We strolled in, exchanged greetings with mine hosts and were offered a beer. It was then that we learnt the nostalgic truth.
At the Greenock Brewers Chris and Lisa Higgins sell tremendous beers in bottles and on tap. And, most wonderfully, they can offer you a butcher of beer too.
In a world where the blind madness of upsized consumption has held us to ransom by making us believe we need more and bigger serves of everything from homes to cars to buckets of popcorn at the cinema, being served a beer in a 200ml glass is of great comfort and wistful joy.
Urban myth suggests the Newmarket Hotel in Adelaide first served a butcher of beer to workers from nearby cattle yards, and so the term entered the local vernacular.
Garden-fresh from lunch at the Greenock pub, Nick, Chrisso and I wandered through the shadows of Laucke’s flour mills having decided upon a quick visit and concluding refreshment.
I’m confident it was the first butcher I’d had this millennium. Most pubs no longer stock schooner or butcher glasses and therefore it’s a pint or you’re spitting feathers.
It was instantly the mid-1980s and I was being taught to pull a beer (along with old mate Davo) at the Kapunda Golf Club by Gus Higgins (who was Chris’s uncle). Suddenly all of us were far skinnier but had fatter hair. Allan Border was Australian cricket captain. There were Kingswoods parked outside too.
The Victorville Pale Ale is fiendishly easy to consume. It’s zesty and agreeable and sparkles with citrus notes. I also purchased a six pack for medical and research purposes. If it’d been an hour later, we might’ve dropped anchor and cancelled our evening plans and had a second butcher.
With this nostalgic tone set we spoke of our past, most notably Kapunda icon Skeeta and shared stories of his footy exploits and his drinking exploits and his drinking at footy exploits. Many of us associate Skeeta instantly with the Holden Torana, more particularly his being driven and then not being driven, largely as it frequently ended up in exotic places where a Torana shouldn’t be.
With the golden Barossa light bending across the brewery and through the windows we shared more stories and then it was time for Nick, Chrisso and I to point our non-Torana cars homewards.
I’d enjoyed the beer, and the company enormously. I couldn’t wait until the next time I’d drink a butcher.
My quest for nostalgic albums continues and I swing between Mr V Music of Semaphore and The Record Store in Warradale. Here’s some recent purchases and my meanderings on how these are autobiographically illustrative. That’s surely the purpose of music: to allow for and encourage personal connection.
I had much Billy Joel in my diet when I was young. Mum and Dad’s collection included his album 52nd Street which I enjoyed but The Stranger is his best record and features his finest song, ‘Scenes from an Italian Restaurant.’ Inspired by side two of the Beatles’ Abbey Road and its unbroken suite of songs I love how Billy Joel structures this narrative of doomed lovers Brenda and Eddie within the framing story of the old school friends dining together. There’s nostalgia and romance and Dixieland jazz and a great piano solo. It was among the first long songs (7minutes, 37 seconds) I got to know as well as Creedence Clearwater Revival’s 11 minute, ‘I Heard it Through The Grapevine.’ These are wonderful for losing myself in and allowing the narrative possibilities to unfold.
Certain artists are forever associated with particular people growing up and The Beach Boys remind me of Davo, who was in my year at school and lived up the street. He also had the vinyl of Dream Police by Cheap Trick, and we’d play that at huge volume when his folks were out. Claire and I featured, ‘I Can Hear Music’ at our wedding ceremony and many would agree that ‘God Only Knows’ is among the greatest love songs despite it not actually using rhyme but repetition with the second and third verses both having ‘me’ to end each of the eight lines. If I was imprisoned and forced to listen to one of those Pink FM-type radio stations and some cow-eyed poppet came on and wailed eight verse lines in a row that ended with an identical word I’d screech back with unholy bug-eyed salivation but such is the symphonic beauty of Brian Wilson’s melody that we accommodate his lyrical curiosity.
This record evokes my hometown of Kapunda when I was in Year 11. It takes me back to that summer and teenaged parties and driving around town in our old cars. I think of that New Year’s Eve at Stephen’s which, of course, was much anticipated, unlike now when these nights are mostly to be endured, and midnight comes as a relief and at 12.01 one dives enthusiastically into the cot from the bedroom door. ‘It’s Raining Again’ is a sweet song that conjures both sadness and happiness and memories of dear old friends while the record’s finest tune, ‘Bonnie’ is built around an uplifting melody despite the lyrics being about a man stalking a famous actress, so no harm there. I just need a copy of Crime of the Century to complete my Supertramp set along with Crisis. What Crisis, Breakfast in America, and Even in the Quietest Moments.
Paul McCartney is my favourite Beatle and a woman I worked with taught his kids in St John’s Wood at their local school. She was utterly mad, but I like that Paul and Linda didn’t send their offspring to some fox hunting snootery. Again, this record features his boyishly optimistic love song, ‘Listen to What the Man Said’ and we included it our wedding ceremony. The soprano saxophone solo makes it soar with pure joy. It’s redolent of London’s Hyde Park on a cloudless summer day.
One of jazz’s most significant texts, this double album runs for 93 minutes and is at once demanding, beautiful, and dangerous. Urban myth suggests Davis recorded it after being inspired by Hendrix’s famous guitar-on-fire set at Woodstock. It’s not one I often play when Claire’s home, but I have made it part of Alex’s education and happily, he wasn’t horrified by it. One night last week during his daily bathroom residency I heard another Miles Davis album drifting from under the door so it’s good to know my parenting is now complete. Whew! I’m keen to also buy 1959’s Kind of Blue and John Coltrane’s saxophonic hymn, A Love Supreme.
Word quickly escaped that a fire had ravaged our beloved Kapunda High on a Tuesday night in late March. It was awful and yet bought many together. As published in the local paper here’s my story.
*
On Wednesday there was a pilgrimage to Kapunda High School, and its centrepiece, the mansion known as Eringa. People stared and shook their heads and became teary at the sight of the burned ruins.
One former student said to me that, ‘it was like someone has died.’ Indeed, the stunning structure around which the school has grown is like a much-loved old friend and main character in the town’s story. We embrace it dearly.
In our Kapunda group-chat my cousin Froggy praised the school saying, ‘Its aura and rich history have played a big part in many people’s lives.’ We all agreed.
When I began Year 8 it had less than a couple hundred students but was always at the town’s heart. It seemed snug. Even as gawky teenagers I think we realised it was special and would shape our lives for the best.
It still does.
Not purpose-built as a school, it was the residence of Sir Sidney Kidman, his wife, and children, and just like a family home, remains a source of deep pride for Kapunda. We had classes in what were servants’ quarters, high-ceiling bedrooms, and grand reception rooms with stained glass windows. It was wonderfully unique.
