Tag Archives: Adelaide oval

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Courtney, cabernet and camels

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camel

“Boxing Day Blues“

I know that I let you down

You’re not keen on what you found

Courtney Barnett has many musical skills. Blistering guitar and compelling deadpan vocals, but chief among her gifts is crafting exquisite lyrics. The Melbournian uses sparse, arresting questions with potency.

When’s the funeral?

Do you want me to come?

I like how within a couplet she creates a backstory of considerable heartbreak. The questions speak of a sudden schism, destruction visited upon an intimate relationship. It’s sad.

Questions hang, and generate an ocean of regret. Courtney knows when to provide space for her listeners. The song breathes and gently sobs. It’s stunning.

*

In the days after we flew back from Queensland I chaperoned into our house a dreadful Clare shiraz. It was as if the grapes had been grown unnaturally out the back of a chip shop and the wine made, even more unnaturally, in the shed of an Ipswich car detailer.

I then ventured to the safer cabernet country of Langhorne Creek. Bleasdale is a ripper winery and its Mulberry Tree from 2013 is most companionable on these bracing evenings. The luscious fruit was an insulating treat, and I’ll engage it again soon. Friday looks likely. In Singapore it’d cost one of your limbs: prosthetic or God given. Here there’s change from twenty. Genius.

*

Despite being well beyond its sesquicentenary Adelaide continues to grow up. It’s moving from big town to city. An example of this is how the Torrens Parade Grounds was recently transformed into the Alpine Winter Village.

Borrowing heavily from German Christmas markets there was mulled wine, bratwurst and sauerkraut. Decidedly warmer than Munich in December it was brief fun under last Sunday’s pale rays. As it was booked out we couldn’t go ice skating (probably not me anyhow) but found a table and drank (and ate) in the continental troposphere.

And as you’d expect in this wintry European enclave there was a string of camels! The huge, silent beasts were led through along the village paths, their bulbous, poop-matted knees brushing my shoulders as they went past like noiseless, coffee-coloured combi-vans. Just like Bavaria!

Of course, our boys scampered off about the village to do some exploring. They returned, fresh camel turds smeared and speckled across their coats, ready for our evening at the football.

We look forward to the return of the Alpine Winter Village. But the camels can go back to the desert.

The Gobi will do.

courtney

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Round 19 – Adelaide v Essendon: Dons’ Party or Don’s Party?

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l and s

And a polite patter of applause is hird (sic) for Crows coach Don Pyke on defeating Essendon. Congratulations to Don on another first in his debut year.

Like the Stay Puft Marshmallow Man in Ghostbusters, the spectre of the disgraced 1996 Brownlow Medallist looms large. With which metaphors do we now designate this fallen figure? Is he a cultic prophet who fabricated his own Waco? Macbeth is probably too obvious a motif, so could the golden one now be the spectral illuminatus?

But, he was an astonishing footballer. When the Bombers stole a flag in 1993 I became a fan. However, it wasn’t until this millennium when I finally watched him at Footy Park that I became certain of his genius. His grace, immaculate skill, and tellingly, preternatural vision made him among the best I’d witnessed.

*

Roy and HG once considered the sledging skill of a rugby league player, who’d run around with the Lithgow Shamrocks, under the gruff tutelage of Grassy Grannall, expertly baiting his opponents, while using subordinate clauses.

The boys and I begin our afternoon on the Northern Mound at the Adelaide Oval, a secular temple of colossal beauty. We’re adjacent to the heritage scoreboard. With its elegant lines, and yellow and white lettering evoking Bradman and Chappell and Ebert, it’s a majestic icon. I hear no insults of lexical prettiness.

*

Despite the negligible obstacle of being delisted in 2009, a disappointment is that former Crow Robert Shirley isn’t in the side to tag Bomber Jayden Laverde. Who wouldn’t love the match-up of Laverde and Shirley? Happily humming, “Making Our Dreams Come True” I skip to the bar and request refreshment from Milwaukee’s finest, the Shotz Brewery, but instead am presented with a West End Draught.

Adelaide gets one within thirty seconds courtesy of McGovern, but then the footy is marooned for six turgid minutes in the Bombers forward line. It’s much like spending Christmas in Iron Knob: unexpected and increasingly disconcerting. Then, out it pops, and Eddie is scampering across half-forward and the crowd response is customarily seismic. He bounces thrice and goals.

Former Norwood boy Orazio Fantasia replies and Essendon are away too. The early period is characterised by a tussle before the Crows begin to assert themselves and the inevitable occurs. Watching Adelaide mechanically dismantle their opponents is largely joyless. Among the many negatives of the Essendon drug saga is the loss of narrative. It’s difficult to locate a compelling story.

But, footy fights back and presents Joe Daniher. With his moustache and oddly laconic dial, he looks like he should feature in the slow-motion action of a Carlton Draught advertisement. He takes multiple contested grabs, and must be the Bombers highpoint in this most wintry of winters. With less grace than the sacrificed buffalo in the last scenes of Apocalypse Now he stumbles on the grass, but somehow goals. Daniher’s high marking is exhilarating, but his kicking is more Travis Cloke than Travis Cloke.

At the other end of the paddock Charlie Cameron is also generating joy for his club. Like David Cameron his last month hadn’t been flash, but unlike the Tory lizard Charlie triumphed today with clear public approval in getting four majors, and keeping us in Europe.

The last quarter is forgettable until Josh Jenkins- he’d been quiet, possibly fiscally pre-occupied, marks assertively and goals. A dreary Festival of Fifty Metre Penalties ensues, but only the umpires have bought tickets. Eddie earns a free and handballs to ex-Magpie Paul Seedsman who again converts from the arc with a penetrating spear. Thank you Collingwood.

Tomorrow’s a school-day for the boys, and Escape to the Country is due to soon begin, doubtless featuring a smug empty-nester couple from Middlesex who’ve convinced themselves that they really do need seven bedrooms, so we start our Riverbank Stand descent towards basecamp. The Bombers get three late goals and the Crows remain outside the top four. It’s an evening carved with Baroque shapes.

scoreboard

 

 

 

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Round 14 – Adelaide v North Melbourne: Thursday

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greyhounds

In the truly tremendous Hitchhiker’s Guide to the Galaxy the central character Arthur Dent laments, “This must be Thursday. I never could get the hang of Thursdays.” Shortly after, and with effervescent style, the planet Earth is destroyed.

Thirsty university students refer to Thursday as the new Friday. If American paint-by-numbers rockers The Knack was the new Beatles, and sauvignon blanc is the new chardonnay (or is it the other way round?) and burger joints are the new burger joints, then let’s agree that Thursday can imitate Friday.

With light snow forecast for our state’s upper ranges the fixture begins, and following a few scrappy minutes Rory Atkins kicks a cracker which is reviewed, extraterrestrially, to a behind. However, soon after, like Arnor Ingvi Traustason in Iceland v Austria, the good Tom Lynch soccers it through.

The Crows padlock it in and Dick Douglas (did he star in a 1940’s Hollywood musical?) snaps accurately. North move the ball without method or fluency, and this increases the spectacular early lack of spectacle.

My Barossa shiraz is jovial in a rumbling, earthy, Thursday way, and it shields me against Ziebell’s goal. Still, it’s the first opposition score in nearly a fortnight. Yet another Crows’ goal review degenerates into circus with the process seemingly being timed-out. As my first-ever boss might say, “The AFL couldn’t organise a root in a wood yard.”

Good Eddie jags a point, and with five consecutive minor scores Adelaide lurches into wastefulness. It reminds me that once there were two British parliamentary committees simultaneously investigating pointless governmental duplication.

