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Kapunda, 1983: Dutton Park to the Duck Pond

Let’s imagine a drone hovering over Kapunda.

Gundry’s Hill is the natural place for it to commence with its views across our undulating town. There’s St Roses’ spire, a patchwork of roofs, and the silos standing quietly down near the road to Freeling. The vista is smeared green from the trees lining Clare Road, Mildred Street, and Hill Street which is home to the ancient playground and its old black steam train.

We’re now above Dutton Park and its fetching oval protected by those silent eucalypts. If we listen carefully, we can hear the Mickans chuckling and telling stories. It’s a short flight then to the Duck Pond and if it’s a weekend evening there might be half a dozen cars parked haphazardly on the southern bank, near Dermody Petroleum. There are teenagers draped all across the lawns. My friends. From the tape deck of a car, possibly a Gemini or a Kingswood, you hear this soulful song

Karma, karma, karma, karma, karma chameleon
You come and go
You come and go
Loving would be easy if your colours were like my dreams
Red, gold, and green
Red, gold, and green

We then zip over to the swimming pool. On this hot afternoon we see dotted on the grass untidy groups of kids. Zoom in and they’re munching on Bush Biscuits or a Zooper Dooper before running to the diving board. From this they leap off aiming desperately and adolescently at the canteen, run long-sufferingly by Mrs. Chappell. They try to splash her by doing a storkie, arsey or a coffin. They’re tiresome but determined. The supervisor—an elderly Englishman—yells to the skinny boys, ‘Pack it in!’ They ignore him but he yells again. ‘Pack it in or you’ll have a rest for five minutes!’

A short journey and we pause over the Pizza Bar on the Main Street. Johnny Guzzo is the boss. Again, inside there’s some of the town’s youth and they’re huddled about the Formica tables. Some spill onto the footpath, weighted by black duffle coats and ripple boots. With P plates blutacked to their windows, assorted cars lined up outside. There’s a knot of motorbikes too.

Inside by the windows and next to the pinball machines, a mate’s trying for his best ever score on Frogger. He’s trying to cross the river on logs and—be careful—skip over on the backs of hopefully drowsy crocodiles. But he gets munched and the game’s over. He thumps the glass top of the arcade machine. Johnny’s throwing pizza dough up into ever widening circles and hears the racket. ‘Hey! Do that again and I kicka you out!’

It’s 1983 and for one group of kids, they’re in year 12. Seventeen is an age when much happens but you’re no longer a child and not yet an adult. It’s a fraught, fantastic time. Let’s zoom in and see who they are.

*

Here’s Kapunda High’s class of 1983. There’s only thirteen of us although this was boosted by the subsequent return of one Paul Masters, and arrival of Eriko, our Japanese exchange student. Then, of course, most of the fifty-odd who began with us in year 8 had left school for a job. Year 12 was matriculation which meant qualifying for university. It an innocent and wonderous time.

This photo was taken on the croquet lawn at the front of the school. I never saw any croquet but sitting on its grass under the autumn sun was calming and peaceable. And it’s such a picturesque setting that a few short decades later it was where the girl fourth from the left and I would be married. No other location presented itself.

There were only fifteen of us, but I thought us an unruly collective. All day long we laughed and yelled and interrupted each other. Thirty years on, talking in the footy club with Macca—our beloved History teacher Paul McCarthy—he told me we were, ‘bright and well-behaved. A really great group.’ In 1983 I sat in a corner next to Chrisso and Davo and we did much together.

Claire and Trish and I had long enjoyed our triangular friendship, and this continued. There were a couple of classmates with whom I barely exchanged words. I didn’t dislike them; we just had little in common and I hope they’re happy and well.

*

Our matric centre was at the front of the school just near the croquet lawn. It was down the cement steps and in Kidman’s bequeathed mansion, Eringa, it had been a servant’s bedroom. A tiny room, it could only fit ten or a dozen of us around the little student tables.

A blackboard hung to the side and an old gas heater sat above the mantle and we’d use it to toast sandwiches until we weren’t permitted. A corridor ran around two of the walls and our individual carrells were lined up there. How lucky that we had our own private desks? Much of our year was spent at these.

In that little classroom we’d conversations which influenced us. Mrs. Schultz, our gentle and wise English teacher, chaperoned us through The Grapes of Wrath with the Joads as they made their emblematic and weighty way from Oklahoma to California through the Mojave Desert.

I recall my terror as she and Trish talked at length about the novel’s symbolism, focusing upon the turtle crossing a highway and how it represented struggle, determination, and hope. Committed to making my own life difficult, I read many Steinbeck novels over the summer and loved them. But, of course, I didn’t finish the compulsory Grapes of Wrath, and generally only saw the turtle as a turtle.

Our Australian History teacher, Mr. Krips, escorted us through a study of our national identity and the apotheosis of the nomad tribe. I’d not encountered the word apotheosis before. It wasn’t used on the cricket, even by Richie Benaud or by Graham Kennedy on Blankety Blanks. It impressed me and I vowed to keep it in my vocabulary as I thought it could have future value. I swiftly forgot it.

