Tag Archives: The Exeter Hotel

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Sunday Morning in Adelaide’s Heart

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Stepping through the hotel lobby onto Hindley Street, I then creak into a trot. The stained footpath looks like a tangle of Rorschach inkblot tests. It’s Sunday morning.

Adelaide’s most notorious street is freshly circumspect after another torrid evening and moving east, I pass a café of breakfasters demolishing their eggs and bacon, their arms pumping up and down like fiddlers’ elbows. At King William Street the pedestrian lights blink to green so over I shuffle.

Until now, I’ve never run through Rundle Mall, and its reddish-brown pavers. It’s wet this morning so I’m cautious and wish to avoid splaying myself outside of Lush for the satisfaction of shoppers seeking locally-sourced, preservative-free stinky stuff.

Reaching Gawler Place, Nova FM is promoting this week’s tennis at Memorial Drive. A good-natured queue snakes across my path, Dads and kids spinning the chocolate wheel for tickets or an icy cold can of coke, assuming this remains the base metric for radio station giveaways.

Glancing south I see the Mall’s newest resident: a pigeon. Or rather a two-metre reflective metal sculpture of one. It’s curiously compelling and I could be in The Land of The Giants. The sculptor says, ‘I see pigeons as proud flaneurs (loafers), promenading through our leisure and retail precincts. They are the quiet witnesses of our day-to-day activities in the city, our observers from day through to night.’

I then note a store called Glue. That’s intriguing but why not call it Clag? That’s a word which is always funny, especially when you use it to secretly stick shut the pages of your Grade 3 friend’s exercise book, or their copy of Let’s Make English Live Die.

The Malls Balls appear in their enigmatic majesty. Fashioned by Bert Flugleman, they’re the nation’s most iconic pair of balls. I’ll leave it to you to insert a joke of your choosing.  

With another green light I scamper over Pulteney Street to Rundle Street before passing the distinctive green exterior of Adelaide’s finest pub, the Exeter Hotel. Inside it’s always the 90’s and our nation’s best wine writer, Philip White, is by the bar. Straining my ears, I’m disillusioned to not catch gliding up from the beer garden some ghostly wafts of Nirvana.

Taking coffee on the footpath are a clot of Sunday suits while over the road a rotund woman of Caribbean appearance is urging us all to, ‘Repent, repent.’ She’s sure our timeframe is only forty days. ‘Repent, repent’ she repeats. I best get on with it.

Over East Terrace sits the Garden of Unearthly Delights, the focus of the Fringe. Now it’s lush-green and empty. Next month it’ll be buzzing, and any surviving grass will be brown. To my right is Rymil Park, annual host of Harvest Rock. Again, it’s morning mass still. How these micro-cities appear and disappear! Despite their fleetingness, they shape our city in enduring ways.

I turn left by the brewery apartments and am halfway through my run. It’s both astonished discovery and a comforting repetition. The O-Bahn tunnel runs beneath me. Last week with Claire I first rocketed the twelve kilometres to Tea Tree Plaza on its clever, Germanic bus.

Drizzle smears the sky as the National Wine Centre swims into view. It appears as a Noah’s Arc for plonk. When those antediluvian rains came what if the 600-year-old skipper had to usher onto his boat two bottles of every wine varietal? Sorry, Grange, back down the ramp for you as we’ve already got some shiraz.

We know well our CBD, but there is something magical about staying in the city that sprinkles enchantment over the recognisable buildings and boulevards. I’m now on North Terrace by the Botanic Hotel. After 4th year English between 4 and 8 on Mondays my old friend JB and I would drive to the Bot while I would soothingly play her Bob Dylan cassettes. Sorry, JB.

I peer into Ayers House trying to recall how many wedding receptions I’ve been to there. I can’t and then above me stretches Adelaide’s tallest building, the Frome Central Tower One. Not tall by global measures but the skyscraper’s emblematic of Adelaide’s revitalised confidence. Claire and I went up there recently and gazed out over the eastern suburbs, spotting landmarks. Ah, there’s Norwood Oval!

I pass 2KW which is a roof-top bar. Are these elevated boozers the new Irish pub? Will we tire of these too? I often try to look at our city as might an overseas tourist. What would I think?

A compact, fetching metropolis, without the glamour of Sydney harbour or geographic clout of Brisbane’s river, Adelaide’s quiet beauty and ease of lifestyle would progressively reveal themselves. I’d be impressed by North Terrace’s elegant institutions and the Torrens and Adelaide Oval precinct. If I wandered in on for a beer, I’d love the Exeter and its eccentricity.

I ease up Bank Street and, in the hotel, click open the door to our twelfth-floor room.

