Category Archives: travel

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Under the Blonde Light by a Hahndorf Bakery

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Running up the main street, noting the folk sat outside various coffee shops, I then veer about by Otto’s Bakery.

An American was explaining something to a passive local sitting and eating toast about four seats away. He seemed confident and had a rich voice like he had, or thought he should have, his own podcast. Aproned people were wiping down the tables outside both pubs leaving glistening trails of cleanliness ready for the lunchtime slop of unwieldy German steins.

The once-drowsy slumber of the evening had vanished, giving way to the bustling dawn of a Tuesday.

Amidst this tumbling tableau a woman passed me going the other way along the footpath. In a whirl of forceful purpose, she was striding fast but reading her book as she went. It was a rare sight, a fusion of worlds, an embodiment of the allure of a solitary journey amidst the written word.

I love early mornings.

Some are taken in nature like Saturday on parkrun dissecting the pine forest by the Myponga Reservoir and mornings like today as a town awakes and smiling hospitality staff scurry about. I run through it all.

Turning by the Otto’s bakery at the top of the street, suddenly a golden, soft light was behind me and bathed the scene with warmth that carried profound love and unornamented joy and you, Claire. It was a welcome alchemy, and a transcendent instant.

In that moment, I was spirited away across continents, to Italy, to a morning much like this one, perhaps in Monterosso on the Cinque Terre. Meandering about with a coffee along narrow lanes we looked at those charming shops and Mediterranean homes and funny little three-wheeled utes for which I found curious affection.

Those unsophisticated amblings during which we spoke of our surroundings and the day ahead and sometimes directed our chat back home. And you were the only person I knew in that entire country, that foreign soaring land, and I wondered how younger me would have been astonished and surprised but grateful beyond expression.

One day soon Claire we’ll be in Hahndorf, and in a minor pilgrimage I’d like to point out the spot by Otto’s Bakery where Italy, you and the remarkable gift that is each day came together in a singular, luminous moment.

Scampering back that bright second metamorphosed to a meditation, and then a prayer offering thanks for all that’s transpired and all that’s to be.

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Mystery Pub: Viva Las Vegas – The Peninsula, Taperoo

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Claire and I are back in the nation of Le Fevre at the accurately labelled Peninsula Hotel. Motoring there proved simple as we accessed the Northern and Port River Expressways with the metaphorical Friday breeze in our hair.

Taking in the hotel visage, I’m smitten as the 2019 renovations have aspired to a Vintage Vegas aesthetic. This evokes iconic buildings such as Circus Circus, the Tropicana, and the Flamingo.

It’s a genuine point of difference as both outside and in are devoid entirely of Port football iconography. It’s brazenly decontextualized and if you wish to drink up homegrown sporting nostalgia, there’s a dozen nearby pubs in which you can do this until you’re silly as a wheel.

This is an architectural delight and midcentury Americana tribute. With a rhetorical front and conventional behind, the Peninsula adopts the Stardust Showroom model of being a ‘decorated shed.’ It presents as a portal to an immersive world.

Most striking are the bright greens, pinks, reds, and blues on the external and internal windows. Lighting and colour are often poorly done by interior designers, so this sets an enticing tone and suggests risk and adventure and ageless excitement.

All in downtown Taperoo.

Vegas motels are styled as pleasure zones like the Alhambra, Disneyland, and Xanadu while the famous gambling strip is also neon in the Atomic Age and uses Miami Moroccan visuals. I mention to Claire that according to my reading, Vegas is situated in an ‘agoraphobic auto-scaled desert.’

But that’s enough psychosexual geography.

*

5pm can be a curious, twilight time to descend upon a pub. The lunch and function crowd have (mostly) long left and omitting Queensland pensioners, it’s too early for those seeking dinner. Office types are still pretending to write outcomes-driven emails. But we’ve arrived and the emptiness aids critical appraisal and having the bar to ourselves is also helpful for conversation.

Like racehorses and heavy metal bands, modern beverages are prone to enchanting names that overpromise and underdeliver.

Claire requisitions a Shy Pig Sauvignon Blanc while I go for a local beer in the Big Shed Peninsula Proud. It’s a hazy pale ale, brewed in the neighbouring province of Royal Park. Both drinks deliver and my pint is hoppy and aromatic and pokes me in a late afternoon kinda way.

The movie set-like Peninsula isn’t an inexpressive cavern or processing plant but rather a place promising veiled and tempting nooks. Taking up residency we examine our week and encouraged by the setting, talk shifts naturally to the Rat Pack and the Chapel of Love and Elvis.

We consider visiting Vegas. Claire says, ‘I’d love to go. You’ve been there, right?’

Queue my Vegas blackjack story. I reply. ‘Yes, you know!’

Claire summarises neatly if a little eagerly. ‘That’s when you went to a casino at midnight and got to bed at 8am? When you were still winning at dawn and then gave all your money back?’

Ouch.

‘Correct,’ I affirm before offering a meek defence. ‘It was such good fun.’ I interrupt with an idea. ‘A trip there would have to include the Grand Canyon. It’s easy the best thing I’ve seen on the planet.’

Claire doesn’t say, ‘Make sure in Vegas we get a steak and Caesar salad.’

Returning barwards for our second and final refreshments, I note that the busiest section of the pub is the gaming room complete with carnivorous pokies.

But a picturesque, serene light streams in across our table and unlike the optical and aural assault of Vegas, it’s quiet and lounge standards from Frank Sinatra and Dean Martin drift through the languid interior like smoke.

