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Mystery Pub: The Joiners Arms

Mystery Pub tonight saw the inclusion of four old friends Mozz and Kath, and Paul and Ali.

As such they’re special guest stars. Just like Jonathan Harris on Lost in Space when he played the outrageous villain Dr Smith. Pleasingly during our time at the pub, nobody is called a ‘bubble-headed booby.’ We all share an ancient Kimba connection. Claire, of course, was a star of the TV show Cartoon Connection.

Yet again, Claire has done a tremendous job in organising Mystery Pub. Here are some, but not all, of this episode’s key decision-making criteria:

  1. Close to my work given I was travelling back from the Barossa
  2. Accessible by public transport for Mozz and Kath who are staying on King William Street
  3. Proximate to the Northern Expressway for Paul and Ali
  4. Near the tram stop for Claire, who works by Light Square
  5. An open and trading pub, unlike the Land of Promise which given its current boarded-up status is particularly unpromising
  6. A front bar free of wandering livestock, given an undisclosed number of our entourage may suffer from capraphobia, or fear of goats
  7. Beer.

Paul is nervous that we might break a number of the rules governing Mystery Pub. He states, anxiously ‘Your one-hour limit rule could be ignored.’

Channelling Meatloaf, I reply, ‘I’ll do anything for love, but I won’t do that.’

Today’s our last opportunity to see Mozz and Kath as they’re going overseas for six months to visit New Jersey (lots of turnpike action), Canada, the UK, Scandinavia, and continental Europe (inexplicably not Wank Mountain in the Bavarian Alps) among other varied destinations. They’re only avoiding Abyssinia, Persia, and the Ottoman Empire as these all, sadly, no longer exist.

Upon arrival I duck out to check the beer garden. It’s a big and functional space entirely devoid of any living plant or vegetable which in my book makes it not a garden but an ode to cement. There is a group at a table and they’re overseen by an odd-shaped and silvery helium balloon and this screams, ‘Private function. Stay away.’

We do.

Inside the pub is warm and charismatic. Exposed bricks, beautiful stain-glassed windows, a range of curious craft beers on tap. A point of difference is their Happy Hour runs from 3 to 5. With mere seconds remaining, we sneak in a couple quick refreshments so as not to embarrass ourselves (spiritually and fiscally) and settle into our table’s compelling Friday rhythm.

Outside it’s Hindmarsh.

The pub appears to the world as modest, reserved, and almost a little shy. Across the road is the soccer stadium where Adelaide United play while it’s also a drama and music hub with the Entertainment Centre, live music mecca The Gov and the always fun Holden Street Theatres all nearby.  

We have known each other for decades but haven’t assembled since our dear, absent friends Annie and Bazz (currently perspiring profusely in Darwin) had their Adelaide retirement party at the Broady on a wintry November afternoon last year.

We used to share tales of footy and golf and cricket and associated late night exploits. Now we provide retirement visions and medical updates (executive summaries only).

Once upon a time this could evolve into a elongated evening. But Paul and Ali are off to a McLaren Vale wedding tomorrow, Mozz and Kath are heading home to sort things ahead of their vast international odyssey, and Claire and I have Escape to the Country obligations. Will that hugely self-pleased couple from Canary Wharf buy a six-bedroom property in Shropshire?

It’s been a lovely, affirming time with friends. We see the very best versions of each other.

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Sentimentality and alienation in Adelaide pub architecture

I’ve just discovered my new favourite place in my old favourite place.

Now in its third year the Broady beer garden is always a delight. Week’s end; a brisk hour; Saturday and Sunday stretching out with languid promise.

Claire and I took up residence last Friday around 5pm and found ourselves at a wooden bench by the back wall. With the noise washing over and about us and the throng surging we were in a captivating little nook. The effect of the foliage was to secret us and intensify our isolation and we became distant witnesses to the garden’s spectacle, and the muffled, if deafening drama and comedy.

I was reminded of Jordan, the glamorous, but golf-cheat character from The Great Gatsby who whispers: And I like large parties. They’re so intimate.

A beer garden should enable theatre and connection and sometimes even privacy. The Broady’s does this. The space allows gregarious but also discreet moments.

The Hahndorf Old Mill Hotel is a big pub on the main street of this lovely old Germanic town in the Adelaide Hills.

Alex and I were up there last Saturday. He’s just turned thirteen and to mark this we drove up for the afternoon and evening. We wandered about and made our compulsory visit to the Fruchoc Shop and I said, “Where would you like lunch?”

Helpfully, he replied, “In there” as the Old Mill Hotel appeared.

Hahndorf is historic and there’s a constant architectural aesthetic across the main drag with charming evocations of Bavaria through dark timbers and inviting warm places and Hofbräu available in big steins.

But, I will never understand how the hideous glass and metal roof of this inn was ever allowed. It’s vaguely 1980’s in its visual impact or more likely inspired by the Jupiter 2 from cult sci-fi TV series Lost in Space.

What is it doing in this genteel, rustic village?

It can only have been designed by the evil Dr. Smith. Will Robinson and the robot (the real star of the programme) would look on in horror before we’d hear, “Warning! Warning” Judy would have (again) sought comfort in the arms of the gruff and unloveable pilot Don West, who openly hated Dr. Smith.

Gee, it was a complex social ecosystem on the Jupiter 2.

Even Penny’s chimpanzee-like alien pet named Debbie would have put its hands or long ears over its eyes at the sight of The Hahndorf Old Mill Hotel’s ugly roof.