in as many days. 350 were ultimately claimed but it is tricky to picture Eyam suffering any modern disaster beyond the Agricultural Society cancelling, due to heartless disinterest, the 1964 Strawberry and Fig Conserve Competition (Open Section).

Easyjet flew us from Gatwick to Cologne one weekend so we could explore the renowned Christmas markets. The city is largely unremarkable save for the utterly compelling cathedral; the Dom. With twin spires ascending to 515 feet, it was the world’s tallest building until the Washington Monument. Similarly astonishing is that in 1162 Emperor Barbarossa secured the authenticated remains of the Three Magi for the Dom. We drifted about its vast, almighty interior and leaving, willingly presented some Euros to a courteous priest.

Papa Joe’s En Streckstrump is Cologne’s chief jazz venue so we find our seats early for Sun Lane Ltd, a trad ensemble from nearby Aachen. Slender, smiling waitresses disperse wine and beer. Bespectacled, elderly and ample musicians timorously squash onto the picnic-rug stage. The pianist looks like a superfluous sheet has been stretched about a lumpy, wobbling refrigerator. We can scarcely see through the stinging blue smoke. Like sailors to a knock-shop, the punters still surge in.

Standing abnormally close; a gentleman suddenly clambers up and straddles me and a nearby stair as if imagining that he and I are posing for a gay fire-fighters’ calendar. I am startled. ‘What the fuck are you doing?’ I declare, overlooking that Europeans are bi-lingual.

As the gentleman dismounts the step and my horrified groin I mutter, ‘Thank you.’

‘You’re welcome!’ my intimate twitters.

‘Say what you really want!’ adds his friend. We don’t see them again. The jazz is brisk and zestful and spilling out onto the Rhine’s bank, Nina’s “99 Red Balloons” bursts from a heaving club. Lingering at the chilly Alter Markt, Kerry sips a final Gluhwein; the hot, spiced, red wine and we confirm that Cologne is hip.

Our staff room corner houses year 7 pupil information and photos. Posted earnestly, but these summaries are memorable for their crude and po-faced honesty. This one, of course, is accompanied by a hilariously glaring youngster’s face.

Lazy girl. Hates maths. Mum hairdresser.

Such psychometric insight and sophistication! Now, dear friends, I leave with a question; with which six words would you summarise yourself?

Enjoy a splendid Christmas, especially if you missed British Sausage Week.

This story is from the collection I call The Ringo Tales which chronicles our travels during 2003- 2006 when we lived just north of London, and spent time in Europe and North America. It can be found on this blog at https://mickeytales.com/2014/02/22/the-ringo-tales/

AFL Round 3 – Adelaide v Western Bulldogs: He used to cut my grass…He was a very nice boy

Apr 26, 2015 | Mickey Randall

I miss mowing my lawn.

Pushing the Victa back and forth, and then nodding at the tidy rectangle of green. Saturday morning’s cheery chore, so the afternoon can open up.

It’s three long years since I emptied the catcher. Functional and ornamental, private yet often public, lawns also represent our idealised selves.

The Kikuyu tribe is Kenyan, and gives its name to Kikuyu grass. A popular lawn species in Australia, South Africa and Southern California, it’s inexpensive and needs little water. However, because of its swift growth and assertive nature, Kikuyu’s often branded a noxious weed.

Kikuyu a noxious weed? This doesn’t worry Adelaideans. We don’t eat Devon, but fritz! We drink iced coffee more than coke, then give you back ten cents on the container. I love my Kikuyu.

It’s not used at Docklands Stadium. Like a Beckett play its motifs are shadows and dying grass and expensive buckets of hot chips. But the footy’s on and we’re hopeful.

Immaculately bred, but boganishly handled, Ayce Cordy snaps the opening goal, and lurking dangerously upfield, Dangerfield responds after a free. He then misses to either side, and sets a dismal tone.

The Crows dominate the ruck contests, but the Bulldogs dictate in the air, and through Dalhaus, on the scoreboard. Adelaide’s unable to penetrate halfback. With Stringer’s goal, we’re a spooked mess.

Finally getting an inside fifty, we’re impotent. Pick it up! Don’t pat it! It’s not a Persian cat. Did the Crows get on the wrong flight and go via Vladivostok? The siren provides respite.

The bullocking Stringer is sweeping us aside. Dangerfield has another kick from close and misses again. His Austin Powers haircut isn’t helping him, baby. Brodie Smith of the laser leg sprays it wide. Betts bananas it into the point post. Jenkins has an opportunity, and flops it like a fluffed wedge short of the green.

Adelaide’s kicking continues to be crude, and billion-dollar Boyd puts the Bulldogs up by truckloads. Tex Walker goals tidily with his first meaningful disposal. But an unfortunate defensive kick allows a Dogs goal.

Bontempelli is racing towards the elite and kicks their tenth. This is no surprise as his name is suggestive of luxury watches, and I can see someone like, say, Pierce Brosnan and a chunky timepiece on a full page spread in GQ. The tag line would be

I need to achieve so I wear a Bontempelli

The Crows’ kicking is comically poor. Eddie Betts gets one late, but we’re in more poop than a pregnant nun. And then the best Henderson kid, Ricky, gives Adelaide consecutive majors for the first time this evening.

Half time! Why not enjoy a tune from the bursting backyard of lawn-mowing music? I suggest Frank Zappa’s Joe’s Garage and, “He Used to Cut the Grass.” Its guitar solo is xenochronous — overdubbed from older live recordings. In a woeful and insufferable sense, so is BT’s commentary.

The second half commences with the Crows better in the air, but the Dogs more effective on the ground. Well, what do you expect?

Stringer gets his fourth with frightening ease. And then he embarrasses Hartigan again, who must want to disappear down the race, and get a taxi with tinted windows to Tullamarine.

Crameri snaps accurately and it’s now becoming gruesome. Then, after the bounce, Rory Laird slaps the kicked footy away like Kareem Abdul Jabaar, but a Dogs’ mark is paid. Goal.

I decide now would be a good time to take up ironing, but imagine an electrical fault incinerating all seventeen floors of our condominium. Still, as long as our TV was engulfed by fire early.

I glance up from the history of Finnish biscuit-making website in time to see Stringer inexplicably alone in his fifty metre arc. He goals. He has six. Adelaide doesn’t.

Tex gets the footy in the open, and strikes it as high and wide as a Warner cover drive. Lin Jong goals from the turnover. They have half a dozen for the quarter. Adelaide manages a single point. It’s an unholy torrent.

To open the last period the Crows bomb it to Eddie Betts who is surrounded by four Bulldogs. It’s not even a prayer. Dangerfield then takes a mark, plays on, evades and goals. Stringer is subbed off with a sore ham-stringer. He’s been colossal.

