Category Archives: growing up

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Sydney, 1985: Catch the Bus to Bondi

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Dramatis personae:

Chrisso- ridiculously smart, dry of wit
Woodsy- upbeat, an enthusiast
Trev- funny, beyond naughty
Swanny- convivial, night-owl
Paul- plain speaker, machine-gun laugh
Stephen- our host, gentle
Brendan- enigmatic, fatigued by the stupidity of others
Trish- quick to laugh, dramatic
Claire- cute but required explanations for most jokes
The Gem- Stephen’s bright green Holden Gemini
Your correspondent- always first asleep, silly.

*

The girl pointed at Chrisso but spoke to all four of us.

‘Are youse from England?’ We’d done a 900k day and here we were in West Wylong (pop – 2,500 odd) and some girls thought we were British. She was barefoot and continued. ‘Youse have got an accent.’ Someone, probably Trev said, ‘No, we’re from South Australia. Kapunda.’ He may have then added, ‘Where they have hot cars.’

We were a long way from home and here was an indicator of how wide the world was.

Idle chat with locals done, we decamped to our onsite caravan. I doubt there was a TV, radio, or home cinema. So, in that time-honoured way we inhaled pizza — likely ham and pineapple; mercifully eggplant hadn’t been invented — and the national beer which is now rarer than rocking-horse droppings; Foster’s Lager. I’m trusting it was from the Royal Hotel on Main Street (true; look it up).

We sat at the tiny table, and I’m quite sure, said things silly and then things sillier. This was best illustrated by Woodsy saying to me, ‘Your face is red,’ and catching his reflection in a mirror, then asking, ‘Aren’t I?’

Aside from the Foster’s Lager, on the trek to Sydney there was only one injury. As he slept in the back, Woodsy had a bad dream (doubtless being naked in a public place), threw out his leg, and cut his toe on the driver’s seat assembly. Ouch.

The next morning, we went through Bathurst, and all took turns driving the famous circuit. Speaking of hot cars from Kapunda, we were in Woodsy’s Datsun 180B. Bathurst was far steeper than imagined — TV tends to flatten these things — and as we whizzed along Conrod Straight at 140k, the little Japanese vehicle must’ve sounded like an oversized, determined mosquito.

*

The following tradition began, I think, in Katoomba.

We called into Macca’s, had lunch (two all-beef patties, special sauce, lettuce, cheese, pickles…), and leaping up from our red chairs, were keen to finish that final leg, and motor to Stephen’s. We were Sydney bound!

I pushed open the door when Trev announced suddenly, ‘I’ll just get a nut sundae.’ And so he did. We watched him eat it. Every deliberate mouthful. Some would say Trev ate it with a Zen approach. Some would say it was excruciating. It was a scene from a future Tarantino movie where characters chat in pop culture but strangely menacing ways before most are messily dispatched.

Regardless, once Trev eventually finished, the little plastic container could’ve been immediately and hygienically reused. Not a speck of sundae remained. Across the trip and indeed, the years, when we were halfway back to the car after a meal, we’d often hear Trev declare, ‘I’ll just get a nut sundae!’

Having passed the medical following his toe injury, Woodsy was ruled fit to drive. Back behind the wheel and with Sydney tantalisingly close, he chirped, ‘Let’s get there!’ and out into the honking traffic lurched the little Datsun. From the rear Chrisso murmured, in that distinctive Chrisso way, ‘Yeah, let’s get there.’

*

As a Kapunda kid, Bondi was among the most thrilling places I’d been.

The boisterous, teeming crowds on that striking, sandy crescent! With my saltwater swimming mostly restricted to gentle Glenelg and Horseshoe Bay, the Pacific was intimidating. The surf was enormous with towering waves rolling in and dumping us, metronomically. We bodysurfed and it was exhilarating but we were all dragged into a brutal rip.

Late afternoon with the marching breakers crashing on our heads, Trev and I tried to stand there and ignore the swell, mock-heroically. Amusing ourselves tremendously, we had the most mundane conversation as the azure walls collapsed onto us.

