Author Archives: Mickey Randall

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The Oceanic Adventures of Bev Package: Our Week on a Cruise Ship

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bev

 

It’d be fifteen years since I last heard it. But it’s irresistible and in the cosy chairs of the Pacific Dawn’s Promenade Bar we all sang along

It’s nine o’clock on a Saturday

A regular crowd shuffles in

There’s an old man sitting next to me

Making love to his tonic and gin

Chugging across the Coral Sea during our week I heard Billy Joel’s “Piano Man” about a dozen times, and often twice an evening. Kieran, a Welsh fellow who looks a little like the comedian Jimeon was our favourite performer, did a grand version, and indeed, the first airing was, with planned theatricality, at precisely nine o’clock on the Saturday.

Earlier, we’d endured a curious, scatting, jazz interpretation, complete with messy harmonica, by a young pianist. We also heard it a couple times on the blustery pool deck.

Although it’s about broken dreams the song rollicks along in 3/4 waltz time and demands those with refreshments to raise and swing them about like pre-fight pirates. It’s an amazing narrative, dominated by the stirring affection with which the barroom tragics: John, Paul, Davy and co are described.

It was his first hit, and in its fifth decade, still works magnificently. Just as “Fairytale of New York” always takes me to Christmas in London, and with “LA Woman” I’m driving in Santa Monica, “Piano Man” will endlessly transport me to that rousing place on the Pacific Dawn.

*

We squeeze onto a water-taxi in Port Vila and transit across Vanuatu’s harbour. It’s an attractive winter’s morning and we’re buoyant with sea spray and the promise of exploration. Rounding Iririki Island, the coast is speckled with dozens of half-sunken yachts, ghostly victims of 2015’s Cyclone Pam. Seeing these dead craft reminds me that idyllic Pacific atolls frequently turn hellish, and that people are really, really small.

Zig-zagging along the main street it’s clear that our massive ship disgorging a couple thousand folks is an event. Some load-up at a duty-free shop and then I see it, that most ubiquitous of Australian chains: Billabong. It speaks of the worst colonial toxicity; a symbol of Australia’s reptilian hegemony and doomed local aspiration. I find it troubling to visit a country which is economically obliged to try to sell me surf wear.

*

I’m hoping that somebody can help me with this. Is it true that “Reminiscing” by LRB features on each of Cruise Ship Classics: Volumes 1 – 12?

Yeah, I thought so.

*

I love regressing to boyish wonder and again finding it awesome that a plane like an A-380 can fly. The Pacific Dawn, is also a leviathan which, if dropped onto Footy Park, would flatten both sets of goal posts. Of course if this were during a 2011 Power home game, it’d scare the be-jesus out of the scattered punters and Kochie while possibly also tearing the tarps.

That our ship glides seaward across a rippling bay can appear, from our vantage point, over one-hundred feet above the sea, as the muscular act of a magical god.

Aside from the Promenade Bar my favourite place within this hydropolis was on the pool deck, with my Jonathan Franzen novel, and a crisp Peroni courtesy of everyone’s bestie: Bev Package. How could I not love being drenched in languid holiday rhythms and their drifting afternoons? Up there, our petty urgencies evaporate into brief irrelevance.

*

Each morning over the PA and in his Genoan tones our captain addressed the ship: “So, we are travelling north-east through the Coral Sea at eighteen knots. Later today we’ll cross the Tropic of Capricorn and by afternoon the winds should abate. There’s currently around four to five metre swells, and we’ve activated our stabilisers to give you greater comfort. It’s nineteen degrees centigrade and should reach a top of twenty-three. Up next, a 1973 singalong classic by Billy Joel.”

*

Trudging up the tropical hill to Our Lady of Lourdes Chapel on the eastern coast of Lifou the terrain and vegetation remind me of Singapore’s Pulau Ubin, but without the aggressive monkeys. It’s an energetic stroll across this member of the Loyalty Islands and the view is fetching. Inspired by the beauty and proximate godliness, Bazz and I exchange observations:

“Look out there. See that yacht. That belongs to Richard Branson’s butcher.”

“Sure. Did you know that Sister Janet Mead isn’t buried beside this chapel?”

“Have I told you that Leo Sayer has never toured here?”

We then gathered on the beach, and some confronted the cruel, blue water. Alex and I clambered up to the village market to buy him a coconut. As we came back down the rocky track I see my wife, crying and saying something, but it’s lost in the wind. I think: someone’s been stung by a stingray, or worse, someone’s lost their phone, or even worse, Tex Walker’s done his knee (again).

Bursting onto the seashore, the cruislings are gathered about my brother-in-law Richard and his girlfriend Jasmine. They’ve just become engaged. Months prior to this voyage, he’d bought a ring to make this their moment. There’s tears and hugs and laughter. Families are meant to get bigger. Ours just did.

And with this Lifou is changed. For us, it was just an anonymous islet, a previously unencountered paradise, but now it’s invested, and forever enchanted. Isn’t this what people should do? With love, drape their stories upon an innocent geography, and transmogrify the terrain into something wonderful and harmless and humanly sweet?

*

Billy Joel hasn’t released a new song since 1993, and like many musicians he peaked early. But how fantastic that his biggest tune was born of grinding slog in an LA piano bar. That this song about crushed dreams would make his come rapidly and unthinkably true is a joyful irony.

For most of us, going on a cruise ship was new, and “Piano Man” an old friend, a smiling stowaway, waiting to surprise us. It was excellent to catch up over a beer or two, and like the best of songs it became a unifying motif for us, on our little holiday.

 Sing us a song you’re the piano man

Sing us a song tonight

Well we’re all in the mood for a melody

And you’ve got us feeling alright

BJ

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Trish

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Imp

 

Hello from Caloundra, on the Sunshine Coast. If you’re seeing me read this, it means that Pauline Hanson and I have been kidnapped.

I remember when we were in Year 12 at Kapunda High. How could any of us forget? We’d the wonderful Mrs Schultz for English, and had to read the distinctly un- wonderful poetry of the British poet Gerard Manley Hopkins, or GMH for short. Maybe it was this poet from Essex who set Trish on her particularly British-flavoured life journey. However, before he’d a chance to inflict his tortured verse upon us I often wished that a GMH-assembled vehicle had run over Hopkins.

As great as Mrs Schultz was, it was you Trish who helped me most in year 12 English. With your brutal intellect, passion for argument, and literary insight you showed me how to interrogate a text. In the depths of that soggy winter I was awestruck by your skill as we also read The Grapes of Wrath. I knew it well, but what a ridiculous title! Grapes of Wrath? Grapes, I remind you, make wine. If the book was vaguely accurate it’d be called The Grapes of Enormous Eternal Joy.

There were tutorials and Trish volunteered to chaperon us through the garden of symbolism. We were in expert hands, and were about to be symbolism-ed to within an inch of our proverbial. She took us through page after page, merrily dissecting the novelist’s exhaustive, and exhausting use of motif. Most impressively, she provided tremendous detail on the book’s famous recurring turtle that somehow represents the poor, evicted families. I know! A turtle! In this Trish enthused me and challenged me and, yes, she terrified me.

And if ever again I encounter a fictitious turtle signifying displaced Oklahoman farmers, I know who to phone.

*

As is often the case with the talented, Trish flirted with many university courses. She began a teaching degree with Claire and me and in my old Holden we’d travel together daily to and from Salisbury. With the girls imprisoned in my car I’d inflict all sorts of teenaged cruelty upon them courtesy of my music. I simply refused to have the radio on. No evil mastermind leaves things to choice, and I permitted only my curated set of cassettes, and as we hurtled through Smithfield along Main North Road, accompanied these dreadful songs with my unfathomably awful singing and, on special occasions, even more unfathomably horrid kazoo playing.

For this Trish, I unreservedly apologise.

Over the long decades Trish began multiple degrees; including education, arts, and finally, communications at Magill. She’d have excelled in any of these. But, in keeping with her life’s English theme I maintain that she should’ve pursued animal husbandry, through which she might have become a Mrs Herriot, living in North Yorkshire and happily inseminating grateful cows.

*

It’s a mark of her individuality that she owned a most British vehicle too. An MG? No. A Rolls Royce? Sadly, no. Our Trish, I tell you with some delight, drove a Hillman Imp. This duo was as distinctive as Mr Bean and his 1976 British Leyland Mini 1000. Of course we’d banter about this car and I’d tease her with my revolutionary wit, for example, calling her Imp a wimp. Ha-ha. But revenge was Trish’s for when I had my mid-life crisis twenty years early, and bought an obviously phallic sports-car, she labelled it, or possibly me with the abbreviated form of “Richard.” Game over. Trish wins.

*

An idea in this speech has been the decidedly British nature of Trish’s life. She is reminiscent of an “English rose” but unlike a Kate Moss, has expressed herself through the creative and performing arts as an accomplished writer, editor, visual artist, singer and actor. Of these achievements we’re all most proud.

