2

On this otherwise routine Tuesday my boys walked to school together

planet and moon.png

Out the gate, backpacks jumping, and into the heart of a suburban morning. The simplest of connectives, from home to school is a pair of comfortable 8-irons. One to the corner, and then one to the playground.

By the gate, I guard after them. Alex and Max dissolve around the turn, with a sudden jolt to the right.

It’s their first time. It’s both ordinary and extraordinary.

In my car, I edge around the block to meet them. Our bond’s broken by a tangle of local geography and ribboned tarmac. The one-way street demands I steer away from them, counterintuitively, cruelly, past the park, and then down a hopefully untroubled avenue.

Of course, their little world grows. Out they go, in beautiful binary.

It’s one hundred seconds of quarantined blackness. It’s one hundred seconds of paused parental terror, but it’s also one hundred seconds they need.

Alex and Max have jettisoned from my troposphere, but I launch to them like a satellite, eager to discover a warm orbit.

At the intersection by their school, my car crouches as the outdoor squeals spurt through the open window like snatches of pop songs.

And there they are, bouncing along the path, side-by-side, as brothers should, their flapping shorts of shamrock-green, quince-peels of hair. The roadside trees fold forwards.

Spotting me is simple permission for them to accelerate to school, exploding scraps of rainbow. They scamper through the gate, and to their mates.

I yell after them, but my voice vaporises behind their giraffe legs and the innocent rush of a new day. “Good job, boys. See you tonight!”

Misty-eyed, I drive off. A bright, early morning, already it seems late.

Soon, it will be.

 

kids

0

Round 7- Adelaide v North Melbourne: Four quarters, four pubs, four points (pints)

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Inspired by seminal film-noir offering Animal House and the road trip taken by Otter, Boon, Flounder, and Pinto I realise I need a robust plan. How was I going to watch the footy on Saturday?

With Bass Strait likely to be beyond our modest 4WD, a road trip wasn’t possible, so I contemplated my options, and late one night the answer burst upon me like the Gospel chorus of “Shout” as performed mid-toga party by Otis Day and the Knights. I could hear Eric “Otter” Stratton saying, “I think that this situation absolutely requires a really futile and stupid gesture.”

Pub crawl.

And so, a Glenelg walking and refreshment tour happened.

First quarter: Holdfast Hotel

The Holdy reinvents itself often. It was once a brew-pub and now it’s trying to get down with the kids, as its website has an Instagram gallery. A couple months’ ago, I took our boys there for a bite to eat. Despite thousands of punters going through the inn in the interim, Lucy, the young bar server, remembered our boys. Probably because having brought a footy, they enjoyed some spirited end-to-end kicking in the bar. No, an outside bar. Yes, during an engagement party.

The game’s dominant themes emerge early: North first to the ball and constructive, and Adelaide’s chasing Roos like some misfits in Wake in Fright. The early goals then became regular scores and worry changes to disbelief and ultimately laughter at the absurdity of the events unfolding. I was reminded of Macbeth who remarks upon seeing the seemingly endless dynasty begat by Banquo: What, will the line stretch out to the crack of doom?

Our first quarter score matches exactly Bluto’s grade point average in Animal House as declared by Dean Wurmer: Zero POINT zero.

Second quarter: Broadway Hotel

The Broady is high-vis and TAB tickets, but it’s been renovated; the side wall’s been knocked through, and now there’s a cheerful beer garden. How great would this actually be? A garden which grows beer. But, I do wonder if the new hole was deliberate and not caused by an energetic brawl, all whirls of orange and flying Blundstones*, or a stolen WW2 tank.

Eddie Betts registers his 500th goal and then courtesy of ill-discipline, his 501st. But Jarrad Waite dominates for the Roos, while for the Crows Tex Walker may as well have sat in the Ricky Ponting Stand and had a few jars, given his uncustomary invisibility.

Third quarter: The Jetty Bar

Attractively located on Moseley Square, the Jetty is a fantastic boozer for nursing a beer and people-watching, but I’ve always thought it was a pub. And an exotic, earthy one at that. It formerly advertised “Half-price Brandavino” at Happy Hour. Apparently, it’s now a bar and is sometimes known as the “J Bar.” Stop it, you man-bunned assistant manager, you’re fooling no-one. It’s a pub. Apparently, it opens at 8am for those mornings when tea and toast just won’t cut it.

It’s a grim afternoon when among the second half highlights is a patch when North kicks the ball out on the full three times as the comically blustery wind blows across Belerive and the bay. Adelaide surges occasionally, but the Roos are easily able to withstand and then counter these attacks.

I note that just up the road from the arena is The Lost Sock Laundrette, and wonder if the afternoon may have been more productively spent in there, watching a stranger’s second hand sheets tumbling and tumbling while outside in the murk and swirl an uncaring football universe rushes by.

Fourth quarter: The Grand Hotel

The Internets say that the Grand Bar is “smartly casual” and welcomes hotel guests and Adelaidians alike. All true, but I’d argue it’s actually “casually smart” which means your thongs must roughly match, or they won’t let you in. Their website (it could be an Instagram gallery, I’m unsure) includes photos of a surprisingly inert metal bucket with Corona beers (sic) and a jaunty yoof sporting a backwards cap.

Standing by the bar my Volleys are instantly glued to the floor. Ahh, The Grand, where the tiles are eternally sticky, and the beer’s not pouring well. This is the first thing all new staff are taught. “Repeat after me. That tap’s not pouring well. Can I interest you in a rare Japanese ice beer? They’re only $15.”

The last quarter plods away to its sure conclusion. Not many Crows players will want a DVD of this match for their CV while the Roos are led by Waite and Cunnington. We’ve been flogged at the ruck contests and North gets the ball inside their fifty nearly 80 times! The mathematical weight of this alone ensures that we were in trouble.

Still, we remain top, and it’s been a fun afternoon out and about in Glenelg. Next time I’ll also invite Otter, Boon, Flounder, and Pinto.

otis.png

 

 

 

0

Footy Traditions

footy

I love traditions, and footy rituals are special.

Tomorrow afternoon, an hour or so after lunch, the boys and I will walk down to Glenelg Oval. Backpacks, footy, coats. Alison Street, dash over Anzac Highway, cross the tram line, and then stroll along leafy Malcolm Street before entering the ground at the Rugless Street end.