‘Yeah, I reckon Weetbix is the best breakfast cereal,’ I said, just as a massive wave nearly swept us off our feet.

‘Don’t forget CoCo Pops®,’ Trev added, as another tonne of blue-green water dumped onto us.

‘Cornflakes are overrated,’ I evaluated, fighting for balance.

*

It was also the summer of Midnight Oil.

They were everywhere and our unofficial soundtrack to Sydney. One of their early songs, ‘Section 5 (Bus to Bondi)’ became an anthem for us. In the carpark overlooking Bondi Beach we all heaved ourselves at Stephen’s silent, rolling car — known with great affection as the Gem; short for Gemini — in a theatrical, utterly unnecessary attempt to jump the engine into ‘life.’ Onlookers gawked as we performed our dramatic tribute, the song blasting from the open windows

Push start that car tomorrow
I’ll take it to the tip yard
We’ll leave it as a metal wreck
For cats to sleep
Then I’ll catch the bus to Bondi
Swim the beach and wonder
Who can wear the fashion when
The place is oh so hot

It felt like a scene from an arthouse film — but possibly not. Back then, we excelled at amusing ourselves.

*

Stephen lived in a high-rise apartment in the inner suburb of Drummoyne.

He’d been joined by our somewhat mysterious friend, Brendan, who’d abandoned his law degree and moved to the Harbour City. During our stay Brendan introduced us to British post-punk band, The The and such is this legacy that Swanny and I are seeing them later this month.

Like Hugh Hefner or The Dude, he seemed incessantly attired in his dressing gown, and with his nocturnal leanings, translucent face, and Morrissey-like melancholy, Brendan was more Manchester than Manly Beach. He was the most cynical person I’d met. He was already fatigued and world-weary. He was twenty.

Meanwhile, we grew a green mountain of empty beer cans in Stephen’s lounge room. It was an especially adolescent achievement, and the ring pulls from the cans were strung into lengthy chains and festooned about the flat like bogan Christmas tinsel. I guess they were. These were christened by Swanny, I think, as ‘Ring Mans.’

*

Sydney was an exciting but principally alien city. Unlike Adelaide, it was lush and brazen, seductive and dangerous. There was water everywhere. The Western Distributor — a bold, elevated boulevard — led us in and out of the city, curving dramatically above the buildings below.

On a sharp bend in Darling Harbour, a huge advertising billboard swam into cinematic view. And every time it demanded a theatrical response. It warned us with a menacing image straight from the film, Arachnophobia, of the threat we needed to take with extreme seriousness: Funnel web spiders! This was worrying. Home, we had friendly huntsmen. Our routine soon became that when the large, hairy arthropod came into startling sight — all beady, black eyes and dripping fangs — we’d shriek in chorus, led, of course, by Trev!

EEEEEEKKKKK! FUNNIES!

Paul and Swanny drove from Kapunda in Paul’s VK Brock Commodore. When they arrived, we were out, so with no mobile phones — those only existed on The Jetsons — they exercised their only option: wait in the grounds of the apartment block. With a slab of VB but no ice. They braved the beer. Back then simmering lager held no fears.

Now, there were six of us crammed into Stephen’s compact lounge room. We flopped about, foul boys in our now-illegal adidas shorts which revealed many things about us and none of them were healthy. The trapped odour must’ve been monstrous with lager, pizza, humidity, and ripe adolescence. Belated thanks, dear Stephen for your tolerance.

But, gee, it was fun.

Among the many delights was playing cricket in the hot and plush surrounds at Drummoyne Oval. Bare-footed and juggling beers, we batted and bowled and laughed, surrounded by all that sky and all that cobalt water. The details of the cricket don’t matter, but I recall the white picket fence, our lazy bliss, and VB in naval quantities.

It was another golden moment, and these stretched across that endless summer. 

Part 2 coming soon!

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Jeff the Goat, Guitar Hero!

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Jeff the goat lived in Tiger Mountain State Forest near Seattle. He had a long, white, wispy beard and he played a guitar and sang.