Every year, the prefects ran a week of lunchtime fundraising activities. A key attraction was a ghost experience in the tunnels running under the mansion. Can you imagine this happening now? Nobody was spooked but there was mischief and laughter in the darkness, and we’d emerge caked in thick dust and blinking at the sun, ready for more mayhem with Bunsen burners or hockey sticks.
My wife and I met in Year 8 and were only ever going to be married at our beloved school. The affection we hold for it, and the teachers and students with whom we shared the beautiful building and grounds meant we had to return to where it all began for us.
Our choice of wedding venue surprised some city guests who’d not ever visited Kapunda but then saw it’s no drab school. It’s a welcoming estate flanked by Moreton Bay Figs, rose gardens and a fetching sweep of lawn.
On our day last April, the setting was moving and picturesque, and this made Tuesday’s fire more devastating.
For those like me who moved away, a trip home always meant a slow lap of the town. You’d ease past the duck pond, Dutton Park (home of the Bombers), the Prince of Wales pub (there might be a car you recognise out the front) and Gundry’s Hill.
But you’d also drive to the high school, pause by the fence and smile at the view. I’m not sure other towns can make this claim. Even for those who went there our school is a tourist attraction.
Driving up late Wednesday afternoon, we wanted not to merely witness the awful smouldering ruins, but to see friends and to grieve. This was never only about the building.
At the school we saw our treasured history teacher Paul McCarthy and his wife Kerry. There were handshakes and hugs. These were precisely the people we needed to see.
Later in the pub local icon Tolly remarked that it was, ‘like a wake.’ How terrible that Eringa, the showpiece of not only the school, but Kapunda itself, has suffered this? But those who’d come and congregated weren’t really at a wake. There’s already a rugged resolve that this dreadful event not be a final chapter. Following the equally devastating fire of 1902, Sidney and Isabel Kidman rebuilt their home.
For the thousands touched by Kapunda High, we’re hopeful that this happier side of history can be repeated.
In the wonderful High Fidelity the protagonist Rob Gordon and his disturbed employees Barry and Dick trade musical top fives at the record store, Championship Vinyl. Since Alex and myself were gifted a turntable at Christmas I’ve bought a dozen or so second-hand albums and my personal top five follows (from the beginning of 2022).
Of course this is entirely an exercise in yoofy nostalgia so has been limited to music from my adolescence. I’ve decided that if an album’s from a time when I could vote, then I won’t buy it!
On state election day I went to a record fair and wandering about the tables and crates of vinyl I thought, gee what am I doing here? There’s only middle-aged and old blokes here, all nattering about rare B-sides and European pressings of obscure collectables. Then I thought, oh, hang on…
5. On a distant Sunday evening during Countdown Molly once slurred, ‘Boz is the buzz’ or something like this. Great 70’s songs, and it has an intriguing cover with a coquettish Boz on a bench at Casino Point, south of LA avoiding an assertive female mitt. Many of the songs would’ve been played on 5KA and 5AD. I probably tried to record one live from the radio onto my little cassette recorder (when it wasn’t playing the best of Little River Band) and guess that it was, ‘Lido Shuffle.’ No, I still have no idea what this song title means.4. A school mate’s brother had this and as teenagers we’d play it while flat on the floor in his parents’ darkened lounge room, initially mocking its jazzy, beat poetry stylings. Old friend Stephen once said that it only belonged in a ‘peace room.’ And then like kids with glazed-eyes like extras in a horror-film we were lured into its world, for ever (It’s no good Jim, they’re gone). Probably not one to play at a Sunday barbeque though.3. Another album I discovered through an older friend. I knew the artist courtesy of his work in Steely Dan and this was similarly slick with its flawless musicianship and spiky tales about life in that most foreign of lands, America. Driving about dusty Kapunda in a green Gemini we’d play air cowbell to ‘New Frontier’ as I imagine all the cool skinny kids did in the summer of ’83.2. Ahh, Skyhooks. At the time I knew little about Melbourne but liked that there were songs about it. People usually seemed to sing only about New York, California and London, and Skyhooks made me curious about Carlton, Balwyn and Toorak. Living in the 70’s was their debut but I preferred Ego is not a dirty word. I insisted on ‘All My Friends Are Getting Married’ for our own wedding. Yeah, funny. I know.1. Probably the most famous live album and with ample reason. There’s great songs and through the clever sequencing the mood and narrative are beautifully controlled. ‘Play Me’ is a sublime song and, ‘You are the sun, I am the moon/ You are the words, I am the tune / Play me’ are lyrical poignancy. Just before his last tour I thought given that I’d not seen Neil in concert I should get a ticket to his Adelaide Entertainment Centre concert. Within days he announced that due to health concerns he’d be retiring from performing, immediately. Poo. Not just an album but a cultural artefact. Good lord!
Honourable mentions- Late for the Sky by Jackson Browne, Glen Campbell’s Greatest Hits, and Beggars Banquet (NB- no possessive apostrophe) by the Rolling Stones.
During Saturday’s breakfast on the patio, I popped the needle on Olivia Newton-John’s Greatest Hits.
Instantly, I was six years old and back home in Kapunda. Mum and Dad’s lounge room is again wallpapered, the TV’s black and white and the carpet is burnt orange. It’s winter, and I’ve got on my footy boots. They’ll be on all day.
When Mum and Dad downsized, all the family vinyl came to me and since taking delivery of a retro record player at Christmas I’ve been happily swimming in nostalgia. Some of the albums had been untouched since 1988.
ONJ features prominently on the soundtrack of my childhood.
*
The second song on side 1 is, ‘Banks of Ohio’ and this transports me to a still, musty room on Hill Street in Kapunda. I’m still six and strumming a guitar during my weekly lesson, while the massively patient teacher, Deborah, helps my fingers to stretch across the chords. I love the idea of a guitar and singing, but the latter is galaxies beyond me and my gruesome tone deafness.
ONJ does the definitive version of this nineteenth century standard. Her voice and the melody are bouncy, and I always loved the basso backup of celebrated singer Mike Sammes who subterraneously echoes Livvy’s, ‘where the water flowed.’ Sammes also contributes on, ’Let Me Be There’ and ‘If You Love Me (Let Me Know).’
Trying to sing along with Deborah, I’m a little anxious about the lyrics. The narrator declaring that she, ‘held a knife against his breast’ is squirmingly grown-up and I vow to avoid this so-called Ohio River. Bad stuff happens on its distant, murky banks.
Nowadays the tune would come with attendant humourless warnings: adult themes, graphic violence, and persistent mention of a river that enjoys confluence with the Mississippi in Illinois.
The song’s a murder ballad.