We’ll then secure a spot on the sloping grassy mound in front of the scoreboard. Seconds later one of the boys, probably Max, needs a snack. From their backpacks these will be administered, drip-like across the day. Alex and Max only eat one meal a day. It starts around dawn and goes until after they’re in bed.

At half time, I get them a pie each from the stall adjacent to the Snout’s Louts bar. Sitting on the grass, these are eaten with joyous messiness. Sauce adds to the theatre and the washing machine.

During the third quarter at the Good Friday game they wanted to kick the footy so I sent them behind the southern goals- the Fred Phillis End (869 goals in 275 games from 1966-81 and the Magarey Medallist in 1969).

Coming back some time later they told me what had happened. Quickly abandoning their game Alex and Max completed a vital rite of passage. One that pleased me and their mum. They joined the unruly, scrambling throng of kids who race after the match ball when it sails over the fence after a goal or a behind. A tradition which dates back to the beginnings of the game itself. An instructive, robust custom.

“Dad, Dad. I touched the footy three times.” Alex declared.

“I nearly had the footy,” Max shouted. “But a big kid grabbed it from me. Then he dropped it. We were both on the ground, so I swam past him and got it.”

How cool I thought. What innocent fun. Get in there with a bunch of kids and try to touch a footy. Scramble about on a dusty hill to grab the Burley ball (probably the worst footy in the universe) and then attempt (often unsuccessfully) to heave it back over the tall mesh fence.

Resilience. Enterprise. Confidence.

It’s remarkable what can be got from impromptu games. Even against the Dogs.

footy kids

 

6

Round a Table with Old Friends

galah

The Grand Canyon is mightily impressive. So is the Eiffel Tower. The best beach I’ve seen is Ko Lanta in Thailand, where the sand is soft and the water is azure blue and clear as glass.

I’ve been lucky to go on some amazing holidays and see some amazing sites.

I’ve just returned from a quick holiday to Kimba, on the state’s west coast, where the most captivating site wasn’t the Big Galah, but a succession of tables.

Yes, tables. Tables loaded with stories and laughter. Tables with old friends around them. Perfect.

And around these tables the best stories are the familiar ones; the ones you know as well as the back of your hands; the stories that make you smile instantly because you can recite the details and the dialogue like an old song, and you know how they finish and like a kid at Christmas you can hardly wait for the punchline, and then, when you hear it you roar, like a drain, but probably louder than you did the last time you sat at this table with these old friends.

Thanks to the tables I enjoyed in Kimba, Coffin Bay and Buckleboo. Golf club tables, pub tables, front deck tables, kitchen tables, coffee tables.

Breakfast tables, lunchtime tables, first beer of the day tables, BBQ tables, Saturday night and folks are getting rowdy tables.

The Crows are playing, but leave the tele off tables. The go on, text Mozz and check how old he is tables. The remember when Hen sprayed his opening drive at Port Augusta and went straight back to bed tables?

I love a table.

So, now I’m out the back at home, writing this, sitting at a table. The rain has stopped and above the vague traffic there’s birdsong and laughter from the kids in the house behind us.

I’m already thinking about the next time I sit round a table with old friends. Sometimes you don’t need a Thai beach, but just a welcoming table.

 

 

table

4

Round 3 – Port Adelaide v Adelaide: A Moment

tex

In contrast to the previous torrid energy it was an uncontested mark with nothing in the way of opposition pressure, such as a spoil, or a sudden, secretive fist to the ribs.

Resulting from a David MacKay disposal it was an unhurried and simple catch; the kind associated with circle work at a country oval’s Tuesday night training, while inside the glowing clubrooms volunteers squeezed pies and pasties into warmers.

In January 2015, many were surprised that Patrick Dangerfield wasn’t appointed captain of the Crows. However, with a likely acceptance that their star player would soon wish to return to Moggs Creek, there was a quiet nodding of sage heads at the news that the role had been assigned to Taylor Walker.

A key component of the Phil Walsh legacy, he was about to demonstrate the wisdom of this decision.

Having taken the grab Walker wheeled around like a rattling cattle truck and assessed his options. He made a quick, barely perceptible scan of the landscape and decided.

Despite his Barry White/ Stephen Kernahan/ Dad joke baritone possibly suggesting otherwise Tex is an astute footballer who knows intimately the ecosystem of Adelaide Oval. With the Riverbank Stand towering taller than the MCG he knew that its surrounding microclimate, largely windless and advantageous on this autumnal evening, would assist his endeavours.

Watch now as into that rare real estate, sufficient space, he strides, not as a gut-busting midfielder, but as sizable, agile forward. Yes, he thinks, the time is right. The fifty-metre arc slides into distant view.

He balances and connects.

Despite the infantile and myopic scrabblings of the game’s rules committee and cash-drunk administrators and the carnivorous stadium vendors and the grasping media outlets and the petty trivia of the footy news-cycle, it’s these moments that’ll endure, that’ll guarantee the endless charisma of our game.

For lesser footballers, this spot on this long, lean ground might be no man’s land, an uncomfortable location where the options are crippling. Do I pass to a leading forward? Centre the ball? Aim for the top of the square? Handball to team mate on the burst? However, at this spot, seventy metres from goal there’s another possibility, but it’s only available for an elite few.

Tex Walker has a kicking technique that’s akin to a David Warner pull shot. Elegant in its simplicity, it marries outback power, untainted physics and Mick Jagger arrogance.

Now launched, the ball spins in a somewhat ungainly fashion, lurching through the air, slinging itself goalward with hungry velocity, rather than with the pure, fizzing momentum of, say, a Luke Hodge pass.

It travels through the roaring night and there’s now a sudden, muted quality to the stadium soundtrack that’s universal disbelief, Port Power horror and Adelaide Crow awe. The ball travels and travels and continues to travel. The pregnant seconds stretch onward, invested with everything we love about our mighty, Indigenous code.

Unlike a Malcolm Blight torpedo, it traces a low parabola across my screen as the crowd rushes past in the background, a smeared Monet. Walker’s drop-punt is at once sublime, but also gigantic. It taunts the line between possibility and impossibility.

It’s a goal.

As the Sherrin thuds into the turf midway between the goal line and the fence, leaving a crater in the Santa Ana, the clock announces that four minutes remain. Adelaide is three goals up.

Now, for all present at the ground, or at home or in a pub across Australia, or peering at a screen in midday London or Auckland or Albuquerque, all is denouement.