Betts sneaks one over his shoulder, but as advertised on their website, the Dogs are thinking about the free popcorn and discounted pies on offer after the siren. The Crows should avoid the pies, as they’d surely fumble them, slop scalding mince onto their groins, and then miss a month.

Wikipedia then tells me coloured socks were first knitted by the Egyptians at the end of the first millennium AD. Annoyingly, Sandy Roberts distracts my research, shouting that Betts has kicked another.

So I depart with the words of an American humanist poet. No, not Walt Whitman’s, “I believe a leaf of grass is no less than the journey-work of the stars.” Instead, eccentric green keeper Carl Spackler, exploring his relationship with grass in Caddyshack:

This is a hybrid. This is a cross, ah, of Bluegrass, Kentucky Bluegrass, Featherbed Bent, and Northern California Sensemilia. The amazing stuff about this is, that you can play thirty-six holes on it in the afternoon, take it home and just get stoned to the bejeezus-belt that night on this stuff.

DK Lillee, the Jumbo Prince, and that Young Mum at the Checkout

Apr 17, 2015 | Mickey Randall

This boy bought some fried chicken. YOU WON’T BELIEVE WHAT HAPPENED NEXT!

Share if you wear shoes!

Ten ways Internet cat videos are making you a zombie!

We know social media can be a torrent of infantile noise. But I recently found a quiet raindrop in the form of a story.

The author was at a supermarket checkout, harassed by shopping and kids. Suburban drudgery. The English poet Philip Larkin might’ve been right in “Dockery and Son”

Life is first boredom, then fear.
Whether or not we use it, it goes

An elderly woman saw her frustration, and offered support before saying, “You know what? I loved being a mother, and enjoyed every minute.”

Enjoyed every minute? Really? Utter rubbish, the writer barked. Dwelling upon her experiences, she knew, of course, that parenting could be dreadful. Excruciating. But, in those reflective moments after the kids were asleep, she loved having parented.

Is this the defining distillation of adulthood? That life becomes gratifying only in retrospect. That we find our satisfaction in the past tense, in having transacted, having accomplished? For kids life is mostly present tense, as it should be. But moving from present to past is hard.

I remind myself to splash about in the moment.

My first SANFL game. I was at a friend’s when Dad picked me up late morning, and we went to the 1976 Grand Final at Footy Park between hot fancy Port and Sturt. The attendance was 66,897, but anecdotally, closer to eighty.

I was among the hundreds sitting on the grass, between the fence and the boundary. It was three and four deep, and arguably like sticking your kids on the roof of the XY Falcon while you drove interstate. But it wasn’t frightening; it was a Match Day Experience.

Sturt ruckman Rick Davies hypnotised me. The Jumbo Prince. He defeated Port and his performance yielded statistics that, forty years on, in this era of high disposals, are astonishing

21 kicks, 21 handballs, 15 marks and 21 hitouts.

At the siren, I scampered onto the ground, and patted Davies, a gigantic double-blue fridge. It was an IMAX moment alongside the coat-hanger-as-antennae B&W footage of my childhood.

The afternoon gave me much: league football, a big event, and the irresistible rush of crowds. In taking me from our little home, it painted a vivid vista of possibility.

Thanks, Dad.

On a searing Singaporean day, we watched the 2014 AFL Grand Final, and our seven year-old Alex is now on the Hawks. The Crows have plummeted to number two, and are mostly forgotten like all those number two songs on Countdown when Abba’s “Fernando” was top of the pops for fourteen weeks.

Do you remember, in the latter epoch of its reign when Molly decided to not show the whole video clip because the entire country was ill of its Eurovision-inspired confectionary and communicable melodies? “Fernando” had, in a Sunday night televisual sense, finally faced its Waterloo.

If Tex’s Crows are good enough they’ll give him some moments, and win him back. While Hawthorn keeps winning flags, Alex might never return. Happy with the Happy Team, he could be an Abba fan forever.

As a young fella, the boys’ cousin Dylan changed the team he supported three times in three seasons, until with wardrobe space, cash and patience running out, his mum threatened that she’d never buy him another footy jumper. He’s finally a loyal supporter. Mums have this power. And now he has the Power.

We’re at the scoreboard end. Like an Arctic ice floe, there’s foam eskies everywhere. I doubt any sunscreen was applied. Those droopy white hats, worn by Arthur Dunger on the Paul Hogan Show, flopped all about on that sloping hill.

My first Adelaide Oval experience was with Dad at an Ashes Test. It was Australia Day, 1975, after the first day washout. Our captain, Ian Chappell, was caught behind for a third-ball duck. His brother scraped to five. But feisty swinging from Jenner, Walker, Lillee and Mallett got us to three hundred, just shy of stumps.

It was nearly six, and the ground announcer confirmed the English openers Amiss and Lloyd would face two overs.

The first from DK Lillee.

The second from JR Thompson.

A pyroclastic flow of noise instantly buried the outer and the ancient grandstands named for Sir Edwin Smith and George Giffen. I was happily pulverised, and it was apocalyptic and baptismal.

With only eight deliveries each, Chappell unleashed both. Lillee, with his Hellenistic menace, and then Thompson’s Wild West gun slinging. Majesty and volatility, both presenting as terror.

The crowd commotion was now medieval village riot, the Rolling Stones in Hyde Park, and a rapidly unhinging Neapolitan wedding.

How could this not shape a small country boy? Thanks for this too, Dad.

That the batsmen survived mattered little. The next day Lillee took a wicket with the morning’s third ball, as he and Thompson seized seven victims. England was done.

These were my introductions to widescreen sport. How could I have had better? I can’t wait to offer Alex and Max this gift; this tormenting, ageless, rewarding gift.

It’s time for them to catch some moments of their own.

Home on the Grange

Mar 9, 2015 | Mickey Randall

It’s like being down at the park, and finding yourself having a bit of kick to kick with Luke Hodge.

You’re not sure how, but here you are with the finest modern exponent of the drop punt. The elegance, the unforced style. The footy thuds into your chest, and you gasp. But, as great as it is, you don’t feel worthy. How did this happen? You’re enjoying the moment, while being aware of your inadequacy.

A Thursday evening, on the edge of the desert. Old Kapunda mate Chris, Eddie and I around my kitchen table.

1983 Penfolds Grange Hermitage. And not one bottle, but two.

The kitchen table cost me a Southwark six pack. I bought it from Bo, fanatical barbecuer, and my cricket captain. Completing the transaction, we then drank the beer. At the table.

In the untidy blur of a Wudinna footy club progressive dinner, we were outside, beneath the cold stars, working the tongs. It was 3am.

“Hey, Bo.”