*
Sipping coffee out the back and then emerges gently from our turntable the 1975 Grammy winner for Record of the Year. As it plays across the garden we discuss ‘I Honestly Love You’ with Claire suggesting it’s ‘depressing’. I counter that it is certainly pretty although I’d always viewed it as a disposable love song.
On it Livvy’s voice is beautifully warm and pure, but not drenched in palpable sadness. It bathes the listener in sunlight. But as with much music there’s a disconnect between the medium and the message.
Hearing it as Mum played it at home and on the car AM radio, my generation’s all logged many hours in its company. But following breakfast last Saturday we were moved by repeated listens and became profoundly aware of its narrative intensity.
As we learn both characters in the song are trapped by marriage, and unable to be together. The lyrics are by Peter Allen, who at the time of composition, was married to Liza Minelli but had fallen in love with a man who was similarly stuck.
I’m hesitant to see all texts as autobiographical because sometimes stories are just fictional. Not everything is inspired by real life. But there’s a good case here.
The opening verse is disarming: tender, vulnerable, brave. I imagine our main character talking in a café or a park.
Maybe I hang around here
A little more than I should
With this we’re instantly eavesdropping on a private confessional and there’s tension as ONJ sings, ‘I got somewhere else to go’.
While the chorus of, ‘I love you, I honestly love you’ is necessary, the verses and the bridge are superior because these are where she reveals the story. The characters remain ageless, genderless, and timeless.
In the second verse we hear, ‘Maybe it was better left unsaid’ and this second ‘maybe’ confirms our narrator’s nervousness. Her vulnerability is crushing, and we all know a bit about this. The repetition of ‘chance’ in the third verse shows how powerless they both are in this sometimes-cruel universe.
How can I have been unaware of all of this since I was a child?
The way the strings soar in the final verse is stirring while a harp is used sparingly but to great effect. It lifts a tender song to an enhanced fragility. The eternally imponderable is here too in
If we both were born in another place and time
This moment might be ending in a kiss
But there you are with yours and here I am with mine
So, I guess we’ll just be leaving it at this.
The last line is only superficially dismissive of their plight and given the emotional stakes of the story is also deeply ironic. If we view the song as a monologue, it’s dramatic and affecting.
I love rediscovering old music and reaching a new, heightened appreciation.
*
Of course, many of ONJ’s songs feature women who’ve relinquished or make no claim on their rightful power. These are females for whom life appears to happen rather than be controlled. ‘Sam’ and ‘Please Mr. Please’ are key examples. Claire suggested that maybe ‘Physical’ was in part ONJ actively promoting a feminist perspective.
Students of ‘I Honestly Love You’ will know that it features in Jaws just prior to Amityville’s second shark attack but I prefer to reference the 90’s indie singer Juliana Hatfield who, in 2018, produced an album of ONJ covers. She remarked that
‘I have never not loved Olivia Newton-John. Her music has bought me so much pure joy throughout my life.’
And I agree when she goes on to say, ‘Listening to her is an escape into a beautiful place.’
Is there much better than a simple lunch on the patio with old friends, and a retro record player?
Claire and I went to Kapunda High with Stephen who’s lived by the river in Brisbane for decades. He and his wife Eleni were in town having visited family and Kangaroo Island.
With an unforced and graceful joy our conversation moved across our extensive history.
Over at the record player I cue up Side 2 of mid- 1970’s compilation Whopper which is glitter-ball, flared-pants glee. It’s irresistible while Side 1 is mostly turgid country ballads. We all giggle at both the name and wild-haired evocations of Disco Tex and his Sex-O-Lettes and their hit, ‘Get Dancin’.
But this is mere entrée for we then play Ripper 76. Everyone has a story about Ripper 76. It’s the finest compilation album in the catalogue of compilation albums.
Eleni tells us how as a young girl she won a copy in a Brisbane radio station phone-in and this persists as immeasurably superior to winning an icy cold can of Coke from a Black Thunder. She talks of the excitement of her mum driving her into the city to collect her vinyl.
*
Our focus shifted to the global marriage of music and geography. Stephen spoke. “I had ‘Autobahn’ by Kraftwerk ready to go as soon as we hit the autobahn. Next thing a BMW went past us like we were standing still. Must have been doing 200k.”
I then offered. “When I was in California in 1992, we hired a convertible and driving around Santa Monica, heard The Doors’ ‘LA Woman.’ The sun was shining, and it was such a moment.”
Stephen continued the American theme. “As Eleni and I drove into Nevada we played, ‘Viva Las Vegas’ and now, whenever I hear that song I’m immediately back there. We’ve done similar things in the Black Forest and New York.”
Claire asked a question. “Can you do this in Australia?”
My first memory was instant. “Walking through Treasury Gardens to the MCG I was listening to Triple R and Paul Kelly’s ‘Leaps and Bounds’ came on just as the stadium swam into view. It was early in the footy season so the “clock on the silo” said more than eleven degrees but it was still fantastic.”
Our lively topic concluded in Europe when I mentioned Claire and I driving across Sweden and hearing the radio announcer say something like, “Just nu är det riktigt kallt här på landsbygden i Sverige och jag hoppas att du har tätt upp Volvos rutor för det kan komma snö. Hur som helst, det var Billy Joel.”
As lovers of both song and travel what wonderful, remindful privilege we shared. How amazing to enjoy those synchronised soundtracks?
People, place, and musical portraiture.
*
Stephen and I also reminisce on collecting albums together as teenagers. We didn’t buy ones we knew like 10, 9, 8 by Midnight Oil for these were already in circulation but instead sought records that represented new, slightly dangerous terrain.
With Layla and Assorted Love Songs by Derek and the Dominoes and a Yardbirds double album (on transparent vinyl) we edged into the world of blues. However, we also bought the Animal House soundtrack featuring ‘Shout!’ by Otis Day and the Knights, from surely one of the finest toga party scenes in modern cinematography. Before we were adults (clearly) many of us saw this film dozens of times.
As adolescents we also frequently mocked Astral Weeks by Van Morrison and then one night in someone’s wintry loungeroom as we finally listened to it properly, we came slowly to a realisation. Van’s jazz, blues, folk mysticism was brilliant. This was a humbling moment and I think we were all too embarrassed to confess. For many of us this album’s remained an intriguing, lovable companion.
Back on the summery patio I eased myself out of my chair and put on The Best of the Bee Gees- Volume 1 and pondering my wife and our dear old friends I thought of the divergent yet entangled paths we’d taken since leaving Kapunda.
Much had changed, and in some delightful, fundamental ways, nothing had.
A while back Mum and Dad gave me all of their vinyl records including a couple Beatles’ singles from the early sixties. I tweeted this photo and explained that I’d inherited these because they’d downsized in the Barossa.