The necessarily curved narrative of football is concluded. We’ve had a moment.

oval

 

http://www.afc.com.au/video/2017-04-08/highlights-r3-tex-seals-it

 

3

I Believe in Milk Cows: You Sexy Thing

cow

I negotiated the semi-circle of Adelaide’s most notorious roundabout by the Britannia Hotel, before slipping onto tree-lined and genteel Kensington Road. It was just after eight in the morning when the opening chords rushed into my tiny car.

It was a revelation, and happy reminder of the excellence that had come before. Yet again, Triple J would provide instruction, although on this occasion it was Mikey, the Sandman and guest presenter Rosie Beaton’s weekly segment during which a much-loved song was played.

I believe in miracles

Where you from?

You sexy thing

London funk and soul outfit Hot Chocolate’s greatest song is firmly anchored in 1975, but also transcends this frightfully disco epoch, and to my ears is still as irresistible now as it was when it was cruelly denied rising to the top of the charts by Queen and their “Bohemian Rhapsody” juggernaut. Testament to the affection for “You Sexy Thing” is its rare achievement of charting in the 1970’s, 80’s and 90’s. Spare him his life from this monstrosity, indeed.

There’s orgasmic violins- listen carefully, and tell me this is not the case- which soar across the arc of the melody, absurdly catchy vibrato guitars and (late) lead singer Errol Brown, whose voice is perfect, with a soulful performance that is almost a gleeful shout, especially in this unexpected, but joyous couplet-

Yesterday I was one of the lonely people

Now you’re lying close to me, making love to me

However, the opening lyrics continue to confuse listeners, with the following declared among the catalogue of the misheard

      Are you bleeding mental

Where’s your car, you sexy thing?

And then this, a pre-Trump assertion

I believe I’m American!

Not ignoring the geek-driven, Family Matters option

I believe in Urkel

The esoteric-

      I believe in Malcolm

Wear your bra

You sexy thing

A piscatorial tribute-

        I believe in mackerels

And finally, attributed to a German gent, allegedly hard of hearing-

              I believe in milk cows.

*

“You Sexy Thing” is ageless, disco genius; a song that elevates mood, and our capacity for joy, instantly.

Go on, stick it on! Now.

0

A Day on the Green: Annie’s Lane

Banner

One of life’s unexpected joys is to chance upon a game of cricket. Arriving in the Clare Valley we locate the bush camping ground ($10 a head) at the Watervale Oval. Setting up our camper trailer is like every couple assembling Ikea furniture together, but without the fun, laughter and argument-free marriage-building.

Indeed, a game of cricket is happening. The oval is shielded by an impressive stand of gums along its eastern side while a handsome grandstand sits atop a gradient that makes Lords appear flat. A round robin Masters tournament is underway, and my lunch is a snag in bread ($3 a pop, sauce no extra) and a Rabbit & Spaghetti ‘The Fox’ Hop & Rye Lager ($5 per 500ml can, 4.8% ABV).

The boundary is in, and the boundary is breached, often. Very few singles are taken. None are run. One innings is opened by inaugural Crow and dual Margery Medallist, Andrew Newton Jarman, who makes, as you may suspect, an exotic and inevitably brief seven.

We stroll up to Annie’s Lane winery for A Day on the Green. Models began and are serviceable, but more cask white than perfumed Riesling, with “I Hear Motion” the highlight. There’s lots of darting, skipping infants here, and between sets the DJ spins Bowie’s “Suffragette City” and a boy of about ten immediately sings along. I’m impressed. He’s wearing a Coopers brewery cap, advertising Mild Ale, which at 3.5% is mid-strength. They’re obviously responsible parents.

NMFC fan and guitar-slinger Tim Rogers is next, and announces that the Adelaide Crows have won the grand final. A mate and I discuss which Tim might perform. I say, “When I last saw him in November we got bad Tim. I hope good Tim’s here today.” Neil replies, “Oh, I don’t know. Bad Tim could make it interesting.”

I get a Fat Yak ($8, 355ml) and a local sparkling shiraz for the wife ($35 a bottle, 13.7%, with “lifted aromas including black olives, figs and Christmas cake spices”). Good Tim does an up-tempo version of “Heavy Heart” which has this great lyric

Been watching so much TV

I’m thinner than I should be

I’m like a waterlogged ball

That no-one wants to kick around anymore

Stopping by various islands of friends I visit the merchandise stand, and settle upon a Day at the Green stubby-holder ($10, but bottomless) while the wife selects a Violent Femmes t-shirt ($40, the one featuring their eponymous album’s cover). There’s gorgeous autumnal light on this tropical afternoon, and it endows the valley with a McCubbin quality; even the curved line of rickety porta-loos ($0, minimal wait time).

The Whitlams are excellent, and I’m struck by the agelessness of Tim Freedman’s voice. With their blend of wit, quirky sentimentality and piano-driven pop they remind me of Ben Folds Five, North Carolina’s finest trio. Among their terrific lines are, from “Melbourne”

If I had three lives, I’d marry her in two

and their signature song, “Gough”

Come over have dinner with me, we’ll play chess and drink claret

Walk slowly down my little street, can you bring Margaret?

Finishing with “You Sound Like Louis Burdett” we rename it to honour the iconic Adelaide Oval curator, Les Burdett. I get another Fat Yak (still $8, mercifully no variable pricing) and the wife and I pull apart and devour our savoury pull-apart ($6, you know the bakery chain, the one with the jangly jingle).

The next act is introduced as coming from Ohio, but the Violent Femmes are from Milwaukee. Is it a mistake, irony or an alternative fact? Is there an issue with what Colbert calls “truthiness?” Invigorated by winery produce and news of Hawthorn’s imminent loss the crowd is up and dancing as they zip through their country-twinged songs about adolescent desperation.

“Blister in the Sun,” “American Music” and “Old Mother Regan” are superb. It’s charming to also be in Clare with my dear old friend Clare and she films us, if this is the correct verb, singing “Country Death Song.” Clare promises to post it on social media, and I’m sure we’ll soon be celebrated as a contemporary Sonny and Cher. However, Sunday afternoon’s initial viewing exposes this as unlikely (probable recording contract value, $0).

“Add It Up” is all psychotic teenage anguish and the Gen X crowd is jumping to this last song. Gordon Gano’s voice has been perfect: at once sunny and whingy and smiling, leading us to happy places, while Tasmanian resident and MOMA curator Brian Ritchie monsters xylophone, jaw bone and bass with good humour too.