“Yeah, Mickey?”

“The barbecue’s gone out.”

“I turned it off.”

“Oh. How come?”

“This way we can stand out here a bit longer. You know, have a few beers. Enjoy ourselves. There’s no rush.”

As a kid I played footy and cricket in the Barossa Valley’s main towns. Nuriootpa. Tanunda. Angaston. This was its only purpose.

Moving away was the key to appreciating it. To enjoy that it was probably the country’s premium wine-making region. Folks’d ask, “Where you from?” I’d tell them, Kapunda. Next door to the Barossa. Dad works at Penfolds.

And so living six hours away on the state’s West Coast, I began to value the place. It became more than just the soggy oval where as a senior colts footballer you’d hoped to roll the Tanunda Magpies. Or where Bob Blewett, father of Greg, would patiently humiliate you and your team mates on Angaston oval, crafting yet another century.

Ucontitchie Road. I loved living beside this sandy track as it seemed elemental, and more authentically Australian than distant Kapunda. About two kilometres from town, the massive stone farmhouse sat on a rise, and offered a view from the wide verandah.

With clothes, books and golf clubs in the boot of my VK Commodore I moved there. A day’s drive. Billy Joel in the cassette player. My interior design theme was Young Bloke Spartan. Bo’s table was the stylistic centrepiece.

During my first Wudinna winter I kept waiting for it to rain. Back home in Kapunda there was a constant twenty inches annually. Here a drought punished the land surrounding my house. A grain farming community, that year saw only seven inches, with two of those just before Christmas.

In the bush quiet I’d think about how big our country was, how far away I was. Our geography confronted me, and I knew if I walked north, I might see no-one before I flopped into the Timor Sea, three thousand kilometres distant. It was very Australian, it was very foreign.

Like viticultural blood brothers we vowed to prepare well. No beers from Sunday to Thursday, even if someone, like Bo, suggested a quick snort in the club after Tuesday’s cricket training. We wanted to be drink-fit. During the week I glanced at our Grange bottles on the rack. They were the most valuable things in my home.

What to eat with Grange? The BBQ kettle craze was at its zenith. A hunk of beef. Roasted vegetables. A jug of thick gravy. A heat haze shimmered across the stubble, while on my verandah, the Weber spat and popped.

Dad was allocated two bottles of Grange. We claimed both, and the dark receptacles cost us forty bucks each. As the afternoon sunlight bent through my kitchen, we pulled the corks.

“Good choice fella,” remarked Eddie as I slid in Rattle and Hum, U2’s exploration of America, pre Bono-with-welded-on-sunglasses-wanker-era. We also listened to the first CD I bought, the Beatles’ White Album. As Paul sang “Blackbird” we attacked the Grange, in our clumsy and brusque ways. Gee, youth is magnificent.

Later, with beers as crisp as the descending night air, the Seekers rang out over the paddocks. They were ancient even then, but we felt a happy, ironic duty.

Hey There! Georgy Girl
Swinging down the street so fancy free
Nobody you meet could ever see
the loneliness there inside you

We drank the Grange Hermitage in the year of the titanic grand final. The best one ever. If you believe, the one personally attended by about half a million fans. Dermie’s ribs, Gazza’s goals.

So what did we think of the wine? It was excellent, but I didn’t have the necessary vernacular. I still don’t. I was inescapably inarticulate, and without language, there’s only partial meaning in anything, especially shiraz. It was confronting, but I’m glad we had it.

Ultimately, its depths were as incomprehensible to me as watching Michael Holding bowling at Adelaide Oval. Playing for Tasmania in the season our Grange was made, he glided deathlessly to the wicket, released, and instantaneously the ball was 130 feet away. Up in the Edwin Smith Stand I could only see it after it arrived in the keepers’ gloves. Delivery after delivery.

It was metaphysical, beyond the boundary. I could only stare. On this planet much remains mysterious.

It’s a coarse deliberation, but I’ll ask anyhow. Would I now rather a solitary Grange Hermitage or, for the same outlay, a dozen bottles of d’Arenberg’s The Dead Arm Shiraz? Do you climb Everest once, or regularly ascend the Matterhorn’s pyramidal peak, and risk it becoming routine? What would you do?

You nod at Hodgy, and run into space. Spinning perfectly, it rushes at you.

All you have to do is catch it.

Football in London: Who took the jam outta your doughnut?

Jan 30, 2015 | Mickey Randall

At the football I thought about Vinnie Jones.

A midfielder, his first club was semi-professional Wealdstone, in North London. Moving to Wimbledon, they won the 1988 FA Cup.

His Guy Ritchie film phase followed, including Snatch, in which he played Bullet-Tooth Tony. Becoming president of the Hertfordshire Agricultural Society in 2005, Vinnie showed what a community-minded fellow he is. Just like Bullet-Tooth.

Glancing about the ground I don’t see anyone likely to be in cinematic demand as an underworld thug. At least, not on the pitch.

I’m at Wealdstone on the first Sunday of the year, for their Conference South clash. Floodlight mingles with the fog. I’m on the terrace with Barry.

Hemel Hempstead is known as the Tudors. Their city’s famous for an infrastructural oddity, the Magic Roundabout, and Roger Moore, universally acclaimed as the fifth best James Bond.

I last saw Barry in 2008, and he’s now married with a son. He befriended me when we moved to St Albans, and after work on my first Friday he took me to the Bunch of Cherries. He sees you as you’d like to be seen. Spending time with him makes me buoyant. It’s his gift.

We slip into our comfortable way of yakking, and turn to sport. “I don’t love football,” Barry reveals at kickoff, “But I love Wealdstone. I don’t care about the Premier League.”

For the final game of 2004/5 we travelled to Salisbury in Wiltshire. Pausing for lunch at The George Inn in Middle Wallop, we failed entirely to acknowledge that a BBC adaptation of Miss Marple was filmed locally.

Nearby are the villages of Over Wallop and Nether Wallop. I’m reminded of Lower Slaughter and Upper Slaughter in the Cotswolds. The rural counties promise abundant violence.

From the football I see Salisbury Cathedral’s 404-foot spire, which has attracted travellers since its completion in 1320. But our pilgrimage is one of simmering anxiety. The locals are teased

I can’t read and I can’t write

But that don’t really matt-er

‘Cause I’m from Salis-bury

And I can drive my trac-tor.

Wealdstone was walloped 3-1, although the perilously late goal meant they evaded relegation. As a life event it ranks highly for Barry, and the next day he texted (repeatedly) as if in thankful, blunt prayer

one effing goal

During the last World Cup qualifiers, Ireland played Kazakhstan in Astana, and won 2-1. Over 12,000 attended. Forty-seven away tickets were sold, and as a zealous Irishman, Barry’s brother Shawn was among them.