I reckon she’d live well in Cambridge. I can see her discussing poetry mid-morning over camomile tea, before taking a trudge through the muddy fields of Grantchester. Then returning to her homely cottage to make Brett and Riley a supper of gluten-free scones.

Indeed, as evidence that my notion is not so silly she also worked for a while in a Geezer-styled boozer, the Norwood Hotel. Like a much-loved character from East-Enders I can see Trish smiling from behind the bar, and saying to the shuffling menfolk, “You orright darling? Can I get you a ‘alf?”

*

Dear Trish. You’re a faithful and precious friend who’s taught me much about people and our planet. As you know, when she laughs with you in that beautifully abandoned way she has, it is to be alive and loved. For this, and everything else, thank you, and happy birthday!

In concluding, I can assure you that I’m on the balcony of our holiday apartment, and at this very moment, as a tribute to you Trish, am Salsa dancing in a most fetching fashion with a turtle who goes by the name of Gerard Manley Hopkins.

Enjoy your afternoon.

turtle

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a biscuit, a pie and a lost tooth

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tape

When I was a boy there was a holy trinity of biscuits.

Bush Biscuits were summer afternoons at the Kapunda Swimming Pool. Skinny and brown as nuts we’d munch these while listening to Australian Crawl on someone’s cassette player. No doubt a TDK C-90 tape. These biscuits were impossibly bland- it was as if scientists had extracted their flavour in a hidden lab. If it rained you could shelter under one for they had the surface area of a picnic blanket. I still don’t know why we held such affection for them.

Then there was the Rolls Royce. The Iced Vo-Vo. Sweet and stylish, with desiccated coconut and pink fondant and strawberry jam these represent those moments of wholesome joy that punctuate childhood. These remain the anti- Milk Arrowroot; the biscuit that shouldn’t exist.

And then there’s the Salada. It’s a plain cracker that’s lasted. Forget the wholemeal or light versions. Go the original. Just as they come, or with butter, or cheese. Best of all, with vegemite, made into a sandwich so you can squeeze them together and make little brown worms. For me these are primary school and sharing these with old mate Greggy at recess before running up to the tiny oval and dobbing the footy.

And in a week of petite milestones, our boys have discovered the Salada. I’m just a little bit pleased and the memories evoked by this dry biscuit, again probably a culinary mystery, have sprinkled my week with nostalgia. When their mum went shopping last Sunday their hysteria was obvious.

“Mum, get Saladas!”

“No! Two packets,” demanded the other.

Later, I pinched one for myself and it was Abba and Grease and the Sturt Footy Club and the Jumbo Prince and Happy Days on the tele.

*

While the wife was buying these dry crackers on Sunday the boys and I wandered up to Semaphore. It is a vibrant, eclectic village, possessing the best strip in Adelaide, and we happened upon the Semaphore Bakehouse for lunch. Our next moment of celebration then occurred as we sat at an outside table and devoured our pies.

As the punters and their dogs and the shuffling folks drifted past us boys sat there and worked away at our food and it was fun. How Australian, I thought, to enjoy a steaming pie of a sunny, June morning? As tradition dictates Max removed the lid- he prefers deconstruction as his modus operandi for interrogating his world, while Alex applied himself with messy vigour to the challenge. It was wonderful.

There was but one injury. Burnt roof of mouth to their Dad.

*

It was threatening for some time. Then on Thursday it happened. Max lost a front tooth. And with this his face is forever changed, destined to march to an adulthood of deepened voice and hardening cheeks and the loss of innocence that every parent dreads.

Of course it mattered little to him, but he enjoyed the healthy handful of coins left by the Tooth Fairy, and as we set off for school this morning these were clinking away in his pocket.

Winter has rushed upon us this last week. But as we move through our routines these biscuits and pies and a tiny tooth have allowed some golden rays to bend down towards us.

As it’s Friday, I might treat myself to an Iced Vo Vo.

biscuit

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Round 14 – Adelaide v North Melbourne: Thursday

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greyhounds

In the truly tremendous Hitchhiker’s Guide to the Galaxy the central character Arthur Dent laments, “This must be Thursday. I never could get the hang of Thursdays.” Shortly after, and with effervescent style, the planet Earth is destroyed.

Thirsty university students refer to Thursday as the new Friday. If American paint-by-numbers rockers The Knack was the new Beatles, and sauvignon blanc is the new chardonnay (or is it the other way round?) and burger joints are the new burger joints, then let’s agree that Thursday can imitate Friday.

With light snow forecast for our state’s upper ranges the fixture begins, and following a few scrappy minutes Rory Atkins kicks a cracker which is reviewed, extraterrestrially, to a behind. However, soon after, like Arnor Ingvi Traustason in Iceland v Austria, the good Tom Lynch soccers it through.

The Crows padlock it in and Dick Douglas (did he star in a 1940’s Hollywood musical?) snaps accurately. North move the ball without method or fluency, and this increases the spectacular early lack of spectacle.

My Barossa shiraz is jovial in a rumbling, earthy, Thursday way, and it shields me against Ziebell’s goal. Still, it’s the first opposition score in nearly a fortnight. Yet another Crows’ goal review degenerates into circus with the process seemingly being timed-out. As my first-ever boss might say, “The AFL couldn’t organise a root in a wood yard.”

Good Eddie jags a point, and with five consecutive minor scores Adelaide lurches into wastefulness. It reminds me that once there were two British parliamentary committees simultaneously investigating pointless governmental duplication.

The Kangaroos can’t twine together possessions, while the Crows are better in close, especially by hand. Of course, I’d just confidently completed that previous sentence when North get two goals in a minute, and my keyboard is abruptly stricken.

*

A shiraz-aided recovery allows me to now type that Tex ghosts unaccountably to the front of the pack. He grabs it, and slots it to shove the lead to a couple goals.

Lindsay Thomas drops the ball as if it’s an allergen, and to the crowd’s predictable umbrage, he attracts a free. Shortly after there’s a goal by Mason Wood- didn’t this golf stick debut at Troon in 1926 along with the Mashie niblick?

Half way through the second quarter the Kangaroos have impetus and the lead, and then when kicking at goal Adelaide is Ernie Els on the first green at Augusta, tapping it everywhere and really often, but never fecking straight.

After the main break Crouch crashes through a hasty torpedo punt and we’re away. Good Eddie follows within a minute. It’s a frenetic start and typing maniacally requires my shiraz to sit abandoned. Tex tyrannosauruses one from sixty and my glass and I reunite. Just now.

With the wife and boys abed I scramble back into my chair and Thomas sneaks the opposition in front again. Our sixteenth behind. No, make that the seventeen. Spare me. Then, good Eddie triangulates it through, and we’re just up.

Following more frisson from Charlie Cameron in which he’s has moved the ball with scintillating pace, but crude disposal a video review goes against Tex, and as an eye laser surgery beneficiary glaring at a big TV, I’m sure the stinking camera is lying. Why am I watching this atrocious Australian farce? I turn over to ABC 1 for Rake and its superior Australian farce. Cleaver, Barney and company are at their ridiculous best.

No, I don’t. How could I?

A furious scoreless epoch ensues. Buck Roo Ben Brown continues to display deliberately maddening hair. To use a cliché, which is itself a cliché, the next goal is crucial. And the digital ink isn’t dry when it goes to Adelaide, right now.

Suddenly, the Kangaroos are twenty-eight points, and eighty grand down. It’s peculiar to think that these two haven’t played a final since the 1998 decider. September may see these two again clash, and it would be ripping.

*

My wife and I didn’t meet, nor were either of our boys born on a Thursday. However, these happened on Thursdays: as a United Kingdom resident I voted in their 2005 general election (sadly just once); at Thebby we saw a raucous Violent Femmes; and one summer’s evening at the Tower hotel I had a tidy earn with a Hobart greyhounds trifecta.

You see, Thursday goes alright.

burger joint

 

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Watching Our Boys Write

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earth

On this planet here’s my favourite thing.

Monday evenings, after dinner and baths Max and I sit around the big, rustic table and he does his homework. Following our reading we move to the week’s list of words. You know the antique drill. Look. Cover. Write. Check.

I love watching our boys write.

Mostly, I sit in silence. Like his mum Max’s nose wrinkles when he’s connecting a new idea to an established one. Each squiggly letter is crafted with quiet industry. It’s a magnificent, affirming sight. Our universe tightens to this page, and his cognitive load is massive. It’s exciting, but as nerve-wracking as a footy final.

At their age it’s a tough activity. What could be more demanding for a six-year-old? But they bring such blameless engagement to the task. Vacuuming language inside and not sending their words skywards, this is an unnatural ask, the reverse of speech, but they work hard, and I’m proud.