Led by Flacco lookalike Dave Faulkner, I saw the Hoodoo Gurus in the late nineties on their break-up tour, which of course, was from the pre, post-truth world, and never something anyone really believed. For the right fee, even the Ramones might again tour. So here we are in 2017 as they perform “Leilani” and “Bittersweet.” Along with Jackson Browne’s “The Load Out” and the Rolling Stones’ “Torn and Frayed” the anthemic “1000 Miles Away” is among my favourite road songs.

Remember how “Like Wow, Wipeout” became the theme song of Brylcreemed, ear ringed and punkish Australian off-spinner Greg Matthews? That was 1986. The song endures while Mo Matthews is now a radio commentator so I’m unsure if he still uses hair product from when Menzies was PM. It’s the final song of a fun day.

Prior to breaking camp and over a breakfast latte ($5.50, red van by the oval) I check the footy and cricket scores. I also see that Dad’s Nuriootpa Tigers Division 1 bowls team has jagged another flag, his twelfth.

All about the campsite there’s deceased camping chairs (too many $$, the sausage sizzle hardware mega-store) in Salvador Daliesque tangles of disappointment and enthusiastic Sauvignon Blanc. Our twenty-year veteran chairs ($40, Port Pirie camping store, late lamented) are in the boot, ready to ride again.

The cricket begins. We drive south, into our muggy Sunday.

camplet

 

 

2

December 5 2006 in Adelaide

SK

Adelaide Oval is among my favourite places. Prior to redevelopment, it was uncluttered and open and big country-townish; more like the St. Lawrence Ground in Canterbury than a modern Australian stadium. Its boundless space and light have been replaced by vertiginous, curved shapes.

It’s the final day of Adelaide’s 2006 Ashes Test. Earlier, in the twilight of my teaching year, between tortuous enrichment activities, I’d watched the cricket in the staff room with some chaps, leaning in towards the screen, increasingly enticed by the grip of the action. Across our city in offices, shops and factories folks were getting itchy. Some mates and I volleyed texts at each other. Let’s get in there. Sorted.

I’d gone on Day 2. Like most I went home assured of an inconclusive match as Paul Collingwood accumulated a double century, while SK Warne struggled to 1/167, in an analysis cheerlessly reminiscent of his 1992 debut at the SCG. Then, after our first innings, the draw appeared more certain.

Indeed, the first four days suggested nothing else.

My most recent Test match experience had been September 2005 during the Ashes at The Oval. Down from Hertfordshire on a sodden Saturday I watched as rain repeatedly forced Langer and Hayden back to the sheds. The urn we’d held since 1989 was slipping away. The Barmy Army’s affectionate Shane Warne back catalogue offered musical entertainment when the sport provided little.

I love speculating about cricket’s fascinating relationships. The Waugh twins. The Chappell brothers, educated at the primary school my boys attended. And SK Warne and pretty much everyone he encountered on the pitch, and off. Like many of exceptional talent he was attracted to those with approximate, but ultimately different cricketing arsenal.

With his infuriating confidence and bird-poop splattered hair, Kevin Pieterson had a curious affinity with our leg-spinner. Shuffling forward and attempting a sweep, he swatted crudely at one outside leg stump. Lobbing in the rough, it stole behind his limb like a spy, and his feebly listing front pad, before spitting poisonously. In yet another wholly engrossing single-act production, the Kookaburra finally, fatally bit his off peg. It had spun several feet. It was the summer’s most compelling moment. KP had been schooled by his elder, and England was in trouble.

By now, each delivery from SK Warne was Vegas show business, but pure in its fizzing, hypnotic joy. And then Ashley Giles registered a duck to a monstrous delivery, while the supporters continued to splatter the ground, as if populating a Monet.

I contemplated my friend BJ O’Sullivan at home in Harrow. Barry identifies as Irish, and had significant quid invested in Australia triumphing in the series 5-0.  At mammoth odds, too, so he’s enthusiastic from afar. Incidentally, I once hosted a party in England, and among the guests were the same Barry of Norf London, Jimmy from Glasgow and Paddy from Ireland. True.

England is skittled in the penultimate session. Australia bowls cleverly in pairs with the blonde one taking 4/49; not spectacular in the seismic sweep of his career, but within this Test, and this series, it’s contextually huge.

From our members’ bench, we look eastwards towards the low, brown Adelaide Hills, noting how these continue the topographic theme established by the squat stands of this cricket ground. With school holidays, Christmas and a languid summer approaching, our mood is brash and buoyant.

The intrigues and narrative complexities gone, Australia is presented with a simple plotline: 167 from 36 overs. Langer clubs the first ball through mid-wicket for four. Vivid as ever, Bill Lawry bursts, “He goes bang. Four. It’s a one-day game.” As should happen the match is to be decided late, in its fifteenth session.

When Hayden goes it’s 2/33, and there’s some frisson. Questions murmur beneath the fig trees, and we bristle, momentarily. But, Michael Hussey is authoritative with 61no, and declares in an interview that he, “Bloody enjoyed it!”

oval

As the winning run is clipped through midwicket Bill yaps, “Look at the seagulls flying about. They’re saluting the Australians!” Beside a second Ashes victory it’s the locals’ ninth consecutive Adelaide Oval victory. The players rush down the steps next to us in a celebration as demonstrative as a football festivity.

The leaden sky of the previous London summer has vanished somewhat, and with lingering sentimentality, I feel at home, in this, my tiny, flat city, which clings to an inconsequential gulf. Transitions, especially the ones back to familiar places, can be angular and troublesome.

Later, among the eddying ecstasy, Damien Martyn, surely our most picturesque bat since Mark Waugh, clarified his feelings about his spot within this coterie. Richie Benaud had noted that at some stage everyone looks in the mirror, and on this most magnificent of Australian cricketing days, Martyn retires instantly, but with a stylish absence of extended tabloid explanation.

Adelaide Oval has been vividly reshaped. December 2006 was the last time I would see McGrath, Langer and SK Warne play Test cricket.

Nonetheless, December 5, 2006 was a really good Tuesday.

 

1

Adelaide’s Widest Variety of Pink

J and D

Autumn in Adelaide. It’s magnificent, and probably better than Baghdad in summer or Vladivostok in winter. The days are warm and still and the evenings are great for all manner of alfresco activity such as the Fringe Festival, centred upon the Garden of Unearthly Delights.