Of equal value was the extra-curricular stuff we learnt from our teachers. The girl fourth from the left and Trish always had enthusiasm for curating our experiences and so set up communal diaries in big scrap books. Quickly becoming known as the Crap Books, these enjoyed daily entries, with some contributing more than others. Occasionally Kripsy did too. How great was he? Early in the year he noted the discovery of a musical gem.

Last night I saw Marvin Gaye on TV singing, ‘Sexual Healing’ which was terrific. What a voice! What a performance!

It is a great tune and now when I hear it I instantly think of Kripsy and that tiny, windowless classroom. I hear it with fondness for my classmates and teachers and that fleeting, singular time and place.

Get up, get up, get up, get up
Wake up, wake up, wake up, wake up

Oh, baby now let’s get down tonight!

*

The Coorong is a distance from Kapunda, south of the mouth of the Murray. Until our matric year, school camps had been breezy and amusing affairs. More like holidays than educational experiences. As we had to study both a science and a humanities subject, I found myself in Biology and had to undertake a special personal project. For reasons which over time have only become more bleakly absurd, I was about to immerse myself in the heady, sparkling world of Banksias.

Yes, my teenaged fantasies were all becoming real. I would undertake a vegetation transect. It’s not, however, as glamorous as it sounds.

We stayed in rustic accommodation with Mr. Zanker and Miss Searle. Curiously, I would work with Mr. Zanker decades later at Marryatville High where I taught his daughter in year 12. In 1983, there were about eight of us in Biology and we drove down on Sunday. I recollect none of the journey.

It was cold and grey but one night by a shared metal sink I had a novel experience. One of my classmates, the girl fourth from the left, leant towards me, giggling, and announced, ‘Hey you. Listen to this!’ A brief subterranean rumble followed. We both collapsed into laughter. It was the first time I’d heard a girl fart.

This remains the clear highlight of that camp.

Monday morning was grim and wretched, and it began to rain. I was utterly alone in the middle of a forest of banksias. My task was to measure all sorts of variables like tree height, number of banksia flowers, distance between trees, and other things too hideously dull to itemise for you now.

Until then I think I was a kid who just got on with stuff. But this was new for it was an obligation in which I had zero interest. It was a necessity and there was no escape. I sat on the wet ground and my bum became damp. Three more days of this! I reckon it was the first time in my life I was truly bored. Even now I twitch if I see a Banksia. They’re for life, not just the Coorong.

It gave me a glimpse into the dark world of adulthood responsibility. I didn’t like it.

*

The second and final part is coming soon!

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Kapunda perspectives: Gundry’s Hill, the Duck Pond, and Dutton Park

We’re doing a lap of Kapunda because it’s probably illegal to come home and not.

So, Lukey and I drive up to Gundry’s Hill. We’ll then swing by the Prince of Wales for a brisk beer before heading to the footy.

We hop out and wander around the grassy knoll. The sky is cloudless, and the rolling hills and crops are a reassuring green.

Glancing about I wonder does everywhere look better from a bird’s eye? Does it always provide a heavenly view? Ascending, do our earthly imperfections vanish?

What happened as we grew up in our town, nestled in that mundane, enchanted valley? Everything and nothing. It was hot and dusty, and cold and muddy. Can you be atop even the smallest hill and not become philosophical? Is private awe guaranteed?

Seeing the whole helps me remember the grainy episodes and to time-travel. I locate the spire of St Roses Catholic Church and it’s midnight mass and I’m an altar boy with lads who, for Father Moore, didn’t always behave like altar boys.

My eye finds the tiny primary school oval. I remember lunchtimes and my classmate Grant Dodman kicking what eleven-year-old me regarded as impossibly prodigious torpedo punts.

What do those from flat towns like Freeling do? How do they access a dreamy perspective?

With this elevated silence on Gundry’s Hill comes warming gratitude. I again gaze out across this modest, little town.

It becomes gentler and postcard-pretty.

*

Between the four pubs of the main street and the oval sits the Duck Pond. Although we knew the family well, nobody I know uses the official name, Davidson Reserve.

This ornamental lake was witness to youthful distraction. As with any locality on a map the geographical value is in the personal narratives.

Undertaking our compulsory tour of our hometown’s landmarks, Lukey and I pause and ponder by the water.

It’s suddenly our teenaged 1980’s.

I remember the cars we owned and can see them clustered conspiratorially by the Duck Pond. There’s Trisha’s Hillman Imp, all English and apologetic. Woodsy’s 180B in which one summer we did two ridiculous laps of Bathurst. My wife Claire’s (sadly our nuptials were a way off) little red and white mini, like an extra from Carnaby Street, London. There’s Lukey’s Alfa Romeo which aside from the then new Chinese restaurant in Nuriootpa, was the most exotic thing I knew.

The Saturday night vista is completed by a crowded used car lot of white HQ Holdens.

If I shut my eyes Stephen Trotta’s green Gemini has all the windows down and the Pioneer stereo volume up. A TDK C-90 cassette is playing. ‘US Forces’ by Midnight Oil blasts across the dark water and then we hear Mondo Rock’s moodily suggestive, ‘Come Said the Boy.’