Today, Wealdstone FC looks to be in Kazakhstan. Like Warnie tutoring three buxom nurses, Hemel Hempstead threatens bedlam. 1-0. The keeper alone stops it becoming catastrophic. “He’s good,” I offer. My feet are torpidly cold, and could undergo major surgery, without anaesthetic.

Barry says. “He used to be the Under 21 keeper for Wales.”

“Impressive,” I observe.

“ Yeah,” Barry qualifies, “but the second choice was a sheep.”

There are two types of football fans. Those who sit, and those like me, who stand. It’s my country upbringing. Boofy clumps of men standing on the wing, bantering like goats, and bellowing at the opposition, their supporters, and the umpire. This, vicar, is how the congregation behaves.

At work I flop into a chair constantly, but will stand at the football all day. Conversation is easier. Hanging stuff on your Port Power mate about his dental status is harder if you’re squeezed into a row next to Nanna and her tartan thermos.

As ball sponsors we enjoy boardroom hospitality. There’s coffee and sausage rolls at halftime. Roast beef, winter vegetables and Yorkshire pudding after the match. It’s better than a Famous Five picnic. Someone within the club prepared it, and not an external caterer. I can tell.

This connects to cricket in the Barossa. Surrounded by vines sagging with fruit bound for Dutschke Wines up on Gods Hill Road, the Lyndoch Cricket Club always provided an afternoon tea of egg sandwiches and refreshments. It invested those days with graciousness. As a young uni student from Kapunda I probably needed help in this.

On the frozen terrace there’s a haiku-like economy in the way Barry and his friends talk. Together, they’ve had countless Wealdstone moments. They’ve no need for elaboration, but I hear warmth in their words. Football’s only part of their pact.

“Take the Metropolitan Line,” suggests pub DJ Chris when I say my digs are near (not in) the Tower of London. I love the passion Londoners have for the Tube. Apart from the Womma station, Adelaideans care little for their transport. “Yeah, but make sure it’s an Aldgate train,” clarifies Barry.

The Underground is London’s cardiovascular system, and its lexicon is evocative. Hammersmith & City. Bakerloo. Jubilee. “Don’t get caught in Tottenham Court Station,” is the final tip. “It’s shut ‘til next Christmas.”

Unlike Henry VIII, the Tudors don’t execute cleanly in front of goal. Wealdstone dominates possession, but is timid in attack. Coming from behind twice, 2-2 ensures they’re undefeated in their last ten outings. However, they’re precariously close to the drop zone.

With the whistle Wealdstone exits the pitch to hearty applause. I’m not sure if it’s ironic, daggy or great, but Pilot’s “January” then bursts into the fog

January
sick and tired you’ve been hanging on me
you make me sad with your eyes
you’re telling me lies
don’t go
don’t go
January
don’t be cold

As my train speeds south I see Wembley and its colossal arch. In the dark western sky it’s a cathedral. It’d be tremendous to take Alex and Max there, but I’ve had myself an afternoon at a tiny match, which matters only to a few hundred devoted folk.

Besides, I doubt Wembley offers home-cooked roast beef and Yorkshire pudding.

London: Good Service on the Piccadilly Line

Jan 23, 2015 | Mickey Randall

In London I thought about Margaret Thatcher. I didn’t wish to.

Our hotel lift was of the talking variety, and in the awful, condescending vowels of the late baroness, it’d declare things like

“Going down.”

“Doors closing.”

“I usually make up my mind about a man in ten seconds, and I very rarely change it.”

That last one was a shock, especially when the lift then scolded me. “You. Yes, you. Colonial man. You’ve been a disappointment to so many, many people.”

Slung from the Eurostar, we got into a black cab outside St Pancras. It was instantly welcoming. Like bumping into old friends at the cricket, and sliding straight into some happy banter.

The Gherkin loomed into view along with provocative youngster The Shard. Nattering about kids, our cabby said, “A mate of me old man reckons you should treat boys like dogs. Run ‘em ragged all day, then feed ‘em and put ‘em to bed.”

And that’s why we love London.

A decade back and living north of the city, we’d take visitors, without telling them much, on the Northern Line from Kentish Town to Westminster. We’d scale the stairs, rush out into the light, and right there in front of them, to their surprise, would be London’s most lovable landmark, Big Ben.

We did this with Alex and Max too. For them Big Ben’s initial significance was through the film Cars 2, as the place where Professor Z traps Finn McMissile, Holly Shiftwell and Mater. But you already knew that.

It was New Year’s Day. So we found a spot on Whitehall to watch the traditional parade. Suddenly it began, with rousing music from that most cherished British institution, the University of Texas Longhorn Alumni marching band.

Once we’d enjoyed the spectacle for something approaching seven minutes the wife decided we should pop into a nearby pub for lunch. “Think of the children,” she said.

The Silver Cross was a bright opening to our Ashes pub tour. Like Justin Langer getting a solid forty in the first dig, I had a Staropramen pint, and there was a lager and black for the bride. Having fended off the new ball, we played our gastronomic shots. Scampi and chips, steak and ale pie, and kids’ serves, which were good if unspectacular, like a second XI middle order.

A hospitality company, Taylor Walker has run English pubs such as the Silver Cross, for two centuries. If he hasn’t, the new Adelaide Crows captain should claim this etymology. It’d fit within his robust narrative: Broken Hill boy, not uncomfortable within a boozer, former global beacon for the mulleted.

London Eye. Up we go. The river shrinks, and the cityscape stretches. Now, multiple interactive touch screens litter the capsules, and there’s vaporous Wi-Fi. Shouldn’t we simply look out the window, and enjoy? Are we so addicted to the digital that even London can’t sustain our gaze?

The rain became ridiculous at the zenith of our ride, and we could just see the Houses of Parliament. Remarkably, it was the first bad weather of our fortnight in Europe. The capsule was a glass submarine, but the boys left buzzing.

Cantilevered observation wheels aside, sightseeing remains best by foot. Our hotel sits within the shadows of the Monument (to the great fire of 1666) and heedful of the cabbie’s son-raising philosophy, we go up and down the Thames. Daily. Maniacally.

Like scamps, Alex and Max run and parkour between the Tower of London and Blackfriars Bridge. St Paul’s. HMS Belfast. The Founders Arms (Coopers Sparkling Ale now available). The iconography! The Tate Modern. The Globe. The new Nando’s at Bankside. At dusk, with the tide out, they dash about on the riverbank, and throw stuff at the freezing water.

With Kerry and the boys ice-skating, I’m solo in London on a Sunday morning! I walk. Time can appear elastic, and gazing at Trafalgar Square’s bronze lions and Norwegian spruce tree, and across to St. Martin-in-the-Fields, it seemed we’d only been away for a long weekend, and not nine summers.