I was there with two dear old friends, Poof[1] and Trish[2] and we took in Judith Lucy and Denise Scott and their show Disappointments. In the football match of our lives it’s after half time and we’re, hopefully, into the Premiership Quarter[3] so the themes of dealing with aging,  bodily degeneration and the like are targeted at our demographic. It was fun, well as much fun as this comedy of cruelty could be.

Our after-show conversation was especially provoked by a rapid-fire monologue in which Judith catalogued how unspeakably awful pop music of the 1980’s is. Poof[4] and Trish[5] disagreed, coming to an enthusiastic, but ultimately incorrect defence of this cursed decade! Our friendship enjoys robust debate. The centre point of Judith’s argument was Rick Springfield’s “Jessie’s Girl” whose only redeeming quality is surely the correct use of the possessive apostrophe within its title.[6]

You know I feel so dirty when they start talking cute

I wanna tell her that I love her but the point is probably moot

See? ‘Tis a nonsense. Imagine a radio station dedicated to this swill? If you’d really like to wallow in colossal disappointment and have every joyful atom sucked from your being, I recommend listening to Mix 102.3, lurking poisonously on the FM band and doubtless streaming right now across an undeserving galaxy. Love the more putrid songs of the 1980’s? Here’s five in a row! Love those crappy INXS ballads that should never have been on their otherwise great albums[7]? We’ll play one an hour. Up for those rubbish Bowie tunes, from the time when he’d truly lost his way and we thought he’d never return? I’ve got one right after the news! It’ll make you tense, if not physically and spiritually sick.

When Mix 102.3 is not undertaking 1980’s aural terrorism[8] it’s playing Pink. Astonishingly, it’s slogan is “Adelaide’s Widest Variety of Music” but if there’s any truth in radio sloganeering, it should be “Adelaide’s Widest Variety of Pink.” Delusion dictates that it must play Pink multiple times within each freaking hour of their godless day. Listen for any length and you will certainly wish you were trapped in a CIA black site, and about to be folded into a dark cupboard for a fortnight. If you were bound by rope to a chair, listening through bleeding ears, and somehow decided to drink a shot of Bundy[9] every time you heard her banshee gibberish shrieking from the radio speakers, you’d turn into Sir Les Paterson[10] or Elizabeth Taylor[11] within about fifteen minutes.

I love the 1990’s. In among the grunge of Nirvana and Pearl Jam, who I also like, there were lots of sunny songs with great melodies and fetching harmonies. The Sundays and Weezer spring to mind. Then there’s Teenage Fanclub and their signature tune, “Sparky’s Dream.”[12]

It opens with gangly guitars and this great lyric

If she lived in space, man

I’d build a plane

Aside from the aeronautical impossibility it’s a song of optimism and joy.

I reckon Judith Lucy would like it. You’ll never hear it on Mix 102.3.

 

[1] Not her given name, but certainly her real name

[2] Not Patsy, under any circumstances

[3] Australian Rules football metaphor indicating the most crucial section of a grand final

[4] Not her given name, but certainly her real name

[5] Not Patsy, under any circumstances

[6] See previous two blog entries for more on this

[7] Shabooh Shoobah from 1982 being one

[8] As developed by the CIA, ASIO and Stock, Aitken and Waterman

[9] Dark rum from Queensland, another act of war

[10] Hideous but hugely funny cultural icon

[11] Apparently enjoyed an aperitif

[12] Note correct use of possessive apostrophe here too. See, it’s not so hard, people

 

0

Fun and Feasting at the Beggars Banquet

devil

Who forgot the apostrophe? Mick or Keith? Should it be Beggar’s Banquet or Beggars’ Banquet? I prefer the later, imagining a mythical party hosted by the Rolling Stones somewhere like, say, Tangier in Morocco.

Punctuation marks denoting possession aside, this 1968 release is the most fun of their career with sitars, LA’s Watts Street Gospel Choir and a polite devil all prominent. Forgetting the psychedelic swill of Their Satanic Majesties Request, this album’s ambitious but also homage to their American influences.

The music of Satan is not, as many might attest, heavy metal or any of its more ridiculously camp variants. His accompaniment, of course, is something much more seductive. Opening Beggars Banquet is “Sympathy for the Devil” which is narrated by Lucifer himself.

Underpinned by congas the music is a samba: hypnotic, sexual, inescapably charismatic. And there’s the Devil, resplendent in a sharp suit, drawing you in over a cocktail with his allure, but also his invisible menace. Indeed, the opening to this dramatic monologue is a deferential “Please allow me to introduce myself…”

In the days after its release, I imagine God-fearing folk from places like Lynchburg, Virginia quivering at Mick’s vocals, but I reckon it’s now fanciful fun, fetching theatre.

*

In Keith Richards’ autobiography Life my favourite vignette centres upon the young author and his grandfather in Soho, during the austere 1950’s. Upon seeing a poor urchin, the elder asks, “Keith, have you got a shilling?”

“Yes.”

“Good. Now go and give it to that boy. He needs it more than you.” Keith does.

“Well done,” praised granddad, “That’s very kind.” He pressed his fist into Keith’s paw.

Keith opened his hand. In it were two shillings.

*

“Dear Doctor” is the third track and takes us musically and narratively to the American south with the mawkish tale of a doomed boy, trapped to his betrothed.

The melodramatic context is clunky, but it’s one of the record’s fine acoustic songs that could be dismissed as irreverent; making fun of the genre. However, this would misjudge the band’s deep admiration for this music, as they deliver us to their beloved blues and country destinations. Worship, and not cheap parody is driving the pick-up. Such is the authenticity of Mick’s vocal characterisation that the finale is a relief for us all

It read, “Darlin’, I’m sorry to hurt you.

But I have no courage to speak to your face.

But I’m down in Virginia with your cousin Lou

There be no wedding today.

*

In February 1965, my Mum and Dad saw the Rolling Stones at Centennial Hall. It was part of the Showgrounds, but the building is now demolished. A short Par 4 from where I work, and commuting past, I envisage flickering black and white footage and screaming. Shrill, teenaged, screaming.

Roy Orbison took the stage beforehand and with his voice like “the cry of an angel falling backward through an open window” the crowd adored him. But then, Mum and Dad both remember the Stones being booed and jeered. What? They played eight songs with competent energy, but it was too late. Adelaide loved the Big O, and gave the boys from Dartford the Big A.