The Kangaroos can’t twine together possessions, while the Crows are better in close, especially by hand. Of course, I’d just confidently completed that previous sentence when North get two goals in a minute, and my keyboard is abruptly stricken.

*

A shiraz-aided recovery allows me to now type that Tex ghosts unaccountably to the front of the pack. He grabs it, and slots it to shove the lead to a couple goals.

Lindsay Thomas drops the ball as if it’s an allergen, and to the crowd’s predictable umbrage, he attracts a free. Shortly after there’s a goal by Mason Wood- didn’t this golf stick debut at Troon in 1926 along with the Mashie niblick?

Half way through the second quarter the Kangaroos have impetus and the lead, and then when kicking at goal Adelaide is Ernie Els on the first green at Augusta, tapping it everywhere and really often, but never fecking straight.

After the main break Crouch crashes through a hasty torpedo punt and we’re away. Good Eddie follows within a minute. It’s a frenetic start and typing maniacally requires my shiraz to sit abandoned. Tex tyrannosauruses one from sixty and my glass and I reunite. Just now.

With the wife and boys abed I scramble back into my chair and Thomas sneaks the opposition in front again. Our sixteenth behind. No, make that the seventeen. Spare me. Then, good Eddie triangulates it through, and we’re just up.

Following more frisson from Charlie Cameron in which he’s has moved the ball with scintillating pace, but crude disposal a video review goes against Tex, and as an eye laser surgery beneficiary glaring at a big TV, I’m sure the stinking camera is lying. Why am I watching this atrocious Australian farce? I turn over to ABC 1 for Rake and its superior Australian farce. Cleaver, Barney and company are at their ridiculous best.

No, I don’t. How could I?

A furious scoreless epoch ensues. Buck Roo Ben Brown continues to display deliberately maddening hair. To use a cliché, which is itself a cliché, the next goal is crucial. And the digital ink isn’t dry when it goes to Adelaide, right now.

Suddenly, the Kangaroos are twenty-eight points, and eighty grand down. It’s peculiar to think that these two haven’t played a final since the 1998 decider. September may see these two again clash, and it would be ripping.

*

My wife and I didn’t meet, nor were either of our boys born on a Thursday. However, these happened on Thursdays: as a United Kingdom resident I voted in their 2005 general election (sadly just once); at Thebby we saw a raucous Violent Femmes; and one summer’s evening at the Tower hotel I had a tidy earn with a Hobart greyhounds trifecta.

You see, Thursday goes alright.

burger joint

 

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NYE in Adelaide Oval’s Bay 127

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th3AJK36NQ

Late December 31, 2014 we watched Thunderball in our St Mary at Hill hotel room by the Thames. Outside, in the brisk, cider-drenched London night several million folk pressed onto the riverbanks to enjoy the fireworks while we slept. Twelve months on, having taken our boys to Europe, seen some more of Asia, and farewelled Singapore, we’re back in flat, kindly, unhurried Glenelg.

Tonight contrasts with the previous NYE: it’s hot, we’re in a public place, and we’re more likely to see Troy Bond than 007. We’re at Adelaide Oval. It’s the first time our boys have been to a cricket game of any sort.

I’m not sure why our local Twenty20 franchise is called the Strikers. Is Adelaide a particular focus for industrial discontent? If so, then what would The Don think? Would the Piping Shrikers be better?

We’re up against the Sydney Sixers, and I can’t uncover any deep etymology concerning their name either. To paraphrase Butch Coolidge from Pulp Fiction: “We’re an Australian cricket franchise. Our names don’t mean s**t.” Others under consideration were the Sydney Edge and the Sydney Rocks. I’m trying to locate meaning or symbolism where there is none. I need to adjust my headset.

We’re with some dear old friends in Bay 127 at the bottom of the Riverside Stand, so-named because it’s adjacent to the Torrens Lake.

This contemporary form of our game has many critics who suggest it cheapens the skills, offers no narrative arc, and is shamelessly disposable. But I prefer to celebrate the unique situation of there being three distinct versions of our sport. I’m not sure they’re cannibalising each other.

Whilst it’s now only an oval in name my memories dart about the towering arena like friendly, swooping phantasms: the astonishing Day 5 victory in the 2006 Ashes, Mark Waugh’s century on debut, and Australia’s one-run defeat when Curtly Ambrose dismissed Craig McDermott in 1993.

I hope tonight becomes the first in a lifelong succession of cricketing reminiscences for our boys.

*

Juggling the obligatory clappers, pirate hats, battery-powered sunglasses, Kentucky-fried poultry buckets, four and six cardboard signs we take our seats. I doubt this event will be carbon neutral. Following various drills, the Strikers warm up with a few dobs of the Sherrin, and I’m surprised that the Glenn McGrath tripping on a footy at Edgbaston in the 2005 Ashes catastrophe still hasn’t resulted in a Cricket Australia ban. Dizzy should lock the footy in his cupboard.

Since arriving we’d been blitzed by hip-hop music, pyrotechnics, peppy dance crews and other hyperventilating stimuli, and when the Sixers’ innings finally commences, I like that it’s with the placid spin of Travis Head. This is an old-fashioned island in an ocean of now, and I exhale. Three hours later Head would conclude the contest in superbly volcanic style.

Michael Lumb and Ed Cowan use the field restrictions well, and accumulate runs steadily. An early wicket seems as remote as former PMs Rudd and Gillard eloping. Alex Ross takes a great catch at deep extra cover which is reminiscent of Glenn McGrath’s 2002 classic against England. Nic Maddison strides to the wicket, but completes a sharpish U-turn courtesy of a golden duck.

Every delivery is punctuated with a stab of music ranging from “YMCA” to The Black Keys’ “Lonely Boy.” Fortunately, we passed peak- “Eye of the Tiger” a few years back, and are spared. But the administrators might soon realise that our spectator experience is deficient in olfactory spurs, and install clandestine devices which at frequent market-researched points release perfumes called “Sweaty Protector,” “Freshly Mown Outfield” or, for the ladies, “Joe the Cameraman.”

Jon Holland comes on from the Cathedral end, and I’m terrified to check his player profile in case his nickname isn’t Dutchy. Adil Rashid bowls well in taking three wickets, and we stifle the Sixers’ scoring during the middle period of the innings before superannuant Brad Haddin hits out productively at the finish.

*

During the break I focus on the wonderful old scoreboard, and the Sixers’ team. I then amuse myself by constructing various adult-themed, 1960’s-styled sentences using the names Bird, Silk and Bollinger. I’d mentally written half a Carry On movie/ Warney biography when our eldest and I are sent to refill the water bottles.

We make our way to the Gary McIntosh Bar, where, hideously, the line for free water is longer than the queues for beer. As if this weren’t sufficiently cruel, we miss the Strikers’ opening two overs in which Craig Simmons and Tim Ludeman get us away smartly. A crowd highlight is former Redback skipper Johan Botha gifting us four overthrows off own bowling from a delinquent return to the keeper.

Strikers captain Brad Hodge and Travis Head now come together. They’re circumspect, like a Cup jockey not going too early. Doug Bollinger’s bowling is more Cold Duck but still economical, and like Zimbabwe’s hyperinflation, the run-rate is climbing.

At the fifteenth over, they push the button. The chase is on. Sean Abbott takes a great catch at mid-wicket to dismiss Hodge, in the best public display of 2015 by any Abbott (onion-eating aside).

Alex Ross departs, and suddenly the run-rate is a call-the-fire-brigade seventeen. Rashid comes in with the Strikers requiring fifty-four. He faces a solitary delivery for two runs. Head then creates his narrative, a thrilling narrative which is action flick, boys’ own adventure and bed-time story.