I dive into Soho. Losing my usual spatial bewilderment, I know precisely where I am. I round the corner and spot the youth hostel we once stayed. Was it fourteen years ago? Had the Adelaide Crows really lost four preliminary finals since then? Had only nineteen Spiderman films been released in the interim?

I then photographed Berwick Street as it features on the cover of (What’s the Story?) Morning Glory by Oasis, and imagined Noel and Liam and I in the gutter, happily bashing the fook out of each other with expensive guitars.

If you let it, nostalgia can kidnap your life, so I snapped back to the moment. I strolled over to Oxford Street.

London’s Natural History museum is magnificent. The Volcanoes and Earthquakes, and Entomology sections investigated, we steer Alex and Max towards the blue whale. Grrr. Another gift shop.

When Kim Jong-un takes command he’ll annihilate every single gift shop using the same precision his late father displayed with a Hot Dot: a 38-under par 34, for 18 holes at the 7,041m Pyongyang Golf Course. Eleven holes-in one. As witnessed by his seventeen bodyguards.

The blue whale looks old because it was completed in 1938. Weighing six tons, it dominates the room, and is impossible to capture entirely in a photo.

Orbiting the whale, I’m startled that coins are thrown onto its massive fluke. Do the punters flip a quid and wish for West Ham to beat Chelsea? For the stockroom assistant to win Big Brother? For a Susan Boyle CD?

Down into The London Dungeon! Jack the Ripper, medieval torture, Guy Fawkes, Sweeney Todd, and a gift shop combine into a woolly performance, and it was excellent.

“Giant leeches were used to protect people from the Great Plague of 1665 by removing bad blood,” cried the doctor. Our seats wriggled beneath us as if these parasites were urgently seeking somewhere warm and moist. Being an owner of warm and moist, I leapt up. Alex loved it.

It was terrifying, but timid next to Margaret Thatcher. Years ago, before her passing, I asked my mate Barry if they’d erect a statue of her in posthumous tribute. “Yes, they will,” he said, “And I’ll head straight there and turn it into a fountain.”

Paris: Je Suis un Rock Star

Jan 19, 2015 | Mickey Randall

In Paris I thought about former Rolling Stones bassist Bill Wyman. It was either him or Plastic Bertrand. Both had hits in the 1980’s. Both sang in French. Sort of.

“Can we go on an adventure?”

“Sure. Which way shall we go?”

Alex is confident. “The front. We can go to the restaurant.”

We’re hurtling across the Alsace near the German and French border, and I glance up at the display. 313 kph. European trains are beyond brilliant. The snow is falling in curtains, and we rush past hills and farms. I spy some pigs.

In the café car we climb onto some stools and gaze out the window. The boys have a Kit Kat. I have a beer. We see wind farms. Go through tunnels. We talk about Harry Potter, the Adelaide Crows (Alex), and the Essendon Bombers (Max). I’ve never been happier.

We slide through Strasbourg. There are ships and boats on the Ill River. “Is that the Titanic, Dad?” Our train is slingshotted by a French motorway whose vehicles seem motionless. “Dad, that looks like our black car!” And then, as talk rolls around, “When does footy start at the Singapore Sharks?”

Trains civilize us. Trains nourish our imaginations. They evoke a romantic age, and easing along the corridors, I should be sporting a top hat and muttonchops.

Aside from buses, what’s the worst way to travel? Pushing your own taxicab! Our Parisian driver was friendly, but we were keen to reach our apartment, drop our luggage, and eat. Battling traffic along Boulevard de Magenta, Alex and Max increasingly behave like deer trapped in a Canadian liquor store. Détente was disintegrating.

The cabby wobbled the gearshift as we glided to an uneasy halt. “Problem?” I offer. Wearing the haunted look of a fugitive, he evaluates, “Gear box.” So there I was, as my family stood on the pavement, straining against the shat-itself-cab. Ah, welcome back, sir. Lovely to have you back in the City of Light. Why, you’re even more handsome than I remember. May I offer you a 2004 Bordeaux?

Heading to the Gare de Nord five days later, the driver warns us about railway station crime. “Be careful,” he urges. He then speaks in French to his phone before showing me the translated screen

In Paris a pizza arrives quicker than the police.

Returning to Europe, but with the boys, is to visit the continent afresh, and see everything as if for the first time. How terrific is this?

On Sunday we walk down by the Louvre, and turning the corner near the Seine, urge the boys to look westward. And there it was! The Eiffel Tower.

But our view was obscured. We could only see the top half. Chopped down as if kneecapped by the Mafia, it doesn’t function. Painted in 1970’s physics teacher brown, it’s a charmless Soviet radio mast.

The Eiffel Tower’s attractive only when seen in its entirety with, for example, the Champ de Mars framing it. Without its fabulous mise-en-scène, it’s decontextualised, stripped of beauty like a torn painting. But, the boys loved it. Even lining up for two hours in the winter chill to ascend in its elevator. And that’s all that matters.

Our Tudor apartment on Rue Montorgueil is stunning. Featuring exposed beams, characterful floorboards, and an ancient staircase; it overlooks the cobblestoned street, four stories below. The ground floor? A pizza house! Game, set, match. However, the police cruelly cut the padlocks I used to chain myself to the wood oven and beer fridge.

It’s probably a hundred types of wrong, but on this, our third visit to the French capital, I’ve still not seen the Mona Lisa. The wife of the former publican of The Sir John Franklin Hotel in Kapunda and The Bushman Hotel in Gawler interests me more. Her name is also Mona. And I’ve not seen her portrait either.

We ride a hop-on, hop-off bus to escape the biting cold, and also because Alex and Max enjoy it. Their personal earphones seem to function as auditory tranquilizers allow them to learn some French history, culture and architecture, which is a wonderful opportunity.

Celebrated Parisian music links the commentary. We hear my Mum’s favourite, Charles Aznavour and his song “La Bohème,” tragic songstress Edith Piaf, and in a surprise, Robin Thicke’s veiled ode to Notre Dame and the Île de la Cité, “Blurred Lines.”

Driving past the Palais Garnier, the narrative continues

Charles Garnier, the renowned architect of the Opera House announced that unlike other Parisian avenues, Avenue de l’Opéra would not be tree-lined, as he did not wish for views of his magnificent creation to be impeded.

I lift an eyebrow, glance at the wife and mouth, “Tosser.” She nods back.

Dining at Jet Lag by The Church of St Eustace is great. Alex declares his cheeseburger the most amazing ever! Once we took our nephew to the Buffalo on Glenelg’s Patawalonga. After his modest meal Dylan says, “This is the best Buffalo restaurant I’ve visited.” Max just eats.