Well, sort of.

When Jeff strummed his guitar and sang the bears and the cougars and even the fish in the streams would flee. He was truly, utterly, completely awful and the noise was like someone had thrown a bicycle into a nasty crushing machine.

Twangy-bangy-bah-boo-burr-chomp-crunch!  Jeff played it again. He liked the sound of it. ‘Gee, I’m so good,’ Jeff said to himself.

Twangy-bangy-bah-boo-burr-chomp-crunch!  Right then, two bears, four cougars and even the slowest fish in the Tiger Mountain State Forest fled.

Suddenly, Jeff stopped playing his guitar. He cleared his goaty throat and his long, white, wispy beard drifted about in the breeze. Turning to his goat-sister Peggy he declared in a squeaky, goaty voice, “I am going to Seattle to be a famous guitarist!”

Peggy’s goaty eyes widened. “Oh, no Jeff. You can’t go! Your home is here in Tiger Mountain State Forest.” A tear ran down her goaty face towards her long, white, wispy beard. Peggy gulped, “I’ll miss you. Please stay here with me.”

Jeff reared up onto his back two legs and in his squeaky goat voice he shouted, “I am going to be a famous guitarist, and no one can stop me. Especially not you Peggy!”

And with a huff Jeff the Goat scrambled away, his hooves click-clacking on the rocks.

He did not look back at his sister Peggy. Her long, wispy, white beard was drenched with tears.

The air was fresh, and the sun sent down golden shafts of warm light as Jeff trotted along the track. In the distance he heard a bear growl and Jeff shouted to the sky, “You don’t worry me Mr Bear for I’m going to Seattle to be a famous guitarist!” He laughed and lifted his goaty hooves higher and faster. Fame and fortune would soon be his!

Goat-scurrying along Jeff stopped by a sign and read it aloud. ‘Poo Poo Point Hiking Trail!’ His beard danced in the crisp mountain breeze. ‘I’m going the right way if I’m on Poo Poo Point Hiking Trail. I’m close.’

Over the trees Jeff saw a shiny tower stretching towards the clouds. ‘Yes,’ he yelled, ‘The Seattle Space Needle! I’ll play my guitar and sing to celebrate.”

Twangy-bangy-bah-boo-burr-chomp-crunch!  Twangy-bangy-bah-boo-burr-chomp-crunch! 

The noise was so horrid that two sparrows flew away. They didn’t stop until they landed on the North Pole. Jeff didn’t hear them flap away as he was smiling at his own song. He trotted on.

Friday night in Seattle and cars honked their horns, and the neon lights blinked and shone.

Jeff the goat’s long, white, wispy beard quivered with excitement for in precisely twenty-eight minutes he’d be on Seattle’s Got Talent! He could taste the sweet taste of fame and fortune in his goaty mouth.

A voice boomed out. ‘Ladies and gentlemen, all the way from Tiger Mountain State Forest, will you please give it up for Jeeeeeeeefffffffff the gooooooooaaaaaat!’

The curtains drew back. The lights burned into his beady, blinky, goaty eyes and Jeff knew he’d win.

Twangy-bangy-bah-boo-burr-chomp-crunch!  Twangy-bangy-bah-boo-burr-chomp-crunch!  Now, the crowd at Seattle’s Got Talent was generous and happy but even they had a limit. The windows exploded at the horrible noise.

Twangy-bangy-bah-boo-burr-chomp-crunch!  The stage curtains blew away.

Twangy-bangy-bah-boo-burr-chomp-crunch!  The lights went dark.

It was so truly, utterly, completely awful that the crowd couldn’t even boo. Jeff the guitar-playing goat was finished. He knew he wouldn’t enjoy fame and fortune.

Pushing open the back door of Seattle’s Got Talent, Jeff stepped into the drizzly alleyway.

‘Oh, Jeff,’ a goaty voice squeaked from beneath a streetlight. ‘Can I give you a hug?’

It was Peggy.

‘Oh, Peggy. I’m so sorry.’ Jeff put his hooves around his goat-sister. ‘I’ve made such a fool of myself, and I was horrible to you.’

Both their long, white, wispy beards were wet with rain and tears.

Peggy smiled at her brother. ‘It’s OK. Tiger Mountain State Forest and the bears, the cougars and even the fish have missed you. Let’s go home.’

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Mystery Pub: Corner Booth Reflections at The Elephant

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Friday afternoon and we’re strolling through the heart of the city ­­— on the edge of the weekend, the edge of gentle possibility, and the edge of restoration.

Claire and I pass the infinitely charismatic Malls Balls and enter Rundle Street before making a sharp left at, but not into, the Exeter.

Claiming a corner booth, I glance outside and consider the Elephant is that rarest of boozers — it’s not on a street but a pedestrian lane. In contrast to my previous visit in July of 1997, it’s now bright and airy as opposed to somber and gloomy, presumably in former imitation of a Tottenham tavern.

That was just prior to the Ashes when Mark Taylor and his team thrashed England, again. Back then a group of Kapunda chaps engaged in a Wednesday ritual called Schnitzel Club during which we visited over one hundred and fifty pubs.

At that point, the England cricket team was sponsored by Tetley’s Bitter Beer and as a British boozer, the Elephant had it on tap. To heighten the pre-Ashes anticipation, we ordered one each.

How was it?

It was tepid like Tibooburra tap water and stank (tasted is too generous a verb) of late-capitalism collapse, murky Yorkshire moors and Thatcherite despair. It remains the worst beverage I’ve ever put in my (chiefly) undeserving gob.

Tonight, gladly, I’ve the immeasurably superior Coopers Pale Ale and my imperial pint is only $9. Claire has a white wine. We discuss the usual suspects — work, family and how Escape to the Country might later unfold (with the scarcely disguised disappointment of the house hunters, the host, or most likely, both).

There’s a lively (non-suit) crowd in and the atmosphere’s propulsive. A DJ is on the decks and doing a fine job. He plays an underappreciated track by The Beatles in ‘The Night Before’ before spinning Steely Dan’s ‘Do It Again’ with its decidedly cinematic opening and Arabesque atmospherics

In the mornin’ you go gunnin’ for the man who stole your water

And you fire till he is done in, but they catch you at the border

Fireball Fridays have arrived, so Claire buys one (it may have been a double, Your Honour) with a squelch of ginger beer. It’s whisky with hot, spicy cinnamon and accordingly, the late afternoon sun bends in through the ample windows. It’s an immediate hit.

Our Mystery Pub fare (ye olde fayre) is sausage rolls with fennel, and arancini balls. The plates come with three items, so having had one of each we agree to divide the remainder. Claire says, ‘Which one would you like?’ and I reply, ‘I think you know.’

And she does.

Concluding our second cups, we press out into the sparkling evening. Our weekend’s underway.

4

The Pink Pig: You Take a Piece of Meat with You

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Meanwhile, we hear a song from acclaimed Vegas lounge act, Midnight Oil.

With twinkling ivories and a Sinatra swing, it’s a jazzy version of ‘Blue Sky Mine.’ But this searing satire and call for social justice is somehow oddly appropriate in a wine bar as an accompaniment to our Friday evening entertainment.

How exactly? I’m unsure.

Welcome to The Pink Pig on O’Connell Street in North Adelaide. It’s both mythic and material, and timeless but everlastingly preserved in 1986. Glimpsing myself in a mirror, I’m surprised to not see a boxy Ferris Bueller shirt and skinny leather tie upon my chassis.

Opened in 1973, it enjoys unparalleled affection. It’s comforted us all across the long decades, even Claire and me who’d between us have only visited once prior to tonight. One could argue that if it didn’t exist, it’d be necessary to invent it, or at least apply for the liquor licence. Nobody who draws breath can dislike The Pink Pig.

We take our (reserved) seats overlooking the street. There’s a small, round window and it’s like being in a submarine. ‘So, tell me about the times you’ve been here,’ I ask Claire, certain to evoke a rich response. Then, not for the first time, my wife surprises me by saying, ‘I don’t reckon I’ve ever been here.’ That’s our mission at Mystery Pub Inc: to right individual wrongs, or at least conspicuous hospitality omissions.

The tap beer is a house XPA. I say to mine host, ‘I’ll have one of these, thanks. Can I ask where it’s from?’ and am confident this is a courteous question, even at 5.15pm on a winter afternoon. Barkeep pauses dangerously, eyebrows narrowing, and this gives our exchange some minor Goodfellas menace. With vague caution he replies, ‘A craft brewer up north.’ Mmm. Up north, I wonder. However, I leave it alone as I don’t wish to get wacked. Especially on a Friday.

Without additional mobster subtext, I get Claire a sauvignon blanc.

Back by the window in our burnt-orange submarine the casino tunes continue with a hep-cat cover of Paul Young’s 1985 hit, ‘Every Time You Go Away.’ As the chorus begins, I giggle (internally). I know what’s coming.

Every time you go away

You take a piece of me with you

Of course, the celebrated mondegreen (misheard lyric) is

Every time you go away

You take a piece of meat with you

And this will always be funny.

Out the back there’s sporting memorabilia including framed photos of (the nephew of dear friend) Port Power icon Justin Westhoff, Arsenal FC, and a sweaty box (surely an acceptable collective noun) of Australian cricket teams.

The Pink Pig must’ve been compulsory for visiting Test sides and I imagine Beefy Botham, I.V.A. Richards, and Bob Willis among its enthusiastic patrons. Well beyond any modern curfew, Ian Chappell would’ve quarreled with each of them here over pork and pilsner.

As is now customary, Claire procures a cocktail (strawberry daiquiri) and having enjoyed the first, I opt for a second XPA. These, too, are satisfactory.

We need nourishment and could get an entire pig on a spit (with potatoes, seasonal vegetables, salads and sauces) for $1200 but don’t as we’re 28 short of the suggested dining party of thirty persons.

Claire and I chat further about the pig on a spit, but I can imagine the barkeep saying, perhaps in a sinister way, that in selecting this option we’d likely need to, ‘take a (terribly substantial) piece of meat with you.’

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To Alex and Max, on our Bali Holiday

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Hello there Alex and Max

I hope you enjoyed your trip to Bali. I learnt much about the island but more importantly the three of us and found it to be a holiday of fun and spirited, positive conversation.

That you both went on your first flight overseas by yourselves is of significance. You did well, especially given Max’s mid-flight mishap, and I was proud and relieved when you both strode up the airport’s departure corridor, looking relaxed.

Is there anything as exhilarating as that first crisp, new morning in a different country? Friday dawned in Kuta, and our hotel is a few minutes from the beach. We go along Poppy’s Lane past all the clothing stores and eateries and then explore the Beachwalk Shopping Centre. Pausing to check out Hershey’s and Starbucks, we have lunch at Avera where Max has margarita pizza and Alex has the first of many plates of Mee Goreng. I appreciate how curious and excited you are. There’s constant chatter. We spot the Bali Bomb Memorial and talk about this.

You both barter for the first time and show a confident, courteous grasp of how to do this. When I mention that it’s enjoyable for us but of great importance for the locals, you nod. It’s another step in becoming a global citizen. We visit the Jimmy Fooking Hendrix shop. With his well-practised routine, he makes us all laugh.

You subscribing with such enthusiasm to our Blue Lagoon trip was superb. We could’ve remained in Kuta in our established routines, but you expressed a keenness to venture beyond and I like this too. Snorkeling in the warm ocean on that Monday, it was terrific to watch you swimming above the coral with clown fish. We even saw some garfish! Sadly, no mantra rays. A wonderful morning!

I loved late afternoons on Kuta Beach when after a day of investigation, we’d sit on beanbags at the Fiki Fiki Bar. Young coconuts for you two and a (rare) beer for me. We’d discuss ways to manage the ceaseless stream of people selling things. How about Max’s pedicure? Big toes only (budget restraints). Alex hired a board and went surfing. These were entertaining moments in which the wider world was embraced by you both.

Our final day was invested at the fabled Waterbom Park. Despite my hesitations it was a fantastic afternoon, and I loved our shared rides on the Python and the Twin Racers. Barreling down those terrifying, often blackened tubes and being at the mercy of ruthless gravity, I found immense joy in doing this with you.

This conclusion to our time in Bali was deep in profound meanings about family and sharp mindfulness for me. I felt a delightful sense that it and our entire trip had been most triumphant, executed with eagerness and open-heartedness, and gave me a glimpse of your blossoming futures.

Love, Dad

2

Three Moments of Beauty

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Trundling along the murky esplanade, dawn was hiding behind the Adelaide Hills. To the west the ocean lay as if it too were asleep making me the sole speck of animated life. Some mornings are crisp and the world’s in sharp, razored focus. Today, the sky was fuddled and uncertain.

A distant, descending plane hung silently; its light frozen against the darkness like a lamp. Looming over the seascape, the burning, off-white moon threatened as if in an old horror film. The ghostly glow illuminated my plodding path and connected night and day.

Considering nature’s ravenous fire and the minuteness of human life, I kept running.

*

As is my happy habit I’m eternally re-reading The Sportswriter series and am on the final novel. The prose is often startling in its magnificence and makes me inwardly gasp. I forever find literary diamonds in these and Be Mine offers this scene at Mt. Rushmore:

Just now, as if propelled from the mountain itself, a helicopter- tiny- materializes down out of the marbled heavens, high-tailed and insect-like, and for all of us along the viewing wall, soundless. It passes on string through the grainy air, tilts to starboard, seems for a moment to pause, then slides away, changes course and makes a dreamlike pass close to the presidential physiognomies, comes about again, tail swaying, makes a pass the other way, so that whoever’s inside get the fullest view up close.

The author, Richard Ford, has a rare sensitivity to the splendor and joy of words.

*

Originating in Athens, Georgia, REM was primarily a guitar band, and courtesy of singer Michael Stipe’s lyrics, they presented the world opaquely. Their jangling sounds were, for example, sometimes accompanied by a mandolin and sometimes by arena-sized grungy bombast, but REM’s most gorgeous track is one of which acclaimed keyboardists, Elton John and Ben Folds would be proud. ‘Nightswimming’ is a piano delight, penned and played by the band’s polymath bassist, Mike Mills. The circular motif is at once fragile but also driven, serenely.

It features on the album Automatic for the People, a meditative, melancholy record that gave opportune shape and meaning to my West Coast life when it was released three decades’ back. ‘Nightswimming’ is a prayer to nostalgia, friendship, and summer’s end. Spending time with the song this week, its embrace is that of a dear, old companion.

Nightswimming, remembering that night
September’s coming soon
I’m pining for the moon
And what if there were two
Side by side in orbit around the fairest sun?

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Spag Bog at The Bot: A Coopers Botanic Ale Tale

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With Coopers announcing that their newborn Botanic Ale is available for a strictly limited time, the following commentary is both festive proclamation and premature eulogy.

However, the phrase, ‘limited time’ makes me think of the Rolling Stones and how more than once Mick asserted, ‘I’d rather be dead than singing ‘Satisfaction’ when I’m forty-five.’ Both Coopers’ XPA and Session Ale (which transmogrified into Pacific/Specific Pale Ale) were also declared momentary but are happily still happening.

Clamping my peepers on a can the pink, purple, olive, and red markings conjure a nouveau psych-rock aesthetic. It’s visually reminiscent of the swirling guitars on Tame Impala’s Innerspeaker album and this is encouraging. Beer and music can pair well.

Having gathered ingredients to make a beef curry in the slow cooker (crock pot is too 1970’s a term) I swung past the Holdy to collect my debut four-pack of Botanic Ale cans. Home, I slid them into the garage beer fridge where, aside from some understandably abandoned lolly water, they were among friends.

With its deliberate Adelaide evocations, I pondered the name Botanic. Was it named for the much-loved public gardens or the adjacent pub I often haunted on Monday nights while at uni?

To stay open late in those heady, 1980’s times, The Bot was required to serve the punters a meal so at the prescribed hour we were obligated to queue, grab a paper plate, and witness a sullen worker slop out spaghetti Bolognese or, most often, an inferior replica. It was that or go home. On occasion I even saw people eat it. Salad days, indeed.

Back to the future and just down Chief Street in Brompton sits the elegantly renovated Brickmakers Arms. Their pristine beer garden recently provided some colleagues and me a celebratory context to acknowledge a curricular writing milestone. As we all know kegged beer is king so noting Botanic Ale on tap, I waved my phone at the dinging debit box and marched outside with a frosty tumbler.

Safely on my bum with cup in claw I considered the (late) London restaurant critic Victor Lewis-Smith and his frequent use of this question in his splendid reviews: what made me pleased?

Here goes. I remember a hot Barossa afternoon when old mate Holmsey told me of a now long-forgotten European ale that, ‘wasn’t sessionable.’ I think this may be true of Botanic Ale too.

In the glass it has a brooding yet bronzed presence, and this foreshadows its hefty 5.8% engine. Turning the key, the pint was zesty and gripping, and possessed an apt sense of occasion while also being fun. It provided citrus/tropical aromatics, all in the context of presenting as a bold beer and not just a cold beer. And it does suggest a nouveau psych-rock aesthetic, so I pronounce another Coopers triumph. It’s highly worthy of a gargle.

Snare a slab if you can and consume with slow-cooked vindaloo and Tame Impala. Or at a pinch, sloppy spag bog just before midnight.

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Midnight Oil, African wild dogs, and Skyshow: Adelaide’s Torrens parkrun

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Adelaide’s oldest parkrun is along the northern bank of the Torrens. Officially a river, it masquerades as a serene, fetching lake or a dam. And during drought, a puddle.

Beneath the eucalypts at a quarter to eight there’s roughly one hundred people and it swiftly swells to five hundred. An expectant mob, connected by a single, voluntary purpose and it’s great to be part of a global movement.

I feel a propulsive, rousing energy.

The Run Director takes us through his script. It’s informative for new faces and provides moments of comedic engagement. After the Acknowledgement of Country, he does a roll call asking who’s from overseas. England, Canada, New Zealand, among others. Hands are flung up and we applaud. We’re then taken on a tour of the country.

‘Anybody from Victoria?’ Arms go skywards. Melbourne. Geelong. Ballarat.

‘New South Wales?’ Folks variously confess they’re from Sydney, Wagga, Byron Bay.

‘People from Queensland?’ Hands wave above the sea of heads and torsos, and I wonder how many have on matching shoes.

Each state and territory acknowledged our host then introduces himself with, ‘I’m Ojo Dojo.’ He asks, ‘Did you bring your?’ A crowd participation moment follows as the throng choruses, ‘Mojo!’

We’re east of the weir and the Red Ochre Grill, which might be as old as red ochre. Glancing about there’s a par 3 green with capped chaps putting, gliding rowers on the lake, while rushing by, and I understand this is the collective noun, are round-gutted lycras of male cyclists.

I stand by two lads wearing AUFC caps. One announces, ‘Let’s try to run 4-minute k’s.’ His mate giggles, ‘The coach won’t be happy if we blow up!’ They laugh as only the youthful in pre-season training can. I often hated it but would gladly swap. Considering their fresh dials, they can’t even imagine being retired from footy.

Briefing’s done and we’re away.

There’s an orange-vested pacer with 25 on his back, so I latch onto him like a docking mechanism. I keep him in sight. I’ve got a plan. I’d like to again run 24-minutes something.

Like trolls we go under bridges and soon pass the BBQ buoys all moored and obediently awaiting midday rissoles, snags, and onions. Inflatable boats laden with flammable cooking equipment and grog, skippered by yoof with massively undeveloped prefrontal cortexs: what could go wrong?