As he clubbed the Sixers to and over the fence it became quickly clear that we were seeing something folkloric. Such was his energetic precision that each shot travelled exactly where he wished, as if guided by military software. There was a happy inevitability in the fluency with which he struck Abbott for three successive sixes, the last of which not only won the match, but also brought up his century, while closing the cricketing year.

He’d scored fifty runs in ten minutes. It was blistering punk-rock, but delivered with an elegance that Lords denizen Sir Mick Jagger would have appreciated.

Our boys smiled and waved their cardboard six signs and jumped up and down in their Bay 127 seats. They’d seen something remarkable, something rare.

I reckon they’d just had their first cricket memory.

Adelaide_Oval.jpg

 

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Round 17 – Adelaide v Gold Coast: A Pillar of (Chicken) Salt

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chiko

Sporting teams are rarely singular, and often present as splintered groups, but wearing the same uniform. Australian cricket is illustrative. Bradman’s leadership caused edgy subtexts between the Catholics and Protestants, while under Ponting and Clarke the dressing room was less camp fire cosy than front bar brawl.

The Gold Coast Suns is a peculiar ensemble. In one corner, gathered in pre-bounce worship, there’s the Gold Coast Sons (of God). Led sermonically by Gazza, the son of another God, they’re a puritanical enclave. And in a night-clubbish nook, under strobing lights, with UDL cans and thin boundary lines of white powder (not the type used at ancient footy ovals) we’ve the Gold Coast Sins.

This is our family’s first footy match. We’ve been back in Australia for a few weeks, and today our boys make their Mitani Chicken Salt Adelaide Oval debut. We take the Glenelg tram in.

For the first time the Crows have three Rorys in their side, but Gold Coast jump early with two brisk goals. Kade Kolodjashnij gets the ball across to Nick Malceski, and I wonder how local commentator KG Cunningham might have managed that with his exotic pronunciation. Soon after the Crows find some fluency with a neat sequence of disposals and Walker gets us away. The scoreboard’s level at the break.

Exploring the revamped Adelaide Oval’s eastern side I discover the Garry McIntosh Bar. In the pit of winter I once saw the iconic Norwood hard man in a Parade pub. Alone on a stool, wearing shorts, singlet and thongs, he looked as if he’d come from the cricket. He wasn’t having a drink, but a large cigar.

I then cross the Graham Cornes Deck, and think it well-named given that there have likely been many who’d merrily deck Graham Cornes.

The golden match-up of Tom Lynch v Tom Lynch hasn’t happened, but Betts is vibrant and slots the stanza’s first. Reminiscent of Nathan Burke with his black helmet, Rory Sloan provides his usual grunt.

It’s a bright and breezy afternoon, and monolithic Sun Chaz Dixon then takes a contested, one-handed grab. But we have Charlie Cameron, a fleet fox in our forward line. Confidence growing, he runs onto a loose ball, collects it and converts.

Our boys enjoy the footy. They clap and cheer and inhale food like Merv on twelfth man duties. The wife gets a chiko roll. It’s disappointing. I think she’s right. Conceptually great, but ultimately an inadequate vehicle for bad cabbage.

Some officiating decisions appear inconsistent, and the crowd boos like we’re at a Christmas panto. They have a point as you’d expect a better affinity between umpires Farmer and Hay.

Behind the grandstand at half time I spot a menu

Entree

Portions of lightly pan-fried fritz speckled with chicken salt

Main

A proudly upside-down meat pie submerged in swampy pea soup, tomato sauce and buried by chicken salt

Dessert

Sponge cake sculpted into the shape of a frog’s head and bejewelled with cream and green fondant icing*

* May contain traces of chicken salt

For the Crows Lever and Laird have been impressive in defence, against the Suns’ behemoths. In his breakout season Laird is magnificent. He’s a solid mark, and composed decision-maker.

Jenkins goals, but he’s got the chassis of a Leyland P76, while under his bonnet is a misfiring lawnmower engine. Mercifully, at the other end Charlie Dixon line is astray, with his kicking affected by the swirling gusts.

At three-quarter time we have a double substitution. Our youngest is done for the day, and he and his mum head to the tram. Both have played well.

Sixteen seconds into the final period, Douglas dashes to half forward and with his deceptively long kick he goals. Harley Bennell has been good in his first game back, but yet again the loss of Ablett is telling. Without the son, the Suns are eclipsed.

Young Crow Knight goals tidily to conclude the game, and just misses the Mitani Chicken Salt hoarding on the Riverbank Stand. If he’d struck it the entire crowd would’ve received a lifetime supply of chicken salt.

After the siren we’re siphoned across the Torrens footbridge to the canary yellow tram. We’ve had a top afternoon in Row X of the Gavin Wanganeen Stand.

It’s great to be home.

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Round 9- Adelaide v Fremantle: Colin Sylvia’s mother says

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dr hook

In even greater news the Fremantle Dockers have adapted Dr Hook’s 1972 hit, “Sylvia’s Mother” as their new club song

Colin Sylvia’s mother says, ‘Colin Sylvia’s busy

Too busy to come to the phone’

Colin Sylvia’s mother says, ‘Colin Sylvia’s tryin’

To start a new life of his own’

Colin Sylvia’s mother says, ‘Colin Sylvia’s happy

So why don’t you leave him alone?’

With their gargantuan pressure evident immediately Fremantle forces an error, and Mundy goals for the Dockers. Walters snaps tidily and it’s two majors to zip. Freo is big and fast and skilful. Adelaide is bedazzled. Then Ballantyne (Gandhi would doubtless find him punchable) gets one too.

Evoking the joyous regularity of Warney jagging one back from outside leg and onto an Englishman’s off stump, Betts kicks a cracker from the pocket. Moments later his protégé Cameron slots it truly.

The rain is torrential. The splotches of poncho colour give the screen’s sweeping vista a Monet quality. We’re getting the Fox telecast here in Singapore, and the absence of BT gives the experience a Christmassy quality.

Fittingly, Adelaide’s third goal is courtesy of Ellis- Yolmen, meaning all three have come from indigenous players. While Fremantle dominated the opening scenes, the Crows have since applied themselves productively.

The second quarter opens with both sides slugging away in a scrappy yet engaging affair. Cameron takes a super grab reminding me of Mick Jagger’s comment to the crowd about his drummer during their live album Get Your Ya Ya’s Out, “Charlie’s good tonight.”

Suban gets one for the visitors with an impressive left foot poke to give them back the ascendency. Like a series-winning moment in Australia’s Funniest Home Videos, Dangerfield then kicks the ball into the back of an oblivious teammate’s head, giving the footy shows footage for tomorrow.

Adelaide’s controlling the ball, and Betts slots one from the boundary with an exquisite, almost slow motion left foot checkside punt, ensuring his 2015 highlights DVD is already into its second hour. He’s become the most watchable Crow since McLeod.

Against the flow Fyfe takes a telling contested mark. He’s in Exile on Main St form, and has had important touches. Talia punches the footy away from Pavlich to save a late goal, and show his sublime All Australian skill. Half time.

Are you aware of Crows Forever? It’s a bequest programme founded in response to the insufficiency of the billion-dollar AFL underwriting the Pride of South Australia. So, I’m bequeathing my modest assets to the Adelaide Football Club. However, the seventeen future cats my octogenarian self is destined to share house with are going to be disappointed when they read that they’re out of the will.

The good Adelaide Tom Lynch, and not the evil Gold Coast version, starts the second half with a wily conversion to give us confidence. Dangerfield and Fyfe are magnificent. Each is symphonic, brave and artistic. Punctuating this the star Docker goals to claw his purple haze back.