I devour the tarte aux pommes de terre et au boeuf. Wow, I hear you breathe, what a gourmand, a sophistiqué moderne. It’s true, things do sound better in French. My dinner? Yep, cottage pie.

We love the neighbouring Jardin Nelson Mandela and its playground. On our final visit an attendant asks, “Where you from? England?” No, Australia, I reply with a nod. Despite his monstrous size he suddenly seems boyish, and squeals, “Kan-goo-ra, kan-goo-ra.”

Paris. Such blinding elegance. Such soaring ambition. This city is splendid. It celebrates the individual, and offers avenues to happiness. I reckon we found some.

Just like Bill from the Rolling Stones

Took her to a disco
In Battersea
I asked her to dance
And then she danced with me

July 2005: It’s the End of the World as We Know It (And I Feel Fine)

Dec 1, 2014 | Mickey Randall

I stop the Macbeth video and flick on the radio. My Year 7’s leap around, shrieking and pink-cheeked. Ties are flapping.

IOC President Jacques Rogge begins, and with delightful, British style, the boys link arms and make a circle. Their camaraderie is catching. I laugh. Either way, we’re about to have a moment.

At 12:46 pm and ‘Lon-don,’ they erupt. England to host the 2012 Olympics! It’s lovely, and I’m happy for them, but the day after, I can barely believe it happened. A terrible contrast was coming.

‘Chris goes through Liverpool Street Station about this time,’ says Jane, tears starting, ‘and I can’t get him on his phone.’

‘I’m sure you’ll reach him soon,’ I offer, her panic cloaking me. Texting to check on friends, I agonize, the seconds stretching, waiting for my phone to pronounce their safety.

It’s July 7. I’m at school in St Albans, where news of the suicide bombings rushes upon us. In our desperate and sightless ways, we try to tether ourselves. The stabs of horror come quickly, as just to our south, London is wounded. This bespoke violence makes home seem mercilessly remote.

Emerging from her Hammersmith train, Juanita messages in that cheery way Australians often have during a crisis- “all good mate.” She’s only escaped by minutes. Jane gets through to her husband, finally. He’s arrived at his office in the City.

We lived twenty-five miles north of the Themes, in cloistered, handsome Hertfordshire. That evening our answering machine blurts a succession of messages from Australia. Our parents; hotly anxious, friends; fretful, and even people we’d seldom talk with have called.

The day is draining, and forces a deep, pounding introspection. It’s our twenty-fourth month away.

In his remarkable Guardian op-ed piece* Booker prize winner Ian McEwen calls the terrorists’ minds ‘unknowable’ and asks, ‘How could we have forgotten that this was always going to happen?’

REM’s Around the Sun concert is postponed because of the attacks, and on Saturday week as we board the Jubilee line I try to think of the fun ahead. It’s our first Tube journey since the unspeakable awfulness, and my hands become sticky as our train crashes through the uneasy dark. My fear races like gas. My eyes zip incessantly.

A streak of jets howls across, the full moon beams, and here we are with 85,000 folk, just across from The Serpentine, in Hyde Park. It’s chardonnay and sushi, not black t-shirts and insurrection. It’s wonderful. Kerry buys a slice of watermelon.

For me, today again confirms London as the planet’s finest theme park. Just walking about is compelling theatre. Send me out on foot for the day, let me meander, and then late afternoon, tip me into a boozer like The Moon and Sixpence in Soho. Sorted.

Twilight falls. REM begins. The concert’s more gorgeous picnic than Glastonbury. Mainstream’s replaced alternative edginess for these Athens, Georgia natives.

Jangly pop doyens, they also have picturesque moments. “Electrolite” from New Adventures in Hi-Fi is one, and I’m thrilled to hear it. It’s their tribute to an often unloved Los Angeles, but the joyousness applies, right here, right now

You are the star tonight
You shine electric outta sight
Your light eclipsed the moon tonight
Electrolite
You’re outta sight

Unhurried and summery, it’s threaded by Mike Mills’ jaunty piano and Peter Buck’s banjo, and insulates us, fleetingly, against our broader catastrophes.

Michael Stipe introduces punk iconoclast Patti Smith to sing on ‘E-bow the Letter.’ It’s her sole appearance on the tour, but in that quotidian, London way, she’s in town. After, with a coda of swirling, Sonic Youth-like guitar feedback, ‘It’s the End of the World as We Know It’ closes their show.

The wife and I zip through the crowds along Oxford Street, and then turn towards Kings Cross. An accusatory light blazes out at us. There are police everywhere, and yellow police tape.

It is Tavistock Square. On the street beneath the light is a silenced double-decker bus, untimely torn by the bomb that detonated ten days ago. Our musical buzz vaporizes.

This tableau’s between University College Hospital and Great Ormond Street Hospital, but for those on the number 30 Stagecoach, both were too far. How could this occur in Bloomsbury? Once associated with arts, education and medicine, and now death. We go home.

July 2005 continues, as it must. Lance Armstrong retires after winning a seventh consecutive Tour de France. Mumbai receives forty inches of rain within a day, and its city decelerates massively, but like London, cannot be halted.

And later, as witness to the gargantuan persistence of this capital, the cricket! Yes, the slow, strange cricket in which we find sanctuary commences with the opening Ashes Test at Lord’s. While Australia wins this match, the longer narrative develops astonishingly, and reminds us of all that’s decent and affirming. In Yorkshire and Cumbria and Cornwell, summer’s in bloom.

We stumble on.

* http://www.theguardian.com/world/2005/jul/08/terrorism.july74

Killing the Mockingbird: Recollections of the 1997 Bulldogs and Crows Preliminary Final

Nov 14, 2014 | Mickey Randall

Saturday, 20th September 1997. Half-time in the preliminary final. The Crows are getting paddled by seven goals.

I take a nap.

A soap opera fledgling, Greg Fleet swiftly enraged the nation. His Ramsey Street character had dispatched Daphne, like a Cairns cane toad, by expertly running her over with his car.

Later, he was strolling along a Melbourne street when a Truth headline screamed, NEIGHBOURS STAR TELLS: ‘MY HEROIN ORDEAL.’ Shocked at his public shaming, Fleety’s initial thought was, Oh my God! I can’t believe it. I was on Neighbours.

TOURIST DIES OF THIRST is a memorable newspaper poster too. It’s on the yellowing wall of Adelaide’s Exeter Hotel. I smile every time.

It’s an ageless boozer. Resistant to infantile trends, (Irish pub folks?) it’s a rollicking temple for cups and conversation. There’s nothing to distract your entourage from its tasty project. No TV, no TAB, no pokies. But there’s music. Thoughtful, eclectic music, with entire albums pumped into the front bar.