And now we’re a very long way from Port Adelaide. Maybe that’s the seductive trick of the Peninsula: the escapism, the effortless time travel, the mirage.

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Sausage Roll Review: Platy Pie Bakery of Mount Compass

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BREAKING: Do sausage rolls have inherent meaning, or is their significance a construct of human perception and interpretation?

More to come…

September brings witness to my quest in locating the Fleurieu Peninsula’s finest sausage roll. It’s my higher earthly purpose. Heading to Port Elliot for my annual writing retreat, I call into the Platy Pie Bakery.

Strolling in I announce myself with the chirpily invitational, ‘Hello there. How are you going?’

Behind the counter the woman serving stares through me with the dead eyes of a cyborg and allows my words to hang in the air before they die shamefully, undeservingly, on the scratch-resistant, modestly industrial flooring.

This is not how I wanted our relationship to begin.

I press on. ‘I’m pretty keen on a sausage roll.’

‘Sauce?’

Ahh, she speaks.

As my task-oriented, chit-chat averse comrade digs about in the warmer I wonder. Beyond physical sustenance, what nourishment does a sausage roll offer to the human spirit, if any, and how does it contribute to our overall well-being?

Dodging a delivery man by the door I slip out to the front veranda of the bakery and pop onto a chair. The breeze is pushing the trees about with considerable energy, and I reckon it’ll turn into a typical spring day: windy and warm.

I then unleash the beast and It’s the most colossal sausage roll onto which I’ve ever clapped my blinking eyeballs. Its girth reminds me of the weapons used by the chimps in 2001: A Space Odyssey to cause violence to each other, thus signifying the vital evolutionary leap when our progenitors began to assert control over their world and, tellingly, each other.

As is often the case I was then distracted from my reflections upon Stanley Kubrick’s cinematography by some carrot.

Yes, my mega-sausage roll was happy host to sizable chunks of carrot. This constituted rare, positive, orange-hued news. Despite the pastry being somewhat flaky and on the cusp of oiliness it tasted, as the man once said, good.

Of course, a key thematic omission in 2001: A Space Odyssey is that none of the dramatis personae ask the following question of themselves or the villainous computer HAL 9000: Is a sausage roll more than the sum of its parts, and if so, what metaphysical properties might it possess?

Coming from a small family I’ve never had to tear competitively through my food with any urgency (although my wife Claire enjoyed her childhood tucker with an almost cricket team of nine gathered around the table her meal-time etiquette doesn’t reflect this at all). Today, on this gusty patio I inhale my lunch with primeval, almost disturbing haste.

I next contemplate the thoughts of Aristotle or maybe it’s Jeffrey ‘The Dude’ Lebowski. I can’t never remember which. He might’ve remarked, what role does our appetite play in our enjoyment of a sausage roll, and how does it relate to our broader desires and cravings in life?

My lunch now done, I walk about town before pressing on towards Port Elliot.

The Platy Pie Bakery serves up a mammoth sausage roll and for carrot-lovers it’s a double treat which gives clear rise to this eternal, epicurean conundrum-

How do sausage rolls symbolise cultural identity and heritage, and what can their evolution over time tell us about cultural change?

Dunno.

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At Large in Largs Bay: a parkrun yarn

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Easing down Jetty Road in Largs Bay there’s a sign pointing towards a Historic Shopping Village. Historic? If I put on my bowler hat, ring the bell apologetically, and enter will there be rations of corned beef, jam, sugar, and tea? Would each cost me 2 and 6?

As sure as Kilimanjaro rises like Olympus above the Serengeti the Pier pub appears and from the ghostly stage, I can almost hear Barnesy shrieking, sniff the stale West End Draught, and through the fug, see the frayed denim.

At the parkrun starting area (right near the public toilets) I chat with an English couple. They indicate to the south of the pub where they’ve just moved. They’ve done very nicely.

I ask, ‘Have you done this run before?’

‘No, we’ve been travelling, and this is our first one in eighteen months.’ I wish them well.

The briefing begins. It’s always encouraging, and I’m buoyed by the shared purpose and infectious sense of community. The Run Director explains that in quick succession the course goes over five bridges. Only two more for an Eagles’ song.

A dry fog drapes the city, and this generates an almost Victorian England atmosphere. Gazing ahead, the northern esplanade hides under a white cloak. We’re off and the sailing club is soon in the rear-view mirror as we ribbon out along Lady Gowrie Drive.

A distant siren wails through the mist, and I wonder what strife might’ve befallen folks on a quiet Saturday morning. This is replaced by birdsong, and I push into the brusque wind.

We’re now in Taperoo and over to the right is a geographic festival dedicated to Roy Marten. There’s the Roy Marten Dog Park, the Roy Marten Reserve, and alarmingly, the Roy Marten public toilet. I vow to visit. You can’t have too much Roy, whomever he is/was/might yet be.

This is a popular parkrun with one hundred and seventy-odd participants today. Dan, who I know from the Patawalonga event, reckons it’s a PB course. No pressure then. We’ll see.

We’re right in the heart of the Lefevre Peninsula. I imagine if it could secede from Adelaide, it just might. They’d strike their own currency, and each would feature a Port Magpies footballer. Russell Ebert on the fifty, Fos Williams on the twenty and on the dollar coin Bomber Clifford grinning like a shot fox. Their air force mightn’t be much chop, but they’d assemble a tough navy.

I swing for home and over the rise see the jetty and pub. In their white silence both are majestic and it’s a wintry postcard. Pippi’s coffee caravan remains shut by the footpath and I wonder why. Surely weekend breakfast is peak for the caffeinated.