*

The Rolling Stones are now popularly connected to the electric guitar, but on Beggars Banquet the acoustic songs generate much of the fun. “Prodigal Son” is a country blues, Bible-infused number that on the record’s early pressings was wrongly attributed to Jagger and Richards. It was by the Rev. Robert Wilkins, a Memphis gospel singer and herb medicine specialist whose first recording was “Rolling Stone Blues, Parts I & II.” It dates from 1928.

It’s a reminder that they still loved the blues and regarded themselves as belonging to Memphis as much as London. “Prodigal Son” is a terrific driving song, and the Mississippi swims into widescreen view as Mick’s harmonica eddies and swirls across the speakers.

*

The album is colonized by rich characters and the richest here is the “Factory Girl.” It’s a curious amalgam with violins, South Asian congas or tablas giving it a Hindustani feel and Mick’s mid-Western vowels providing a pilgrimage too. The girl is irrepressible: catching buses, sporting “curlers in her hair” and loving a weekend fight. Even with the “stains all down her dress” she’s attractive. It’s my pet track.

Opening the batting for the band’s astonishing run of form which witnessed consecutive centuries through Beggars Banquet, Let It Bleed, Sticky Fingers and Exile on Main St, it’s a whirling, boisterous set. While it doesn’t gather the acclaim of its successors, it’s their most fun record.

*

And I’m not sure that the title’s absent apostrophe is rock’s greatest grammatical crime. This surely belongs to Paul McCartney’s “Live and Let Die” for its maddeningly redundant preposition, which if you’re not vigilant, sticks in your head like a rusty nail

But if this ever changin’ world

In which we live in.

Ladies and gentlemen, Beggars Banquet!

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0

Max and His Most Magnificent Apostrophe

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Already, at six, our youngest, Max has mastered something which, even at their towering heights Mick, Keith and the other Rolling Stones couldn’t get right.

He knows how to use the apostrophe of possession.

Last night doing homework at the dining table Max shows me a picture- a vague, blobby creature fashioned from newspaper. “I have to write a story about this person.”

And so we invented some of the creature’s backstory. Max decided that, like all good creatures, this one would play basketball. He named him Bob. With the character established I explained to Max that his story needed some action, some conflict and then, without any prompting from me, he opened his second paragraph just like this

Bob’s team

Sensational.

“Well done Max. This is one of Dad’s best days ever! Who taught you to put in the apostrophe?”

“Nobody. I just know it.”

Apostrophes suffer enormously in our world. Often cruelly forgotten. Sometimes put to work when they shouldn’t be. Abused by café-owners and green-grocers alike. How many pub menu boards advertise these?

Sausage’s and mash- $12

I love apostrophes, but Mick and Keith, in the midst of their astonishing run of form over a decade from the late sixties which included Let It Bleed and Exile on Main St omitted these. Twice. Their albums Beggars Banquet and Goats Head Soup, depending on the number of beggars and goats (that’d be a great party), should probably be Beggars’ Banquet and Goat’s Head Soup. This seems an odd mistake to make, given that Mick is happy conversing in French about noted seventeenth-century philosopher François Poullain de la Barre.

Of course as part of my concerns for your grammatical health, I should now remind you about the importance of using capital letters as evidenced sharply in this sentence

I helped my Uncle Jack off his horse.

But, last night at our wooden table, with a simple flick of his Bic, Max made my week with a punctuation mark.

Go on, hug an apostrophe!

stones

 

2

The Kapunda Cricket Club: Long Necks in Brown Paper Bags and the Patron Saint of Spoofy

kcc-derro-and-spoofy

In 1880 the Australian Test side played a match in Kapunda against a local team. The shops shut at noon and thousands gathered. The national captain, Billy Murdoch, congratulated the club on the Dutton Park pitch. It was coconut matting.

The national side made 401 with opening bat AC Bannerman registering a century. The local side accumulated eighty, despite there being a batting line-up of twenty-two chaps. Only one fellow, TR Bright, got to double-figures with twenty-seven. Ten made ducks. Can you imagine a Wade/ Maxwell conversation happening back then?

“Hey Skip, got a minute?”

“Sure. What’s the problem?”

“I see you’ve got Bennett coming in at eighteen. And I’m batting at nineteen.”

“That’s right. He’s actually made a run this year.”

*

Saturday night saw the celebration of Kapunda Cricket Club’s sesquicentenary, and it was held at Dutton Park. Arriving late afternoon Woodsy, Bobby Bowden and I wandered down to catch the closing stages of the A grade fixture against Freeling. On the grass and under the shade we had a yarn with Tolly, Bart, Whitey, Goose and Rexy who were taking refreshment as preparation for the evening. Kapunda took four wickets to secure second place.

*

Away games still mean meeting at Rawady’s deli in the Main Street, just next door to the Sir John Franklin hotel. Thirty years ago, we’d head off to Eudunda or Angaston or Truro in a car with no air-conditioning. FM radio barely existed. Bench seats like those in HQ Holdens allowed six so only two cars might be needed. Toranas and 180Bs were rightly seen as selfish.

You’d be squeezed in and somewhere like Riverton was only about twenty minutes away, but with cramping calves and eyes stinging with the smoke of a dozen Winny Reds you’d slide from the seat with a soaking back like you were being born.

This is the Kapunda Cricket Club.

*

In a change room at Dutton Park some memorabilia is on display. I wander through. Old bats- GN Scoops and Fielkes, and boxes- such as the one made famous by Froggy are there, as are old score books. One from 1987 is on a bench and Bobby Bowden finds the match against Greenock, the one cruelly documenting his eighteen ball over. I’d forgotten that he and I opened the batting, but then when this happened, why would we?

Sudden by international standards, the demise of England’s G Swann was glacial compared to Bobby’s. At the start of his final ever over for the Kapunda Cricket Club he was a reliable medium pacer. Eleven agonising minutes later his bowling career was dead.

It began with a couple of wides, progressed to a malignant lack of confidence and culminated with Bob, broken, walking to the wicket like it was the gallows, and trying to complete a legitimate delivery. It often ended up at slip, or skidding forlornly, ashamedly, down to fine leg. His mental self-disintegration was total.