If I could design a pub, it’d be the Exeter.

The night before the Crows and Bulldogs clash. Our mate Chris is emigrating to Queensland to work for a software company. So, to mark this, we dine on curry and Kingfisher lager, and then gallop across to the Exeter.

Dawn’s closer than dusk. Only Nick and I remain, our Doc Martins moored to the floorboards. He’s from a farm in Shea-Oak Log. We met in school. Years ago, we saw the Rolling Stones at Footy Park.

As always, we talk cricket and travel and bands and film, and our discussion arrives at Harper Lee’s autobiographical masterpiece, “To Kill A Mockingbird.”

Lizard was a heavy-metal mad, Axel Rose-haired kid. I taught him in Kimba and he read the book, reckoned it was about the only one he’d ever finished. In his Cannibal Corpse way Lizard often mislabelled it, “Killing the Mockingbird.”

Atticus Finch. Is there a more inspirational dad in literature? He’s metonymous for courage. I wish the Australian cricketer Aaron Finch was nicknamed “Atticus.” But, of course not. Can you imagine Tubbs and Slats explaining this? He’ll always be “Finchy.”

Over and through our Coopers, we ponder the novel’s last lines, admire their uncomplicated elegance. They’re among the finest words printed. After the rush of the climax, and Bob Ewell’s demise, we’re left with a painterly scene of love, a world profoundly restored

He turned out the light and went into Jem’s room. He would be there all night, and he would be there when Jem waked up in the morning.

Radiohead’s then recent release OK Computer played in the Exeter that evening. I love the cinematic melancholy, and the immaculate alienation. I’m a fan of lengthy, multi-sectioned songs, and “Paranoid Android” is superb. There’s venom in Thom Yorke’s

Ambition makes you look pretty ugly
Kicking and squealing gucci little piggy

The album is additionally embedded with references to the cult novel “Hitchhiker’s Guide to the Galaxy!” How excellent is this? Satire, existentialism and guitars!

Despite its anguished doom, OK Computer becomes a happy soundtrack for me. Living in Hertfordshire, we listened to it once before enjoying Terry Wogan’s wine-soaked Eurovision commentary. In his brogue he noted

They’ve got four languages in Belgium and they’re singing in an imaginary one. The essence of Eurovision.

We laugh at the songs, and are bewitched by the geopolitics. It was 2003, defined by the charming nadir of England’s nul points.

I remember Triple J first featuring OK Computer. On breakfast, Mikey Robins and the Sandman considered life’s unknowns

Sandman: I’ve often wondered what it would feel like to be a woman.

Mikey: Come here.

Like gates clanging in a prison movie, the Exeter finally shuts. Nick drifts to his Hutt Street townhouse and I taxi home to Glenelg.

Rampaging Roy Slaven famously spoke of playing golf with Seve Ballesteros. As an ornament to rugby league, fishing, cricket, horse racing (he piloted Rooting King), and pig shooting, he is peerless. Roy’s vanquished are “hopeless pillows” or “mooks.”

Obviously, the big man from Lithgow was towelling the Spaniard. Without warning, Seve walked quietly over to his opponent’s bag and went the bushman’s hanky all over Roy’s clubs. Standing “ashen-faced and tight-lipped,” Roy then turned to his caddy and said, “You know, there’s something I just don’t like about this bloke.”

I wake during the last quarter, wander out to the lounge, flick on the TV, and see Liberatore’s snap on goal. He jumps haughtily onto his team mates, fists a-pumping. The result’s a formality, the remaining time, an irritant. His Dogs are home.

But I know what Atticus Finch would think. I remember what Roy Slaven said.

And the goal umpire signals a behind. Premature exaltation. The braggadocio is scorched.

The quarter’s been goalless, and we’re down by four straight kicks with ten minutes to go. As the bride’s still asleep I choose to endure the ending. It’ll be a Saints and Bulldogs decider.

On the siren, car horns hop in our windows, zigzag over Jetty Road, and vault about the esplanade like acoustic exclamation marks! The wife stirs.

Having spent the match in a torpor, Darren Jarman contributed three majors. He was learning to love final quarters.

With its lengthening afternoons, pledge of an enriching, outdoorsy lifestyle, and barbeque bouquets freewheeling about like sociable phantasms, late September’s always been good.

Just then, it got much, much better.

Billy the Mountain

Oct 13, 2014 | Mickey Randall

I sing best when by a washing machine.

Half way across Australia. The farming hamlet of Kimba. Late on a Tuesday. It often was. At that time, no night was safe. Bazz, Hen and I wedged into the laundry, and warbling along with Frank Zappa.

A mountain is something
You don’t wanna fuck with
You don’t wanna fuck with
Don’t fuck around

Stripping precious bushels from the wheat, our voices pranged out across the paddocks. The adult in charge was Coopers Sparkling Ale. Of course, Bazz, Hen and I have been mates ever since.

I first heard Zappa at Bushy Martin’s one summer down at Sellicks Beach. It was Joe’s Garage on vinyl, exhilarating and just a bit dangerous. Here was sophisticated, funny music coupled with contagious lyrics, especially on “Why Does It Hurt When I Pee?”

Much of my pop culture schooling came on Sunday nights through The Coodabeen Champions. During one episode the best Frank Zappa song was debated. They agreed.

I raced into Rundle Mall, and bought Just Another Band From LA. Inspecting the cartoonish cover, I see “Billy the Mountain” runs for roughly thirty minutes. Epic songs have always bewitched me with their wide landscapes. Empty roads, awaiting traffic.

The storytelling and amusing arrangements make it a masterpiece. Part travelogue and romantic comedy, it opens in Los Angeles, tumbles through Playa Del Rey, Santa Monica, and Canoga Park, before lurching across the Mojave Desert, to The Strip

It’s off to Las Vegas
To check out the lounges
Pull a few handles,
And drink a few beers.

It also functions as an opera and a radio play, with Zappa and cult vocal duo Flo and Eddie alternating as narrators. On a vacation paid for by postcard royalties, our mobile mountain Billy, and his wooden wife Ethell are heading, seismically, to New York.

The heroic pair travel west to east, annihilating various human environments, in a deviant Manifest Destiny. Edwards Air Force Base is an early, delicious target

TEST STAND #1 and THE ROCKET SLED ITSELF… (We have ignition!)… got LUNCHED! I said LUNCHED!

When I lived just north of London in the old Roman city of St Albans, it was a Zappa-free zone for two years. Mammoth in charisma and personal impact, I missed this song. So, in 2005 I had a mate home in Adelaide copy my CD, and send it to me.