Forming the words, Alex bursts into his future, and as our globe spins from post-industrial to digital, this learning, this language will be their elevator. I’m delighted that both boys seem to value it. Not as much as dinosaurs or spies or ice-cream, but it ranks.

I keep watching.

Why is it so mesmerizing? It’s the transparency of their concentration. All our formulated hopes are projected onto the transit of that blue ink. Max comments between words, revealing the wisdom of his interrogations. “This is hard to spell.” Or, “Bed and bread rhyme.” Or, “Cake is simple to write, isn’t it Dad?”

We invest these moments with calm. The dining table’s a still beach at dawn. These are triumphs, but I mourn my slippery seconds.

Each simple term is a thrilling performance. I pause. Instants ago, these boys were babies. Now they’re holding pens, fashioning words, making meaning, interacting with their widening worlds.

I keep watching.

boy writing

 

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It must be like Keef teaching you guitar: our footy day

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eddie

On some days footy can come at you from many directions. Like Mum’s roast it can be expected, but occasionally it’s a happy combination of the old and the new.

My wife had gone to Sam Jacobs’ territory, the Yorke Peninsula, for a friend’s birthday so on a whim the boys and I drove up to the Adelaide Hills for an early lunch. Heading to the Aldgate Pump Hotel we passed a footy ground with the reserves fixture underway, and there were sparse knots of blokes along the fence, the red beer cans contrasting with their navy rain jackets. Up here footy is often beneath a Yorkshire fog. Not far down the road as the hills become the plains is Chad Wingard’s home territory at Murray Bridge. Chad was about to wow them for Port in Alice Springs.

Between my Laksa and not plonking some coin on Music Magnate in the Doomben 10,000 I looked at my phone to check the Alice Springs score especially as my old school mate Chris is related to the Hoff from the Power. No signal. But, I reminded myself this English village sleepiness is the attraction of the Adelaide Hills. It’s why we visit.

Descending through the mist and back into the sunshine we listened to In The Superbox With The Coodabeen Champions and because it’s a family standard, sang along with Greg Champion, “You’re the player, you’re the player, Gary Ablett! Gary Ablett!” I told our eight and six year-old boys that the tune was originally about the Gold Coast star’s dad. They ignore me and keep singing. One day, it could be about a third generation Ablett too. Footy ditties, like Paul Kelly songs, are also timeless.

The car was warm with nostalgia when I found myself turning left down Belair Road and parking outside a handsome villa in Kingswood. I’d decided the boys might like to see where their Dad had a kick and a catch with the Unley Jets before his career finished one August afternoon (split eyebrow; hours waiting in Flinders Medical Centre). As the pale sunlight bent onto the forward flank, we saw the reserves get up against Port District. To celebrate we each had a Freddo Frog (caramel).

How wonderful is local footy? I love the unpredictability. There’s the moments when grace rises above danger as the gangly kid blind turns and jags one from the pocket, and the roar makes the BBQ veterans look up from their hotplate of snags. Later danger reaffirmed itself when a Jets defender surged thrillingly across the wing, but didn’t steady, and his kick squirted across the boundary, like a drive shanked onto a neighbouring fairway.

Our evening was the Crows and the Giants. As had been our day’s theme, the past and the present would again meet. Entering the competition in 2012, Greater Western Sydney has only been discussed in future tense, as a club to whom success would surely come. That day is now speeding towards us, like a growling Monaro.

For Crows fans, ’97 and ’98 have transmuted from glorious history to nostalgic, troubling distance. Is it nearly twenty years? But, yesterday and today often connect, and Andrew McLeod is the football name Eddie Betts rates above all others. Who better to mentor him than the great running half back, as beautiful a player as has strapped on footy boots? It must be like Keef teaching you guitar. With his poise and promise, Wayne Milera, Adelaide’s first selection in the 2015 draft, has been compared to McLeod by judges like Scott Thompson. It’s tantalising.

Eddie’s a senior player now; a leader. Just before the third quarter siren Eddie fabricated yet another miraculous major, one that could net him successive goals of the year. While the kick itself was impressive, it’s how he gained possession: materialising on the boundary and somehow trapping the Sherrin with the surety of a NFL holder assisting in a field goal kick, then accelerating away from a grasping Giant and curling it through at the Cathedral End.

It’s fitting that the Indigenous Round’s best moment came from a Port Lincoln Nunga, a footballer like Sir Doug Nicholls: diminutive, exquisitely skilled and shaping the game in remarkable ways.

The young Giants raced home, but once more Eddie created a goal from gossamer and his fifth in the final seconds guaranteed my Adelaide a fine victory.

It’d been a brilliant day. Yet again footy had jumped out at me in unexpected and blissful ways. Just like footy can.

 

This story was first published in Inside Football. For more go to http://digital.insidefootballonline.com. My thanks to co-founder and contributing editor of The Footy Almanac, John Harms for the opportunity to write this story.

BBQ

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Round 7 – Western Bulldogs v Adelaide: Bill Hunter and Your Mum’s Betamax

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bill

When I was home looking after our second son ABC News 24 began. Two events of note occurred during those months. Osama bin Laden was killed in his Pakistani compound, and the actor Bill Hunter passed away.

One day just after lunch as Max slept I watched Bill’s memorial service on the television. Mick Molloy worked with Bill, most impressively on Crackerjack, and as a touring double-act across many inner-suburban pubs.

In his eulogy at the Princess Theatre, Mick recalled Bill’s favourite sayings.  Operating within a narrow theme, the first was, “I’m just two schooners short of the horrors” and often used in response to a cheery salutation, the second was, “Get fcuked.”

At the Footy Almanac lunch, and in conversation with our Kapunda crew, John Harms observed that every Melbournian has a Bill Hunter story. And key to these fabled tales was Bill’s seeming ability to be relaxing with a lager at multiple pubs. Simultaneously. He defied quantum physics for Bill could teleport himself, when thirsty. Forget arc-welding, here’s an enviable life-skill.

In town for the weekend with five mates to celebrate my looming birthday, I was keen to pay homage to Bill.

It had begun well.

*

How do you build a publican?

As there is no instructive literature, I suggest the following. Make him slow of gait, even lumbering; commanding yet enigmatic; an employer of understatement as his primary method of communicating, and drench his back-story with equal measures of hyperbolic myth and striking reality.

In short, you make him Percy Jones: proud Tasmanian, Carlton royalty, and mine host at the North Fitzroy Arms.

In this pub bursting with memorabilia, the best example is a photo in the back corner of Percy, standing shoulder to shoulder with another hulking 1970’s icon, Gough Whitlam. It’s invested with historical context, colossal vitality, and fun.

Happily, we now have our own photo with Percy, taken at a front bar table, as he worked unhurriedly through his steak, hands like dinner plates, further enlarged by long seasons of ruck-work. Somehow, reminiscent of Bill Hunter’s corporeal talent he sat with, around, and over us by the window as twilight stole the day. Increasingly, Percy appeared to have descended a North Fitzroy beanstalk, with the scent of an Englishman (Collingwood pest) twitching in his nostrils.

Having concluded the luncheon we repair to our Elizabeth Street digs. A bunk bed sets an appropriate tone and function, for our trip is merrily reminiscent of a school camp. We lie there giggling at, well, nothing in particular, each with a brown paper-bagged Coopers Sparkling Ale to close our proceedings, as against the Tigers, the Hawks predictably close theirs.

*

The top deck at the MCG for the Magpies and the Blues. Footy can be of heightened appeal, especially when you’re disinterested in the result. The man-bun count is dangerously high, and incurable offender Bryce Gibbs is doing well. He’s a Glenelg boy.

Soon, we locate a narrative in Levi Casboult’s afternoon. He’s a great mark, but his kicking is a curious tribute to James Manson: former Magpie and according to the Coodabeens, a “rock and roll Tasmanian.” Still, his inelegant disposal wins me ten bucks from one of the old muckers. Collingwood present as fragile, listless, and impotent. Is this uncharitable?

As the Carlton song booms about the Olympic Stand, our ears detect Percy and Bill Hunter, adding their baritones to the celebration.

*

Pausing involuntarily at Young and Jackson for a head-count and pot of tea we then move to the Docklands for the Crows and Dogs. This could now be the competition’s finest rivalry. Anecdotal evidence suggests that on that September day in 1997 over quarter of a million Dogs supporters were behind those goals for Libba’s notorious point.

Earlier in the day, and fittingly around lunchtime, we were enjoying boys’ church at the All Nations Hotel in Richmond when above the fetching old bar, Bill Hunter’s apparition appeared, declaring, “Trust me Mickey. I was there. Don’t listen to ‘em. It was a fcuking behind.”

Tonight, though, the Crows are walloped in the middle, and have to launch too many attacks from deep in defence. This makes it tough, especially as the Dogs are on. Jenkins kicks a career-best eight, and while the free kick count is lopsided, it’s an excuse, and we lose a thriller.