A large wooden yacht is in a front yard. On a trailer, it’s in poor repair, and I remember it from my student days golfing at North Haven. At least, I think it’s a yacht. Ben Lexcen, if he were still about, could help with my nautical lexicography. I’m sure it’s been there for over three decades, and a better option might’ve been a garden gnome. What’s the owner been thinking all this time?

With the end approaching (today’s run not mortality, I hope) I pass another commercial caravan on the esplanade. It’s a doggie wash van with, as one would expect, a Billy Joel theme.

Puptown Girl.

I’m a slow starter, but usually finish well. A few runs ago in Glenelg, Dan and I did our last kilometre in a decent-for-old-chaps four and a half minutes. The results are emailed mid-morning. My PB remains elusive.

Next week.

Back in my car I strap on my Abraham Lincoln beard and put a shilling in my waistcoat pocket. I’m off to the Historic Shopping Village.

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Open a Kissing Gate

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It’s dusk on a Friday.

Below us, and the tree-lined slopes, are the now-twinkling lights of the city.

Tramping along together in our cocooning coats, the creek’s interrupted by a stone wall. Behind us is the cottage’s yellowish beacon. Claire’s scarf bounces.

On the Heysen Trail, we’re approaching Norton Summit.

As we swing open a kissing gate it protests with a shriek. My phone light shafts over the scrub as if it’s generating suspenseful effect in a horror flick.

Upon arriving at Morialta Barns we ignited the fire. The redgum was now burning, but gently.

We heard the ghostly bleating of hidden sheep. The rounded hills were receding into the rising murk. Bushes swayed and jumped at the directive of a gust. Our hosts reckoned we could encounter a quietly twitching roo.

Chatting about the days we’ve had and the days we’ve to come, we clasp hands for affection, and warmness.

An hour earlier, having collected Claire from the city, we edged up majestic Magill Road, through the eastern suburbs and then suddenly, bottle-green paddocks were pushing back the forest. There we were, in the countryside. The transition was startlingly brisk.

We’d jettisoned.

Steering our way through another gate, there was the Scenic Hotel. My birthday dinner would soon be served.

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Michelangelo, Da Vinci, and the Delight of Context

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On an ordinary street Claire and I went to a mostly forgettable Milanese church.

We’ve been to many spectacular places of worship in Europe but this one’s façade had less charisma than a suburban supermarket. Italy has a chain of these called Pam. I think this is funny.

Our visit wasn’t even really about the church, Santa Maria delle Grazie, but the nearby refectory.

The Mona Lisa is the star of the Louvre art museum, and the Queen Sofía National Museum Art Centre in Madrid is famed for Picasso’s anti-war satire, Guernica. But these are dedicated galleries, and within them we expect masterpieces.

Increasingly, I’m interested in the context of experiences, and the more unlikely the circumstances, the more compelling. One of the world’s great paintings, Da Vinci’s The Last Supper is on the dining room wall.

These unremarkable circumstances are remarkable.

The story of this magnum opus is as distinctive as the painting itself. Located next door to a medieval kitchen, Da Vinci finished it in about two years. The thinking behind it being on a refectory wall is that the monks would feel a divine connection with this painting of Christ at supper while they, in turn, gobbled their bread and stew. Unsurprisingly, The Last Supper suffered extensively from steam, smoke, and soot. And probably, if truth be told, cabbage odour.

Where the feet of Jesus should be in the painting is now a door, knocked through a few centuries’ ago because, you won’t be surprised to hear, the monks wanted better access to the kitchen. Later, Napoleon used it as a stable. It recently endured a twenty-year restoration.

As he was mastering the use of a single vanishing point our expert guide (she was terrific) told us that Da Vinci hammered a nail into Christ’s temple (ouch, irony!) and radiated string to assist with the perspective.

Apparently, the table at the centre of the painting wouldn’t have actually fitted in the portrayed room at Mount Zion, but there’s significant captivation as Jesus announces his looming betrayal. Da Vinci shows this with each disciple’s face and action a psychological revelation.

Despite the intolerable yelling from fellow visitors, it was extraordinary, and I felt privileged to see it. It speaks to my ignorance, but I was unaware that on the opposite wall is another painting, called the Crucifixion. We weren’t encouraged to view it.

The entire site was nearly destroyed by Allied bombing during WW2 and The Last Supper is conservatively valued at half a billion dollars.

*

On another Italian back street is an art gallery and the beige walls suggest a warehouse. There are fresh smatterings of graffiti by the entrance. We’re in Florence.

Claire booked our Galleria dell’Accademia di Firenze tickets months ago and these were so tight that we could only get separate entrance times. Getting lost on our way, we clarified directions with a local and ran, backpacks a-jiggling, to make our 8.45 timeslot.

Got there. Seconds to spare!

Just like the Santa Maria delle Grazie in Milan we went through airport-style security at the door and then rushed to the famed exhibit.

The first glimpse is arresting.

Among many ironies is that this version of David is indeed a Goliath. I’m confident that Michelangelo was entirely aware of this when sculpting his subject. Standing over five metres tall it’s inside a roped fence and so it’s impossible to stop beneath the marble colossus and feel fully shadowed.   

Immediately, I’m drawn to the massive hands and feet. David’s head is also immense and each of these, I’d suggest, indicates Michelangelo’s faith in human gifts. Communicated with Renaissance calm and intellect, the artist presents his subject with optimism and awe while reminding us of our potential for creating good.