West Torrens royalty Pavlich has been quiet, and puts the Dockers but a point behind. Walters benefits from panicked Crow kicking, and they surrender the advantage.

Both sides trade majors in a pulsating period. Fremantle’s death row pressure is again evident as Adelaide’s defensive work stutters. Monster truck Jenkins ties things up, and moments later Pav gets his just desserts. Three quarter time. If this were East Enders I’d make a cuppa tea. But it’s hot Singapore, so beer is medically necessary.

Was it only twenty years ago that the Dockers had their first game against Richmond at the MCG?

Ill-fated forward Chris Groom took four marks, yet only had three possessions. Following his fourth grab, did he simply sit on the ball and refuse to budge, like a toddler in a supermarket aisle? Half back flanker Todd Ridley received two Brownlow votes for the best twelve-possession performance in the history of our code.

In the last stanza Fremantle kick a goal. Another score review. Touched. The match is like a gripping forth innings run chase. It’s Brett Lee and Kaspa at Edgbaston during the 2005 Ashes. Half way through the quarter we’ve a nil all FA Cup thriller with both sides bursting and holding, bursting and holding.

Barlow then gossamers it from the boundary to put them up by over two majors. The Dockers surge. Pleasingly, Pearce is off with his kick at goal, but Adelaide is being trooped to the gallows.

We trap the ball. The clock gallops. Another behind. We pump it in, but there’s three Dockers smothering our square. It comes out. It splutters back. Our final quarter is gallant. Dangerfield loads one through from the boundary. Score review. A behind. Fremantle win.

The good Sandilands- Aaron and not evil Kyle, records sixty-nine hit outs, while collectively Fyfe and Dangerfield have nearly eighty possessions. While we’ve luxuriated in our chairs, these two have played us Let It Bleed, and also Revolver.

As my loved ones sleep I now sit silently, and morosely, staring into the hot dark, looking tearfully out at the eighteen wheeled truck I don’t have, and feeling forlorn about my football team, and myself, like a wretched character in a bad country song.

Like, possibly, a Dr Hook song.

truck

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Hertfordshire: Harry Potter and the Cheeky Half Pint

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Ling

In St Albans I thought about two of its celebrated citizens, Benny Hill and Stephen Hawking.

Yeah, you got me. Just Benny Hill.

Colonised by the Romans, who called it Verulamium, it’s just north of London. It’s pretty and historic. When we lived there it had eighty pubs.

*

On the way to Watford is the Warner Brothers studio tour. Once the decade of filming Harry Potter wrapped, someone gasped at the tracts of wizardy robes, giant spiders and the Great Hall, and murmured, “What will we do with all this lot?” In the first week of January, we found out.

Alex and Max loved the blue screen experience. Their Flying Ford Anglia zipped high above the Scottish countryside, and their racing broomstick swooped low over the Thames. As a mate noted,

Nothing is better named than the Nimbus 2000.

An enormous challenge was the Quidditch scenes. These were filmed with skydiving, industrial fans and Russian swings launching body doubles like bungy jump mishaps. I’m staggered by the collective imagination.

An inanimate star of the franchise is the huge model of Hogwarts Castle. When the time spent designing and building is totalled, it took seventy-four years to construct. That’s even longer than watching all of St Kilda’s footy trip highlights!

Lastly, of course, you are cast adrift in an oceanic gift shop, reminding you that while this is fun, it’s primarily commerce. As the mortgage is finalised on two wands and a Gryffindor scarf, I spot a man in the kit of the previously secret, fifth Hogwarts house, Fremantle.

The purple haze of the Dockers? Here, in this magical kingdom of spells and free-flowing football? As Hagrid would attest, the Geelong hoops are distinctly Hogwarts. After all, who didn’t love Cameron Ling’s performance as pureblood wizard Ron Weasley?

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cocks

One of my favourite patches on the planet fits on an Adelaide oval or two. Our tour begins at St Albans Cathedral, which is 551 feet along its immense and picturesque nave.

Alban earned his sainthood by sheltering and then substituting himself for a local priest. It was a Roman version of the Fine Cotton affair. Unlike the horse, which lived to the impressive age of thirty-two, Alban was beheaded.

Expertly detached, his noggin started a-rolling, and moving appreciably from leg to off, bounced to the bottom of the hill. At this spot, legend suggests, a well instantly began gushing, and is named Holywell.

Surrounding both the former monastery and Roman city is one hundred acres of gorgeous expanse, Verulamium Park. When the first shafts of pale spring sunshine coax the temperature into double digits, cider-guzzling locals strip down to their waists, and hoof soccer balls about with splendid inaccuracy.

The concluding locale in our painterly excursion is the Ye Olde Fighting Cocks. Built in 793AD, it’s England’s oldest pub. It’s superb.

As an Australian Rules footballer I was a rover. Sorry, kids, that’s a primeval term for midfielder. So low is the pub ceiling that about a thousand years ago, if I was picked for the Verulamium Caesars, in the derby against the Londinium Scurvy Knaves, I obviously would’ve rucked.

I used to love walking in there, proudly but pointlessly ducking my head, and pretending I was Shaun Rehn, minus the knee braces. And this, before I’ve even had a beer, is every pub’s function: to help us feel unrealistically good.

With exposed beams, snug nooks and an enticing lunch menu, it’s like we never left. The boys sit by the dancing fire. There’s the Belgian strawberry beer, Fruili, to which Kerry utters, “Yum.”

Trickling by the pub and the ornamental lake is the diminutive River Ver. An energetic hour in the tavern means even from a stationary start, and into a breeze, most males would carry it comfortably.

But cathedral, park and pub make an exquisite spot and now, exploring with our boys, it still is.

*

Inside the abbey we lit votive candles at the tomb of St Alban. Max immediately told Alex what he’d asked for. And vice versa. As kids do. Their innocence contrasted with the entrance’s Thatcherite ultimatum,

Your four-pound donation (each) ensures the upkeep of the cathedral.

Since the ninth century a cobblestoned square has hosted twice-weekly markets, offering fish, meat, olives and much else. Beyond the kaleidoscopic colour and movement, and sausage and beef wafts from Charlie O’Brien’s butchery, its soundtrack is bustling fun.

“Pound a bowl,” bellow the greengrocers. We’d often buy a bowl, and later home in the kitchen, wonder at its catholic contents: parsnip, carrot, ear of corn (no eye of newt or toe of frog).

The spruikers are still there, with voices rumbling about the fourteenth century clock tower, sounding like jauntier versions of Ray Winstone,

Get me the money for those potatoes by Wednesday, or you’ve got yourself a little problem. Me.

*

Who could resist visiting the house they lived in a decade before? Taking a left off Holywell Hill, the Peugeot halts, and I turn down XFM. Why, it’s tiny! Wasn’t it bigger? How has our world again shrunk?

I stole down the path, and looked over the gate like a burglar in a telemovie. The scruffy hedges have been replaced with charmless, pine fences. Also gone is the shed, in front of which, during warm mornings, our precious, now departed terrier Roxy would sun her honeyed fur.

Why are we always disappointed when cherished spaces change, even for the better? We walk under the barren tree. I put Alex and Max in the car, and drive away.

*

After twenty days in Europe, we make our glutinous, anticlockwise way around the M25, towards Heathrow. Farewelling the icy winds and trains and ancient cityscapes, our A-380 soars to Dubai.

Then, we skim down to the equator, and Singapore, in its muggy summer.

ron

0

Adelaide Test, Australia v India – Day Two: Mitch Johnson’s moustache releases album of Boney M covers

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oval

It’s disappointing. I’ve looked closely. Not a single member of the Australian team is wearing Dunlop Volleys.