Bontempelli shows poise and creativity in becoming tonight’s difference. He’s only just concluded being a teenager. When I was his age I could almost speak in sentences, and keep my Kingswood on the left.

After the siren, and walking along the swirling concourse a Dogs fan barks, “Crows supporters are two-headed at birth, and they’ve cut off the rong (sic) one.” This, of course, required appropriate rebuttal, and with volume one of our group replied, “Hey mate! You best get home and watch the ’97 prelim on your Mum’s Betamax.”

Twenty years in, this rivalry is escalating. It’s a ripper.

*

Because it’s the best method of dealing with our (temporary) Crows grief, we each purchase another Coopers Sparkling Ale and return to the school camp confines of our hotel room.

Safely snoring in the tiny space, we’re again visited by Bill Hunter who nods, just like he so often did in Muriel’s Wedding, and remarks, “You boys have had a bloody good weekend. Now go home tomorrow to your wives and families. If you behave, you can come back next year.”

Thanks Bill, we murmur from our bunks.

NFA

 

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Round 6- Adelaide v Fremantle: Sea Monkeys

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sea monkeys

If talking about the weather is Britain’s obsession, then I’d argue that Australia’s national hobby is yabbying. A crustacean El Dorado, trifling physical labour, kids, and refreshments. Generally yielding inedible miscellany. I love it.

After five long years we’re back in Kimba, and Friday lunchtime the ute of my old mate Bazz clunks towards a dam on the Ballumbah Hill Road.

An exploratory net is thrown in, my boys leap about, and between sips of beer, Bazz and I slap at the late April flies. Out here flies never holiday, never bugger off up north for winter. I remember wearily waving them away at nearby Buckleboo during footy season as I rested in the forward pocket, while some spectators insulated themselves with stout.

Dragging the net onto the bank Alex and Max skip and shriek.

Bazz declares, “No yabbies, sorry boys.”

Pointing at the wriggling aquaculture Alex says, “Are these tadpoles?”

“Yep. Big ones. They’ll soon be frogs.”

Max asks, “What’s that funny one?”

I instantly see my teenaged-self staring at whole-page advertisements within the horror comics I enjoyed briefly. I blurt, “Sea monkey. It looks like a sea monkey.” With exotic smiles and bewitching humanoid figures, sea monkeys belonged in Lost in Space, inspiring Dr Smith to more mission-threatening selfishness.

Sea monkeys taught me a lesson about the cruel gap between advertising promise, and consumer reality.

Thirty yabby-free minutes later, rattling to the Kimba Golf Club, the boys are singing the song they’re inventing, bemused by their own pulsing imaginations,

“Sea monkey, sea monkey, sea monkey….”

*

In opening the breezy afternoon Adelaide’s Tom Lynch forgets physics, which demands a drop punt, and instead sends a tragi-comedic dribbler across the face. It’s inexplicably ridiculous.

Fremantle commences its Behind-Fest as Mayne pushes it right. Then Mundy to the left. I’m sure Ross Lyon could watch a grim, sleet-soaked, third division Yorkshire derby that ended 0-0, and he’d say, “It were rubbish. Constant attack are useless. Too many goals.”

After nine and a half horrid minutes Jenkins gets Adelaide off the duck.

If we still had a VCR (Betamax) it would’ve been wasteful spending eight cents on electricity recording this quarter.

*

The tide’s turning at Coffin Bay. It’s just outside Port Lincoln, which produced Graham Johncock, Byron Pickett and brothers Peter and Shaun Burgoyne. All came from the Mallee Park Football Club.

We’re in the shallows of Long Beach. The boys, running and splashing, running and splashing. Their Mum then urges them to slow down, look and spot the details. Now they see them. Gazing down microscopically, their world inflates like a gaseous giant.

Sand crabs. Pale. Scuttling. Burrowing. Alex scoops some up. They escape, and tumble into the Southern Ocean. Like all younger brothers Max wants to follow, but is anxious as he’s not held a crab before. He jiggles and hesitates.

And then on his palm is a little crab. With curiosity and a pocketful of courage, a crustacean dances across his hand!

This is why we’ve driven seven hundred kilometres to a gentle, enlightening beach.

*

Second term opens with more of the same. To watch a match involving the Dockers is to observe two sloths; one willing and one captive, wrestling under a sodden army blanket.

Recent re-includee Cameron shows poise, and should still be at the club in a decade. Tom Lynch enjoys absolution by collecting plainly, pirouetting twice and snapping precisely. A Renoir in an abattoir.

Behind play Spurr flattens Betts and donates the Crows another. Meanwhile, The Dockers inch up to ten behinds.

Matthew Pavlich gets another minor score after the siren. He’s presented well today during a season in which many saw Pav not as Australia’s (New Zealand’s) favourite dessert, but month-old cheesecake.

*

So, our boys haven’t ever swung at a gold ball, but they’ve now driven a golf cart. Is this wrong? Ahead of tomorrow’s round Bazz wants a hit on Royal Kimba’s back nine.

I’m cart captain, but in turn and on my lap, Alex and Max steer and stomp the pedals. On the 12th Max accelerates up the fairway, but detours through a bush by the ladies’ tee. Crackling twigs and leaves shower us.

We’re only in Kimba three days, but the accomplishments accumulate like boy scout badges. They help in the garden, and Bazz takes them out on an electrical job, and a couple hours later they burst through the screen door. As apprentice sparkies, Alex has fifteen dollars, and Max juggles some toy trucks, bought with his earnings.

On the 16th Bazz pulls another drive left. “What’s going on?” I ask as the cart bounces along the rough. Not for the first time in the decades I’ve known him he self-analyses, “Bad golf made easy.”

We’re halfway across Australia, on a near-desert plateau, but this trip is a sea-change.

*

To commence the second half Betts is slung when not in possession, and then at the opposite end Ballantyne misses. His team-mates are secretly pleased.

Successively, Eddie provides a signature pocket-snap, and Brodie Smith delights with an equally emblematic missile from beyond fifty.

Halfway through the quarter Fremantle have kicked fourteen behinds, and only two majors. Goal scoring is as natural to the Dockers as it is to garfish (grilled).

Obviously using the Chicken Salt (yes, it’s now a proper noun) hoarding as a target, Tom Lynch guides through his second.

The Crows are in control. Rory Sloane continues to play footy the way Ringo drummed for The Beatles: possibly without constant finesse, but with a charismatic enthusiasm that kept things moving along.

In the final stanza the home side accelerates away early as if wishing to escape this dire opponent and direr affair. Adelaide produces some sunny moments, but it’s an oddly cheerless conclusion, and there’s a mechanical, Samuel Beckett-like inevitability. The last three goals go pointlessly to the Dockers, but few will mourn the passing of their season, and their turgid game plan.

I look forward to seeing the Crows and Dogs at the Docklands next week. Can you get Chicken Salt there?

*

If you’re six you run from the holiday cottage to the Coffin Bay jetty in three languid seconds. Max does this each morning.

Late Anzac Day, we’re on the jetty. It attaches us to the glimmering water, welcoming contemplation and quiet gratitude.

Along the jetty there’s ladders, and Alex hovers above one. He wants to drive into the water. The deeper water. Most of his swimming has been in a Singaporean pool.

I can see the bottom, but it’s a scary step from the lower rung. A pause, then with a triumphant splash, he chests the water, dog-paddles about in innocent, furious circles, and scrambles up into the golden light.

At sunset of our final day on the West Coast I think of my old friend John Malone, and his poem, “Jetties” in which he notes that,

 

People lean

from jetties, dream from jetties

fishing for

tranquillity. They are

walkways into and out of

the mind. Umbilical

chords attaching us to the sea.

jetty

0

Growing Up In A Footy Club

|

KFC

 

The following memoir features in First Use Of The Ball- Celebrating Football In Kapunda Since 1866. I’m most grateful to sporting legend, local historian and my former teacher Paul McCarthy for the chance to contribute to this special publication.

If you love footy and stories of colour and passion I’m proud to say the book’s available at the Kapunda Football Club, and certainly not the Essendon Football Club website at-

http://www.bombers.com.au

*

Growing up in the Kapunda Football Club was fun. It does take a village to raise a child, and in part many of us were guided through to adulthood by the Bombers. Sometimes in affirming, character-building ways, and sometimes by one of the Mickan brothers.

*

Eudunda. Heading across the hills before descending into the town, a bluish plain swims into view. This flat scrubbiness seems, on certain days, as a becalmed, wintry ocean. As a kid I used to think, instead of this saltbush and mallee, it’d be fantastic if it was the sea. As it was, eons ago. Even before the Robertstown junior colts all wore mutton-chops on their colossal faces which sat atop of their colossal frames.