Of note is the small genitalia which I reckon is emblematic of a modern, evolved masculinity. This is predicated on enlightened thoughtfulness that is freed from narrow constraints of sexual prowess. Michelangelo might be saying that regardless of David’s physical heroics we should look deeper for inspiration and ideals.

Most agree that David is presented in a theatrical moment: just as the youthful warrior has reached a momentous decision to go into battle against his larger foe. The statue weighs over six tonnes but emits a sense of almost celestial light, youthful beauty, and weightlessness.

Claire and I returned later to gaze again upon this mesmerising sculpture before continuing with our Florentine day.

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Three Italian Beers

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Varenna

It’s late afternoon in Lake Como.

Claire and I are sitting on our second-floor balcony and in the cool twilight, we help ourselves to dreamy snatches of the water. As the mist settles, snowy mountain peaks fade into the bluish light of Switzerland.

We listen to our scenery, the breeze, and the folks below.

Birra Moretti’s mustachioed mascot makes my beer instantly recognizable. He’s patriarchal, encouraging in that European way, and timeless. He’s urging me to be my best beer-consuming self. Luigi Moretti launched the brewery in 1857.

Our initial Italian meal was a belated lunch at a bistro on Piazza San Giorgio. We both had variations upon lasagna as, wide-eyed, and happy, we gazed at the cobblestones, the church, and the black scooters, lined up like fast, rebellious smears.

Given this postcardy context how was the beer? Moretti’s a fruity lager; energetic and offering of infectious excitements. Mine is in a cooperative tumbler.

Of course, it was great. How could it not be?

Vernazza

Arriving by train in the Cinque Terre we had to yank our luggage up a cliff around sunset. It was nearly three-hundred uneven and ancient steps, clinging to the rock face.

We struggled past two (American) couples, securely dining and wining in a café, and these both remarked helpfully on how our physical chore appeared as if it, ‘Sucked.’

My philosophical question remains: Is it good to warrant a holiday beer? Are they to be earnt while travelling?

Either way, sitting on our lofty terrace I had a Peroni Red. I can’t recall an unwelcome coastal beer and this one certainly wasn’t.

We also drank in the view of the rolling Mediterranean where to the north the blinking lights were the Cinque Terre’s first village in Monterosso. We’d explore it in a day or so.

The ale is slightly darker than its more famous stablemate, Nastro Azzurro, but is flavoursome and feisty. The brewery was established in 1846 in Vigevano, just south of Milan. Its aroma and palate are fetching.

As we sipped and chatted, we heard the bells ring out from Santa Margherita di Antiochia Church.

Glenelg North

Back home and it’s the Sunday before work. I’ve a near-fatal case of post-holiday dreads.

Dr. Dan prescribes a medicinal excursion to his liquor emporium. A variation on our Mystery Pubs and Mystery Days, I come home with Mystery Drinks. I get beer and on occasion, something tentative and spiritual (alcoholic not holy) for Claire. It’s an opportune distraction.

Pirate Life’s Italiana lager catches my mourning eye. It’s brewed down at the Port, the Napoli of Adelaide, or not.

At 5.2% take caution after a few so you don’t get lippy with Nonna. If you did, I wouldn’t want to be you.

A zesty beer, I found Dean Martin in my glass, and it made me think of zig-zagging home after the opera at La Scala; birdsong by a Lake Como church; scampering along the platform to make our train to Pisa.

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An Italian Arrival

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I am shaving while characters rush in and out. It’s seven in the morning, and I have spent over thirty hours travelling.

Here I am in Milan Airport. In the men’s bathroom/restroom/toilet/euphemism.

Since disembarking all is going well. Through a large window I’ve already seen the jagged and snowy Alps.

A sludgy sea of shuffling people at passport control. I hear someone say, ‘Australians come this way.’ My eyes dart towards the voice and about three minutes later I exit via the non-EU, or third countries lane and charge the world’s biggest baggage carousel. It’s the size and shape of the Monza formula one circuit.

Luggage is dropping onto the belt and shortly after, thud. My bag! And it’s not damaged.

I now brush my teeth, and this feels fantastic too. Rinse, spit, go!

As always, early morning is the best time to land in a new country so the day and your adventure can begin together. While airports can be viewed merely as venues for transition, right now all about me is invested with wonder. Stretching out with golden expectation, our Italian trip’s in front of us.

I remain alert to the terminal’s minor dangers but my surging notion is that strangers are kind. My fears submerge. With the rush of passengers, I sense the richness of universal narratives. How many stories have compelled them to this airport?

I’m enjoying the exhilaration of arrival.

Later tonight, in our Lake Como apartment, the toll for my voyage will be extracted, brutally. When I collapse at dusk, the violence of modern travel will come for me with little mercy. Waking abruptly at 3am I’ll find myself in the bathroom checking the weather back home, just stopping before I open my work email.

But in the terminal my mind buzzes, and I compare everything: the Italian and English languages, the café menu, the manufacturer of the cistern. Look, there’s a bidet! These are enchanted curios in a bold, bright world.

Claire suggested our reunion for Exit 5 of Terminal 2. Given my first hour in Italy had gone well, I’m now over-confident as I tow my case to the meeting spot. See! Easy!

Outside’s brisk in Milano. There’s a stream of pedestrian traffic, and my eye’s especially caught by a white-suited man. He also wears white shoes. I think of Dean Martin. Carrying himself past the forecourt with relaxed confidence I wonder if he’s meeting someone here, too?