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Pub Review: The Exeter, Adelaide

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The beer is fresh and cold, if unspectacular. Coopers features, but otherwise it has a decidedly pedestrian array of beer taps. And the food’s fine although I can’t recall an amazing meal I’ve had in its quirky beer garden.

Ultimately, none of these matter when deconstructing Adelaide’s mighty Exeter Hotel.

Some pubs offer accessibility as their key attraction. A vital yet drearily utilitarian function when you get home after a tough day on the hamster wheel and realise you forgot to take out the chops to defrost, so you barrel down to your local for some cheap schnitzels.

This is not the raison d’être of the X.

Set amidships at 246 Rundle Street in the city’s East End alongside the restaurants, cafes and retailers, a visit to this peerless boozer can set you on the road to Damascus, or at least Kent Town.

Beyond the usual, but still praiseworthy self-promotion of “No Pokies!” the X also positions itself by quietly announcing that pub crawls (Adelaide Uni Engineers: they’re lookin’ at you!), buck’s and hen’s nights and misshapen birthdayers younger than 21 can look elsewhere to celebrate.

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This is a pub that knows its mind. It won’t listen to an hour of AM radio talkback, or watch Q&A and suddenly change its view. It’s a pub that wins the toss on a muggy day, ignores the hectoring of its opening bowlers, and decides to bat.

Just like it always does.

The front bar of the Exeter is an Adelaidean experience par excellence but the grungy microcosm within is removed from the monolithic culture of the day: there’s no which school did you attend? Crows or Port? Mix or Nova? Fruchocs or FUIC? Nonsense you might encounter at other more nakedly aspirational pubs.

Indeed, this incongruity is most welcome and isn’t incompatible with the genteel surrounds: it’s an earthy compulsion. The X, in roaring, bursting flight with its eclectic denizens, is more Soho or Camden Town or Hammersmith pub. As a point of difference, it’s wholly life-affirming.

If the Exeter didn’t exist, it would be necessary to build it.

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Decades back our mate Chris was emigrating to Queensland to work for a software company. So, to mark this, we dined on curry and Kingfisher lager, and then galloped across to the Exeter.

Dawn’s closer than dusk. Only Nick and I remained, our Doc Martins moored to the floorboards. He’s from a farm in Shea-Oak Log. Years ago, we saw the Rolling Stones at Footy Park.

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As always, we navigated travel and bands and film, and our discussion arrived at Harper Lee’s autobiographical masterpiece, “To Kill A Mockingbird.”

Over and through our Coopers, we pondered the novel’s last lines, and admired their uncomplicated elegance. They’re among the finest words printed. After the rush of the climax, we’re left with a painterly scene, a world profoundly restored by the love of Atticus

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He turned out the light and went into Jem’s room. He would be there all night, and he would be there when Jem waked up in the morning.

This is why I love the Exeter.

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Among my favourite writers is the Adelaide Hills-based wine scribe Philip White. Early in my career a highlight was opening Wednesday’s Advertiser in the English faculty office with my then boss and old mate Digby. We’d devour Whitey’s column and belly-laugh and nod. He’s a magnificent author, and naturally, his articles were not about grog, but stories. People, places, events both happy and poignant.

Some years later I finally met Whitey in the Exeter. We yarned at length about much including the account he wrote of the Darwin Stubby Drinking Competition held, of course, at the Humpty Doo pub.

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“I loved the character at the centre of that story, Dave Gaston”, I stated.

Whitey replied. “Yeah, I reckon I compared him to Mick Jagger saying he’d ‘carefree elegance.’”

“You did. And it was great that while Dave won the prize you put a twist in the tail.”

“It was true,” the plonk critic nodded, “The quickest Darwin Stubby guzzler on the day was Norman. A Brahman bull.”

This is why I love the Exeter.

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So, the X can be curmudgeonly. But safely within its ageless walls- check out the TOURIST DIES OF THIRST newspaper billboard behind the bar- you’ll be at this town’s ragged, charming heart and in a place of conversation and character and cheer.

It’s that most rare of locations: the destination pub.

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Killing the Mockingbird: Recollections of the 1997 Bulldogs and Crows Preliminary Final

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Saturday, 20th September 1997. Half-time in the preliminary final. The Crows are getting paddled by seven goals.

I take a nap.

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A soap opera fledgling, Greg Fleet swiftly enraged the nation. His Ramsey Street character had dispatched Daphne, like a Cairns cane toad, by expertly running her over with his car.

Later, he was strolling along a Melbourne street when a Truth headline screamed, NEIGHBOURS STAR TELLS: ‘MY HEROIN ORDEAL.’ Shocked at his public shaming, Fleety’s initial thought was, Oh my God! I can’t believe it. I was on Neighbours.