To the north, and by Burra Creek, is the locality of World’s End. Snaking nearby we find Goyder’s Line, which shows where rain and soil might allow crops to be grown confidently. Goyder is still right.

Sitting in Mum and Dad’s car by the Eudunda oval, Starland Vocal Band’s “Afternoon Delight” plays on 5KA, in grim competition with the hail hammering on the roof.  It turns to a sleety, possibly snowy gale. It’s diabolical, even for Eudunda, and forces the footballers to scurry over the fence, and huddle between the Kingswoods and Chargers. There’s no afternoon delight for them. I’d never seen such an apocalyptic storm, and know it’s serious when I see Boo Menzel leap the hoardings and hide by a souped-up Torana.

Although I was only ten World’s End seemed even closer.

*

My old mate Trevor Lucas took what many reckon is the best mark ever taken by a Kapunda Bomber. 1985, Angaston oval, U17’s Grand Final against Riverton/Saddleworth. Still lanky even today, Trev ambled out from full-forward like a slow-motion deer, rose impossibly to the crest of the pack, and grabbed it. The footy stuck! It’s a mighty moment.

When the video was shown at their recent reunion this got the loudest roar. Like all treasured yarns it gets better over time, and Trev’s grab is now becoming stratospheric. By 2030 his mark will surely defy physics.

I spent most of that season in the Bombers’ B grade. We barely won a game. In the forlorn huddle at three-quarter time of the final match we were down by truckloads. Our coach’s address- he may have been a Mickan- was less Barack Obama than drunken barracker. “Well boys we’re in trouble. Again. And we’re out of excuses. The season’s done. I don’t know what to say. Just go and run a lap. Or something.”

*

Now demolished, Kapunda’s Railway Hotel hosted a fleeting infamy, among the ridiculous, by opening at 8am on Sundays, when because breakfast was apparently too early for beer, we’d get raspberry cordial splashed in our West End Draught butchers. Once we were chaperoned down there in the cool morning air by none other than Mick Dermody.

Years before this the publicans’ son, Mick, went briefly to Kapunda High.  In the hotel ballroom he inflicted upon me Rick Wakeman’s Journey to the Centre of the Earth. Once. I recovered. I tell you, everything about the Railway Hotel was ridiculous.

But Mick could play footy. He was a thumping kick, and when he connected, he sometimes achieved the mythological quality known in country sport as, “good purchase.”

In the Junior Colts one Saturday at Dutton Park our ruckman got the tap from the centre bounce. Mick seized the footy in that clean, untouchable way he had. Suddenly frozen as if in a sci-fi telemovie, the Tanunda boys were incapable of tackling. They simply stared, wide-mouthed and slack-jawed.

Mick surged towards the half forward line. Fifty-metre arcs were yet to be discovered, and he was outside that when he bombed it, a monstrous dob. Perhaps prog-rock had already pinched his conceptual clarity. It was a behind. To the Tanunda Magpies.

He’d kicked it the wrong way.

But, gee, it was impressive. I’ve never seen a better point.

*

Meet me down by the jetty landing

Where the pontoons bump and sway

I see the others reading, standing

As the Manly Ferry cuts its way to Circular Quay

“Reckless” by Australian Crawl takes me back. With a funereal bass line, and a snare drum like gunshot, it’s prominent in the soundtrack to my final year at school, 1983. At the Kapunda Swimming Pool it got a workout, in between us sneakily bombing the canteen, and poor Mrs Chappell. This was also the year I fractured my arm playing senior colts. June and my season, wrecked.

As the locum had not aligned it a fortnight later my arm was to be re-broken. Six more weeks in a cast. Look! There I am on a hospital bed as the doctor looms and mumbles.

“Ouch! It’s hurting!” I sense the subterranean crunching. Doc is an absorbed professional, and continues his medical manipulation of me. “Be quiet please!” I am in distress. “No, it’s really hurting!” Not just Masters bakery is out of sausage rolls distress. Or even Skyhooks have split distress. It is monolithic pain.

Minutes later the doctor squints at the drip. He realises. His tone transforms. “Oh! I’m so sorry. I’m very sorry!” There he was, fracturing my arm with feverish enthusiasm, but somehow, he forgot to turn on the anaesthetic.

After, the local veterinarian gave me artificial insemination gloves to slide over my cast when showering. Happily, for the district’s young and old bulls and me, these were not pre-loved.

*

Mini-League training was Wednesdays at Dutton Park. Former stationmaster and beloved club servant Bruce Dermody was our coach. He was patient and grandfatherly. At least twice a week Bruce would holler, “Hold that ball straight lad when you kick!”

With goalposts across the ground we’d have scratch matches down the trotting track end. It was the best fun of the week. It was our innocent island. It was our world. Only stopping because of the gathering gloom, we’d then cycle home to chops and three veg (mashed spud, carrots and peas), Dukes of Hazzard and bed. Even now when I dob the Sherrin with my boys I can still hear Bruce’s urgings, “Hold that ball straight, lad!”

Bruce met his wife Melva at Bowmans, a railway siding between Balaklava and Port Wakefield. It’s long gone. They lived for the club, and it was their family. We remember them well.

*

When I was at Kapunda High Former Port Magpie Rod Burton became senior coach of the Bombers. He was menacing. He had mad eyes. He could seem unhinged. Even for a Port player.

As a boy listening to one of his particularly ferocious pre-match speeches in Angaston’s claustrophobic change rooms I came within a wobbly gasp of wetting myself. I’m reminded of him whenever I watch Jaws and Quint, the great shark-hunter and his Indianapolis speech

Sometimes that shark, he looks right into you. Right into your eyes. You know the thing about a shark, he’s got… lifeless eyes, black eyes, like a doll’s eye. When he comes at ya, doesn’t seem to be livin’

Paul “Crackshot” Masters, Rod “Rocket” Ellis and I sitting on the western wing by Dutton Park’s timekeepers’ box when Burton had a boundary kick in. The box also housed the public address system, and across the day Bruce Dermody made regular catering announcements. These are as burned into my memory as Father Moore’s lilting sermons from St Rose’s pulpit

Ladies and gentleman, the canteen is selling pies, pasties and sausage rolls. There’s lollies for the kids. And the liquor bar will open at 2.30 for all your refreshment needs.

We were behind Burton. Deliberately, he pushed off the fence, and launched a colossal screw punt. Spiralling instantly above the gum trees, the Ross Faulkner footy bisected the posts, and below the mound, way down near the trotting track, on the service road, it landed like a depth-charge in a submarine movie.

Blighty’s after the siren goal for North Melbourne was but a stab pass.

As the Holden Commodores honked in praise, and duffel-coated kids including us shrieked, Burton smiled.

Just briefly.

KFC2

 

1

Welcome to Bundaberg

|

 

The following essay is a discussion of what makes Queensland a unique state, as observed by an outsider, and using a recent Bundy rum TV advertisement. Here’s a link to the clip-

 

I took a sip.

“He’s trying to kill me,” I thought (politely) to myself.

I took another sip.

“Yep, he is.”

Late Brisbane afternoon with my wife’s extended family. Uncle Fred had poured me a homebrew beer. “It works out at eighty cents a bottle.”

Fred’s a businessman, and his millinery company sells hats to southerners for the Melbourne Cup Carnival. He also travels overseas. He’s been around.

“New York. Shanghai. London,” he scoffed as I stared at my muddy glass.

“Between the Gold Coast and Rockhampton, the Queensland coast’s the best place in the world. Why would you wanna live anywhere else?”

Raising my beer I thought, this bloke’s serious. I stifled a laugh and looked at him.

For Uncle Fred, Queenslander, this is no joking matter.

*

In the colourful history of Australian booze marketing, the iconic VB campaign is king. It features a gallant orchestral score, and John Meillon’s distinctive voice:

You can get it liftin’

You can get it shiftin’

You can get it working a plough

You can get it any old how

Matter of fact, I got it now.

Nodding to Henry Lawson and Banjo Patterson, these poems continue to charm.

Meillon was vocally perfect. His recitations were not of the people, but to and for the people. Warm like a sunset and eager, he continued to promote the beer long after he’d downed his last lager; a ghostly advocate; the spirit of beer-drinking and of Australian life.

Yet VB ads often present a work ethic, the idea that clocking off after the day’s duties, a drink awaits: “For a hard-earned thirst, you need a big cold beer and the best cold beer is Vic.”

It’s what you deserve.

This contrasts with the Queensland dynamic. In this we’re often sold the notion that drudgery’s irrelevant. But, you’ve got to have the sense to live there.