Subsequent pub analysis confirms that Bob’s eighteen-ball over only contained seven legal deliveries, and therefore nearly thirty years on, remains incomplete. I was at mid-off, and lobbed the ball to him, fifteen times. I felt increasingly like I was throwing him a box jellyfish. Or a can of XXXX.

This is the Kapunda Cricket Club.

*

Cricket clubs provide much. Social instruction. Gentle exercise. Weekend structure. But mostly they generate memories. Eagle Rock with whites around ankles, slopping up beer and Bundy in a Tarlee disco. Tony Clarke spinning the black vinyl of “Walk Like An Egyptian.” A fella like Flab who, in astonishing dedication, wore his cricket whites until Tuesday. Yeah, Tuesday. Twice. Did these have to be burnt? If we had a nuclear waste storage facility (no doubt on the site of the former Railway Hotel) they probably should have gone in there.

I think of Spoofy. I think of the front bar in Puffa’s late on summer afternoons. Boys drinking West End from handles. No TAB or big screens. No pumping music. Just three coins, clasped behind the back. Not trying to win, but trying not to lose. Goose Mickan. Someone chirping, “Good call.”

The final moment and someone- hopefully not yourself, trudging off to buy for everyone like GS Chappell after his fifth consecutive duck. This, of course, all belongs spiritually to Whitey, the patron saint of Spoofy, or as he now calls it, “The Free Beer Game.”

This is the Kapunda Cricket Club.

*

And then, late afternoon somehow squeezing back into the HQ Holden as Chris Hayward once said, “Like ten pounds of spuds in a five-pound bag” we’d drive through the dusty warmth back home. This often included calling through a pub like the Greenock Tavern to get a long neck in a brown paper bag. One each for the journey.

Just as the drive to cricket could seem eternally long, as a seventeen-year-old the trip back home with a derro could be horribly brief as now within Kapunda’s town-limits you tried to gulp down the last of the beer. The HQ would swing into a park outside the Clare Castle Hotel, and you’d stare down the neck of the bottle, looking for the fish bones you’re sure are swimming about in there, wondering how the older blokes actually drank the stuff. Safely inside, after three schooners of Nugget’s finest, you’d recovered and all was fine. You were set.

This is the Kapunda Cricket Club.

*

It was a great night. There were stories from JL Mosey and Sarge Johnston and laughs and life memberships. Wayne Phillips made a funny speech in which he referenced Fatcat and IVA Richards and the beginning of his relationship with his wife which, in part, began atop Gundry’s Hill overlooking Kapunda.

After midnight, everyone drifts outside to the veranda. It seems like it’s only nine o’clock. There’s a looming full moon and the skittish clouds race across the velvet. After a blistering week, the cool change is arriving.

I call back into the club next morning on my way home and ask what time the celebration wound up. Matt says, “I left at ten to four and there were still about sixty here.” Impressive.

Some nights the stories just won’t let you go to bed. There’s too much to say, too many hands to shake.

And, this is the Kapunda Cricket Club.

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KCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch onKCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch onKCC Rawadys Deli squashed into Holdens Jock McGregor six Craig Hutton hat trick Rocket Tanunda Light Pass tie Leo Carter trained at KHS Fergie and Phil Bob and Christmas Greg Chappell hat Greenock dozen runs Interest in Caulfield Cup Spoofy Long neck Old score books Flab in whites until Tuesday 298 Dean Waugh Flipper coach ASADA 29 NSW Fatcat can’t guarantee that After midnight migrate outside, looming moon and skittish clouds 4am sixty folk, stories stretch on

2

Ten Years is a Long Time

ute

It’s a scene to make you smile. Two girls and a brown kelpie pup jumping and running, laughing and barking as the late afternoon sun bends through the eucalyptus trees. Their hot perfume hangs in the blue air. All across Australia families like this one are enjoying their Sunday afternoons, as this exceedingly hot summer stretches out.

While these children appear happy in the golden light, the shadows are lengthening, for they and their mother live in a state of apprehension. At the insistence of their father, they are drifters.

Tom Smith meets me in the front bar of Cobar’s Railway Hotel. I offer to buy him a beer, and he says, “Fair enough too. With your fancy city job, you can afford it.” I decline to explain that as a cadet journalist I’m probably earning less than he is, and ask, “How long have you been in Cobar?”

He looks me in the eye, takes a long draught from his beer, and wipes the foam from his lip. “Let’s see. I reckon it’ll be four weeks next Tuesday. Time to go,” he clips. There’s defensiveness in his voice, a challenge, as if he’s daring me to argue. I imagine he’s exchanged fisticuffs in a Friday front bar before. “Why are you leaving?”

As the clock ticks towards six, the pace of drinking accelerates. It’s hot, smoky and the men yelling at each other is a slow-motion explosion of noise. I lean in towards Tom to better hear him. “Shearing’s nearly finished. Job’s done. We’ll head south towards the Murray. Grapes’ll soon be ripe. Plenty of work pickin’ ‘em. I know a bloke in Mildura. We were there four or five years ago. Not long after Susie had her accident.” Tom glances up at the clock. Quarter to six. Impossibly, it becomes louder in Cobar’s biggest hotel.

“Can I ask what happened?” Susie’s the youngest daughter of Tom and his wife Mary. To make ends meet, Mary gets what work she can too. Cooking for the shearers, helping out in the homestead. Both work long hours. Hard, physical labour. “Fell off a fence. Cut her leg badly on a rock, and ripped her calf muscle. Still walks with a bit of a limp. I’d told them girls to stay away from the fence- some of the timbers were loose.”

I study Tom again. His face is weathered brown from years of vicious outback sun, and his eyes are set in an endless squint- even here in the pub. There’s honesty in our conversation, but also a reticence to tell a city stranger too much.

Later as she cooks dinner for her family I talk to Mary, while Tom sits outside. Susie and her sister Jane are throwing a ball to the dog. Dusk descends from the sky. The meal is mutton chops, carrots, peas and mashed potatoes. Resting my elbows upon its laminated top, I sit at the table. “Are you looking forward to Mildura?” I ask. The chops sizzle and spit in the pan. Mary’s eyes scurry across to me. “Is that where we’re headed?’ Her question doesn’t surprise me. Outside in the dusty heat, I hear Tom cough.

“Yes, Tom told me at the pub. Does he…” I pause, worried about marching into their marriage. I’m not sure I’d like what I might hear. “…you know, does he usually ask you about where you’d like to go?” Mary wipes her hands on her apron, and turns to me. “Can I tell you something?” I lean forward. “Please.”