A mate replied saying, “Gee, it must be a small house.”
*
Following the year’s first edition of Mystery Pub which was at the Hilton (on South Road) and returned this verdict: spacious; bland; utilitarian; expensive Claire and I decamped to the patio and cranked up the new (retro) record player and enjoyed a dozen or so albums. Here’s our evening’s top three as voted by me alone (hmmm- selfish):
3. Shilo by Neil Diamond.
This is a magnificent compilation and the cover featured a “connect the dots” which Mum completed at the kitchen table. There were 200 dots and such is my still shaky numeracy that I remember being relieved I wasn’t entrusted with the black pen to bring Neil and his guitar neck to life.
Spence Berland of Record World supplied the cover notes and he wrote that Neil’s voice, “is filled with love, beauty and the type of human pain that everyone can identify with.” Yes, but mercifully for Claire I chose not to sing along for her auditory pain would’ve been profound and possibly, incurable. “Kentucky Woman”, “Cherry, Cherry” and “I’m A Believer” are magnificent and while it has a sublime melody the lyrics of “Girl You’ll Be A Woman Soon” remain just a little bit creepy.
2. Blow Your Cool by the Hoodoo Gurus
I’m fairly confident that this was bought for my 21st by old school friend Chrisso. He couldn’t confirm this but did share that Woodsy and I gifted him Astral Weeks by Van Morrison for his birthday that year. Of course. I’m quite sure that Woodsy is yet to hear this album.
Many of us curated the music for our own coming-of-age parties and I made four C-90 minute cassettes which were each played twice at the Kapunda Golf Club on that distant June night. I recall Chrisso saying that he sequenced “Good Times” from Blow Your Cool to finish his Kapunda Trotting Club event so people would hear it and agree that, yes, they had had a good time at his party. I’m sure we did. Most of The Bangles, including Susanna Hoffs, provided backup vocals on this track, having just returned from a pedestrian crossing in Cairo.
The hit single, “What’s My Scene” features these fantastic opening lines which take us straight into the middle of a lovers’ tiff-
And another thing I’ve been wondering lately / Oh, baby, tell me, where have you been?
The evening raced by and Claire and I’d drained many cups of tea when we popped on what would be the night’s top selection.
1. Best of The Bee Gees
Another old school friend, Stephen, visited during the week and told us that there’s a statue of the brothers Gibb in Redcliffe, Brisbane where the young Mancunians found themselves in the 1950’s. The unveiling was a mighty affair and Stephen suggested the statue could well rank in the top ten attractions in Redcliffe.
Sadly, the Bee Gees are now The Bee Gee but the album is tremendous with soaring harmonies and superb pop sensibilities. “Massachusetts” might be difficult to spell but is probably a better title for the song than “Punxsutawney.” Other gems are, “I’ve Gotta Get A Message To You” and one of my all time favourites, “To Love Somebody” which I have mercilessly destroyed with shiraz-driven warblings across the decades.
All are excellent examples of pop music, but excuse me for I’m about to drop the needle on Ripper 76.
Having met your gorgeous, smiling self at the gate we strolled through the Botanic Gardens, under enthralling arches, and along a winding path by which we happened across a wedding, and this drew our sighing attention. Suddenly and not a little sadly, the day after would be our six-month anniversary. I love being hand-in-hand with you and the garden’s mysterious and magical qualities added to this soaring joy.
We arrived at the National Wine Centre. I had not been there ever and so was glad to be chaperoned in by you. Our blind wine-tasting was urgent and funny. We guessed none of the wines but sharing the tastings and swapping the glasses back and forward was an almost secretive endeavour, deep in the hull of that marooned viticultural ship. I watched you scribble your notes and thought of how I’d first been captivated by your quick, confident cursive many years ago, possibly in Year 9 or maybe year 10 homegroup.
Being led by you along the North Terrace was cocooned perfection. Peering east from the Luna10 sky bar we identified landmarks: Norwood Oval, Mount Lofty, and then we spied a hardware store. Again, we were trying to make sense of our world and connect to its shared locations, which sits among a marriage’s prime demands. It was an activity of such warmth and optimism. The buildings and the trees became mere context for our bigger story; sets for the private play in which we are both starring.
During the film we’d whisper thoughts to each other as we wrestled with its thorny notions. While we’d been to the cinema together over the decades from An American Werewolf in London to now, I’m not sure we engaged each other during a screening with such intimacy. I would’ve liked to but doubt I’d have had the requisite bravery.
As Nine Days was an essay on mindfulness and the towering, tremendous gift that is life, you were deeply moved by it. How great that we could explore it after in The Austral. Like most of our beautiful day, we were in the midst of a busy city but mostly seemed to be in secluded spaces. That part of the pub was ours alone too. Where were all the kids? It was 9pm so they were at home and would arrive in the CBD in a couple hours when their parents were snoring.
Finally, home at our table, we concluded our amazing afternoon with some lines from Walt Whitman whose poetry from Leaves of Grass had featured at the film’s climax. Walt’s book had been waiting patiently on our shelf for just this moment. He and the film’s director urge awareness of the links between self, others, and our environment.
Do you see, O my brothers and sisters. / It is not chaos or death, it is form, union, plan, it is eternal life, it is happiness. / The past and present wilt, I have fill’d them, emptied them, and proceed to fill my next fold of the future
And that’s exactly the day you lovingly arranged for us.
For me life’s biggest dilemma remains: is Friday or Sunday the best day for a long lunch? Saturday is often hijacked by sport, shopping, and lawn-mowing but makes up the trifecta. I’m also a fan of strapping on my boots for a Friday lunch marathon that concludes dangerously close to the first appearance of twinkling stars.
But let me tell you about last Sunday’s lunch.
It was set by a leafy vineyard. There were families with kids on the balcony enjoying the mottled sun and a boisterous, happy group was gathered inside for a 60th birthday. We were close to the woodfired pizza oven, and a great vocalist and guitarist in Pat Ramm accompanied our meal and conversation.
We were guests of 58 Cellar Door and Gallery and particularly J & F Pizza run by two local mates, Josh and Frazer.
With champagne, two Meechi Pale Ales (brewed in nearby Langhorne Creek) and a bottle of Thunderbird Cabernet Sauvignon the refreshments were sorted, and our formidable batting lineup was set.
Frazer and Josh are always looking to keep their pizza menu dynamic and so offered us a Four Cheeses pizza as entrée. It was zesty and subtle, and I hope it finds a long-term place for it was an excellent start to our lazy afternoon.
Throughout, we spoke of footy and family and friends and art.