Back when it called itself Castlemaine an advertisement in the “I can feel a XXXX comin’ on” series captured that thinking. Allan Border’s on a Great Keppell beach, and lying back in a deck chair, with a few tinnies while Jeff Thomson, Greg Ritchie and Ray Phillips are fishing. That work’s unwelcome in paradise comes through as James Blundell sings

I wish this lazy Sunday would never disappear

And I could hold back Monday for the rest of the year

As captain and saviour, AB’s exempt from dangling a line. Historically, it’s 1987 and he required all his energy to repeatedly resuscitate Australia’s miserable batting. It matters not that AB and Thommo are native Sydneysiders, Queensland is welcoming. Both had become as local as mangoes.

After a curious, homoerotic conga line across the sand, the batsman, bowler and wicketkeeper join the captain for a XXXX. Then like synchronised swimmers, the three fishing rods double over at once, dinner hooked. However, our sporting legends ignore them because, as we know, the beers won’t drink themselves.

The rest of Australia seemingly needs its collective thirst to be won, toil first, to legitimise the rEward of beer. But in Queensland relaxation is king. That’s the promise; life is better. You can forget work.

Things’ll take care of themselves.

*

What does the recent Bundy Rum campaign show us of the Sunshine State?

“Men Like Us Like Bundaberg Rum” delivers many ideas. It’s 2015, but we’re not talking to women.

The second concept is found in the title’s assertion, “Men Like Us.” Meaning, we the blokes from Up North. Not just geographically, but attitudinally. You’re either a Queenslander or should wish you were. The delicious dichotomy.

A beach. Some fellows (one wearing a fez) are cluelessly building a Viking boat. Its anchor’s blacksmithed from cheese graters and saucepans. Upon premature ejection it sinks; all head to the pub, and toast with swirling mugs of Bundy.

There’s rustic defiance in this. An outlook which (again) decries work. Over-achievement? Not us. Technology and modernity? How would these help up here in God’s own?

As a South Australian I envy the confidence, the sense of self-containment. The advertisement’s moderately mocking, but underpinned by a subtextual boast: This is Queensland, this is Queensland, this is Queensland.

Another link to the past is the ship’s Bundy Bear figurehead. Now pretty much absent (where has he gone?), the Bear was Bundy rum. He was everyone’s mate. He had a deep voice. He was the smartest bear (bloke?) in the room.

In one vignette Bundy Bear takes a pre-party bath, into which a housemate deviously drops a red sock. Modishly late, the now pink bear arrives at the gathering, and is ribbed by the boys.

A gorgeous girl admires that he’s, “brave enough to wear pink” and invites him over to meet her girlfriends. Bundy’s more attractive to women than his forlorn, human mates. He’s outplayed them; for he is Bundy, hear him roar!

*

The Bundy ad imagines us as sea explorers. Save for draft ineligibility, we’d surely have got up in a shoot-out with the Portuguese! But, here we are with only imported South Australian half-back flanker Dougie Mawson getting umpires’ votes. Rather than heroically sending boats out; we’re now infamous as a nation, for not letting boats in.

Borrowing from a pirate narrative tradition, we’re also invited us to see ourselves as buccaneers. Again, here’s a scorning of traditional work. Caribbean swashbucklers? No, less glamorously, we’re the world’s best video pirates.

*

My encounter with Bundy was brief. Advertiser drinks columnist Philip White once considered Nelson’s Blood, and I was idiotically inspired. It was first made with rum from the very barrel which stored Lord Nelson’s body following his death on the Victory, at the Battle of Trafalgar.

Modern interpretations of Nelson’s Blood exist, but White reckons the Adelaide variety’s a tankard of Coopers Best Extra Stout, drowned by an unholy baptism of Bundy. No, it doesn’t taste nearly as good as it sounds.

Like the witches around their bubbling cauldron in Macbeth, a friend and I made some at a party. He’s from Wales. The next morning he was driving six hundred kilometres, across the desert. It was truly, ferociously, colossally grog.

*

Itself a type of work song, the sea shanty’s used ironically, with geographical alertness rewarded by

We sail from here to Bogota.

It’s a fun line given the Columbian capital’s landlocked position up on an Andean plateau.

Having launched, the good ship Bundy sinks like a delightfully feeble entry in a 1970’s birdman rally.

Our sails are filled with wind and pride,

Explore the world – well at least we tried.

The pirates survive, and rush to the pub. Their shoddy shipbuilding reinforces the low status of work. Not landing in Bogota? The outside world’s cruel, and treacherous. Stay in Queensland, and get on the rum.

The shanty’s sustained last note reminds me of the opening page (I’ve got no further) of Finnegans Wake on which Joyce included a 101-letter word, evoking the fall of Adam and Eve

bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!

Our sailors are euphoric. But caution. A bar full of men full of hijinks full of Bundy? Fast forward a fierce hour. We’ve all seen how this film finishes. You’d usher gran out to the Cortina before she’d finished her shandy. Just relax. This is Queensland, nothing nasty’ll happen.

*

The slogan is Welcome to Bundaberg. So, it’s not only a city in regional Queensland, but an aspiration, a sultry nirvana, especially alluring to those of the cold wowserish south.

What can you expect upon arrival? A place in which you’d don a fez, and sink Viking ships. An idyll of cattle and cane, where the living is easy-going. A parish in which work is enthusiastically ignored.

The Lone Star and Sunshine states share much. Tellingly, for his 1940 recording, “Beautiful Queensland” country music pioneer Tex Morton adapted, “Beautiful Texas.” On airless Brisbane evenings Uncle Fred puts the needle on the vinyl, nods at the prudence of his life choices, and sings along

There are some folk who still like to travel

To see what they have over there

But when they go look, it’s not like the book

And they find there is none to compare

This may go some way to explaining the passion for Queensland in State of Origin football.

This essay was originally commissioned for  Long Bombs To Snake, the magazine of the Footy Almanac community. It is 68 pages of quality feature-length writing on numerous sports by twelve of the talented Footy Almanac contributors. My thanks to John Harms for the opportunity. Long Bombs To Snake is available for purchase here-

Almanac Shop

 

cricket

 

 

2

Round 3- Adelaide v Richmond: Now, I know why Tigers eat their young

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rodney

In Caddyshack one of Rodney Dangerfield’s much-loved lines is, “Now, I know why tigers eat their young.” He’s speaking of Judge Smails’ disagreeable grandson Spalding (I want a hamburger. No, cheeseburger. I want a hot dog. I want a milkshake. I want potato chips.) but could be referring to the Richmond Football Club, for this club has a tradition of enthusiastically self-devouring.

Regardless, there’s still universal affection for them. Who can hate the Tigers? Hands up if you’ve had or heard the following conversation:

“So who’s your second team?”

“Richmond.”

“Me too!”

“They’re just a likable team, and never cause anyone harm.”

“Yeah, exactly. And how great was Richo?”

“Yep. And they’ve got the best song.”

“Oh, mate. Easily the best song.”

*

Adelaide’s Tom Lynch is a late withdrawal because he didn’t complete a late withdrawal, and he’s flown home to attend the birth of his child. Richmond’s Griggs gets the first goal, but it’s reviewed to generate some theatrical tension for the assembled unwashed, but quickly confirmed.

It’s frantic, but like the front bar of a sailors’ pub in the last hour of shore leave, it’s untidy. Adelaide’s early skill is awful. Finally, we string some disposals together. Sloane receives it wide, settles and goals. Milera impresses with his efficiency. He moves well, has excellent awareness, and dare I say it, shows the poise of a young Andrew McLeod.

With their long kicking indoor footy should suit the Crows, and we witness this when Sloane and Walker transport it the length of the ground with two huge dobs. Adelaide’s now applying pressure and Betts claims Houli in the pocket. He goes back and sets up. Has there been a better shot at goal from a pocket? He slots it. Eddie’s kicking is now so widely celebrated that a footwear retailer should be named in his honour. Twice.

Jarrod Lyons get one for us late, and resolves the age-old dilemma. Despite the inter-continental impossibility, a Lyon indeed, defeats a tiger. New Crow McGovern shows composure to also goal. I’m starting to relax.

Adelaide are direct like a Mt Isa publican, and gaining confidence. Douglas gets his second. Following a corridor turnover, Sam Lloyd records a goal, but almost immediately after a Tiger disaster allows Lyons to get Adelaide’s seventh from turnovers. Richmond deals with the pressure like a drummer auditioning for Spinal Tap.

Seedsman’s proving to be the best thing Collingwood has given the Crows. Ever. Or at least, since the Magpies guaranteed the Crows a 2015 finals campaign by beating Geelong in the penultimate round.

Vickery gets one to give the home side consecutive majors. Then, suddenly the Tigers control everything, and like the William Blake poem, are burning bright within the Dockland’s forests. Against the Tiger-ish mood, the Crows force a midfield error and gift Jenkins a late goal. After a mammoth thirty-four minute, twelve goal quarter, it’s half time.