To my west is a bus stop and a constant line of vehicles siphons through it. The success of my morning makes me certain that from here Claire will emerge. A dot at first. Then her familiar brisk gait followed by her hair and face, and finally the smile I know so very well. I haven’t seen her since Friday evening. I’m sure she’s on the bus that’s just paused. I peer across the traffic. Where is she?

And then suddenly, Claire’s sunny voice is behind me, coming from the terminal.

‘Hey, you!’

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Milano parkrun

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I was an island in a lake of hugging and hollering and happy chaos, and the energy was catching.

I didn’t hear it, but Claire later told me a grab from, ‘The Final Countdown’ was blasted as we gathered. Given I was about to undertake the Milano parkrun its 1980’s bombast was probably a welcome supplement to the mise-en-scène.

By the start line was an Italian flag, and I joined the run briefing in English during which laminated maps were shared around. Unlike home there would be no defibrillator.

With a crescendo of noise, we were away! Fittingly, the initial dash was on cobblestones and these then trended to dirt with a high chance of puddles.

European parkrun time is 9am as opposed to the Australian start of 8am, largely I guess because during the northern winter it’s then still dark. Today’s idyllic with an invigorating air. Milano is famed for its windlessness; it’s the anti-Chicago. This pleases me.

Dominating the north of Lombardy’s central city, Park Nord extends over four municipalities. Our Uber out here was a Mercedes Benz Vito; it’s imposing black finish befitting this fashion capital. Milan seems a wealthy place with smartly dressed folks, stylish attractions, and high-end eateries. I’m yet to spy a K-Mart.

Around the back of my first circuit, I see that most Italian of sporting landmarks: a velodrome. It’s all whizzing blurs of lyrca and metal. I’ve seen very few cyclists in the city, probably given the narrow streets are bunged up with buses, cars, and trams. Being collected by an errant Fiat Panda can be nobody’s aspiration.

Moving past the fields of wild grass into the home straight, I jog through a grove of trees. Glancing at my old Swatch, I’m making reasonable time given we’ve both been crook with colds and I’m still shaking off jetlag. Being in Europe during our footy season I’m always a little surprised upon a weekend awakening that it’s half-time at the MCG. That’s an arresting symbol of our planet’s vastness.

One lap done and from the volunteers I hear lively Italian urgings and I’m electrified for these anonymous gestures. And there’s Claire waving, taking photos and calling out, ‘Go, Mickey Randall!’ How great to be unreservedly supported in this Saturday pursuit.

It’s both a blessing and a curse that I know what to expect on my second trip around.

I push on.

Although I’m about as competitive as lettuce there’s a healthy sense of rivalry in parkrun. I try to keep close to a guy in orange but can’t. The Patawalonga run in Glenelg appears to attract a wider variety of participants. Here, they’re all athletic and coolly confident.  

T-shirts are instructive texts and there’s a few about today. I spot a couple geezers in garb advertising Sussex’s Run Wednesdays and a white-bearded fellow with one announcing he competed in a 100k event (or at least paid his entry fee). As it’s bright yellow and obviously declares my Australian citizenship, I’m in my Singapore Sharks footy shirt. Did you know the Sharks host the world’s biggest Auskick programme?

Exhausted, I cross the line and find Claire. I’ve extended myself and am pleased. I’ve really enjoyed the various enthusiasms of the morning, and how these exist beyond language. I remain embarrassingly monolingual.

Fellow competitors help themselves to a complimentary drink that looks like cola. Curiosity urges me to claim one. It’s boiling and black and I wonder if it’s coffee which isn’t what I’d generally take after hard exercise. Sipping hesitantly, I discover it’s a sweet tea. Nearby is a plate of pastries.

Ahh, Italy.

During my run Claire spoke with a volunteer and of course he has a friend running a bar in Adelaide and I love this universal desire to locate connections.

Despite feeling lousy it’s the fifth best time of my brief parkrun career. Today, Milano hosts a compact but classy field with nearly two dozen runners getting around the five-kilometer course in under twenty minutes. I finish mid-field.

We head south through the park to the Metro and the lilac line. Duomo, mid-afternoon gelato, and the Last Supper await.

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Max and I hung out in Aldinga

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Glenelg? Mykonos? Venice Beach?

Nup.

Port Willunga’s my favourite beach on the planet.

Sizeable sets of late-March waves roll in and it’s chilly when the first of these curling walls topples against our legs. The weekend straightens out in front of us. Max and I quickly tolerate the cold but then a rip drags us along the coast. I’m alarmed.

Max says, ‘We’re going north up the beach, aren’t we?’

‘Yes, we are, that’s right Buddy,’ I reply. ‘You’ve got a good sense of direction.’

‘I just sort of knew which way it was.’

Drying off on the dazzlingly white sand, we then set off towards the famed jetty ruins. I wonder how long until these are finally claimed by the wind, the sand and the water.

On the cusp of his thirteenth birthday, I remind Max that we were last by these wooden relics with his brother Alex. It was a few years’ ago on our way back from a Victor Harbor holiday. He recollects.

Plucking our way beneath the chalky cliffs, across the rocks and through the seaweed, we delve into our past. There’s talk of Bear Grylls. We know his documentaries well, used to discuss the narrative formula. Every Tuesday we’d watch one and have a home-barbequed burger.

I feel a pang.

‘Alex likes the ones set in the snow and ice, but I prefer those in jungles,’ Max says.

I propose, ‘Maybe we should watch some again, you know, for old times’ sake?’

Our weekend is about offerings and gentle explorations of our past, and our futures. As suggested by Claire, it’s a rite of passage, and I want Max to feel relaxed and loved. So far, Year 8 has been rough. I’m worried but hope together we can command our boat through the storm.

