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Pub Review: Dingo Pub

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Rodney splashed more chardonnay into the glass.

Moving about his bar with suppressed nervous energy, he now declared, “As I’ve filled it above the line I’m obliged by Queensland law to inform you of this because you mightn’t want the extra wine.”

Unsurprisingly for a Kapunda girl, Claire dismissed that idea with a, “No, thanks, that’ll be fine.”

It was around 2pm on a Tuesday in Dingo Beach. We were in the Whitsundays. We had explored the beach- the tide was out- but did not swim because of stingers and Irukandji jellyfish. I had read that Irukandji jellyfish actively hunt their prey. I had little interest in becoming prey to a tiny, blobby marine killer, especially as Glenelg had just won the SANFL premiership.

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Rodney has four beers on tap: XXXX, XXXX Gold and two types of Great Northern.

Generally, I have limited truck with these, and might’ve opted for a stubby of Coopers, but surely the traveller’s obligation is to be brave and try to experience life as a local.

So, I took a deep breath, steeled myself and heard these words fall, haltingly, from my quivering gob, “I’ll have a pint of Great Northern, thanks.”

I felt unsteady on my thonged feet. To offer her support in this difficult circumstances, Claire rubbed my forearm kindly.

The kitchen had shut so we had an impromptu lunch of cheese and dips and olives at our beer garden table. Rodney did not mind.

A few other Tuesday patrons drifted in and mostly headed to the smoking section. There were older men with orange shirts and ghostly goatees. On the tree between us and the beach a riot of kookaburras took up brief residency, announcing their arrival with brash, Motown song. Then they flew off, possibly seeking Coopers on tap.

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Our Mersey cheese was tremendous. It really is the Allan Border of cheeses: predictable, attacking when required; defensive if needed. I stuck another piece on my Jatz (traditional not pepper).

On Sunday we’d bought some supplies in Mackay and seemingly both possessed by one of lesser demons in The Exorcist, stuck some rosemary and gin olives in our trolley. In appropriate contexts all three are excellent, but put together and Father Karras can’t save you or Regan, despite the power of Christ.

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The tub was swiftly despatched to Rodney’s beer garden bin. Apologies to the bin. Apologies to Rodney. Bins deserve better.

We spoke of the town, its wide beach and family-friendly foreshore with playgrounds and barbeques and endless picnic tables. We were both taken by the islands dotted about the ocean. Coming from South Australia our experience with off-shore land masses is largely informed by Granite Island. Switzerland is better served by islands than us.

Keen to swim Claire asked Rodney of this and he began his repetitive, circular discourse: ”Well, me and my kids go swimming all the time without stinger suits. But I don’t want to tell you what to do. You might get stung and come back and sue me.”

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Claire nodded.

Easing into his work, like Keating and the Redfern speech Rodney continued, “Me and my kids go swimming all the time without stinger suits. But I don’t want to tell you what to do. You might get stung and come back and sue me.”

Claire excused herself, having developed a sudden taste for gin and rosemary olives (albeit in the bin).

And my pint of Great Northern?

It was cold and flavoursome and the head was creamy and inviting. In its proper context at the Dingo pub it commanded the stage with quiet confidence.

It was utterly delicious and, of course, now back in a shoe-wearing state, I’m unlikely to ever have another.

About half an hour from Airlie Beach, the Dingo pub is a must when in the Whitsundays.

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2

A Love Letter to the Clare Golf Course

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In the world of cinema it’s known as mise-en-scène and refers to the poetic arrangement within a camera shot. This embraces composition, sets, props, actors, costumes, and lighting and is designed to evoke certain audience reactions.

Indeed, golf and film might share this idea, if not the term, and the seventh hole at Clare in South Australia’s mid-north valley is beautifully-constructed visual art. Set among fetching hills and riesling vineyards on the town’s outskirts, the course speaks of the joys of nature, our extraordinary privilege, and the enduring value of connection.

Last Saturday dawned brisk as it does approaching 1300 feet above sea-level, but after breakfast the sun was breathing balminess into the earth and onto our faces. It was wispy-cloudy and the kindest of breezes moved about the trees. The AFL grand final would commence mid-afternoon and we’d claim our spot by an open window in the Taminga pub.

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If a golf course presents a narrative then the fifth is a memorable scene. With driver or three-wood from the tee care must be taken to not drift right as an out of bounds vineyard awaits patiently growing fruit. For some these grapes represent golf’s truest occupation: a long walk before a crisp cup; a healthy delay until Bacchus takes considerable charge.

Never mind that it has been deceased for decades, but the ghostly eucalyptus guarding the fairway fringe is a mighty reminder that perhaps golf should be of only minor consequence during a round. If there’s painterly beauty and awe in death, then this tree could be it, all cryogenic limbs and leafless silence.

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Like Mediterranean sailors and the sirens’ call most of our group’s Hot-Dots are lured to this solitary gum. On the green as Mozz lines up his long, curling putt I whisper to Claire, “Golf can be like being at war with yourself.” Mozz leaves it about ten foot short. I lean in again, “He might be losing.”

But, of course, we’re all winning.

If we continue our theatrical theme then the next hole is a climactic point.
The preceding holes have climbed quietly and the seventh tee is the natural and dramatic pinnacle, providing a vista over the course, Inchiquin Lake and the drowsy township. Sevenhill, Kybunga and Polish Hill hug the horizon.

However, looking down at the hole it’s astonishing how much it communicates. The original course architect must have smiled as he imagined the simple challenge; how he must have nodded at his good fortune to conceive this marriage of human invention and astounding nature.

It’s an unforgettable golf hole.

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130 feet below in the amphitheatrical apron a willow sits patiently by the wide green.
A nine iron only from off this cliff and the ball hangs frozen in today’s azure, before gravity escorts it back to earth.

One of our ensemble, Paul, fluffs his shot and lands in the rocky creek bed that twists like a reptilian. Amid the banter I’m aware that his tiny calamity is emblematic of our huge luck in being here, in the morning air with full bellies and endless ease.

Like the sport itself it’s a hole that invites optimism (surely the golf bags of the pessimists are dusty at the back of countless garages), but condemns arrogance and only one of our group, Bazz, finds the outwardly impossible-to-miss putting surface with a shot in this grand context that’s humble and reverential.

There’s nods, and staccato yelps of, “Nice” and “Yeah, done Bazz.”

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Our electric carts whirl down the goat-track through the scrub and bush, and the seventh green materialises as a verdant altar. Birdsong is both hymn and soundtrack. As we exit Clare’s golfing cathedral and go to the eighth, scores are confessed and then forgotten.