After a digestive interval the main event was upon us: Prawn pizza and one that was half Hot Salami and half Margherita. At this point there might’ve been mutual food envy. All looked and smelt appealing, and the Hot Salami was especially delicious with the olives and pickled chilli working with and not against the salami.
The acoustic music continued with covers of Neil Young and The Eagles providing a relaxing soundtrack while over at the birthday gathering those good folks were settling into a rhythm too.
Back in my foggy uni days there was a local joint that did a dessert pizza, and I was once tempted although like many student culinary experiences it was horrible.
However, J & F Pizza do a Lemon Curd pizza which with its delicate blend of curd and basil is a fantastic way to round off a lunch at 58 Cellar Door and Gallery.
Moving toward summer and balmy holidays, when you’re next down around Port Elliot on the Southern Fleurieu, I urge you to sample the fine work of J & F Pizza. Find them on (08) 8554 3149 or at no58pizza@gmail.com.
It’s Sunday lunch (and afternoon), done right.
*disclaimer: we luncheoned with Frazer’s parents, Chris and Letitia
Freshly painted like a Cunard ocean liner, the Ramsgate is a big, majestic seaside pub.
It puts me in mind of similarly white-washed beach-front boozers in Brighton, England and St Kilda in Melbourne. It’s Friday evening and Claire and I are about to dine with Nick and his wife, Chris.
Someone once observed that Glenelg’s Moseley Square is for kids and that you graduate to Henley Square as an adult. I’m not sure the demographics are quite this dichotomous, but it’s a curious thought. I feel lucky that we can enjoy both.
The barkeep speaks my language (a local dialect- Friday Night Thirsty), “We’ve imperial pints for $7.” This was welcome news indeed, but it troubles me that in our tiny colony we differentiate between pints (425ml) and imperial pints (568ml). Surely, a pint is a pint. And I, governor, vote for the big one. It’s like we’ve a South Australian minute that only runs for 45 seconds.
We’re shepherded to our table.
Port and the Bulldogs are playing on multiple screens. A few Januarys’ back Nick and I and some chaps booked lunch in the Ramsgate beer garden to watch the Sydney Test, only to discover that it was showing endless UFC fights. Unable to quickly get some neck tatts we slinked off to the front bar and the gentler magnetisms of cricket.
Nick and I’ve been mates since our Kapunda High days when we bonded over Skyhooks and the Stones’ 1981 album Tattoo You (predating UFC). Later came Midnight Oil and Dylan (for his 21st we gave him a book with the entire collected lyrics of his Bobness) and Nick Cave.
There’s sharing of family histories with ships departing from Hamburg mid-1800’s and Polish Hill and the Victorian goldrush. It’s a compelling privilege to hear the remarkable yarns tracing how you all came to be sitting at the same pub table on an August night. The waiter pays us three patient visits before we’ve decided on our tucker, such is the gusto of our yak. It’s a positive metric.
Claire and Chris finish their bubbles, so Nick asks for a Running with the Bulls Grenache, made in the Barossa. The wine’s Spanish narrative, I’m sure, is designed as a point of difference from the largely German motifs of the valley. Initially, it’s a little sharp but then softens, like a 1950’s hospital matron.
Nick and I have the first of our compulsory conversations about the Rolling Stones and again agree that “Gimme Shelter” is their finest song. I mention reading once of its opening being characterised by “apocalyptic dread” while Nick speaks in awe of Merry Clayton’s backing vocals, probably the most revered in music history.
War, children It’s just a shot away It’s just a shot away
Given Charlie Watts’ passing days after our discussion this chat now seems a little haunted.
Claire enjoys her butter chicken while Chris and I each settle upon the lime-infused squid. There’s no audible complaining. Nick’s steak is delayed due to human error, which philosophically, I’d argue, is the only real type of error. Ultimately, he’s pleased with it.
There would seem to be Teal-flavoured human error aplenty on the big screens for at half-time in the footy Port’s only managed a solitary goal. The pub’s front door is shut so we can’t hear the yelping from Alberton.
It’s a prosperous and lively place, this Ramsgate and our night’s replete with conversation, cups and respectable nosh.
Tomorrow night’s a full moon. We stroll up the balmy, windless esplanade for a nightcap.
How evocative to attend the Goodwood Theatre for a performance of Macbeth.
It’s a play I’ve been spellbound by since I was at school and studied it in Mrs Maloney’s class. When she was a teenager this small theatre is also where my wife Claire made her theatrical debut in Lola Montez but, Your Honour, to my continuing shame I have no recollection of this.
While I’d read and taught the Scottish play countless times, the recent realisation that I’d never seen it on stage startled me. The Goodwood stage was raked towards the audience at an alarming angle and was diamond-shaped. It made me concerned that the artistes might tumble onto the spectators and make us unwitting, additional victims of the supernatural bloodletting.
Our state premier Mr Steven Marshall took his seat just in front of us. Looking like a Kelvinator draped in shapeless black shade cloth, his personal security chap sat next to him. I decided to behave myself. Given the play is about civil mayhem and assassination it is surely tax deductible for all aspiring and upright politicians. I trust Mr Marshall kept his ticket stub. Regicide’s always in vogue.
The production was arresting and visceral and I since discovered an article which argued that in this most sinister of Shakespearean texts made notorious by words such as dagger, cauldron and weird the most unsettling word is the.
Best illustrated by this famous section as lady Macbeth urges her husband-
Your hand, your tongue. Look like th’ innocent flower,
But be the serpent under ’t.”
Academics argue that instead of using the generic a, the definite article the as in the serpent rather than a serpent implies an underlying idea, a lurking agency and invests it with greater menace and unknown symbolism.
*
Friday afternoon in the city and Claire led me by the hand along the harried streets as we evaded the suits and clots of yoof and e-scooters. I felt warm anticipation and the joy of unveiling surprise for it was the monthly moment of personally curated escape that is Mystery Pub.
Tucked away in an almost secreted nook The Historian is like a summery London boozer as the punters were a-throng outside and in. Squeezed in around a pillar on our stools there was pub clamour and buzzing bustle. I was reminded of Jordan in the Great Gatsby who remarked that she loved big parties because, “they’re so intimate.” Our conversation took on a conspiratorial quality and we could’ve been Macbeth and Lady Macbeth in isolated Dunsinane castle, save for the murderous scheming and horrific descent into lonely madness.
*
I took Alex and Max and their mates to the Glenelg v Centrals game Saturday and can report that the five of them saw upwards of five minutes of footy, collectively. This healthy apathy transported me back to Kapunda games as a kid when the match was often just a loose backdrop, a vague context that gave shape to the afternoon. What a marvellous fortune to be able to take in this beachside frivolity in the late winter. And kids under 18, are admitted free!