As Dickens wrote, it was the best of times.

*

It’s a glorious late-winter’s day beneath the eucalypts at Dutton Park as the B grade footy concludes.

We’re here to see old friends and recount some well-worn tales. Woodsy, Keggy, Hollis, O’s. Fats and Chipper had called into Puffa’s. Whitey’s elsewhere.

Knots of timeworn faces huddle in front of the changerooms on the new wooden deck. Orange bunting separates us from the reunions of the 1973 B grade (Dad’s a member but can’t be here today) and Senior Colts premiers.

There’s something poetic about the equine term ‘colts’ for footy teams that’s much better than the numerical Under 17’s or Under 14’s. Looking over at the often less than sprightly reunionists someone says, ‘That’ll be us soon boys.’

There are folks I’ve not seen for decades like Kelpie Jarman and Peter Masters but the years melt away because we all lived in the same town.

I see three of the Mickan brothers in Goose, Drew, and Richie and have a quick chat with Macca. There’s much handshaking. By the canteen I bump into Fergy. In the morning he’s again off to Arkaroola and we share our experiences. Claire and I went there and to Hawker and Rawnsley Park on our honeymoon.

Early in the A grade Kapunda leads with three goals to two but then by quarter time it’s 13 majors to Angaston and not nearly enough for the Bombers. Nobody seems to mind for the air’s awash with nostalgia.

The first job, as always, when we congregate, is to organise the next event, so arrangements are made to visit Christmas Higgins’ brewery in Greenock. Before Christmas, of course.

I later learn that Morphettville race 9 is won by number 4. A seven-year-old bay gelding, its name is Angaston. And their team salutes too. By 25 goals.

But on the footy club deck it’s all chortles and familiar stories. Homecomings aren’t universally adored so I’m lucky to love these moments.

After the siren I drive south from this modest, little town.

2

Christmas (Baby Please Come Home) by Darlene Love

1963

The 22nd of November 1963 was a dark day in American history, but also one of the brightest too. Their president, John F. Kennedy, was assassinated in Dallas, but A Christmas Gift For You From Phil Spector was released. It didn’t perform well at the time, but is among the greatest festive records, and has now enjoyed both commercial and critical success.

The album has been on high rotation for me and running for just over half an hour, it features The Ronettes and The Crystals. Its songs are secular and mostly covers, but performed with wide-eyed innocence, speaking of mid-Western values, fresh snow and an idealised version of an American Christmas.

ps

They are uniformly effervescent. Produced by visionary record producer Phil Spector using his famous “wall of sound” methodology he described this as a Wagnerian approach and it’s akin to a musical collage. Often in mono, the instrumentation is layered and sumptuous, and influenced the Beach Boys, most notably on ‘God Only Knows.’

hair

Paul Kelly’s ‘How to Make Gravy’ and ‘Fairytale of New York’ by The Pogues are central to my auditory experience of the year’s penultimate week, but not that nameless aspirant squawking at the Sidney Myer Music Bowl in front of those sleeping babes during Carols by Candlelight. You know the one: she came seventh in season 6 of X Factor and is now upsetting Alf in Summer Bay. At time of writing I trust the cryogenic defrosting of serial baritone warbler Dennis Walter is on schedule.

‘Christmas (Baby Please Come Home)’ is the highpoint of A Christmas Gift For You From Phil Spector and rightly assumes an elevated position in popular culture. It’s performed by Darlene Love (a minister’s daughter) who like Aretha Franklin, Whitney Houston and Marvin Gaye learnt to sing in church.

And what benefits her religious upbringing has brought us! Sadly, for your correspondent, a sustained childhood in Kapunda’s St Rose’s Church, with a suitably pious stint as an altar boy, provided me with no vocal assistance as my ungodly atonality attests.

DL

In addition to Darlene Love performing it for thirty consecutive years on Letterman it’s used as a dramatic counterpoint in Martin Scorsese’s acclaimed gangster film Goodfellas. Robert De Niro’s character Jimmy (of course) has just pulled off the country’s biggest ever robbery at JFK airport, the so-called Lufthansa heist, and at their Christmas party various mobsters are bragging about what they’ve bought. Jimmy is upset. They need to keep low.

What did you say? You being a wiseguy with me? What did I tell you? What did I tell you? You don’t buy anything, you hear me? Don’t buy ANYTHING!

Despite all its sweetness and joy the song generates jukebox menace as we know there’ll be ugly consequences. It might be Christmas, but someone’ll get wacked! After all, De Niro’s involved.

heist

This aside, it’s a gorgeous, uplifting track; rollicking along in an irresistible, up-tempo way that evokes connection and fireplace closeness. I reckon if you listen carefully, you can also hear seventeen-year-old Cher singing backup vocals. It was among her first jobs.

But in 1963, back when our planet was alive with youthful promises of the space age and small-town purity and neighbourly generosity, Darlene Love gives an almighty musical performance.

Go on, play it as you enjoy Christmas lunch. The pudding will never have tasted better.

https://www.youtube.com/watch?v=exSDgA9eMtU