We press on through the laughter and the brief disappointments, and as it should, golf performs as a prop for poetic connection and conversation.

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2

September and everyone’s in love and flowers pick themselves

It must be acknowledged that autumn is ridiculously good in Adelaide.

The cloudless, immensely liveable days host a tremendous array of outdoor fun at the beach, at the Fringe Festival, in the backyard. It’s a spectacular time in this cosy city, clinging to the edge of our isolated island at 34.9285° S.

However, every month and season has highpoints, but September is the one to which I pin most happy expectation. I love winter, and while here it’s brief, I’m mostly pleased to wave farewell to it, and smile at spring.

So, what is it about September?

Football finals.

From my hometown of Kapunda, to Adelaide’s suburban competition and then to the immovable Australian Football league, it’s the best month to enjoy our unique game. I love that it must be the only sport in which competitors miss a goal but are rewarded with a point for being close. You know, for having a go. In this country we value laconic imprecision, of course.

With the Adelaide Crows finally back in September after seven years in the wilderness, I’ll take a huge interest in the AFL finals and hope they can claim their first flag this century (actually, millennium). We’ve two home finals and I still recall being at Adelaide Oval (with Paddy Dangerfield’s grandfather) when after cutting up the Cats they advanced to the last Saturday. The place went ape droppings. If it’s not to be in 2025, my inner socialist dictates that my temporary affections are with the most deserving, and generally least successful team. This doesn’t include Collingwood or Geelong. Not in my lifetime!

At the local level my team Glenelg qualified for their seventh consecutive finals series. Indeed, they have a shot at their third premiership cup in a row, and their fourth since 2019. It’s probably the club’s most successful era, ever. It’s going to be fun. It’s going to be surprising. Most vitally, it’s going to be memorable. Can it already be a year since our captain, Liam McBean, lasered through 7.0 goals to pinch the flag from Norwood? Go, the fighting fury!

Spring is a seductress, but a shameless tease too. With the days lengthening swiftly we end our hibernation and amble outdoors expecting bright, sunny skies. There’s a burst of cheerful warmth, and suddenly, barbeques sizzle, thongs flip-flop out of the wardrobe, and a few frenzied punters even splash down to the beach.

But, before you’ve pumped up the tyres on your cobwebby bike, or ironed your speedos, a gusty change lashes through, and again you need a beanie on just to stick out the bins. And this schizophrenic weather can go on endlessly. It’s like buying tickets to a Bob Dylan concert and worrying about who’ll turn up on the night. The good Bob, or the bad Bob?

The international cricket season (Ashes Tour) is slow to get a rumblin’ so horse-racing enjoys some attention until mid-November. I love the Group 1 races such as the Makybe Diva Stakes, named after the Port Lincoln wonder mare who won three consecutive Melbourne Cups, and the Moir Stakes, which sadly isn’t the Moi Stakes and therefore named after Kath and Kim. The boys and I will invest the odd hour in the Broadway pub watching some of the turf action. Max might even wear his Black Caviar cap. It’ll be a raspberry and chips for all.

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September is rebirth and renaissance; promise and hope; a farewell to the murk and a cautious nod at the light. It’s when the year stomps down on the accelerator and tyres squealing, burns towards Christmas like a mad Monaro.

Let’s wind down the windows and crank up the radio!

*The title comes from the celebrated American poet ee cummings

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Tuesday in Fitzroy

 

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Tramway Hotel, 165 Rae St, Fitzroy North

Underground music. Likely a Melbournian band from the 1980’s. One punter inside, one outside at the row of three tables on Church Street near the roundabout. The young fella out at a table appears from my spot by the fireplace to have an Andalusian dancing horse tattooed on his skull. Opposite me is a macramé wall hanging, and I feel as if I’ve been taken hostage by the horrific 70’s. At the centre of the Tramway is its triangular bar.

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I order a Young Henry’s Pale Ale which I find safe if unspectacular. It’s a mild afternoon so I move outside into darkening street. The Andalusian dancing horse has galloped off into his evening. Bikes outnumber cars on Rae Street and I find this reassuring. Most folk sport beanies. The upcoming gigs blackboard announces Acid Country broadcasting live this Thursday on PBS 106.7FM. Their website promises “an intimate afternoon of music, radio and community”.

Royal Oak Hotel, 442 Nicholson St, Fitzroy North

In the world of pub names is this the equivalent of John or Mary?

Here’s another fire and candles. There seems to be a distinctive inner-city intimacy at work in Fitzroy North. I can’t recall going into an Adelaide pub and finding lit candles. I like it. The Beatles are playing. My Hargreaves Hill Pale Ale is curious.

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Apart from me (obviously) there are three blokes in the front bar talking footy. They speak of the Scott brothers. One chap is theorising that the Geelong coach, Chris Scott, might be lucky to keep his job. It seems unlikely given that his team is top by some distance.

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I see an Escher print on the wall, murky books above my head and a tram zings past. A bowls scoreboard sits nearby. It’s quiz night and a staff member asks me if I’m here with a team. I shake my head. Scotland’s finest, The Proclaimers come on and I smile to myself. Indeed, Adelaide is 500 miles away. Having run The Tan earlier today (for the first time) which is a lap of Melbourne’s Botanic Gardens I think these lyrics true-

But I would walk 500 miles
And I would walk 500 more
Just to be the man who walks a thousand miles
To fall down at your door

I look up and there’s an upturned wooden surf boat over pool table. I leave.

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Suddenly, suburban floodlights. WT Peterson oval. Footy training over by the grandstand. Naked trees watching silently by me. Just in front on the forward flank: man, dog, tennis ball.

Lord Newry, 543 Brunswick St, Fitzroy North

First port of call in this boozer is the gents. There are astonishing quantities of graffiti on every surface. I rush. Don’t dry my hands.
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I order a Four Pines Pale Ale. Some Glaswegians in the back bar are talking football. In the front bar’s a muted glow, like grandma’s lounge room if she loved orange light shades and early disco music.

I detect a nautical theme because of the turgid and, I suspect, ironic prints of British ships. I think of the postcolonial perspective and associated ideas about imperialism, but only briefly.

I look up at the ceiling which has been stained yelpy yellow by a million Ardath and Black and White darts. And then I think about Sir Walter Raleigh who introduced smoking to Britain and I’m back to postcolonialism, but only briefly.

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I note that there’s only five items on the Specials menu board. I think this the maximum allowable number because any more and I’d question just how special those dishes might be. Wouldn’t you?

Royal Derby, 446 Brunswick St, Fitzroy

In the men’s the exhaust fan is whirling like the propeller of the Indianapolis but without Quint’s sharks. It’s so noisy I fear the whole building might take off.