During the A grade when I was about ten I ran after my footy among the pine trees behind Freeling Oval and almost stepped on a snake catching some winter warmth. Heart a-pumpin’ I stopped and then like a lorry took a wide arc to snatch my Lyrebird footy. Again, Macbeth and its reptilian imagery comes to mind-
We have scotch’d the snake, not kill’d it.
She’ll close and be herself, whilst our poor malice
Remains in danger of her former tooth.
*
Our Sunday morning pattern is to take the dogs Buddy and Angel (Buddy and Angel does sound like a dreadful movie in which two unlikely LA cops solve a previously impenetrable crime and win grudging praise from the grumpy Chief of Police) down the beach for a scamper among other hounds and humans.
The winter storms have dumped giant mounds of seaweed over the sand. On the grey, swirling days I could almost sense the hideous witches from Macbeth huddled over a bubbling pot, described thus
By each at once her choppy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.
It’s an invigorating and elemental way to begin a Sunday and the brisk air does us good and Angel, such a timid, delicate puppy, yelps with delight and leaps like a hare. She’s a beach dog, more Enid Blyton than The Bard.
*
My old school friend Chris, now splitting his time between Angaston (Ango) and Adelaide texted asking me of my Wednesday night plans. I replied, “What have you in mind?”
My phone buzzed with his clear wish- “Meat and three veg.”
So we took our meat and (limited to potato) veg at the Duke of Brunswick. Unlike the charmless beer barns of the anonymous suburbs this pub’s an inner-city delight. Warm, snug and with glowing lighting it invites talk of hometown mates and ancient bonds.
In my week of diverse gratefulness, this is another luminous episode.
While the Duke of Brunswick is well-named there’s other British pubs like the Ape and Apple, The Cat and Custard Pot Inn and The Old Thirteenth Cheshire Astley Volunteer Rifleman Corps Inn (try the ploughman’s lunch).
But I’d opt for the title given Macbeth just before he slays King Duncan-
The Thane of Cawdor.
That’d be an apt boozer for a gloomy winter’s night.
“If only people would label things,” announces Trev.
Instead of “Hello, how are you?” this is his customary greeting, and he lurches up to the table.
Pete also pulls out his chair in the Glenelg footy club bistro. We remove our masks. We have permission. We will be drinking and eating while seated. No vertical consumption. Just vigorous consumption. We all grew up in Kapunda.
Of course, straight away we speak of Chernobyl and Fukushima, both Level 7 on the International Nuclear Event Scale. Afterall, we’re about to watch a battle between first and fifth on the SANFL ladder. Traditional rivals. Finals loom.
I mention an old friend who grew up in Poland and was at kindergarten during the Chernobyl incident in 1986. She remembers being told to not go out in the playground the week after the No.4 reactor went on the fritz. Trev wonders if they closed the kindy windows too. You know, as a precaution.
Lunch arrives and it’s excellent. The boys are on the Japanese beers. It may be a Fukushima tribute. I’m on Little Creatures pale ale. It’s not a Fremantle tribute. We’re all pleased we don’t have shares in the Pripyat pub, near the frozen Ferris wheel.
We claim our seats on the 50-metre arc, at the southern end, just in front of the Edward Rix Stand. Pete’s happy to be catching some Vitamin D. I’d never abbreviate this sentence to “catching some VD.” He and his family’s only just completed a fortnight of quarantine after his wife was caught in a “hotspot” at the Burnside hospital. When I was a boy Lennie’s, The Planet and Heaven on West Terrace were the only hotspots.
The footy’s underway. Norwood’s dominating and we’re chasing. Mercifully, the Kernahan End goals prove repellent and the quarter time score is like losing your Titanic boarding pass- a near disaster.
It’s cloudy over the hills, but sunny by the beach. We wonder if it’s hailing in Belair. Other Kapunda mates are at Williamstown in the Barossa as the Bombers try to sneak into the finals. Up there’s a very wet winter. Trev wonders if it’s more suited to submariners. I ask about folks eating a marinara sub. It’s probably bad news for all.
We speak about life with the virus like we’re in an Atwood novel. I mention that the night before we were supposed to go see the Whitlams at the Gov. A Sydney band, I maintain their best song’s titled “Melbourne” about a girl, “who calls her dog The Bear.” But the Eastern seaboard lockdown means they couldn’t come. Of course, if they were GWS, they could. We wonder about the injustice of this. Footy and live music are both in the bucket called entertainment.
There’s talk of Clare wineries such as Skillogalee which was just sold by our former PE teacher and footy coach. Pete announces he’s embarking on a cabernet sauvignon self-education course. He’s become too comfortable with shiraz. Trev and I chorus, “Coonawarra.”
Pete mentions popular racehorse Morty, which shares a name with an identity back home in Kapunda. I check to see if it’s done well. It hasn’t. The Astrologist salutes at Flemington in race 8 for me. My horoscope told me it would.
It still looks dark and wet up in the Hills. We wonder how the footy’s going in Belair. Good day for back men we reckon. At half-time in Glenelg there’s kick and catch. There’s only been seven goals thus far and we wonder if the game’ll open up in the second half.
Trev played drums in some prominent Adelaide bands including Imelda’s Shoes. Still a great name, we agree. He was asked to audition for another band but declined as he was happy where he was. They were called The Superjesus.
A prodigious kick, Pete played full back for Kapunda in the 1987 grand final. They lost to Tanunda. The day started warm, but it was pouring by the final siren. I remember driving home from Freeling in a mate’s Torana. In the cassette deck was popular saxophonist Grover Washington’s Winelight and, “Just The Two Of Us” with Bill Withers on vocals. It features extensive use of steel drums, but we don’t mention this.
Inflicted with the same calamity as the AFL there’s loudspeaker music at the breaks and it’s too loud. A splash of plutonium in the footy club PA could be timely.
Then Pete talks of the trip he and his family made recently to Port Arthur and its tragic natural beauty and I speak of Arkaroola as a single-visit only destination to use a tourism term I just invented. Then we discuss the Prince of Wales pub back home going on the market for the first time in nearly forty years.
Like Hawthorn for most of this century, Glenelg find a way, somehow with a seven-goal last term burst. Former Tiger cub Richard Douglas kicks a late major for the Redlegs and this irritates some in the boisterous crowd. The Bays are now 15 and zip. It’s still looks grim over Belair, but Chernobyl oval’s in the longest winter of all.
The weather presented us a story that will, doubtless, enjoy regular airings over the decades. Standing alone on the croquet lawn as yet another squally shower progressed from mist to rain, I wrestled with what to do: brave it or ring the Kapunda boys to put up some marquees? Shelter might be functional, but it’d ruin the aesthetic and checking the BOM radar for the dozenth time that hour I could see more dark clouds racing our way.