I see tears at the corners of her eyes. “I’m tired. We’ve been drifting for over ten years. Never been anywhere longer than a couple months. We met in Kingaroy. Queensland. Got married. Back then, Tom had plans. Wanted to be a fisherman, you know, get his own boat.” I take a sip from my cup of tea. “What happened?”

Mary pours milk in with the potatoes and starts rhythmically, but cheerlessly working her fork into the boiled vegetable. “A few months after we we’re married Tom’s best man Jim drowned. He was on a prawn boat off of Cairns. Huge storm swept in. They got caught in it. That was the storm of ‘53. Six boats went down. Twenty-three men lost. Tom vowed he’d never set foot on a trawler. We decided to head south and follow the work.”

I offer, “Ten years is a long time.” Mary wipes her eyes with the apron, and whispers, “The girls need friends. School. They could play tennis….” She stops, as if her words are forbidden, an unutterable prayer. Tom’s boots blunder up the corridor. He kisses Mary on the head. “What’s for dinner, love?”

On the following Friday Tom and Mary, their daughters and the dog leave Cobar, the ute’s exhaust coughing out bluish smoke as it bumps down the driveway. Tom flicks the turning indicator and steers south.

In Mildura, seven hours away, there are red and white grapes, ready for picking.

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2

Jeans On- Not on Triple J’s Hottest 100 but Massively Cool

dd

Born in Oxford to the 3rd Marquess of Zetland and his wife Penelope Pike, and schooled at Harrow. Not what you’d necessarily expect of the man singing the world’s catchiest tune. Ladies and gentlemen, Lord David Dundas!

At least it was in 1977 when I first heard it on Countdown on a Sunday night. I recall my cousin Boogly was a fan of the song too. We first heard it one wintry evening after a Kapunda Footy Club function (piss up) when we repaired to his house. No doubt having toasted ham and cheese sandwiches. We ate these often. His mum, my Aunty Claire, makes a wicked toasted sandwich.

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If the song sounds like a jingle that’s because it originally was, having come to life to promote Brutus jeans, a company started by two London brothers in their teens. The jeans were popular among mods, sharpies and scooter boys.

With a laid-back melody underpinned by a memorable keyboard the lyrics commence

When I wake up in the morning light
I pull on my jeans and I feel all right
I pull my blue jeans on, I pull my old blue jeans on (ch-ch)
I pull my blue jeans on, I pull my old blue jeans on (ch-ch)

Back about a year we entertained friends from Kimba and Kentucky- as you do; these should be twinned communities- and this song came up. With sufficient sparkling beverages onboard (Ale and Shiraz) we located the song on YouTube and played it on repeat, sitting on our patio as we (Bazz and I) yodelled out into the undeserving night sky with the “ch-ch” bits being an aural highlight. Neighbourhood dogs still growl when I pass.

sa

Happily, the song is now also on Spotify with nearly three-hundred thousand plays while other songs by David Dundas have only attracted meagre listens making him, I think, a one-hit wonder. But, Fatboy Slim liked it so much he sampled it on his song “Sho Nuff.”

It will be another vital plank in the musical education of Alex and Max and I’ll play it for (at) them when an opportunity arises (imprisoned in my car). You should listen to it too.

On Australia Day, what could be more appropriate?

 

 

0

The Dude and Dinosaur Jr.

 

been

In my pocket my phone buzzed. A message. Trev.

I’m up front watching J. Mascis…His left hand up the neck of his telecaster is like a bionic crab!

On a stormy Thursday evening the weather is Singaporean heavy and portentous. Trev, Matty and I are at The Gov, Adelaide’s best live music pub. American indie band Dinosaur Jr. is playing. We’re at the back of the room and we’re feeling the fuzzy guitar.

Like a 1990’s disaster film- doubtless featuring a frowning Tommy Lee Jones- we’re pummelled by cataclysmic forces. However, it’s not an indiscriminate assassin, it’s a benevolent god: a ’63 Fender Jazzmaster. It’s the star of the show.

Later, I squeeze my way up the front too. I’m only a few feet from the stage. With his long hair- Trev calls him the “Grey Ghost”- eyes closed and expressionless dial, he reminds me of the Dude from The Big Lebowski.

dude

And here’s a key. He appears utterly uninterested; he’s not even in the room with us. He’s home in Massachusetts thinking of making a cuppa tea, yet he’s generating that unique sound- soaring yet distorted, joyfully immaculate and also hovering just above swirling noise. It’s a magic carpet. It’s why we’re here.

A highlight is “Start Choppin’” from their breakthrough set Where You Been. It remains among my favourite album art. I didn’t know the band when in 1993 I first saw the CD in Big Star Records on Rundle Street, but it spoke of a weird world: all misshapen darkness and bizarre humour. It looked fun.

And here’s another key to their appeal. Mascis sings with a whining, drawling, nasal voice. A bit Neil Young, but without any commitment. He’s telling you a story, but doesn’t think you can be bothered to listen. He expects you to walk off as he’s mid-story. Maybe to make a cuppa tea. Again he reminds me of The Dude.

The Dude: Mr. Treehorn treats objects like women, man.

Malibu Police Chief: Mr. Treehorn draws a lot of water in this town. You don’t draw shit, Lebowski. Now we got a nice, quiet little beach community here, and I aim to keep it nice and quiet. So let me make something plain. I don’t like you sucking around, bothering our citizens, Lebowski. I don’t like your jerk-off name. I don’t like your jerk-off face. I don’t like your jerk-off behaviour, and I don’t like you, jerk-off. Do I make myself clear?

The Dude: [after a pause] I’m sorry, I wasn’t listening.

Dinosaur Jr. perform melodic, simple songs that pioneered the loud/quiet dynamic that’d become the sonic signature of grunge. “Feel The Pain” and “Out There” elevate the crowd too, and the last song of the encore “Gargoyle” closes with a meandering, enthralling guitar solo that’s at once cosmic, searing and euphoric.

And there’s J. Mascis, barely aware of his battered axe, more relaxed than the Dude. He saunters off-stage. He’s mumbled about five words all night.

Walking to my car a fellow Dinosaur Jr. fan passes me. He’s in the middle of the road. He’s riding a Malvern Star bike. It’s a tick after midnight. No helmet, no lights, no hands.

Superb.

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