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The Kings of Leon are playing and I find them restorative at this point if not generally. I keep with my broad ale theme and buy a Stone and Wood Pacific Ale. There’s a table tennis table in a dedicated room although no-one’s using it, and it would be difficult for me to play by myself.

Over in the betting corner a man is having trouble with his eyes and these go from menacing and mean to glazed and then incapable of focus. He leaves. It’s the only pub in which I hear no footy talk.

The Rose, 406 Napier St, Fitzroy

Happily, I walk in and hear blokes talking footy around a central rectangular bar. There’s a big dog by a table. Warm chat everywhere. Exotic beers abound, but also Coopers.

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With exposed bricks and beautiful and enveloping light this is suburban joy. It’s the standout on my brief tour. India and New Zealand begin the World Cup semi-final and I speak with an Englishman about this fixture and our upcoming clash. We agree that the bowlers might dictate the result and Mitchell Stark could be the difference.

I order a burger. It’s a treat. Some young lads near me talk of commercial airline seat configurations on flights into and out of the Western Australian mines. They appear knowledgeable. As I leave, they’ve turned to the bright prospects of the Brisbane Lions who, of course, used to be Fitzroy.

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Pub Review: The Three Brothers Arms, Macclesfield

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Becalmed by the fireplace a smiling chap said, “It’s great isn’t it?”

I agreed.

“It’s just like your living room. That’s how the owners want you to treat it.”

“Tell the Truth” by Derek and the Dominoes made its earthy, laconic way from the speakers to the ears of the punters. It had that warm, enveloping feel to it because it wasn’t coming from a juke box, CD player or streaming service.

Audiophiles agree that it remains the finest way to enjoy an album, and over by the pool table was that most uncommon yet esteemed of front bar furniture: an antique turntable and speakers.

Brilliant.

“This is a very English idea,” I nodded. “Publicans over there want you to treat the pub like your own home. It’s rare here.”

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Living on a West Coast farm I bought a second-hand turntable that had somehow lost its legs, so I used split squash balls to absorb the bumps and rumbles because as is established fact there’s nothing worse than the stylus bouncing across your most prized vinyl which of course is Ripper ’76.

With the volume screaming past eleven it kept the sheep away from the house. Digital music is omnipresent but real records provide us with the physical and the kinaesthetic. It’s a richer sensory experience.

Eric Clapton and Duane Allman were undertaking some acceptable fret work on this most perfect of Saturday afternoon pub soundtracks. Along the pub wall rest half a dozen rows of LPs. Blues masters, the Beatles, the Rolling Stones, sixties and seventies gems. Pinned nearby is a brief set of rules for busy times- one side only per person etc.

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With regular live gigs in the Heritage Bar and beer garden (Kasey Chambers’ dad Bill playing soon) it’s a musical nirvana and complements impeccably the pub across the road, The Macclesfield, which offers standard services like big screen footy, TAB, happy hours, pokies.

Is there a better balanced two-pub town?

Earlier we took in the Mary MacKillop Way which with paintings and text documents the saint’s local work. One station highlights the sisters’ efforts during a bushfire when Mary offered the volunteers, “drinks and light food.” Light food?

Happily, I’ve no experience in this but imagine after elongated hours of hot and dangerous labour battling a blaze, I’d be a little disappointed to be only given a cup of tea and a scone, and to hear the dreaded words, “Sorry love but we’re out of jam and cream.”

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Originally known as the Goats Head Inn it’s visually engaging with memorabilia and photos, and curios like an upturned umbrella and wooden toy train dangling from the ceiling. There’s historic Guinness and stout signage too.

By the window we find a spot on a ruby Chesterfield couch, and in our nook’s an upright piano and a Hendrix (I’m claiming this as a collective noun) of acoustic and electric guitars.

The resident kelpie Ranger wanders about saying hello. I love dogs in pubs. In England this is routine and they’re welcomed with water bowls and spaces to stretch out. Hounds are so central to our way of life here yet rarely spotted in public buildings. Why? I’ve seldom seen an unkempt, drunk dog wobbling about picking fights in a pub, and know who I’d rather sit next to. One of the bar staff tells me that Ranger loves playdates and often has canine callers.

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Well done, Three Brothers Arms.

With the fire crackling away, I attempt another beer. “I might try the Goats Head Lager. Who makes it?”

“I’m afraid I can’t tell you,” insists the young barkeep with a wink. Maybe it’s difficult following a Coopers Sparkling Ale, but although I get that it’s a tribute to the pub’s original name and neighbouring brewery, I find it somewhat bland.

Convivial knots of chaps are at the low tables and many of them sport tweed jackets. They look like minor characters in an Ian McEwen novel. With its uncomplicated sense of purpose and refined atmospherics it does feel decidedly English in here, and I reckon the pub would sit sympathetically in the Lakes District or by a brook in the Cotswolds.

Meanwhile, someone drops Bob Dylan onto the turntable and his endearing whine mingles warmly with the patrons’ wine. Underscoring the music is the staccato percussion from the pool table. It’s a jovial place.

Claire and I have dinner plans, but vow to return. The beer garden stretches down to the Angas River and is a summery must. We pat Ranger goodbye and head out into the afternoon’s fresh coolness.

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Beer Review: Coopers XPA (spoiler: boiled shite)

costaAn iconic Australian brewer, Coopers have launched a new beer. This is of considerable excitement to me, and here’s a quick list of launches that are far, far worse.

The launch of a P!nk album
The launch of the Costa Concordia
The launch of Paris Hilton’s eponymous perfume
The launch of an Exocet missile
The launch of AFLX
The launch of Shane Warne’s new wig
The launch of an all you can eat tofu diner.

That’ll do for now.

*

I’m in a suburban Adelaide pub. It’s called the Highway, and is stylised as HWY. Some would argue that for the HWY, this is where style ends. It’s actually pronounced “Hur- wah- yee” and emits exactly the sound you’ll make when paying for a drink here.

It’s one of those maddening pubs that insists on using those ridiculous glasses that are well short of being pints, yet they charge you as if they’re Jeroboams of lager.

Maybe it’s called the Highway because in the Lounge Bar and accompanying deck, highway robbery is the business plan. I often feel in there as if I’ve been personally served by Ned Kelly masquerading as a twenty-something arts/law drop out called Charlotte whose boyfriend plays footy for an Old Collegians club.