Driving down to New Forest’s heathland, the wife and I listened to it one Friday. It provided happy escape from the cheerlessness of the M25 and M3. A universe distant from soggy Hampshire

He was born next to the beef pies,
Underneath Joni Mitchell’s autographed picture,
Right beside Elliot Roberts’ big Bank Book,
Next to the boat
Where Crosby flushed away all his stash.

Mentioning American emblems such as Jack-In-The-Box and Howard Johnsons, this magnum opus inspires me to drive an El Dorado Cadillac and shop at Ralph’s. Just like The Dude in the beginning sequence of The Big Lebowski. To a country boy from South Australia, it’s profoundly panoramic.

Remember the soaring coda of Crosby, Stills, Nash and Young’s “Suite: Judy Blue Eyes?” It’s parodied on “Billy the Mountain.” A key sonic motif is the stab from The Tonight Show Starring Johnny Carson, and the structure reminds me of “Peter and the Wolf.”

It’s eclectic, as Toto (the dog, mercifully, and not the band) and the tornado from The Wizard of Oz, are juxtaposed with Jerry Lewis samples. Remarkably, all recorded live at UCLA!

Satirising the antihero, a blundering Studebacher Hoch, Zappa’s darts are sharpest on overzealousness, and fawning ignorance, especially in Hoch’s introductory monologue

and, ah, how’s your wife’s haemorrhoids? Oh, that’s too bad… Listen… so you’ve got a mountain, with a tree, listen, causing… oh, my! Well, let me write this down . . . sorta take a few notes here… yeah… ?

The song’s Dadaist, its anarchistic storyline urging anti-war sentiment during its elongated loopiness. But, it’s also debauched, ridiculous, and hilarious.

And, of course, it takes a brutal intellect to invent such fun.

We don’t live in a global village. Mostly, we reside in a culturally identical village, repeated globally. Zappa fought this, and “Billy the Mountain” is musical theatre of prodigious ambition, and equal achievement. It’s among the most engrossing, most weird half hours you can spend.

I often think of being by that washing machine, in its tiny laundry, when three friends squawked out into the undeserving Tuesday dark, with America’s wittiest commentator, Frank Zappa.

A mountain is something
You don’t wanna fuck with
You don’t wanna fuck with
Don’t fuck around

Who gets the new ball: Seasick Steve, Derek and The Dominos, Chad Morgan, or The Big Lebowski?

Sep 22, 2014 | Mickey Randall

About two Southwark cans into the drive down the Port Kenny Road somebody pushed a cassette in. It might’ve been Snook or Jock. Or possibly Stink.

Chad Morgan started singing the “Banana Boat Song.” If under zombie attack, play this loud, you’ll be safe.

Years later, Chad performed in the Kimba pub. Heckled by a pair of Bundy-soaked punters he advised, “You shouldn’t drink on an empty head.”

Like my wife’s family, and Test cricketers Carl Rackemann and Nathan Hauritz, he’s from Wondai in Queensland. His signature song is “The Shiek of Scrubby Creek.” It’s vaudevillian, novelty. It evokes bush footy clubs and the unhurried Sunday BBQs of yesteryear.

The sheilas think I’m handsome

their fathers think I’m mad

their mothers think I’m a villain

but I’m just a loveable lad

Chad wrote it when he was sixteen. So for well over sixty years it’s been paying for his dinner and dentures. I’m more Vampire Weekend than weekend in Tamworth, but how fantastic is this?

At sixteen few of us do anything of creative consequence. Not many forge a career by drinking too much cider and falling into a bush.

Contrastingly, Annie Proulx was almost sixty when her literary life accelerated, courtesy of The Shipping News. Including “Brokeback Mountain” her recent Wyoming Stories trilogy is raw and remarkable.

And this brings me to Seasick Steve. In his seventies, and having served a colossal apprenticeship, he only found recognition in 2006 with Dog House Music. Among others, he uses a Cigar-Box Guitar, and The One-Stringed Diddley Bow. “The Last Song Is About A Rooster Who Ain’t Alive No Mo’…” from Cheap is great.

The intersection between fictional lyrics and autobiography intrigues me. Jagger sings of horizontal conquest with authority, and Seasick’s gravelly tales are lived in too. On “Thunderbird” he recounts

Going up north

Rootin’ potatoes

Freight down to Cali

Pick some tomaters

Newsflash! Fresh from his Sports Day success, our youngest, Max, breaks his wrist as I’m heading to the Marina Bay circuit. Ouch. Taxi. Hospital. Anaesthetic (son, not parents). Cast. Home.

No Seasick Steve for me.

I’m going to the Singapore Grand Prix with a friend who’s from Louisville, Kentucky. Not spotting a carbon-fibre conveyance won’t worrry me. I’m only here to enjoy some music.

Are the HQ Holdens racing? What? No Nitro Funny Cars? My interest in F1 parallels Fev’s passion for the Large Hadron Collider. Agreed, it’s like going to Glastonbury just to admire the tents. Trackside, Seasick Steve, I trust, takes the idiotically named Coyote Stage. Cultural hegemony anyone?

I’d love to visit Kentucky, home of the Derby, Hunter S Thompson and the Louisville Slugger. It also hosts the original Lebowski Fest, a celebration of the cult Coen brothers film. The Big Lebowski features the finest lines since Caddyshack.

That rug really tied the room together.

Mr. Treehorn treats objects like women, man.

Is this your homework, Larry?

At least climatically, the blues fits here, with its muggy airlessness suggestive of the Mississippi Delta. Ash Grunwald did an outdoor gig in Clarke Quay in April. With his whirling dreadlocks, Dobro and BB King-inspired voice, it was hot, and it worked.

Layla and Other Assorted Love Songs by Derek and the Dominos was my initial excursion. As the title track was a constant on the then catholic SA-FM, my harmonica playing, air-traffic controller friend and I bought the vinyl during my final year at school. A critique described the seminal opening riff as a maelstrom. Scandinavian words (and images) are exciting to adolescent boys.

With a searing rock section, and the exquisite piano and slide guitar coda, “Layla” is incongruous on this blues album. Meandering across ten languid minutes, “Key to the Highway” still charms me as improvisation tsars, Eric Clapton and Duane Allman, have too much fun. It’s casual, soaring and laughably brilliant. A musical version of Darren Jarman, really.

Touring Adelaide’s beachside playgounds, I’d play Layla and Other Assorted Love Songs for my boys, supposing, like natural sugar, there’ll be enough pop in their acoustic diet. Only four, Alex’d ask, “Dad, can we hear those long songs?”

Where some see aural cruelty, I see schooling. The Wiggles are The Beatles for kids. Genius. But, without the blues’ swampy misery, how will they grow up happy?

One day I may even sneak some Chad Morgan on for them.

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: