Enticing Spanish food, gorgeous cinematography and two actors playing fictionalised versions of themselves perpetually engaged in battles over career, family and who does the best Michael Caine impression.
Yes, Steve Coogan and Rob Brydon have returned with the third in director Michael Winterbottom’s now anticipated film series.
With a typically thin premise- Coogan insists he’s writing a book inspired by Laurie Lee’s As I Walked Out One Midsummer Morning along with the usual contract to write a set of restaurant reviews for the Observer our team departs from Plymouth by overnight ferry for the north of Spain.
The comic energy of the film comes from the endless cockfight between the characters over their impersonations of actors and celebrities. Their stable includes Michael Caine, Robert De Niro and celebrated BBC Radio announcers Terry Wogan and Ken Bruce. Brydon’s impersonation is so uncanny- “Up next: The Doobie Brothers! – that he once took over Bruce’s Radio 2 morning show and most listeners only knew what had happened when the real host appeared at the end!
Mick Jagger is a welcome addition to their repertoire, having snuck in following Coogan and Brydon’s early discussion of older men having kids. He stunningly captures the Stones’ front man and his nasal almost public schoolboy tones, along with the hysterical clapping trope associated with Jagger’s onstage performances. It’s funny, and early on we have Coogan 1, Brydon 0.
Beyond the aural fun it’s also an essay on middle-aged masculinity. The ebb and flow of careers- Coogan now sees himself primarily as a writer, and the scenes with him sitting morosely at his laptop indicate how dismally this is travelling, through to meditations on death and the struggles with family and love. Coogan’s Dad-joke-sad attempts to flirt with an attractive ferry attendant establishes this middle-aged loss early. Happily, Steve later announces that “Fifty is a sweet spot” but of course there’s an underscored doubt about his optimism.
With Emma, Steve’s assistant and Yolanda, the photographer, joining them late in their journey a shared lunch gives the leads the attractive female audience they need for a final showdown in which Coogan and Brydon duel over who can do the best Roger Moore with the Welsh star taking this to maddening yet terrific excess. It’s magnificent.
In the previous films we had literary assistance in Keats, Shelley and Bryon, and here in Spain it’s Don Quixote and his assistant Sancho Panza which somehow reaches its ridiculous zenith in them duetting on “Windmills of You Mind” as their Range Rover speeds towards Malaga.
The film is part travelogue too with the countryside as well as the restaurants in luscious prominence. The Alhambra is used to highlight Coogan’s latest existential crisis as he wanders through this stunning palace, his haunted, hunched self in contrast to the natural and Moorish architectural wonder.
“She was only nineteen years old!” is the overdue vocal joust- I thought Michael Caine might be unforgivably absent- at their final restaurant in which their shouting match somehow remains unheard by those at the surrounding tables. This impossibility adds to the film’s absurdity.
The Trip to Spain is huge fun and already I’m guessing where they’ll next venture. I suspect a French tour.
Regardless, I’m sure that Caine, Moore, De Niro and co will be along too.
The Trip to Spain is in Australian cinemas now.