Yet again I changed my mind. As family arrived a hundred chairs were dried off and with the last row done the rain slashed across the school again. Crippled by indecision I reluctantly rang you, interrupting your preparations and feminine fun. But your voice was calming in its reassurance.
Mere minutes before our ceremony the clouds fled and while it was gusty and bracing the April sun shone upon us and that lavish lawn as if it had sisu, the Finnish concept of resilience and determination.
*
After hours, months, years of anticipation an occasion can suddenly rush upon you and despite all the expectation and longing it shocks with its realness now that you’re finally living it and are right in the magical moment. I was initially a little anxious when I saw the first guests’ cars pull up outside Kapunda High on dusty West Terrace and felt blissfully powerless as our time finally arrived.
Then Lisa Mitchell’s “Providence” soared across the afternoon and launched our narrative, while you made your graceful way, and I decided to wait and not strain or move onto tippy-toes. Our guests stood and some lurched into the grassy aisle. Camera, heads, hair. I could not see you. I remained on our rug between the plinths.
Then you emerge as if in a cascading, serene dream. Smiling, singular, focussed. Hair tousled and tumbling, cheekbones perfectly formed, eyes flashing.
Your dress is shimmering, shapely and a vision of painterly elegance. I surrender to this, and to you.
*
It was as if the town and each citizen we encountered had been bewitched and a golden hour descended, just for us. There could have been a clandestine operation and Kapunda was now our private movie set. As the photographers captured us in our intermingling blue attire we moved about from Dutton Park where we danced by the iron gates to the Main Street murals to the mine chimney and above us and about us the late afternoon light was enchanted and invested with unhurried kindness.
*
Hand-in-hand and entering through the Dutton Park doors was a triumph. You imagined it flawlessly and then realised it with cinematic style. The candles, the balloons, the rustic beauty. Our friends and family were assembled for the evening in an event that was firstly about us but also allowed for old connections to be remade and renewed. The sound was raw and welcoming, a rush of affirmation and liquid joy. It was a twilight sea of warmth.
*
And finally in the midnight stillness, we walked back to our accommodation at the School of Mines through Dutton Park’s lingering jubilance, under the gates, past the dark homes, over the disused railway line near the Duck Pond, across from the playground and swimming pool, next to the Institute and museum, around the quiet library corner, under the Rawady’s veranda and to our front door.
The geography and place are so unremarkable, and so familiar but now re-contextualise as a private paradise, and as we stroll and reflect upon our perfect day, these bear hushed witness to our love.
April is always a great month, or as a student of mine once wrote, “a great moth.” Our wedding, honeymoon, some excellent hiking, and, of course, Glenelg is 4-0.
And Coopers released their Australian IPA to mild acclaim (from me).
In my 660 months on this planet, April 2021 is right up the top- like Exile on Main Street by the Rolling Stones.
It would’ve been thankless or at least un-2021 to have not taken a selfie with our wedding photographersGiven a debut flat tyre 250 metres into my 4WD career this sign is a vicious reminderThe Kapunda Footy Club on wedding eveOn a day of apocalytic wind and dust the boys and I braved the Hallett Cove boardwalkKapunda High’s soggy croquet lawn, wedding morn; didn’t stay forlorn; a wonderful event was born
Here we are at the scene of the crime – the place where I first met Claire and Michael.
It all began on a blisteringly hot day in February 1981, the first morning of the school year – the start of Year 10.
Now, I know what you’re all thinking: 1981?! Surely these good looking, youthful, vital people weren’t even BORN in 1981, let alone starting Year 10 at high school! I can assure you, that I can’t understand it either. It remains one of the Great Cosmic Mathematical Conundrums. Nevertheless…
On that fateful February day, I walked through the school gates in considerable culture shock. I had moved with my family from the city only the day before to our half-built house in a paddock behind Mount Allen – about 10 minutes north of Kapunda. Our electricity was not yet connected. There were sheep, a cow and a horse in our front yard and our house had a moat. And the vintage yellow school bus had just taken me on a 50-minute dirt-road trip to Marrabel-and-back in a cloud of dust you could see from Gundry’s Hill.
Thank goodness I had the good sense to approach Mrs Maloney, the first teacher I saw, and ask her to introduce me to some Year 10 girls. Thank goodness Mrs Maloney introduced me to a group including Claire Louise Morrison.
Starting a new school where the friendship groups have already formed and settled can be tough, but starting a new school in the country, where the kids have all known each other since pre-school, can be especially rugged.
Claire had experienced this, firsthand, the year before, and had magnanimously decided that she would make the transition much easier for any future new girls, should she encounter any. (What a generous and kind decision to have made, Claire. You are a brick.)
Presented with the opportunity on that bright February morning, Claire took the leading role as a one-girl welcoming committee. I remember her smiling at me, stepping forward, shaking my hand and enthusiastically introducing me to Lisa Trotta, Sandra Bell, Cate Dermody, Wendy Fechner and possibly Our-Pam-the-Pastor’s-Daughter. She asked me all about myself, gave me a bit of a run-down on herself and everyone else, and told me where I could meet up with everyone at recess and lunch.
That alone says a lot about Claire and the person she is. But it only hints at the dynamic and direct energy that radiates out of her – her charisma, her sense of humour, the animated way she moves. Well, I knew within two minutes that Claire was lively, generous, outgoing and fun – and an innate leader – and I hoped we would become friends.
Shortly after – possibly that same day – I met Michael Randall. While there was no stepping forward and effusive hand-shaking, I do remember him being one of the only boys who might volunteer helpful information. Aloof. Maybe a little gruff, but at least vaguely sympathetic. I think he saw me going in the wrong direction to find a classroom, and muttered something like, “No, it’s over there.”
Now Mick had met Claire the year before. And, as time has revealed and the Weekend Australian Review can testify, he pretty much fell for Claire on the spot.
We hold these truths to be self-evident: he listened intently to everything Claire said; he laughed at all of her jokes; and, although he did his best to hide it, he pretty much gazed adoringly at her all day.
AND, when he saw that Claire and I were becoming besties, he started talking to me a whole lot more. In fact, as time progressed, I started getting long phone calls from the public phone box outside the Kapunda Post Office.
Why the public phone? Because in The Olden Days, there was only one telephone per house. This one telephone was attached to a wall socket, and the curly cord from the phone to the handset would only stretch so far. If you were lucky, you might be able to pull it tight around the corner of a doorframe to gain a bit of privacy, but, generally, your whole family could listen in on your phone conversation, and – worse – call out embarrassing things.
Your parents would regularly tell you to hurry up and get off – because if you hogged the phone for hours, giggling and theorising over who liked who, and what it might have meant when he said this or she said that – no-one else could make or receive a call. And, get this: there was no SMS, no texting, no SnapChat or memes or gifs or social media of any kind. Not even Email!
These were all good reasons for Michael Randall to put 30 cents in his shorts pocket, bid farewell to Lois, Bob, Jill and Sam-the-Tough-Cat, and ride his bike to the Post Office.
His calls to me were long, hilarious and entertaining, and our own friendship grew as he made his thinly veiled attempts to find out more about Claire.
Of course, I spent even more hours giggling and theorising with Claire – on the phone, on our walks with Bonnie by the duckpond, or scoffing mixed lollies from Rawady’s deli in the Morrison’s sunroom. There was no doubt whatsoever, even back then, that she ‘loved’ Michael Randall – but would she ever ‘lerve-love’ him?
In Kapunda at that time, there grew a mighty Love Triangle. Possibly even a Love Dodecahedron. Between the beginning of Year 10 and well beyond the end of Year 12, the Class of ’83 negotiated the grave situation where everybody loved somebody sometime, but they didn’t love you back because they loved somebody who loved somebody else. All those hopeful hormones with nowhere to go!
And as teenagers growing up in a small country town, this was tragic and torturous. There was school and sport and church and Lutheran Youth and Rural Youth and there was the Clare Castle Hotel and parties at friends’ houses. Once we could drive, there were also discos in the Angaston Town Hall, movies at the Tanunda Drive-in, spooky midnight trips to the Reformatory and early drives to Gawler to catch the train to the city for a day at the cricket. And we went to all of these places, on rotation, with PRETTY MUCH THE SAME PEOPLE ALL THE TIME. So there was no escaping the Mighty Love Dodecahedron.
The angst was real. But so was the friendship.
Even after Year 12, when we started making our way into the wider world, we clung together – a tight band of Kapundians. Claire and Mick and I stayed especially close.
After matriculating (another Olden Days word), and a wonderfully long, study-free summer, February 1984 saw the three of us embarking on studies to become teachers. We chose Salisbury Teacher’s College because it was close enough to drive to daily in Michael’s HQ Holden.
(Of course, it was necessary to tease each other mercilessly about our cars. Claire had dubbed Michael’s sensible white HQ sedan ‘the Parent’s Car’. My Hillman Imp was ‘The Wimp’, and Michael also liked to call it ‘The Shitbox’.
Claire’s Mini Minor didn’t have a nickname but was considered miraculous – mostly because Claire and her passengers continued to survive Claire’s death-defying driving – but also because, at one time it had reportedly transported all seven Morrison siblings, plus Fran’s luggage, home from the airport.)
In any case, the Mini and the Wimp were deemed unsuitable for the daily trips to college. Looking back, I wonder if Michael Randall volunteered The Parent’s Car, not because our cars were unroadworthy – which they were – but more because they both lacked something that proved vital over those long miles: a cassette deck.
I promised myself I would only say kind things about Michael today, on this Day of Days, but, during these trips he did force us, against our wills, to listen to the Animal House soundtrack and the Foul Sixties Music. And it was pre-meditated: he had taped these things on cassettes. (That’s another Olden Days thing.) What doesn’t kill you makes you stronger, and, through this experience, the bond between Michael, Claire and me grew ever more solid.
I think, even then, we all knew we’d be friends for life.
And here we are today, with decades of shared memories.
There have been annual winter pub dinners to co-celebrate our birthdays. Countless catch-ups for drinks and laughs and to share news of life’s triumphs and challenges. Endless discussions on career choices and child-raising and renovations and travel and world events and art and literature and the TV advertisements that Claire can’t stand. Lively debates about music: Michael make your peace with Pink. Weekends away. Picnics and beach walks and barbecues. Meals that Claire has generously finished for us. The yearly spate of heavy Fringe plays at the Holden Street Theatres. All those amateur musicals we made Michael watch us in – and that one time we actually got him up on stage for talent night at a Rural Youth Rally. There are the jokes only the three of us get. The crippling, weeping giggling fits. Speeches we’ve made for each other at milestone events. And the trips we’ve made together – and for each other – to attend a special event, or just be together – when one of us has experienced sadness, loss, loneliness or grief.
We’ve walked different paths with different people, sometimes even in different countries, but we’ve always made time and space to nurture this magical friendship.
We three made our own love triangle – of friendship love. One where the three sides provide unshakable strength and support.
Within this love triangle, we enjoy the insights we get from the male and female perspective, but I can say honestly that gendery things have never, ever divided us.
Claire and I have acknowledged again and again how important Mick’s friendship has been to us. He’s an extraordinary man. He is thoughtful, gentle, kind, deeply respectful, intelligent, fair, well-read – and so very funny. Mick is a true feminist – an equalist – and we both love him for that.
There are so many kinds of love – and love itself can swell or shrink. Love, even enduring love, can evolve and change.
I’ve spoken about Mick’s ongoing love for Claire, but I have also closely witnessed, over many years, Claire’s deep and abiding love and respect for Mick. As we’ve travelled along our own life paths, there have been times when the deep connection between them has almost broken to the surface. For a long, long time they were not free to acknowledge this, even to themselves, much less to each other. They each honoured the commitments they had made elsewhere and devoted their energies to raising their beautiful children.
But, as they say, true love will find a way.
As the other paths they were travelling came to an end, they turned towards each other, as they’ve always done, to offer strength and support. They found so much more. And I found myself, once again, on the end of long phone calls – from both of them. All the what-ifs, and could-bes and what-do-you-think-it-could-means were there again. And you didn’t have to be Nostradamus to know that, one day, we’d end up here, at a wedding. And given that these two are the most sentimental, nostalgic people in the Whole World, you could have placed bets on it taking place in Kapunda.
So, here we are, at the scene of the crime…
This wedding brings together two very dear friends, who, this time, have everything on their side. They have the foundation of a long friendship – all the jokes, all the memories, and all the understanding, compassion and trust that goes with that. They know, love, embrace and enfold each other’s children. They have life experience, past successes and mistakes to learn from and draw on to ensure that they face life’s challenges together with kindness, consideration and empathy. They face their future with optimism and excitement. They see the significance of this second chance. They truly treasure each other, and will do everything in their power to nurture each other and the love that binds them…
Lastly, and most importantly, they share a great love of pubs and all things alcoholic and snack-related. This, I know, will carry them through any dark times.
Claire and Michael – my best friends – I don’t need to wish you happiness together. Instead, I wish you long, healthy lives, so that you can wring every ounce of joy out of this enduring love.
I am so very happy to have been a part of your story to date, and feel honoured to have been invited to share it with your friends and family today. I know we all look forward to sharing in every good thing that is to come.
mickeytales 