*

Rain at Adelaide Oval. December is Singapore’s wettest month. In 2012 there were fifteen deluging inches across the festive period. However with connotations of human and infrastructural failure the term flooding is not used here. So what is it called? Ponding. Sometimes Singapore presents with the exasperating naiveté of a Famous Five novel, but less ginger beer.

Clarke’s broke back remains as suspect as Watto’s twitter declaration he read and rather enjoyed Finnegans Wake by James Joyce. Nonetheless as the morning opens the captain resumes, and his appearance at the crease is stirring.

If, while running between the wickets a fit Clarke were to piggyback Clive Palmer, he’d be in less pain. We start brightly. Somehow, he’s batting with freedom and authority.

An early boundary, and Clarke moves past 63. Along with 99.94 it’s already a profound number, but forever laden with tragedy. The sky is gloomy and the lights are on. Thickening drizzle means we stop with Smith on the cusp of his century.

It’s annoying. In Singapore it rains properly, torrentially. Like Fev on the frothies; it’s not two stubbies of mid-strength and then home to do some knitting.

*

Steve Smith gets his fifth Test century. The poignant moments continue with the young Sydneysider moving across to the large 408 painted on the grass, where he raises his bat and gazes skyward.

His narrative is increasingly exciting, and like celebrated batsman such as Ponting, Hayden, and the Waughs, an unforgiving mixture of success and the ignominy of being dropped have challenged his cricketing character. All five hundreds have come in first innings.

The showers again come. Like the ancient German farmers of the Barossa used to muse, “It always rains at the end of a dry spell.”

I sometimes peek at the cricket on a subcontinental website. I know, I know. It’s a hybrid with Channel 9 vision and England’s Sky Sports commentary; reviving and less hyperbolic than Slats, Tubby and JB.

Punctuated by Indian TV advertising, which offers cultural insights into this mesmerizing country’s aspirations and mores. When you’re next in Hyderabad, and need to know about buying a Ford Fiesta, just message me.

*

And Clarke clips Aaron behind square for a single, and a record seventh ton in Adelaide. Surpassed by none for complexity and dreadful context. Rather than festivity it’s a moment of beauty and emotional respite. The batting has bristling purpose, while India’s bowling lacks creativity and poison.

With the milestones achieved, and dismal light descending, Australia gets a-galloping. Smith clubs them, agriculturally. On a December day when the weather is more Aberdeen than Adelaide, the rain again intervenes. The ground staff has enjoyed more exercise than the cricketers.

Last season I caught some cricket on Singapore’s pay television service, Starhub. Which of the following about it is true?

1) At every point, of every day, on at least one channel, there must be a shark documentary.

2) Such is the galaxy of programming I once discovered Everybody Loves Raymond was on two channels. Simultaneously.

3) During an exceptionally pornographic episode of Escape to the Country, the host’s cleavage was pixelated while she showed a Cumbrian cottage to yet another unrealistic couple from Shepherd’s Bush.

4) All of the above

*

You’re starting a band to do songs about cricket! What would it be named? There’s only one choice.

The Duckworth Lewis Method

An Irish pop group featuring Neil Hannon of The Divine Comedy, they’ve recorded two albums of vaudevillian cricket tunes. The Duckworth Lewis Method channels Noel Coward on their foppish ode to the Gatting Ball, “Jiggery Pokery.” It includes the only known reference in cricketing culture, no, human history, to the contrabassoon

It was…
Jiggery pokery, trickery chokery, how did he open me up?
Robbery! Muggery! Aussie skull duggery, out for a buggering duck.
What a delivery, I might as well have been holding a contrabassoon,
Jiggery pokery, who was this nobody making me look a buffoon?
Like a blithering old baffoon…

*

Around midnight play recommences. Adelaide Oval is empty although plenty of folk are out the back, oblivious. Is this the cricket? Derby Day at Flemington? Happy hour at the Ramsgate? Wish I were there.

Smith gets to one fifty. Great knock. At slip, Kohli drops him. Shabby. Warnie’s commentating. Our smartest dumb bloke, but Australia’s best cricket brain since Ian Chappell. India finally claims Clarke’s wicket. With light quality similar to a Hindley Street nightclub, the players go off.

Can we campaign to bring back the Player Comfort Meter? More impenetrable than the Large Hadron Collider, and seemingly developed by a consortium of the CSIRO, NASA and the Ponds Institute, Tony Greig often concluded his Weather Wall segment in a distantly menacing way:

The Player Comfort Meter shows thirty so it should be good for batting this morning. However with a chance of thunderstorms across the afternoon here at the Gabba, it could quickly change. Beware the moors, lads. Stick to the roads.

*

Umpire Erasmus calls stumps. Was he a villain in Tintin in the Congo? Within the medieval manor of North Adelaide, the Queen’s Head on Kermode Street is surely roaring. I’ll stop typing now and head out for a beer.

tintin

2

AFL Round 23 – Adelaide v St Kilda: Mr Squiggle and Dr Smith, trapped aboard the Jupiter 2

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robot

Remember the cranky blackboard that Mr. Squiggle used for an easel?

Blackboard’s catch-phrases are applicable to the 2014 Crows. All on their payroll should heed the be-chalked one’s gruff proclamations.

“Oh hurrry up!”

“Hmmph.”

“Double hmmph!”

“Booorrriing.”

In 1999 mere months after Adelaide’s second, and seemingly final premiership, Mr Squiggle was axed. However, there wouldn’t be a kid on your street who’s heard of Gus the Snail or Bill the Steam Shovel.

It has been too long.

The Adelaide Football Club is the now underperforming Harvey Norman salesperson who previously played bass in the long defunct, forgotten band that opened for Powderfinger, before a half-empty Thebby twenty years back.

They’re becoming the quiz night question, that no-one gets. Not even that young, skinny physics teacher who ambled in alone, and is drinking diet coke.

The autopsy states the Crows’ season died as the siren sounded in Sydney when Richmond knocked off the minor premiers. But misery can be complex. Was it actually last week against North? And the defibrillator was whirring during those home losses against the Tigers, West Coast and Melbourne.

Or was it already on the fritz way back on that balmy Saturday in April after the Swans spanked us at home? When we were 0-3 with the ambulance already shrieking towards War Memorial Drive?

*

St Kilda start brightly, and register the first major. It takes the Crows ten scrappy minutes to score courtesy of Taylor Walker. The visitors dominate play, but fail to assemble any scoreboard pressure. Kicking like Mark Waugh used to bat, he then gets another.

A Tex roost is among our code’s joys.

Plainly dejected, Bruce McAvaney has left the growl home at Glenelg South. His descriptions reflect the stature of the match. It is an exhibition game between the locals, who, like Bob Dylan in concert, are maddeningly erratic. And we’ve got the AFL’s eighteenth best side.

In a spurt, Adelaide inserts five goals and smotes the Saints. Suddenly, it’s an unpleasant mismatch, like a professional footballer setting fire to a hired dwarf on Mad Monday.

At one terrifying point in the second quarter the commentary team go a complete minute without mentioning Lenny Hayes’ retirement. The Channel 7 receptionist has me on hold, and then, over the muzak, I hear Tom Harley reminding us the Saints star is the all-time leading tackler. Wow-wee!

Relieved, I hang up.

Adelaide and St Kilda exchange easy goals early in the second half. Whilst there are six-pointers aplenty, the contest now has less fizz than flat Fanta. Mrs Rutten is well thrilled as her Ben kicks a goal with his last kick in AFL, due to a handball from that most scarce of footballing creatures, the unselfish, crumbing forward. Eddie Betts is then compensated with the fifth major of his own in a fifty goal season.