At the headland we turn around.

*

In the Aldinga pub, we’re perched at a tall table on high stools. It’s teeming with families, but we’re cocooned in a corner. In tribute to Bear we have burgers. A significant occasion, it washes over me like rain.

Back at our apartment we chat in the Balinese hut, all bamboo and blonde light. Max is invested and appreciative. The sky is smeared with the white dashes of screeching cockatoos. The sun’s now sinking, and it’s been a terrific afternoon. I’m thrilled.

My world shrinks to Max while I again try to open up his like a flower, encourage him to see the adult opportunities for travel, for work, for life. It’s both a privilege and a fearsome burden.

*

Sunday morning and we drive onto the wide, flat beach at Silver Sands. A sign demands our speed must be at walking pace and this suits me. I ease down our windows, let in the salty breeze. Invite in the quietening, deep sea.

There’s many joggers and dogs. Cars are sprinkled along the beach. I pull up and turn off the engine. We talk of New York, Paris, Salt Lake City and basketball. Max loves the NBA. Speaks the language fluently. He asks me for my all-time top 5 basketballers.

‘Michael Jordan.’ I think back and rattle them off. ‘Larry Bird. Kareem Abdul- Jabbar. Magic Johnson. Dr. J.’

‘Dr. J,’ Max repeats. He smiles. I do too.

This extends to a moment, a sharing, and we both silently acknowledge the cool of his name. I remember him from when I was Max’s age. A keen student of basketball history, he knows him too. Julius ‘Dr. J’ Erving, was a star for Philadelphia in the 70’s and 80’s.

It’s just a name, but it hangs warmly in the beachy air, and we connect.

*

Within the weekend the heavens present as a comforting character in our story. The gentle blue atmosphere of late summer affirms, and like a wise old priest, encourages our conversations. The beaches, the dark-green vineyards, the twinkling ocean, all seem to be attending to our confessionals.

Packing the car, I’m suddenly awash in a tumble of loss, fear, and happiness. I pause and take a slow breath. Aldinga has been an escape while also a glimpse into the next decade.

I tremble and trust it looks promising.

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Five Summery Delights

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Beach House Café

A two-minute squirt towards Victor Harbor from our digs at the Bluff. This rickety eatery on the esplanade was bursting last Thursday with folks like us keen for the wood oven pizza or its slightly surprising culinary cousin, North Indian curry. The service was brisk yet relaxed and we inhaled our pizza.

It was fun dining.

The cafe hosts live music and there’s a history lesson as the walls are busy with mounted posters for the iconic acts that have played across the previous two decades, such as Mental As Anything and Ol 55.

Get in there soon to enjoy a Rogan Josh while listening to the Countdown classic, ‘Looking for an Echo.’ It’d be fantastic on a wintry Sunday.

Willowman

Why aren’t there more novels about cricket?

With Test matches allotted five days there’s rich and natural narrative possibilities. I’ve read novels that mention the sport so was thrilled to learn of Willowman which promised a singular attention to the great game.

Inga Simpson’s recent paperback was on my holiday menu and while the plot and characterisation aren’t especially original, the poetic meditations upon batting, music and the patient craft of fashioning beauty are exquisite. Like this section on the main character and Test cricketer

Harrow was using the old Reader bat for the occasion, a deep divot worn in its face…It was yellowed, a few fine cracks in the face, but still beautiful. Some kind of magic at work that it didn’t really age. In the soft English sun, the bat was golden, containing all the hope and possibilities of the game.

I loved reading a chapter or two mid-afternoon, and then napping!

Soul Music

Since the turn of the century this British series has been offering its simple genius.

The producers at BBC Radio 4 take a piece of music and weave together the stories of about five people. The connection: how a particular song features in their lives and became the soundtrack for personal change. There’s the everyday, the tragic and the wryly comedic centred on the transformative power of music. It’s compelling storytelling and gives insight into some remarkable art.

Last Saturday night Claire and I dragged the beanbags out onto the back lawn and listened to episodes on Nick Cave’s ‘Into My Arms’, U2’s ‘I Still Haven’t Found What I’m Looking For’ and following a stroll around the block, John Denver’s ‘Take Me Home, Country Roads.’

I was inspired to play the live version from Rattle and Hum which features the Voices of Freedom choir and late in the song Bono and U2 allow them to take over. It’s spinetingling.

The Banshees of Inisherin

Darkly comedic, this is an essay on male friendship and the complex consequences of its failure. Set against the Irish Civil War we, like the main characters, Pádraic and Colm, are vulnerable to their island’s claustrophobia and agoraphobia. It’s a beautiful, terrible place.

It was unsettling and like all great cinema remained with me for the following days as I tried to reconcile its themes. Not for the squeamish, it also has much to say about mortality and art and sacrifice.

After we saw it Claire and I enjoyed exploring it at Patritti wines.

Pirate Life South Coast Pale Ale

Seeing this on tap I invariably feel a pulse of ale frisson. It occupies that select space I call occasion beers. Fresh and redolent of beachside beers gardens (deliberate plural for who only has one beer?) and gentle swimming bays, it’s an afternoon treat.

Once at Alberton watching Glenelg lose to Port the bar was serving a Pirate Life light beer called 0.9 (based on the alcoholic value). I instead wanted the 2007 grand final commemorative beer, Pirate Life 119 but none was available.

And with an incandescent appearance, the Pale Ale looks painterly in a glass as if Monet had captured it by a French field. Not a regular Friday cup, but one to mark a moment, like a festive luncheon.