*

Today the Barossa and Light Bowls Association First Division grand final is between Eudunda and my Dad’s team, the Nuriootpa Tigers. Like Hawthorn Nuriootpa’s after four flags in a row. Unlike Hawthorn, most of the planet is not hoping for Nuriootpa to fail fabulously.

To open the second half Seedsman takes an excellent defensive mark, and Adelaide quickly moves it the length. In time when he gets the ball I hope the crowd yells, “Seeeeed” to belatedly continue the Wayne Weidemann of Fish Creek tradition.

Richmond persist, but unmethodically. Talia and Reiwoldt are having a tussle. The ill-fated Vickery takes another solid grab, but like an angry lumberjack, bangs it into the woodwork. Rory “Bruce” Laird is cultivating productively, and streaming forward, Ed and Tex (coming soon to your local RSL) again combine.

Sam Lloyd takes a screamer and converts to keep the Tigers within five goals, which history tells us, is not nearly enough for the tricolours. Briskly developing Crow Milera weaves exquisitely around some seemingly extinct Tigers and finds Walker.

Tex looks about uninterestedly, ignores all, saunters back, and bombs it straight into the stand from sixty-five out. Despite the doom merchants this, and other cracking moments, speak to me of the robust and enduring health of our great game.

Now, the Tigers game plan appears less certain than Tony Abbott becoming honorary President of the Onion Farmers’ Association (OFA). But like Tony, Richmond don’t disappear as they should, and with another burst, get three rapid goals.

However, Adelaide asserts itself during the final term to keep the Tigers caged. Shane Edwards gets one after the final hooter, but it’s ninth prize in a chook raffle.

*

Tigers, if you think about it, are everywhere. On their terrific album Daisies of the Galaxy American band Eels have a wonderfully upbeat song about imminent doom, which I delicately suggest, is most appropriate for Richmond. The Esso petrol-inspired “Tiger in my Tank” could be sung by any of the Punt Road faithful

 

I bought some rock star ashes

From the back of Rolling Stone

I guess he wouldn’t mind it

They couldn’t sell his soul

The tiger in my tank

Is going to go extinct

And I’m not feelin’ so good myself

I think I’m on the brink of disaster

Well done to my Dad who played in his umpteenth decider, but fell just short of winning his twelfth bowls pennant. So, enjoy your evening. Whatever you do to celebrate or commiserate, can I advise you, on the back of three years in Singapore, to not have any Tiger beer? You’ll be pleased you did. And it’s goodnight from my lounge room.

tiger

6

Cooler than a robot, older than the wolf

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beach

The endless swimming was a highlight of our three years in Singapore. On some Saturdays, we’d be in and out of the condominium pool four times. At dawn, when the boys and I’d occasionally happen upon whispering Japanese couples rounding out their evening with a bottle of breakfast Shiraz. Then we’d also dive in around midday, and driven by heat and claustrophobia, twice during the sultry afternoon. It was a theme park and often for us, an escape.

Early during our other-hemispherical stint, we were in the water, and I was talking with you about your birthday. I said, “How’s things now that you’re three? How’re you different?” Of course, your answer was instant, and assured. You replied, saying you were now, “Cooler than a robot, older than the wolf.” Not any wolf, mind you, but the wolf. I’d long suspected that you’ve a capacity for language, an opulent and striking relationship with words. Splashing about that muggy day, confirmed it.

Only a few months ago, and back in Australia, there was this domestic exchange. “Max, will you stop being so ridiculous?” It’s a word that’s vigorously employed from time to time in our house. But only as required. Ridiculous. You announced, “Mum, you’re ridiculous!” to which she said, “You can’t even spell ‘ridiculous!’” With sparkling comic timing, your retort came. “Yes. I can. M-U-M.” This talent, while sometimes maddening, might carry you far. It’s a gift.

A counterpoint to this linguistic skill is your love for engaging with the physical world. Moving like an inexhaustible machine, you explore, you probe, you pull stuff to bits. Inspired by curiosity, and bursting with a hearty sense of industry, you help me with jobs about the house. These are the moments.

One of my favourite things is when our world shrinks and shrinks, and it’s just you and I on a Saturday morning. A little backyard militia, we mow, and with a cutting wheel, we edge the lawns. All the while you question, encourage, engage. We sometimes visit the recycling depot, and lastly as a tiny reward, we pop by the Anzac Highway TAB, where in joyous imitation, you illustrate your fan of betting slips, resulting in financial return at least equal to mine.

It’s a routine that drapes exquisite meaning over these weekends. In a life often too complex, this fetching simplicity refreshes me like an oasis. We don’t often sit still on the lounge and chat, instead conversing while in motion. The car. With heaving backpacks, walking to and from school. Out the back, as Sunday shadows lengthen, playing cricket.

Last Easter, we wandered down to Glenelg Oval for the Sheffield Shield final. Strolling southwards, chatting; the breeze, the bent rays of autumnal sunshine. I love listening to your brotherly conversations, as these dance and hang in the air like bubbles.

*

If I close my eyes I can see a silent movie of flickering highlights, and these tumble about me, like rain.

You’re riding madly round the Old Gum Tree Park, with your feet dangling high above the pedals, and look, they’re now up on the handlebars as you wizz by in a mischievous blonde rush.

Lying under the patio, just after a December dawn, with summer’s heat already heavy in the sky, you’re hugging our new dog, Buddy and you’re talking to him like an equal, as if he’s a little brother. And, he is.

We’re on a Thai beach, and in a cocoon of pure, insubstantial now, you’re jumping like a kangaroo and laughing in the gently frothing waves. I barely believe we’re here.

Finally, you’re in bed, and I creep into your room, but there’s a thin shaft of light. Inspired by the nocturnal habit of Alex, you’re in your bunk, on your belly, immersed by a book, reading with a torch. This makes me happy.

Now exhausted, you finish your story, surrendering to our will, and within moments, you slide down into an irresistible sleep. You’ve interrogated your world, so delightfully, so energetically, across the long hours of the arching day that instantly, almost impossibly, you’re still.

You are now six, and will always be cooler than a robot, and older than the wolf. Max, we love you. Play on.

lawn mowing

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Jonesy

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car

We met in the Orwellian year of 1984 at the Salisbury SACAE and studied English together. It then turned into UniSA, and is now, perhaps poignantly given tonight’s splendid occasion, a retirement village where on Thursdays, I believe, they do a wicked two fruits and ice cream. But it was tremendous fun when we were there in the ridiculous and pastel 1980’s. Among many, many memories of my friend Jonesy, here’s just a few-

Joneso, do you remember how we’d plod off to fourth year English, heartlessly scheduled on Mondays from 4 – 8pm? Having survived, at 8.01pm I’d point my 1973 HQ Holden Kingswood southward, you’d beg me to crank up the cassette player with some mid-period Bob Dylan, and we’d navigate speedily if not unlawfully to the Botanic Hotel. Safely there, we’d review the lecture’s major themes, or not.

Back in those days pubs had to serve food to stay open late and the Botanic often offered spaghetti bolognaise, which was slopped out of a large steel pot, just like in a prison movie. And indeed the food was criminal. But, on more than one occasion, as uni students, we ate it.

One of my favourite Jonesy moments was on a Friday at uni when she performed a monologue by Barry Humphries’ best character; not Dame Edna or Sir Les Paterson, but the decent man of the suburbs, Sandy Stone. Jonesy’s performance was fantastic. I laughed like a drain. It was funny and poignant. That monologue is called Sandy Claus, and as I share an extract from it, imagine I’m a doddering, lisping old man, which’ll be impossible for I’m not the actor that she is. So, picture Jonesy in a dressing gown and slippers, with her hair gray

On top of the pudding Beryl had made a delicious fruit salad which she’d put in the big cut-crystal bowl she keeps for best. She’s had it for years now but it’s still got the Dunklings sticker on it. However, everyone was full up to dolly’s wax and I was absolutely stonkered, so unfortunately it was hardly touched and Beryl said it was a wicked shame after all the fag she’d gone to. With the exception of the banana which goes brown overnight, she’d preserved every bit of that fruit herself in her Fowlers Vacola and I can vouch for it personally; Beryl’s been bottling all her married life.

Is this the best reference to the Fowlers Vacola you’ve ever heard? Is this the only reference to the Fowlers Vacola you’ve ever heard?

Teaching at leafy and prestigious Marryatville High Kerry suffered or rather I suspect, enjoyed, a wardrobe malfunction. Yes, at school. Yes, in front of her students, like a shameless Kardashian. Many would’ve blushed and ran screaming from the room, but not our Jonesy, who confronted the issue with her students, saying,” Yes, I know it’s funny, have a good look, I’m sure this has happened to some of you too. Yes class, you’re correct, I am wearing odd shoes.”