You know the one.nedWith all these crimes temporarily excused I’m in the Sports Bar seeking a Coopers XPA, largely as there’s nowhere closer to home with this on tap. As sports bars go this one is fine with screens showing golf, cricket replays and the thoroughbreds from Hawkesbury and Quirindi. On the other side there’s a mega-wall of betting screens and some burly high-vis blokes.

As is law in this country there’s that one cove in the bar, sans hygiene and base-level socialisation who, despite the early hour, has already been here too long. Wandering about aimlessly he invariably glances and blinks at me, and wobbles over as in his fuddled head it’s time for a chat. Oh, here he comes.

No use putting my head down and avoiding eye-contact. It must be my deodorant. Well, at least his fly is up and on his upper thigh he’s not sporting a dinner-plate sized pee mark.

He belongs to another era, particularly the one before the Highway was renovated when, even around 5 bells on a Friday, the front bar was as dark as a Thai cave and a grizzled and aproned butcher squatted at a table, sold cubes of cheese and slices of mettwurst and handed over your happy hour tucker on actual butchers’ paper. This was before butchers’ paper was hijacked by every clueless conference convenor and it became a toxic weed along with housekeeping, plenaries and parking lots.

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The Coopers XPA?

Colossally disappointing. Taking a spot adjacent to the bar with my undersized, overpriced glass, I took a sip. Nothing on the front palate. Pause. Nothing on the middle palate. Another awkward pause. Expecting a late rush of taste and flavour and Coopers yum from the back palate I still found nothing.

I acknowledge that at 5.2% it is more Ali than featherweight, but the XPA seems to have pipe-cleaners for arms, and not guns.

Old mate Puggy then joined me, and instantly confirmed my dismal analysis. We had been promised a lumpy V8, like a Brock Commodore, all throaty and snarling up a country straight, but instead were piloting an insipid sedan. With bald tyres.

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The previous Coopers release was Session Ale, and it was sun and joy and tropics. A golden splash of fun, and reggae straight in ya gob. It has proved to be a hit, like a Beatles’ tune from their Rubber Soul era.

Coopers XPA is the song that came 17th in Eurovision 1987, but without the charm, longevity and ridiculous applause from the irradiated Ukrainians.

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Bob Hawke, Brutalism and Banana Bread: Melbourne Trip 2019

 

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Who doesn’t love an existential question just after dawn, on a festive Friday? Our flight had entered Victorian airspace (the state, not the historical era) and breakfast (adhering to Spartan and not Southern American culinary tradition) was dumped onto our tray tables.

Propelling eastwards, several kilometres above the awakening and expectant earth, Chris asked, “So, what’s the difference between banana bread and banana cake?”

“Extremely good question, old mate,” I replied staring at the brownish block of mashed fruit, all unanimated and morose.

Trev observed. “I reckon the difference is about three dollars. “

“Yep,” I confirmed, my linguistic prism primed. “Given the alliterative appeal, banana bread is more expensive.”

*

In part the North Fitzroy Arms appeals because it presents as a country pub. Pushing open the front door at 12.01 is all frisson and happy expectation. The décor and the memorabilia are as I remember. Unlike some soulless modern venues there’s no seductive chrome or glass. The taps offer familiar brews. I comment, “Good to see Pentridge Pale Ale is available.” Gough and Percy are on the back wall, in black and white, forever frozen in the early 1970’s.

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It’s great to see everyone, and the lunch is a beauty with the Roasted Red Pepper & Tomato Soup with Mascarpone & Basil Oil scoring well. This weekend, everyone is a Eurovision judge.

Today’s guest speaker, George Megalogenis, is compelling and his book, The Football Solution: how Richmond’s premiership can save Australia, underpins the conversation with John Harms courtesy of a magnificent mix of history, politics, inner-Melbourne geography, sports psychology and Bob Hawke memoir.

The post-lunch exchanges are always splendid and I especially enjoy meeting Footy Almanac editor Colin Ritchie and hearing of his most recent trip to New Orleans. We yak of jazz icons Dr. John and Trombone Shorty, and the legendary venue Preservation Hall which with a wave of his hand Col suggests is the same size as the pub’s dining room.

*

Saturday morning we’re strolling north. Chris asks, “What time is it?” Of course, breakfast television motifs litter our weekend, so I channel former NBC Today host Bryant Gumbel and reply, “There’s breaking news overnight, but firstly let’s see what’s happening in your part of the world. It’s thirty-seven minutes after the hour.”

Mere moments later we pass Barrie Cassidy, in the midst of a Very Big Week, given the passing of Bob Hawke and the election. “We should’ve asked Barrie to join us in the All Nations Hotel for a quick beer,” laments Trev. “I reckon he might be on the hop for the next day or two, but otherwise I’m sure he would’ve been in,” I reassure the boys, based on zero personal insight.

Trev stops suddenly and points across at a concrete structure. “See that architecture. That’s Brutalism and inspired some of the buildings and spacecraft in Star Wars.” And indeed, looking at the stark, overbearing façade I see his point. If Trev went on Hard Quiz or Mastermind he’d pick Star Wars as his topic. That, or The Kapunda Tennis Club in the early 1980’s, or Shoegazing: Indie Rock’s Most Alluring Sub-genre. Same as all of us, I reckon.
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Chris had spotted on Friday that Coopers Brewery launched a new XPA ale in Melbourne. Suitably inspired, and trusting the Internet, we arrived at the suggested pub, but were told it was closed for cleaning, hadn’t heard of Coopers XPA and that we might simply bugger off. Our disappointment could only have been lessened if the pub was instead a Frank Walker’s National Tiles outlet.

Surging into the All Nations Hotel at thirteen minutes after the hour we note that our regular stools (of the furniture variety) are waiting. Instantly, there’s an ornithological theme: geese. On tap is a craft beer called Goose Session IPA. We then spy the Grey Goose vodka on the shelf. Naturally, we text Kapunda identity Greg “Goose” Mickan whose prolonged digital silence indicates he’s delighted to hear from us. Googling him we find an introductory video on his business website. He boasts of there being, “720 degree views on his property. Provided you turn around twice.” We dedicate the following game of spoofy to him.

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Safely at the Punt Road End (or Free Bird Seed End) of the MCG having invested (badly as it turns out) in Adelaide’s premier sprint, the Goodwood Handicap and Brisbane’s Doomben Cup, we locate our seats, and SANFL memorabilia enthusiast and champion bloke, Swish Schwerdt.

We yak about our respective Adelaide teams, Centrals and Glenelg, who are playing at the Ponderosa (the Tigers prevail for the first time out there since accidental leg spinner John Winston Howard was in power although as near as I can tell there’s no deep connection). We also recall the fabulous days on local radio when, at an urgent juncture a voice’d announce: “Let’s go round the grounds. Nipper Christie down at Alberton.” Much giggling follows.