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Coober Pedy, at Dawn

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Headlights like beacons in the leaden wet.

The engine’s both idling and roaring in the passive/aggressive way I associate with a Greyhound bus. Closing in, and the sight of it is evocative.

For me an interstate bus often prompts cinematic images of youthful dreams but also broken hearts. Making my way into the Coober Pedy morning I wonder about the passengers and their reasons for travel.

Above the windshield the destination says Alice Springs.

Minutes earlier I clicked the door of my Mud Hut motel room, eased onto St Nicholas Street and then veered north. Hutchinson Street is the main thoroughfare. I’m keen to explore.

It’s raining, and the day is lightening quickly. I’m almost a thousand kilometres nearer to the equator so the sun dashes up and down the sky more urgently, and with less languid theatre. Long, slanting solar routines belong in the sentimental south.

A sign directs worshippers towards the Underground Catholic Church of St Peter and St Paul. Its subterranean neighbours are an opal buyer and a backpackers’ hostel. I guess religious visitors pray for glistening gems to come to them before diving into a musty bunk.

John’s Pizza Bar then appears under the showering sky. My daybreak run is also initial research for Wednesday evening’s dinner. The building’s a low, forgettable rectangle and scurrying past I decide to seek a more distinctive local experience.

Above the red and blue Ampol servo a nightclub called Red Sands occupies the second story. I suspect the swingin’ hotspot’s no more, but I’m happy to be astonished. Playing cricket at Wudinna a frequent joke while fielding was, ‘What time’s the Minnipa disco start?’ The reply: What time can you get there?

With water already pooling by the pavement The Desert Cave materializes in the west. Above ground, it’s self-pleased and swaggering. I speculate if tourists are seduced into submission by its machismo. But the optimistic architectural view is that it’s illustrative of continuing faith in the community, a symbol declaring this town will endure, and we challenge you to discover why.

Lurching along by the kangaroo orphanage, the rain beats a pulsing tattoo on the tin roofs. Puddles and mud now smear the good earth. The desert isn’t as thirsty as I would’ve thought and like a surly child the ground almost seems to refuse the water.

Suddenly, a drive-in theatre! The huge steely screen hangs over the lunar landscape. Initially noting the absence of the iconic speaker poles I remember that cars now tune their radio to a low-powered FM signal. Shutting for a decade from the mid-80s, funds were then raised to digitise. An utter triumph, it’s the state’s only surviving example, and runs every Saturday from 8.30 until summer pushes everyone and their nostalgia back underground. I’d love to see Jaws there.

Turning back up the main road I pass a garage with its iron doors flung up. A couple of cars have already nosed into their respective bays. I hear a radio. Overhead lights press out into the lifting murk. There’s a mound of discarded tyres, and gluggy smells of oil and diesel cling thick.

Trotting homeward, a ute slides by me, its window down. I catch a glimpse of a goatee and lime-green vest as a miner teases me, ‘If you’ve got that much energy, then come and dig a hole!’

*

The following morning near the Opal Inn Salon Bar the same ute slows and the same miner hollers, ‘If you grab a shovel you won’t have to bother running!’

I laugh and encourage him. ‘Check with me again tomorrow!’

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The 12.23 to Gawler Central, stopping all stations

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In the dim belly of the Adelaide railway station a smiling, high vis attendant asked, ‘Are you good? Going to the show?’

The boys and I scurried past, en route to Platform 7. ‘No,’ I replied. ‘We’re off to Womma.’

I doubt he hears that often.

During winter of 2020 we completed the other three Adelaide rail journeys- Noarlunga, Outer Harbor and Belair. With the Gawler Rail Electrification Project (GREP) now done we had our final trip to make.

For train station aficionados this northerly line includes a maximum of 27 stops.

Along the soursobbing way we saw soccer near Kudla; a mattress factory; bemused sheep; Costco and we might’ve alighted if we’d suddenly required 47 kilos of chicken wings. The rail yards flashed by; long snakes of rolling stock paused outside the window.

I suspect the last time I went through Womma on the train was at 7 in the morning on the way to an Australia Day one-dayer in the 1980’s. We would’ve risen in the hot dark and en convoy of HQ Holdens, made our way to Gawler with chairs and eskies and towelling hats and gallons of Reef oil (skin cancer was yet to be discovered). Some in our unruly throng (you know who you are) likely had a couple discreet Southwarks in transit.

Lunch was in a shopping centre adjacent to the station. The boys all agreed that it was the best sushi they’d (or probably anybody’d) ever had in Gawler.

The return leg was express from Dry Creek and this is always welcome. We crawled through the lovely North Adelaide station which now houses a quiet cafe. We shared our carriage with people who seemed to be heading to the Show.

There were pylons; tall dormant chimneys; substations; eruptions of misplaced townhouses.

The project cost 842 million dollars although as near as I could sympathetically tell, Womma was still Womma.



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Running up that Carrickalinga Hill

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Claire and I trudge through the soft sand of the beach and then nurse a coffee at the village green. How daggily cool when from the barista’s van bursts, ‘The Pina Colada Song?’ Of course, I’m not into yoga but may have half a brain.

We’re in Carrickalinga with old friends. It’s Saturday morning and our day reaches out with electric possibility.

Planned equally with science and enthusiasm, my run’s to the Forktree Brewery and back to our accommodation. It’s my daily four kilometres. But up a hill.

How tough can it be?

Round, emerald knolls watch over Carrickalinga and making my way up the road a herd of sheep encourages my ambling by bleating in charitable ways. Last night’s pizza is now unwelcome ballast.