Of some interest to the crowd is the third stanza moment when the Crouch brothers are on deck together for the first time. They’ll provide substantial midfield grunt for many seasons. Of course, they’re the first siblings to wear the tri-colours since the Jarmans, who are now providing substantial midriff grunt.

Game over, but questions remain.

Did Farren Ray and Spencer White co-star in a string of 1930’s Hollywood musicals? Why is Leigh Matthews still in the media, when Basil Zampelis is offering his considered insights? Did James Podsiadly play for Geelong? And, if you had the choice, who would you take to a Hugh Grant rom-com: David Armitage or Samantha Armytage?

*

It has been too long.

Listen. You can hear it. On a distant AM radio. So tonight I’m gonna party like it’s 1999. Yes, it is Prince. When Mark Bickley last thrust the cup aloft, 1999, somehow, remarkably, hadn’t yet happened. Like The Jetsons, the song was in the delicious, crazy future.

With an official mission launch date of October 16, 1997, Jupiter 2 of the cult TV series Lost in Space was, at least narratively, drifting silently about the galaxy when The Crows last triumphed. And Dr Zachary Smith was the show’s enemy agent and saboteur.

If he were to burst flamboyantly into the 2014 Crows’ post-season review he’d surely exclaim to one and all, “You bubble-headed booby!”

mr squiggle

0

AFL Round 13- Adelaide v North Melbourne: Western Democracy and the Wally Grout Snack Bar

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nick

Is there a better-named wine than Jim Barry’s Cover Drive?

A classy cabernet sauvignon, it’s been a highlight since we arrived in Adelaide from Singapore. Earlier in the week, some old school friends said, “Let’s go to the Prince Albert.” I’m happy they didn’t say, “Let’s get a Prince Albert” as that would’ve been excruciating and brash.

So there I was in the dining room of the Prince Albert Hotel, considering my glass of earthy red. Years ago a mate met Nick Cave following a gig at the Thebby. Instead of the usual, fawning fan stuff, he asked, “Who do you think was the better cover driver? David Gower or GS Chappell?” Cave replied promptly. Australia’s thirty-fifth Test captain.

While contemplating cricket, the Clare Valley and music NME once described as that of the “gothic psycho-sexual apocalypse” a text invited me to the Crows and Kangaroos fixture!

In our flat and featureless city, Adelaide Oval is a soaring basilica. Moving through the Saturday evening of our screen-doored suburbs, I’m struck by the darkness. In Singapore there are few shadowy spaces; it’s a casino, it’s drowning in loud light. As Nick Cave might note, there’s comfort in the gloom. He’s not a man of the tropics.

Its website brags, “Adelaide Oval will exceed Australian design standards for stadium toilet facilities by 30 percent.” My now equatorial bladder applaudes, but does this mean those instructive pissoir queue tête-à-têtes are cut by a third?

This is my first time at the new ground.

The redevelopment is striking, however the timeless features endure: Edwardian scoreboard, Hill, Moreton Bay Figs. Despite the half-billion dollar investment, the flora triumphs. Which other major stadium has trees?

We head to the new David Hookes Terrace Bar. Above the fridge, a glass case contains a poignant tableau: stumps, cap and Hookesy’s Gray-Nicolls double scoop bat. On tap there’s West End Draught, but there’s no mortal situation I can conceive in which I’d actually drink it. My James Squire Pale Ale is tasty, and I recall my 1989 visit to the Gabba’s now demolished Wally Grout Snack Bar.

The opening period is dour until Eddie Betts slots a boundary line snap from in front of the Gavin Wanganeen Stand. It’s a wonderful kick, and my friend, R. Bowden, notes that unlike those at Football Park, the pockets are shallow, so we could see more of these. It’ll be fascinating as the idiosyncrasies of this new/old venue emerge.

Podsiadly performs with energetic imagination. In the third quarter a huge moon hangs like a Monet above the Max Basheer Stand, while on the wing far below Pods takes an equally luminescent mark. I understand why Geelong released him, but unlike mature Crows recruits Ronnie Burns and Wayne Carey, he is a success. Vitally, he also kicks two rippers.

Beyond an early patch when they suddenly score three majors, the Kangaroos don’t threaten. Their forward line’s dysfunctional, and across the field North claim only nine contested marks. Petrie’s imperceptible, and extraterrestrial umpiring and absurdly generous teammates provide Thomas with four goals.

Dangerfield is thrillingly robust, but doesn’t dominate. This, I suggest, is heartening as the Crows can be a single-engine Cessna. Half-back Brodie Smith rebounds resourcefully with missile-like disposal. His third term conversion from fifty is telling.

The Roos’ premium player is Brent Harvey. Despite his autumnal age, he’s still quick and frequently finds space. Like King Lear, the time to relax has not yet arrived. Someone yells out, “Good work Harvey, but Joe Hockey needs you to play until you’re seventy!”

Taylor Walker demonstrates confidence. His vision and command is soldierly, and he takes five pack marks. But his kicking fluctuates bizarrely. R. Bowden says that he appears to have a wooden leg. However, with swaggering muscularity he asserts himself like a thirsty publican.

It’s the most fun I’ve had at Adelaide Oval since the 2006 Ashes Test. I was there on Day Five when with 4/49 in England’s second innings, SK Warne bowled us to a far-fetched, illustrious victory.

As my train rushes through the wintry velvet, I ponder Nick Cave, and the joy of different Cover Drives.

mbf

 

3

AFL Round 9- Adelaide v Collingwood: Chernobyl FC still likely to host Crows’ entire 2015 pre-season

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Forking out a week’s salary to see Milli Vanilli at the Vienna Konzerthaus. In 2014, this is Adelaide Oval for the Crows fan.

Magnificent arena, miming charlatans.

Can anyone tell me if Adelaide has recently beaten Collingwood in a significant match?

No, I didn’t think so.

Connecting inside the centre square during the 2002 Crows and Magpies preliminary final at the MCG, Anthony Rocca’s third-quarter drop punt went straight through. The Sherrin had covered seventy ghastly metres.

It was an astonishing goal. It was a horrible goal. 88,960 people remember it. Although Rocca was down the City End, everyone around us at the Punt Road End knew as he kicked it.

How could Collingwood lose after that?

*

We decided to go after the Crows defeated Melbourne in the semi-final. Now, this was a game of graphic mood swings. Like K. Rudd in a midnight cabinet meeting. Apparently.

Some Kapunda schoolmates and I drove over from Adelaide. In microscopic Singapore a decade on and squeezed into a condominium with two boisterous boys there’s an otherworldly quality to this idea. Time passes.

Sweeping road, conversation, music.

You Am I escorted us into Victoria with their superb album, Hourly, Daily. Evoking boyhood and backyards, Kangaroos supporter Tim Rogers moves us through the skimming bliss and little deaths of suburbia.

The loose narrative arc recalls Dylan Thomas’s Under Milk Wood, and the laconically pretty, “Please Don’t Ask Me To Smile” especially stirs memories of this weekend.

When I was in grade six

I used to hold open a door for a girl

And she called me a wimp

Said there’s just no need

To be so fcking polite

I politely agreed with her

I think she was right

Tradition urges a break at Horsham’s White Hart, before pushing on to our Carlton digs, and an animated slurp at the University Hotel.

Saturday. Preliminary final. Sluggish breakfast. Wander about the Docklands. Young & Jackson. Stroll to Jolimont. The footy. Disappointment.