Like a puppy I’ve followed her around professionally. Decades ago, early in our working lives, she went to Cleve and I went just up the road, to Wudinna (Woo-dina for those of you from Oxford). I then followed her to Marryatville, after she’d wisely left, and recently the exam and assessment authority called the SACE Board, after she’d wisely left, but at which we might work together in a few months.

If you return, we could sneak off early on Mondays, and yet again, regularly journey to the Botanic Hotel. I could hire a Kingswood. You could drive. I’ll bring the Bob Dylan tapes.

Happy birthday, loyal, funny, dear friend.

dylan

 

 

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Skyhooks and me

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ego

Urgency. I reckon this is the best word. For they were always urgent. Midnight Oil was aggressive, and Sherbet was summery. But even when they were brooding, Skyhooks was urgent.

Learning of their 1991 reunification tour, some mates and I instantly booked our tickets. However, on the day of their Adelaide concert I awoke 565 kilometres away on the West Coast as I had to pack up my Ucontitchie Road farmhouse for the move to Kimba.

With my earthly goods flung through the front door of my new house, we leapt into my mate’s SS Commodore, pointed the 4.9 litre beast eastward, and rumbled the five hours, through a January thunderstorm, to North Adelaide’s Old Lion Hotel. We arrived with moments to spare. The pub already stinging in its smoky, hot fug. There were but three beers on tap. Red Symons was at his belligerent Red Faces best. It was a night of huge fun.

I love crowd singing on a live album. It amplifies the sense of being there, when in all likelihood, you weren’t. Great examples include “Army” from Ben Folds Live and,” Don’t Look Back in Anger” by Oasis, but supreme for me is “All My Friends Are Getting Married” from Skyhooks’ Live in the Eighties. When Shirl invites the crowd to sing the chorus they do in such an adoring fashion. Back at the Old Lion this, too, was a highlight of that summer night.

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Sophomore albums often rate highly. Think Nevermind, The Bends and Astral Weeks. Buoyed by the acclaim of their debut offering, there’s often a young band or artist, teamed up with a noted producer. Their confidence is unparalleled. An equivalent could be, again from 1991, when Mark Waugh made an elegant hundred on debut at Adelaide Oval. However, a friend observed, “It’s not such a surprise. After all, you only get picked for your country because you’re in fantastic form.”

Bearing this in mind, Ego Is Not a Dirty Word is their finest album. I know that Living in the Seventies is the much-loved debut, selling over 300,000 copies, and enjoying the infamy of six of its offerings being banned. But, on this second release, there’s an increased breadth in the songs, with “Love’s Not Good Enough” musing on suburban loneliness, “Smartarse Songwriters” featuring Greg Macainsh’s meta-cognitive explorations, and the title track, pushing the patience of many (I can’t imagine Sir Joh was a fan) with its brazen reference to the triumvirate of Richard Nixon, Leonard Cohen, and in an Australian music first, Jesus.

My favourite is side 2, track 2. I know it’s a hundred types of wrong, but I recently played it in the car for the boys. On the first note of “Mercedes Ladies” they both giggled at the larrikinism of bass line, the cheeky guitars and Freddie’s comical tom-tom drumming. It rollicks along with the musical highlight the double hi-hat chick at the end of each line. It’s a great way to spend three minutes, and encapsulates the band, their time, and their legacy. In this, as in much of their material, Skyhooks satirise the suburbs while also rejoicing in them.

Of course, we’re all apprehended by our creative context. Even here in smug 2016, history will eventually scold us. 1975 imprisoned many with multiple charges: sexism, homophobia, stereotyping. But despite this, Skyhooks also pioneered themes concerning the suburban and the local. It was music of the largely untold other; it was not of NYC or London.

Such is the significance of Skyhooks for me that the mention of Carlton evokes the song first, and the footy team second. The band’s collected lyrics still generate an imagined google map of Melbourne, and a reference to Toorak or Balwyn returns me to my original conceptions of the city by the Yarra. If the Beatles are Liverpool, and the Rolling Stones are London, then Skyhooks is Melbourne. Their music has always presented the geography of a highly human environment, as there’s colourful pictures of grimy pubs, menacing streetscapes, and widescreen vistas too.

Open photo

It was in my school mate Lumpy Nixon’s lounge room (I’m sure there were ceramic ducks flying up the wall) that I first saw, and heard Straight in a Gay, Gay World. I was mesmerised by the guitars on the title track, and the sonic trickery of a swarm of insects hovering overhead on the outro, moving from the left speaker to the right. I was fourteen and this was beyond cool.

The album’s artwork gripped me equally with its triptych of a solitary black sheep, butcher shop and lamb dinner. It was the first humorous cover I’d seen. The art often functioned as a portal to an album’s narrative. I was especially intrigued by Pink Floyd’s Wish You Were Here and tried to decipher the cover photo of the two businessmen, one calmly ablaze, shaking hands on a Californian backlot. However, I couldn’t unlock its mystical meanings. In our age of Spotify and digital downloads, these happy distractions have largely disappeared. But vinyl’s fighting back.

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And finally, to Shirl. He’d a remarkably complex voice, blending a tradie’s building site swagger with the footballer’s front-bar cockiness. It was effortlessly confident, and also reassuring, saying, “Why would you live anywhere else?” as it slapped your back and shouted, “Forget about it, I’ll buy you a beer!” He sung to, and for, us. But his vowels were knowingly crisp and aware of the telling subtext. He delivered his stories with affection, while also investing the songs, as appropriate, with a sneer. “Million Dollar Riff” could be his best performance. Shirl was the perfect front man.

I love that I can go years without listening to a band, and then one afternoon find myself dragging out a dusty CD, and with the opening chords, being teleported to a distant, thrilling place. With Skyhooks that place is in the dimming distance and unreconstructed, but from time to time, I really enjoy going back there.

hooks

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Now You Are Eight

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Koh lanta

Suddenly and incredibly, you are eight! Alex, how our world changed when you were born on that bright Saturday afternoon, eight years ago.

Among my favourite things is spying on you. Isn’t this funny? You and Max love spy games, but Dad loves spying on you. What do I see when you’re not looking, but I am?

I see so much that makes me, and Mum proud. You’re funny and alert. Like a puppy, you play with creative energy. You love your friends, and they love you too. You like sharing stories, but listen when people tell you stuff too. For you, games and fun must be fair. You don’t like it if others are unkind to you, or those you care about. Because it’s important, you take a stand. This makes you a leader, and we love this about you.

I’ve so many memories.

We’re on Koh Lanta. It’s a fresh, clean morning and the sky’s holiday blue. I’m on a sun lounge out the front of the resort, looking across the sparkling sea towards the Strait of Malacca. You and Max are on the flawless, golden sand. Buckets, spades, toys. Boys and brothers. Do you remember this? I watched you; long-limbed like a giraffe, and miraculous, as if born of the tropical sun itself.

And later, on the same trip- our last while living in Singapore, we do a boat tour to five islands! In the marine warmth, snorkelling above the coral, Mum and Max are bobbing about on the azure ocean, while off on our own, and peering down through our masks, we see it. Silently, and like a whip cracking in slow-motion, is a sea-snake! It’s there for mere seconds, and only we saw it, together, in our private universe. Instantly we sit up, beaming

Did you see it Dad?

Sure did. What’d you think?

So cool.

A momentary sight, but for us, stronger than two electrons in perpetual orbit. For someone as curious about nature and dangerous creatures as you, it’s a thrilling highlight of our three years in Asia.

Last Friday, in the afternoon sunshine, you’re in your blue Strikers shirt and cricket cap. We’re at Glenelg Oval, and there’s plastic yellow stumps and kids, learning and playing, learning and playing. You’re batting. I’m on a bench by the boundary, spying on you. Again!

The bowler pitches it on a good length, but outside the wicket. In a fluid, looping motion, you step into it, and swing the bat. It’s an on-drive, and possibly having seen an Australian cricketer like David Warner do this, you go down onto one knee. It’s cute, but also shows me how carefully you take in the details of your world, how keen you are to do your best and display some robust mastery. You stay low and hold your position, watching until, just in front of me, the ball jumps the rope. Your first boundary! Certainly a treasured event in many years of loving cricket.

Now finally, back we travel, to 2008 when you’re only three months old. It’s May, Mothers’ Day; fetching and warm like a hug. We’re at Wattle Reserve, by the beach, with a picnic of olives, breads and dips, dolmades; unhurried food for a late autumn lunch. You’re there on the rug, in the breezy, timelessness. Smiling, blue eyes alert, enchanted. It’s a movie, a love song, our lifetime distilled. It’s a dreamlike afternoon.

So, as you begin your ninth year, I wanted to find a few moments among the guitars and the bikes, the barbeques and the blur of the cruelly rushing weeks to reminisce on how astonishing our world became on that bright Saturday. The day you arrived; the gorgeous, clever, amazing gift of you, arrived.

glenelg oval