On the outskirts of town, a council election poster urges participation in this democratic event. Texas-sized utes and rattling 4WDs pass and some swerve away from me in vehicular acknowledgement of my ascent. Or not wishing to bloody their gleaming bull bars.

There’s several twists and the road’s undulating. Accustomed to the flat esplanade of Glenelg North, my thighs protest this topographical change to their jogging routine.

Finally, the brown tourist sign I’ve been seeking for excruciating minutes:

Forktree Brewery.

Despite being presently incapable of having a beer, I’ve never been so pleased to arrive at a brewery.

I’m soaked. My ears popped on the way up and my legs are so convinced of an alpine elevation that they expect a few twirling snowflakes.

A woman and her dog survey the beer garden. We exchange a few only-one-of-us-is-in-a-brewery words. With her hound marching her tree-ward she asks, ‘Where have you run from?’

Still in the carpark and puffing I reply, ‘Our holiday house back down the hill.’

She replies, ‘Awesome! Great job!’ Her husband appears with two pints. She’s an American but they live on Kangaroo Island. They both take a sip.

‘How’s the beer?’

‘Pretty good,’ they nod.

‘Lovely,’ I say, ‘We’re heading to Myponga later. Might go to the Smiling Samoyed Brewery.’ They both offer a glowing critique.

The brewery’s 151 metres above sea level. This might seem numerically unimpressive but having extracted a personal toll each of those demanding centimetres now generates a handsome reward.

Hands on hips, I drink in the wide vista up and down the Fleurieu coast. Gentle, green ranges. Sprawling white homes hugging the shore. A seaweedy tan smears the shallows and then the gulf deepens into a marine blue.

Tumbling down the hill. It’s almost controlled falling. Again, the vehicles are generous, and the sheep are softly supportive. A couple rotund blokes nod at me from a front lawn.

The cotton wool clouds loom as if they’re daubed on a God-sized canvas and although it’s mid-winter these pledge imminent awakening. Spring could almost be ready to say, ‘Boo!’

Our double story digs swim into sight and wondering what’s happening inside with Claire, my friends, and the boys, their past thirty minutes is unveiled: toast, hairdryers, and teenagers still in bunks.

I crunch up the gravel driveway.

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Running along the Yarra

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It’s breakfast time in Melbourne.

Traversing Flinders Street, I jog by the Sea Life Aquarium and make my way through Enterprize Park. I later learn it’s where the first European settlers arrived in 1835. My boys, Alex and Max, are asleep upstairs in our apartment. We’re here for a weekend of footy and exploration.

It’s still and crisp. A cloudless winter morning in this elegant city.

I cut across an empty Queens Bridge Street and step cautiously over the bumpy cobblestones of Banana Alley. I imagine the Yarra was once vital to the economic life of Melbourne. I guess its value today is mostly ornamental. Some rowers are stretching out on the coffee-coloured surface.

There’s buried, industrial rumblings from Flinders Street Station. I press on.

Under the Princes Bridge an Asian man is fishing. Two lines are dancing on the drink. I wonder what he might be after. If the concrete boots aren’t too heavy, he could land a Ganglands War victim.

Progressing along Flinders Walk I pass a gin bar, Junipalooza, which confirms that ‘looza’ is an overused suffix. Has our planet reached peak gin yet? Will Bundy ever be world dominant? No, I don’t think so.

Melbourne’s cityscape is a marvel. Yesterday, as we headed to the MCG for our midday tour Alex remarked to Max that he found the metropolis, ‘architecturally interesting.’ This became a discussion and I’m pleased they express curiosity about these things.

Entering the space of Birrarung Marr I’m struck by birdsong and the accompanying aural surprise in what’s otherwise a vast built environment. It’s refreshing. And now there’s a bicycle repair station between me and the river! What a simple yet generous gesture and I hope the vandals respect it. It’s symbolic of the petit accommodations ubiquitously afforded by Melbourne.

Rod Laver and John Cain Arenas swim into view. In 1988 some Kapunda boys and I left the MCG after a day-nighter. I wanted to watch Allan Border bat but was at the loo in the stadium’s bowels when he came and went for a first-ball duck. Like a scene from a Russian documentary, we later saw hundreds of workers toiling away under floodlights to finish the Tennis Centre in time for the Australian Open.

My half-way point is the Swan Street Bridge, so I nudge along it and head home on the other bank.

Boathouse Drive is quietly industrious with relaxed, flush-looking folk carrying out their oars and boats. They seem to be enjoying the leisurely rhythms of their exercise routine. A barbecue sizzles away on a rowing club balcony.

Wearing a New York marathon t-shirt, a jogger is alongside me. I smile and vow to also buy a similar souvenir from eBay. He then propels past me as if I’m a statue. Disappearing like the roadrunner, I note that he has an athletes’ calves. I reconsider. Perhaps the shirt is authentic.

Southbank is tranquil apart from scattered patrons hunched over lattes and the (now dismembered) Age. Late yesterday when I ran along the river the restaurants were all busy with enthusiastic punters. The emerging trend for Friday nuptials continuing, a large wedding party promenaded past me, with knots of impossibly prosperous-looking couples off to the reception. There were also some boisterous lunches ambling into what sounded distinctly like hour number four. I doubt that I’ve seen any of the participants at this bright, embryonic stage of morning.

Near home I by-pass two mature women waiting for a taxi. Even at my distance I catch a gust of their perfume. It’s from the Chemist Warehouse and surely named Ski Field (for Seniors).

The apartment elevator takes me upstairs.