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During all of this, sixty thousand people completely ignore our charming dialogue and instead watch a match between Collingwood and St Kilda. The half-time Four N Twenty pies are at least equal to the footballing Pies, and the fixture finished, we move with clear-eyed purpose towards the Duke of Wellington cup-house.

*

Sunday’s breakfast television is the PGA golf and we decide that having to skool every time we heard, “In the HOLE!” would be dangerous; then bemoan the absence of David Marr on Insiders, but enjoy Barrie Cassidy’s fine work; and finally, on Eurovision, we decide that having to skool every time there’s geopolitical and not musical merit voting – “Hello Tel Aviv! Thanks for a great show. Greece gives twelve points to Cyrus!” – would also be dangerous, but not as dangerous as repeated listening to any of the songs.

Returning to the CBD after our Lygon Street brunch during which Trev confronts a colossal veal scallopini we pause respectfully at Carlton’s John Curtin Hotel with a Coopers beer to toast Bob Hawke; a venue in which Bob Hawke himself often toasted Bob Hawke (with ample cause).

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Our penultimate pub is the Exford (surely a sister hotel to Rundle Street’s Exeter) and we watch the Port and Gold Coast game from a sodden Adelaide Oval. The big screen shows that the locals have turned up in their dozens (forget Winter is Coming, I think the tarps are coming), and with the Filth the Power claiming control we scarper.

It’s forty-six after the hour, we’ve a plane to catch and banana bread to battle.

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Pub Review: Hotel Victor, Victor Harbor

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Iconic Australian cricketer, leviathan punter, beer inhaler and former Rothmans enthusiast Doug Walters famously said, “When in Victor Harbor be sure to swing by the Hotel Victor. It’s really good.”

Actually, he didn’t say this, and I just made it up.

Doug is a fabulously cool cat, and once went to bed in Perth well after dawn and well-oiled before mere hours later, going out to bat for his country. He possesses a remarkably mild temper, but I wonder what even he’d make of the Hotel Victor.

taps

The boys and I were in town and as the Tuesday sun was setting, all autumnal and fetching, we suddenly had a dinner dilemma. I won’t say it was poor planning on my behalf but our holiday cabin menu read: half a raw sausage, two bread crusts and nine grapes.

Among the safest beer choices in this land of plenty is Coopers Pale Ale, but happily sat in the front bar and peering across the park, my first sip was, as they say in beverage circles, putrid. Mmm. Something not right here. All metallic edges and prodding screwdrivers, and not the fruity, plentiful palate so richly celebrated.

Eleven patient slurps later I cleared my poisoned throat and rasped at the innkeeper, “Excuse me, young man with the hipster beard, my ale is poorly.” He replaced it, but the second was equally miserable. It lay in the glass like a sad, Liverpudlian puddle.

bistro

Occasionally, the first beers poured daily from a keg can be, as Doug himself describes, a little sharp. However, this was beer o’clock in Victor Harbor during the splendid guts of school holidays. There were punters nursing cups all over the boozer. I was no pioneer.

A pub unable to provide a crisp gargle is like a frisky pup not wanting to reproduce with your bare leg: inexplicable.

We should’ve decamped to the fish ‘n’ chippery, but I persevered with the cold-eyed application of the Never Dead.

I’d a discount meal voucher and was singular in my wish to redeem it. “No, you can’t use it in here, only in the bistro,” announced the pig-tailed girl with cheerful senselessness. “What difference does it make?” I blinked. “Do the meals not come from the same kitchen? How can it matter where we sit?”

She blinked back.

In the apparently magical bistro with the boys gawping at their devices I ordered, but the pub again gave the rude finger. “Sorry, you can’t use this coupon for kids’ meals, only adult ones.”

I was tempted to use Aunt Edna’s favourite expression, the elegant and timeless, Fuck me.

I was getting extra good at loosing arguments, and my will to live was about to drown itself in my rancid ale, so naturally I continued. “But the discount here is ten bucks. Should I return, and buy the adult-only lobster and save thirty dollars? Would that be better for you?”

Hotel Victor 3, me 0.

lobster

I admit my roast beef was terrific. Tender, exquisitely flavoursome and a treat to eat. The carvery vegetables were also delicious; especially the cauliflower, although as Aunt Edna used to suggest, “If you somehow manage to fuck up cauliflower we’re all in deep shit.” She had a shocking mouth, Aunt Edna.

Upon arrival we were promised water and glasses, but the four wait staff were so stressed attending to the excessive, punishing demands of the six other diners that this didn’t happen. Mercifully, humans are only 60% water so replenishing with H2O wasn’t important, and at no stage were we in significant biological danger.

They were also busy dwelling on Doug Walters’ famous century made entirely in the final session at the WACA in 1974. He bought it up with a six off the day’s last ball.

For the Hotel Victor to have also hit a six off their last delivery would’ve required free Coopers Sparkling Ales for me, and buckets of chocolate ice-cream for both Alex and Max.

The wait staff (yes, we’re still waiting) were consumed by their own ridiculous rules for acceptance of vouchers; an unwavering commitment to shagging up the country’s finest keg beer; and avoiding minimal levels of table service and so, with eyes shut, flopping about at the crease like a wounded sea mammal, and failing to offer a cricket shot, were bowled middle stump.

DW 2

0

On Granite Island

 

granite island

Of the bounteous opportunities we have here clinging to the southern coast of this wide land, circumnavigating Granite Island is, for mine, among the best for our occasionally battered souls.

Beautifully situated an hour from Adelaide and connected umbilically to Victor Harbor (note the inexplicable American spelling) by a causeway, Alex, Max and I set out enthusiastically in the gap between Easter and Anzac Day (depending on your view, either two grim or celebratory holidays) as the affirming autumnal sun drenched us with healthy effervescence.

The horse-drawn tram was also on holiday (possibly still partying in honour of the equine heroine Winx) so, gun-barrel straight, we galloped across to the island with the boys chatting ceaselessly and in that lovely, unconscious, yet stream-of-conscious way only the young and excited can.

Their old man was buoyant too so for reasons I still can’t quite unpack we found ourselves at the kiosk prior to and not following our moderate exercise. Like a pickpocketed Dickensian character, before I knew it the boys had persuaded me into a pair of chocolate milkshakes.

pulp

Such is the passage of time and the unrelenting effects of inflation that the $5 milkshake Mia Wallace and Vincent Vega shared in Pulp Fiction had long since lost its shock value and Alex and Max briskly slurped their $6 refreshments, completely unaware of any cultural and fiscal dissonance with the iconic filmography of Quentin Tarantino.

We trekked in an anticlockwise fashion and shared the gravel path with folk from across the seas and across the road. It was one of those utterly self-contained moments in which we were constantly in the company of others, yet felt no need to interact, or to broaden our world beyond our complete, little bubble. Some days, we is all we need.

Happily, however, the boys were unrelenting in interrogating the island. They rushed constantly along the path, before like an old sea dog, or Quint from Jaws, I reeled them in. They scrambled up and over the smoothed and the ragged outcrops while paying attention to my startled wishes that they not endanger either themselves or the part of me that suffers from incurable and eternal risk assessment.

rock

On the island’s southern edge Alex declared, “The ocean here is normally cold as there’s nothing between us and Antarctica.” I felt gratitude for his global insight as I reflected upon my own worldview at his age which was, “Gee, Angaston Oval is a muddy poop-heap in August.”

The town-side of Granite Island hosts a distinctive ancient tree with stripped limbs enticing young climbers. Each branch appears as a blonde vaulting horse and indeed, upon our last visit Alex was riding its sturdy frame until, like a character in a deleted scene from Blazing Saddles, he slipped several feet directly onto another blonde bough in a way that I could tell, caused considerable shock to both his face and his groin. I could almost hear a fast-plucked banjo. I may have yelped.

On Wednesday’s lap Max spied this friendly foe and yelled, “Alex! Alex! Here’s the nut-breaker. Here’s the nut-breaker!” With this public declaration I expected either a rush of Asian tourists seeking autographs, or a rush of Asian tourists desperately seeking higher ground, but neither eventuated.

tree

Rounding the gentle final curve we took in the long sweep of Encounter Bay and The Bluff, and bemoaned the old, dry hills. A week or so back Alex had declared that when he was older he’d live in Victor Harbor because it was “really cool.” Max then countered how he was going to dwell in the viticultural gem that is South Australia’s Clare Valley.

Of course, he added in what really should be a surprise to no-one, “And Utah.”

We then eased onto the sparkling causeway and the boys, like tightrope walkers, tried to travel the entire distance balancing on a single rail-track before we reached the car, sitting patiently by The Crown Hotel.

A few minutes later we were barbequing our lunch just behind the clean, dappled beach.

causeway

 

2

Vampire Weekend’s Hannah Hunt

2

It’s an enthralling, alliterative name. Say it aloud. Hannah Hunt. It’s easy to pronounce. There’s an affable rhythm, and linguists suggest the repetition of “H” creates romantic introspection.

See, it’s started already.

That autumnal afternoon Hannah was the girl you noticed strolling across the uni lawns, smiling and chatting, smiling and chatting. Not having seen her before, suddenly you looked for her everywhere.

She had an irresistible laugh; a laugh that promised unexpected fun, and every time you heard it you fell further. She wasn’t routinely beautiful, although Hannah was deeply attractive. You’d pinch a peek at her and she’d be unaware; unaffected; completely at ease with herself, and her moment. You loved this too.

vw 1

But Hannah was maddening. She was dangerously spontaneous and you kept tumbling. You never felt more alive. You always forgave her.

And then, that was it.

How many of us have fallen in love with a Hannah Hunt? I have.

*
Discovering Vampire Weekend a decade ago, I grew to love their sunny, literate pop. I’d often listen on my phone to their second album, Contra, as I moved beneath Singapore’s concrete towers and jungle heat.

I then enjoyed their third release, Modern Vampires of the City, but it was years before track six, at the record’s heart, stirred something significant in me.

Hannah Hunt opens in a seascape. A gentle, pretty song, it initially glides in that ethereal space between sleeping and waking. There’s a quietness, an almost meditative quality to the music that maybe mirrors our narrator’s quest for peace.

vw4

We first meet the couple when their world is bright and astonishing and they share those daily discoveries, as all new lovers do.

A gardener told me some plants move
But I could not believe it
Till me and Hannah Hunt
Saw crawling vines and weeping willows

Lead singer Ezra Koenig’s voice is hopeful yet haunted, and harmonises with Rostam Batmanglij’s murmur in a pristine fragility. It’s almost acapella, so sparse is the instrumentation.

The narrator and Hannah are on their road trip and such is the cinematic scope the song feels like a four-minute film. They travel from Providence to Phoenix (in America two especially symbolic names) and Waverley to Lincoln before their westward wanderings end, as they must, among scenes of desperation, on the bitter Californian coast.

In Santa Barbara, Hannah cried
I miss those freezing beaches
And I walked into town
To buy some kindling for the fire
Hannah tore the New York Times up into pieces

Like the best stories there’s an atom of doubt in how it concludes. Seemingly a break-up song, but in Dylanesque style we remain unsure.

If I can’t trust you then damn it Hannah
There’s no future, there’s no answer
Though we live on the US dollar
You and me, we got our own sense of time

But he’ll forever remain in her orbit, no matter how wide the galaxy.

vw3

Following the second verse there’s a gorgeous explosion when the drums, bass and that detuned piano burst into aching life. This is among my favourite ever melodic instants. With Gatsby-like uproar, and swelling anguish, it’s a flowering. Like Hannah, the piano sounds broken yet still attractive, while the drums are as insistent as the pounding heart of her protagonist.

Finally, we have Rostam Batmanglij’s guitar solo. It’s the perfect coda. Played with a soaring slide effect it provides the listener with release, wailing and crying like the human hurt that inspired it.

I love the joy and transportive passion. It’s aural splendor.

I’m going to listen to it now.

3

Paul Kelly’s “How to Make Gravy” and me

songs from the south

My favourite Christmas song is twenty-two. But it seems as though it’s been around forever. Like Love Actually, which premiered in 2003, they’re both part of the festive furniture, and signal the season’s arrival.

It’s the 21st of December and our protagonist Joe, freshly imprisoned and hotly anxious, reaches out to his brother. But is “How to Make Gravy” a letter or a phone call? Initially, the form seems spoken- “Hello Dan, it’s Joe here,” but then moves to a written mode- “I hope you’re keeping well.” Which is it? I don’t know.

Over four and a half minutes, this mystery of the medium continues while we meet the brothers; Angus; parents Frank and Dolly; Joe’s wife Rita; his kids; sisters Stella and Mary; Mary’s former boyfriend, the olfactorily-offensive one (just a little too much cologne) and, of course, the almost missable Roger.

Although most are only mentioned once they’re Australia’s first family of Christmas song. We feel like we know them. Despite these skeletal sketches, they’re writ large. Dolly’s the uncrossable matriarch. I can imagine having a beer with Angus, and if he were alive surely Bill Hunter would play Frank in the film version, all gruff wisdom and barbeque tongs.