*

Dane Swan is an ugly duckling. Despite years of resistance, he’s now among my favourite footballers. He presents as a dilettante. His expression is of joyless slogging on an assembly line. At any point, he could simply walk away. It is his unlikeliness, that is, well, likable.

It was Taylor Walker’s return following a serious knee injury. Last we saw, he sported a Broken Hill mullet, but now he models a Berlin coif and post-ironic hipster moustache. He could have launched into Queen’s Don’t Stop Me Now. Tex was rusty, kicking four behinds, but got the pill seventeen times.

Adelaide and Collingwood often play close, scrambling matches. On this balmy May night, both miss opportunities. Neither grasps the ascendency. It’s pulsating.

Travis Cloke checks himself into the cloakroom. An early fumbled chest mark sets a dismal tone for the black and white power forward, and he remains ineffectual. His opponent, wunderkind Daniel Talia, demonstrates how he’s overtaken former tricolour Phil Davis.

Showing us his protean composure in traffic yet again, Scott Pendlebury is the evening’s best Magpie. When next juggling crates of live chooks by a feverish intersection, in, say, Ho Chi Minh City, I want him to chaperone me across the road, between the cars, honking trucks, and zipping motorcycles. Surely, a Pendlebury Brownlow’s coming.

Although there’s only a solitary goal in the final term, it’s oddly magnetic football. At the Boomarang Bar we know the Crows are never certainties until they’re up by fifty points with fifty seconds left. Eddie Betts is the scorer, and we hold on.

Our season flickers.

0

AFL Round 3- Adelaide v Sydney: Danger in Dallas

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Saturday morning, in Singapore’s Boat Quay. The footy’s on in an Australian-themed pub called the Dallas Bar. I imagine somewhere like Uzbekistan there’s an American boozer showing baseball, and named the Wagga Wagga.

I’m seldom homesick, but today I am. It’s the Crows first game at Adelaide Oval. Since dawn it’s been bucketing here, and despite the heat, our sodden skies contrast with the sunshiny allure on the screen.

For his new club Buddy has so far done little, but he slots the first goal from fifty. In our code a Franklin major, unlike the Franklin mint, often provides a twinkling of beauty. He’s an elegant kick, not thumping like Travis Cloke. Buddy’s about finesse and timing; more Mark Waugh than Dave Warner. The mythology seems true: Adelaide runs players and teams back into form.

Sydney youngster Luke Parker gets two in a rush, and then Malceski contributes. The Crows are tentative, and lack intelligent aggression. Our backline is a jumble. As fabled Kimba coach Danny Horgan says, “They’re playing with a pocket full of eggs.”

Among the second stanza highlights is a dazzling chase from Crow Brodie Smith. Leroy Jetta’s shrieking through the middle, seemingly clear, with Buddy streaming out towards him. Approaching half-forward, Jetta takes a bounce. Gaining on him, Smith launches himself, and slings Jetta down. Superb tackle! It could be a catalyst.

It is. Like the ghostly detective in JB Priestley’s An Inspector Calls Adelaide “takes charge massively.” However, inaccuracy, chiefly through lightning fast, and thunderously built Josh Jenkins, leaves the ascendency with Sydney at the main interval.

Doubtless, the Dallas Bar would be stripped of its Texan moniker if it didn’t deliver a burger the size of Damian Monkhorst’s head. It does, and I star in my own half-time show.

For the third time this season Adelaide threatens hollowly in the third quarter. When Dangerfield and Mackay kick long, stirring goals they appear poised for victory at the fetching oval.

But Buddy again murders the Crows with a wily baulk and a buoyant six-pointer. We’re in grave danger. But as Jack Nicholson’s Colonel Nathan R. Jessup growls in A Few Good Men, “Is there another kind?”

Lady Penelope’s chauffeur Parker then registers his third. An impressive display, and the goal results from a prodigious handball by Kieran Jack. I know he shouldn’t, but I’m reminded of this sentence, which tidily illustrates the value of capital letters: I helped my Uncle Jack off his horse.

At the final change the Swans lead by four goals. During the huddle the Adelaide forwards must’ve inhaled multiple Dallas Bar burgers for they then unforgivably kick seven behinds.

Here in Singapore our own hot deluge continues. Meanwhile, there are telling majors to Hannebury, Cunningham (not KG) and the man with an appellation like agricultural pesticide, LRT. Nothing functions for the Crows. Betts, Petrenko and Griggs all miss opportunities. Like Curtly Ambrose decades earlier, the Swans are fluently annihilating the locals on their own pristine arena.

My friend R. Bowden’s at the game with his toddler. With the match now a catastrophe, the two-year old’s response is reasonable. The bathing sunshine, and Daddy’s football torture offer no choice. He falls asleep.

Bowden and I were among some Kapunda boys who finished our playing careers at the Unley Jets. Late in that season we suited up in the C Grade (obligatory, self-applied nickname: The C Men) against the Glenunga Rams.

The match decided who finished bottom of the A8’s, then Adelaide football’s lowest competitive rung. It was a dreadful July afternoon, and, of course, Unley was whipped.

In the fourth term, my cousin Puggy, once a handy footballer, and also tagged Daicos as a junior, was dragged, mostly for symbolic effect, to rouse the rest of us into action.

As he ambled, for the ultimate time, from the forward pocket toward the bench, I hollered out to him, as only family can, “You know this actually makes you the worst footballer in Adelaide!”

That was a miserable match, made memorable.

On an autumnal afternoon, Adelaide against Sydney was a memorable match, made miserable.

1

AFL Round 5: Adelaide v GWS- Jesus Was Way Cool, but Dangerfield is Risen

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12.40pm, Easter Sunday, 20 April

Adelaide oval

quint

Like everything else, public holidays are allocated cautiously in Singapore. Confucian, Hindu, Buddhist and Islamic celebrations of the island’s polytheism. To an Australian it is puzzling that Easter is only given Good Friday. What beyond the resurrection? No Monday holiday! It is like Bruce McAvaney saying

So it is half time here in the Grand Final. It is all set up for a riveting finish. Will there be a comeback? Goodbye from the MCG. Stay watching for Are You Being Served?

Watching the game in our River Valley home as the equatorial skies open, I become nostalgic. Has any built environment spread more psychological benefit than Adelaide oval? The rustic scoreboard is a temple, and the happiness, contagious.

I love that 50,000 can be there, and when the ball travels into the ground’s northern half we see the Morton Bay Figs, evergreen and embracing, surreptitiously poisoning the otherwise chain-smoking opposition fans with fresh oxygen. A goal kicked to this end provides among the most fetching views at a sporting venue.

Despite the arresting re-development, it remains a cricket ground. Just. TS Eliot declared, “April is the cruellest month,” but autumn is Adelaide’s exquisitely liveable season, measured out with sunny and still afternoons.

GWS have a Curtly (Hampton) and a Devon (Smith) in their team giving it a Port-of-Spain quality, and the Giants dominate play early. They don’t kick sufficient goals though. A murder of Crows may be the collective noun, but such is the home side’s initial impotence that a suicide of Crows seems apposite.

Dangerfield’s season has been erratic, and scattered with anomalous decision-making and sometimes poorly applied aggression, but today, he is astonishing. His centre clearances generate many goals. Once a concern, his kicking on the run displays brutal penetration and sniper accuracy.

He is the complete modern footballer. He is also an old-fashioned footballer, and would belong in an ancient black and white photo taken on a muddy suburban ground like Alberton or Victoria Park. He can be ferociously brave. Occasionally he is poetic and elegant. Dangerfield will collect a Brownlow.

Becoming the eighth Crow to reach 250 games, Scott Thompson accumulates nearly forty inventive possessions. He even plucks multiple one-handed marks, and this artistry conjures the darts commentator Sid Waddell

Taylor is so hot he could hit the bullseye standing one-legged in a hammock.

After the final change Podsiadly slots a check-side major, and for the third consecutive quarter the Crows get one within the opening minute to establish an attacking tone. While he does not kick many goals, he adds appreciably to the forward structure, along with Eddie Betts, through creativity, pressure and contest.

Petrenko is effervescent, and Sam Jacobs rucks like the big, cheerful country boy he is; deceivingly simple and occasionally unwieldy, but with critical effect. Then Betts soars for a screamer, unsuccessfully, but contractually obliging Fox Footy caller Anthony Hudson to hyperventilate. They then cross down to special comments monolith Barry Hall, who sounds like Barry White but without the intimate diction.

Of his intimidating size Amity Island’s Quint would have said, “This shark, swallow you whole,” and indeed, Crow Josh Jenkins is a monster fish. Able to roost it from outside fifty, he uses his battleship physique with military clout, and collects four goals.

A highlight of Adelaide’s performance is its imaginative use of the footy on the elongated ground. Podsially sets up a Rory Laird goal, courtesy of a smart handball into space. However, the forward line cannot house Lynch, Jenkins, Podsiadly and Taylor Walker. Who will make way?

In a passage more agricultural Yorkshire than Homebush, Lamb kicks to Plowman across the field. It comes then to Cameron whose kick drifts right of goal. This is emblematic of the Giants as their best is exciting, but inconsistency is their anchor. Treloar’s final term goal is a sizzling and accomplished individual effort.

Key GWS forward Jonathan Patton tries to be a general, but too many orange troops have deserted. However, after the main break the Crows kick ten, while GWS get seven. This is positive for the visitors, and probably of minor unease for Adelaide. Against Geelong or Hawthorn, the Giants would have been mauled, without respite.

It does not have the seismic impact of the Crows’ historic win at Football Park in March 1991, when, in a striking announcement, they conquered Hawthorn by 86 points. But it is their first home victory of the new Adelaide oval era.

It is a beginning and a return, and Easter Sunday belonged to Patrick Dangerfield.

4

Exile on Adelaide Oval: Stone[s] the Crows

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HQ

The piano accordion was his passion. For years he performed across the district. A livestock and grain farmer of German descent. So for Christmas his teenaged son, my mate Chris, bought him the New York City drugs and sex soaked Some Girls by The Rolling Stones.

Chris is not alone in offering such gifts. I’ve ordered SK Warne’s autobiography for our youngest, Max. The No-Shane’s-not-named-it-ironically, My Autobiography. It’s perfect for a four year old. Nevertheless, growing up in a dusty town, The Rolling Stones were the band.

Motorists had expectations of me, an adolescent working at a country servo. Smoke and steam, bonnet flung up. Returning from Cadell, the Riverland’s minimum security prison, haunted types’d ask me, “Do you think it’s the head gasket?” I was more familiar with Dollyworld in Pigeon Forge, Tennessee than lumpen V8s. And being a brash undergraduate, I once replied, between swigs of TAB, “Sorry, I can’t help you. I’m a historian.” I was nineteen.

Late every Sunday my cousin Boogly cruised down the hill past Nugget’s Clare Castle Hotel and Trotta’s Hardware to the Esso. Every Sunday I heard Boogly coming, ‘Slave’ from the Stones’ Tattoo You walloping from the speakers in his HQ Holden Kingswood. The music was ridiculous. The music was cool. We loved it.

Do it, do it, do it, do it, do it

Do it, do it, do it, do it, do it

Do it, do it, do it, do it

Don’t wanna be your slave

Don’t wanna be your slave

Don’t wanna be your slave

Genius.

Released in 1981, Tattoo You is their last good record. For their first twenty years The Rolling Stones were VVS Laxman, and for the next thirty they’ve been Jim Higgs, Test batting average: 5.55, but without the menace.

We’d be on the Hill at Adelaide Oval as Viv and Clive and then Viv’s son Richie Richardson went a-clubbing. In the drenching sunshine Nick’d emerge from the bar behind The Duck Pond banner. Juggling trays of West End draught, he’d then recite Mick’s opening to the Stones’ live record Get Your Ya-Ya’s Out, “We’re sorry for the delays. Everybody ready? Let’s really hear it for the next band, The Rolling Stones!”

Tramping into my 21st at the Kapunda Golf Club, Nick was Mick with a Union Jack flag right across his back. In the middle of a pub conversation someone’d channel Jagger, “Charlie’s good tonight.” Or,“ I think I’ve busted a button on my trousers. You don’t want my trousers to fall down, do you?”

Mum and Dad saw them in 1965 at Centennial Hall, but many preferred the support act, Roy Orbison and his operatic baritone. The Stones’ musical and biological mortality threatened, so when the 1995 concert at Footy Park was announced, I had to go. Nick prophesised, “Skeletor (Keith) probably won’t be back in Adelaide. Ever.” Who could disagree?

On an April Tuesday, I pointed my Nissan Exa at Whyalla, eluded the roos, boarded a Piper Navajo Chieftain, and sat on the forward flank as they ran through

Not Fade Away

Tumbling Dice

You Got Me Rocking

Live with Me

Sparks Will Fly

(I Can’t Get No) Satisfaction

Beast of Burden

Far Away Eyes

Just My Imagination (Running Away with Me)

Rock and a Hard Place

I Go Wild

Miss You

Honky Tonk Women

Before They Make Me Run

Slipping Away

Sympathy for the Devil

Monkey Man

Street Fighting Man

Start Me Up

It’s Only Rock ‘n’ Roll (But I Like It)

Brown Sugar

Jumpin’ Jack Flash.

My ultimate Stones set list? Anything from Beggars Banquet, Let It Bleed, Sticky Fingers. The matchless run of form in rock history. Broadly coinciding with Sturt’s SANFL flags in 1966, 1967, 1968, 1969, 1970, 1974 and 1976. Finally, The Beatles, mighty as they’d been, released Let It Be; fatigued and plodding besides some scattered gems.

Ideally, they’d play Exile on Main St in its entirety. In his excellent book on the album Bill Janovich argues

Exile is exactly what rock & roll should sound like: a bunch of musicians playing a bunch of great songs in a room together, playing off of each other, musical communion, sounds bleeding into each other, snare drum rattling away even while not being hit, amps humming, bottles falling, feet shuffling, ghostly voices mumbling on and off-mike, whoops of excitement, shouts of encouragement, performances without a net, masks off, urgency. It is the kind of record that goes beyond the songs themselves to create a monolithic sense of atmosphere. It conveys a sense of time and place and spirit, yet it is timeless. 

When I was nineteen I borrowed the cassette from the State Library, played it lackadaisically in my HQ Holden (everyone in Kapunda drove a HQ) to and from uni, and rejected it. It had country music on it. I was nineteen.

Today side 2, the country side, is my favourite side of any album. Beyond the second side of Abbey Road with its illustrious song medley, or the first side of Belle and Sebastian’s Tigermilk. Exile is muddy and nocturnal. Not only are they the greatest rock ‘n’ roll band. They are the greatest country band too.

The modernised Adelaide Oval hosts The Rolling Stones as Melbourne and St Kilda meet in Round 1 at Docklands. Sympathy for the Bedevilled, or Sympathy for the Devils, who torch a dwarf?

A Showdown then follows. I’ll be in Koh Samui, but will listen to Exile as a tribute. Tex and Paddy are surely Stones men. It would be boorish to say the Power are Beiber types, so I won’t. They’re not even piano accordion fans.

Enjoy the concert. And the footy.

mick