TOURIST DIES OF THIRST is a memorable newspaper poster too. It’s on the yellowing wall of Adelaide’s Exeter Hotel. I smile every time.

It’s an ageless boozer. Resistant to infantile trends, (Irish pub folks?) it’s a rollicking temple for cups and conversation. There’s nothing to distract your entourage from its tasty project. No TV, no TAB, no pokies. But there’s music. Thoughtful, eclectic music, with entire albums pumped into the front bar.

If I could design a pub, it’d be the Exeter.

*

The night before the Crows and Bulldogs clash. Our mate Chris is emigrating to Queensland to work for a software company. So, to mark this, we dine on curry and Kingfisher lager, and then gallop across to the Exeter.

Dawn’s closer than dusk. Only Nick and I remain, our Doc Martins moored to the floorboards. He’s from a farm in Shea-Oak Log. We met in school. Years ago, we saw the Rolling Stones at Footy Park.

As always, we talk cricket and travel and bands and film, and our discussion arrives at Harper Lee’s autobiographical masterpiece, “To Kill A Mockingbird.”

Lizard was a heavy-metal mad, Axel Rose-haired kid. I taught him in Kimba and he read the book, reckoned it was about the only one he’d ever finished. In his Cannibal Corpse way Lizard often mislabelled it, “Killing the Mockingbird.”

Atticus Finch. Is there a more inspirational dad in literature? He’s metonymous for courage. I wish the Australian cricketer Aaron Finch was nicknamed “Atticus.” But, of course not. Can you imagine Tubbs and Slats explaining this? He’ll always be “Finchy.”

Over and through our Coopers, we ponder the novel’s last lines, admire their uncomplicated elegance. They’re among the finest words printed. After the rush of the climax, and Bob Ewell’s demise, we’re left with a painterly scene of love, a world profoundly restored

He turned out the light and went into Jem’s room. He would be there all night, and he would be there when Jem waked up in the morning.

Radiohead’s then recent release OK Computer played in the Exeter that evening. I love the cinematic melancholy, and the immaculate alienation. I’m a fan of lengthy, multi-sectioned songs, and “Paranoid Android” is superb. There’s venom in Thom Yorke’s

Ambition makes you look pretty ugly
Kicking and squealing gucci little piggy

The album is additionally embedded with references to the cult novel “Hitchhiker’s Guide to the Galaxy!” How excellent is this? Satire, existentialism and guitars!

Despite its anguished doom, OK Computer becomes a happy soundtrack for me. Living in Hertfordshire, we listened to it once before enjoying Terry Wogan’s wine-soaked Eurovision commentary. In his brogue he noted

They’ve got four languages in Belgium and they’re singing in an imaginary one. The essence of Eurovision.

We laugh at the songs, and are bewitched by the geopolitics. It was 2003, defined by the charming nadir of England’s nul points.

I remember Triple J first featuring OK Computer. On breakfast, Mikey Robins and the Sandman considered life’s unknowns

Sandman: I’ve often wondered what it would feel like to be a woman.

Mikey: Come here.

Like gates clanging in a prison movie, the Exeter finally shuts. Nick drifts to his Hutt Street townhouse and I taxi home to Glenelg.

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Rampaging Roy Slaven famously spoke of playing golf with Seve Ballesteros. As an ornament to rugby league, fishing, cricket, horse racing (he piloted Rooting King), and pig shooting, he is peerless. Roy’s vanquished are “hopeless pillows” or “mooks.”

Obviously, the big man from Lithgow was towelling the Spaniard. Without warning, Seve walked quietly over to his opponent’s bag and went the bushman’s hanky all over Roy’s clubs. Standing “ashen-faced and tight-lipped,” Roy then turned to his caddy and said, “You know, there’s something I just don’t like about this bloke.”

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I wake during the last quarter, wander out to the lounge, flick on the TV, and see Liberatore’s snap on goal. He jumps haughtily onto his team mates, fists a-pumping. The result’s a formality, the remaining time, an irritant. His Dogs are home.

But I know what Atticus Finch would think. I remember what Roy Slaven said.

And the goal umpire signals a behind. Premature exaltation. The braggadocio is scorched.

The quarter’s been goalless, and we’re down by four straight kicks with ten minutes to go. As the bride’s still asleep I choose to endure the ending. It’ll be a Saints and Bulldogs decider.

On the siren, car horns hop in our windows, zigzag over Jetty Road, and vault about the esplanade like acoustic exclamation marks! The wife stirs.

Having spent the match in a torpor, Darren Jarman contributed three majors. He was learning to love final quarters.

With its lengthening afternoons, pledge of an enriching, outdoorsy lifestyle, and barbeque bouquets freewheeling about like sociable phantasms, late September’s always been good.

Just then, it got much, much better.

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