‘How to Make Gravy’ begins with opening chords similar to Thunderclap Newman’s ‘Something in the Air’ but its guitar riff by the recently-departed Spencer P. Jones almost nods in homage to the British band’s late-sixties hit song. This might be partly why Kelly’s tour de force seems like it’s been around longer than 1996. It’s deep in our musical tectonics.

Across the top and also underneath is that doleful slide guitar, foreshadowing the anguish to come. Exhilarating, it’s suggestive of outback space and tropical heat and melancholic veranda conversations.

The next surge is when Peter “Lucky” Luscombe’s drums kick in with an electrifying jolt at, “I guess the brothers are driving down from Queensland and Stella’s flying in from the coast”.  I was drawn to the song upon its release, and taught it (and Radiohead’s “Karma Police”) to year 10 classes.

I’d only considered it as a stand-alone song until I read this from the singer: “I’m sort of aware where certain songs are written a few years apart from each other – ‘To Her Door,’ then ‘Love Never Runs on Time’ and ‘How to Make Gravy’ – I’ve got a feeling it’s the same guy. He keeps coming back.”

Here Kelly’s created a fictional universe, or at least some intertextuality, especially as the line, “Tell ’em all I’m sorry, I screwed up this time” indicates a wider backstory, an extended narrative, featuring our central character and his wife Rita.

And what of that famous recipe for gravy?

“It’s a real recipe of my first father in law, which he used and which I still use. When I make gravy for my family, that’s the recipe that I use, and now they always make me, make the gravy. It’s my job now (laughs). When I made up the song it wasn’t my job but it is now. Sometimes art influences life or the other way around.”

I love how the song’s acknowledged with today, December 21, declared national Gravy Day. There’s even a hashtag- #GravyDay.

A portrait of timeless Australia, it’s as evocative as the timber pylons of the Port Willunga jetty; a backyard cricket match; the ribbon of road unrolling across the Hay Plains.

As the boys splash about in the twinkling pool on Christmas morning, and I sneak my first piece of ham I anticipate that plaintive strumming and forlorn slide guitar and hearing, yet again, Joe’s confessional.

2

In 1994 Bobby Bowden and I did a Contiki tour of New Zealand

canterbury

In early 1994 old Kapunda mate, Bob Bowden and I went to New Zealand. Of course it was illegal back then to not undertake a Contiki tour so you could travel to exciting, distant lands, meet fellow Australians, and spend your evenings in exotic pubs arguing about footy, cricket and which state made the best pies.

In a shameless attempt to impress the locals I took a range of Canterbury clothing with me, including this, the timelessly stylish top known as an “Ugly.”

RFB in Auckland

Here’s Bob on a windy hill overlooking Auckland in his Kapunda Bombers- themed red and black outfit proving again that the 1990’s is not as hideous, fashionistically, as the 1980’s. If it were Brownlow night a reporter would ask Bob, “And who are you wearing?”

If you peer at the cricket ground in the middle distance you’ll see Sir Richard Hadlee, smirking up at us, for no good reason.

place name

Upon returning to Kimba my Year 9 English class was decidedly unimpressed when I included this Kiwi place name in their first spelling test for 1994.

glacier

A highlight was ascending and then descending, perilously, the South Island’s Fox Glacier. Although my GS Chappell floppy cricket hat came in useful that day, there is no truth that a sudden hail storm gave it its first and last wash in over thirty years.

This hat is now tragically banned from all overseas travel. It can not be issued a visa.

backyard

I’m forever indebted to David, the English bloke on the left, who pointed at the grim base of Fox Glacier and quoting a classic British comedy said to me, “See that freezing death trap over there? That’s your backyard in summer, that is.”

toga!

What trip to the hotspot of Queenstown is complete without a toga party? Toga! Toga!

As Doug Neidermeyer declares in Animal House, “And most recently of all, a “Roman Toga Party” was held from which we have received more than two dozen reports of individual acts of perversion SO profound and disgusting that decorum prohibits listing them here.”

NB- my boatshoes as worn in Rome 34BC.

sheep dog statue

While we didn’t see any sheep statues- no, seriously- we did spot this bronzed sheep dog who refused to fetch the stuck stick I threw.

spoofy

Our tour finished in Christchurch by which time Bob and I had introduced our travel mates to the ancient art of Spoofy. A game of chance using three coins the loser has to buy all the participants a beer. The UN should use it as a diplomatic strategy to resolve international tensions.

In fact , I think Bob Hawke once did.

This was a quarter of a century ago. Time to return methinks.

0

Pub Review: The Magpie and Stump, Clare Valley

 

front of pub
Geometrically, I think the lawn’s a trapezium but I might be wrong.

Either way, it’s a Clare Valley garden, which just happens to come with its own pub!

There’s slate tables on the grass; umbrellas on bases- although the spring breeze means these are tethered lest they launch toward an unsuspecting vineyard or throbbing Harley; and two fire buckets embedded in imposing circular structures as if they’ve come from a 1970’s playground, or a Texan mechanic’s barbeque.

fire bucket

We’re at one of my favourite places on the planet: the Magpie and Stump.

Last year we sulked pub-ward suffering afresh from the Crows’ grand final defeat, hoping schnitzel might sooth our spirits. Spooked, Mozz uttered, “It’s quiet. Too quiet.”

The pub was shut.

And had been for some months.

But in 2018 new owners have flung open the doors- this sudden change in fortune is called peripeteia by the Greeks- and I’m thrilled. Shaking mine host Paul’s hand, he explains he’s expecting seventy for lunch. He adds that, “We did 700 meals over the June long weekend.” I peek in the kitchen en route to the bar and see four chefs: all busier than a one-legged man in an arse-kicking competition.

Our entourage takes up residence at a generous garden table. Having consulted the pub’s website, I know $15 jugs of Coopers Session Ale are waiting. At my urgings Bazz and Mozz enlist. “Go on,” I say, “it’ll be funny.”

lawn

The bar-keep seems unimpressed by my digital espionage but honours the offer. There’s wine and cider for the others and raspberry for the young fellas so we sit in the sun and speak of many people and places.

It’s perfect.

Most opt for the Stump burger, a challenging treat with meaty patties the size of small, beefy UFOs. The chips are crisp and tasty- this isn’t always a given- and come in those miniature wire baskets that could’ve been hocked from a Lilliputian fish shop.

Kath has salt ‘n’ pepper squid but it needs additional NaCl dusting. Flopping about with their iPods and assorted devices our male progeny orders nuggets. These are breathed in, instantly.

table 2

Post-lunch, the entertainment’s on under the veranda: a guitar and keyboard duo. Looking like an older Jack White the vocalist announces, “I’m Paul and this is Andy. Together, we’re known as Paul and Andy.”

They provide an afternoon of agreeable covers including our request for “Sweet Caroline.” Given the comprehensive demographic of the audience they ignore our plea for Frank Zappa and his 25-minute magnus opus, “Billy the Mountain.”

The pub staff are also congenial, even when one of our crew, Bazz attempting to assist, drops five glasses onto the table’s unforgiving slate. Disappointingly, only four break but the employee with upturned trouser cuffs laughs throughout his dustpan deed.

table 1

As the sun dips in the western sky we each get out three coins to engage in a few rounds of spoofy- known by my old mate Whitey as, “the free beer game.” Your correspondent enjoys complimentary cups.

We leave with some newly-minted stubby holders. However, these look better on display behind the bar as rolling them about in our mits, they’re, as Ian Chappell used to say, a bit thin. The cover of an old National Geographic would provide similar beverage insulation.

But it’d been a terrific Sunday on this fetching lawn and despite intermittent outages over the decades, the Magpie and Stump again powers on.

I urge you to enjoy its lawn soon.

stubby holder

 

1

Pub Review: The Crown, Victor Harbor

 

chernobyl ferris wheel

If petite bread rolls deliver doughy joy then the frisson when these are also hot from the oven is seismic. Surely a clear sign of a caring god, or at least, reliable electricity.

This unexpected bliss began our Friday night meal at the Crown Hotel. Driving into Victor Harbor as the wide bay swims into happy view I wondered how our boys hadn’t been here previously for an extended visit yet had holidayed to the Bavarian Alps, artistic Left Bank in Paris and Murray Bridge’s world-class Bunyip.

Having checked-in at our caravan park digs and positively appraised the bunk beds, bouncy pillow and decidedly unappealing pool we drove to Warland Reserve with its twin pubs standing sentinel over the foreshore.

Upon presenting our boisterous trio at the bistro, the pub staff now appraised us silently and then did what I’d do which is to quarantine us in a marginalised corner away from the quiet, undeserving diners. In hospitality circles I’m sure this is some form of pre-emptive damage control. There was an American college football game on TV, but disappointingly it didn’t feature Purdue. It was Boise, Idaho’s finest.

bouncy pillow

Our boys were drawn instantly and they assured me, ravenously, to the salad and vegetable bar. It would’ve been easier to stop an aspiring reality television star (read: talentless, vacuous twit) from taking a selfie.

Pleasingly, their lemonades were served in sturdy plastic cups. You know, the coloured models that you used at your cousins’ place for cordial after you’d been running about or chucking rocks at your footy, now stuck at the top of a eucalypt.  

As a fan of haute cuisine Max chose the Italian Hawaiian Irish fusion. Unfortunately, when his ham and pineapple pizza and chips arrived, despite his father’s sobbing implorations, he was chock-a-block with hot bread rolls. I had the pizza on Saturday, save for the solitary bite Max had taken.

Boise was constantly handing the ball back to their opponents as they couldn’t get their passing or running games to fire. Out the window, and across the reserve I could see the lights of the amusements and the Ferris wheel.

I trusted that the compulsory mangy dog would be there, wandering and weeing and roaming about in a vaguely menacing way when we visited in the morning and like a drunk bookie, I forked over wads of cash to a carnie.

dinosaur

As a ten-year-old Alex is on the cusp of moving from kid’s meals to adult portions, and this causes me emotional if not fiscal despair. But tonight, he’s happy to tackle the nuggets and chips.

When served they’re not the traditional ones shaped as rectangles or ovals: these are in the form of dinosaurs confirming what archaeologists having been telling us forever which is that if we visit Jurassic Park, take down a T-Rex, and cook it, it will, of course, taste like chicken. He inhales them as if he’ll soon need the energy to outrun a velociraptor.

Continuing our involuntary theme of transmogrified chicken my Kiev arrives. It’s been a while and my excitement had risen, like that of a rooster when sunrise is imminent over the henhouse.

chernboyl

While the Ukrainian geography of my chook was nebulously accurate I think its origins were not in Kiev but more precisely 142 kilometres to the north of the capital in Chernobyl.

I suspect the meal may have come directly from reactor number 4 itself. How else to explain the impossibly dry and disastrously crunchy properties, other than thermonuclear accident?

I felt especially sorry for the cold garlic butter that had presumably been once trapped in this poor poultry, all trace now gone, doubtless a victim of irradiation’s cruel physics. I may have been better off with the amusement park hound.

Luckily, I hadn’t downloaded a Geiger counter app to my phone or it would’ve now been clicking away like a barn full of tap-dancers, attempting a world record.  

Still, we all survived and retired to our cabin. The footy was about to start and the weekend was upon us. We were in front.

Afterall, we’d had hot bread rolls.

crown-hotel-victor-harbor-SA-5211

 

4

Finally, some Japanese poetry honouring the beer fridge

BF 2

Haiku is a noble yet tiny poetic form. It combines natural imagery, brevity and ancient timelessness, and was made famous by the seventeenth-century master, Matsuo Bashō.

Here’s his finest-

Flower
Under harvest sun- stranger
To bird, butterfly

Blowing stones
Along the road to Mount Asama,
The autumn wind.

Moon-daubed bush-clover-
Ssh. In the next room
Snoring prostitutes.

nature

See. Gorgeous natural imagery including the flower, butterfly, autumn wind and snoring prostitutes.

*

We’re the same, you and me. While there’s lots to celebrate in this fine, bursting world, big gaps have opened up.

Time to plug these, for everyone’s sake.

As I see it a dangerous cultural chasm exists with the shameful lack of ancient Japanese poetry promoting the unreconstructed joy that is the humble beer fridge.

BF 1

Thanks to them internets old mate Greg and I ended this tragic chapter last night while in different parts of our nation, watching distinguished haiku inspiration, Animal House.

Thinking haiku: think toga party and Bluto Blutarsky.

I suggest you print the following and put ‘em up on your beer fridge, alongside the kids’ finger-paintings. The sense of peace and artistic bliss will be all yours.

And then crack open a Kirin lager and toast our old mate, Matsuo Bashō.

BF 3

Under moonlit night
Stubby holder on white shelf
Beer fridge

Beer fridge empty
Actually not so empty
Carlton Cold

Full fridge
Thirsty as buggery
All XXXX

Beer fridge dies
Ale warming
Within and without, light’s off.

MB