To the left is Memorial Drive, venue of my first concert in 1984. It was Midnight Oil’s Red Sails in the Sunset tour with school mates, Nick, Smithy and Frosty. The Drive usually hosts tennis, and this was not that genteel leisure. More dope than double faults.

We swarm under the Torrens foot bridge which transports punters to and from Adelaide Oval. Footy and cricket have revitalised the city and highlights at the redeveloped stadium include Travis Head’s NYE pyrotechnics, the Crows and Cats preliminary final of 2017, and both Glenelg flags.

Heading west along the riverbank, the 25-minute pacer’s still a bus-length ahead, and I want to pass him on the way back. I’m chomping after him like Pacman.

Albert Bridge’s now above us, with its stylish architecture. We’re by the zoo and I recall taking my boys and the African wild dogs and their ungodly stench. Closing my eyes, I recall my nostrils smarting at their flyblown meat perfume. It’s available at Chemist Warehouse. Back at parkrun, Mistletoe Park marks the turnaround.

Among this morning’s joys is the absence of traffic noise. However, swimming into view is the slanting expanse of Elder Park. Again, I’m back in the mid-80’s. Can you hear the spectral echoes of SA-FM’s Skyshow? Is that the sexual thump of INXS beneath the swirling hiss of fireworks? Look, so many tank tops, neon colours, and foam eskies!

I put on my indicator and pass the pacer! Sheltered by trees, the finish line startles me. I loathe when the end’s in widescreen, mocking sight a long way out and like an oasis in the desert, remains maddeningly distant. Today’s threshold jumps out, hugs me and this is splendid.

Not unlike an injured emu, I hobble with hands on hips, grabbing some air. I note a groaning table of food provided by the volunteers. What a community is parkrun and especially this effervescent Torrens group. I’ve broken 25 minutes.

I take half a banana.

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Max. fourteen.

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Happy 14th Birthday!

Smiling, I regularly think of the note you’d leave on the fridge whiteboard – a small yet significant gesture that speaks volumes about your character. Your ability to infuse humour into everyday life, coupled with your thoughtful nature is always a delight! The simple declaration became more than just a message; it’s a testament to your wit, your creativity, and your unique perspective on the world.

the cordial is pre-made

Watching you blossom in drama has been a joy. I like you telling me about the acting challenges you’ve been set and how these are progressing. I’m excited to see you on stage later this year, playing a character and entertaining the audience. Keep embracing those opportunities to express yourself and develop your skills.

And let’s not forget about basketball – a sport in which you truly have ability. Your talent on the court is undeniable, but what sets you apart is your understanding of teamwork and being able to bring others into the game. Of special interest is your ability to navigate both victories and defeats with grace. Remember, it’s not just about winning games; it’s about the lessons learned along the way, the friendships forged, and the growth that comes with every season.

Regrets are mostly not about the things we’ve done but rather the things we didn’t do. Given this, I believe you should keep playing basketball. You can do it!

In June I’m keen for you, Alex, and I to explore Bali together. Investigating new cultures, tasting exotic foods, and experiencing different landscapes will broaden our horizons. I hope during your life you’ll keep seeking out those adventures for it’s through travel that we learn about the world and ourselves.

Your imagination is limitless, and your ability to craft immortal expressions never fails to make me laugh. Hold onto that youthful spirit and sense of wonder, for it’s what makes you extraordinary. Lastly, I want to reminisce about that moment in a Singaporean swimming pool when you made that legendary declaration to me that you were

cooler than a robot, older than the wolf

As you embark on another year of new experiences, new challenges, and new triumphs, always remember how loved and cherished you are. You have a heart of gold, a mind full of dreams, and a spirit that’s destined to soar. Happy birthday, dearest Max.

Love Dad

2

Mystery and Murder in Moana

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Hurtling past O’Halloran Hill on the Southern Expressway and Alex slides in a Steely Dan CD. Although he views this dad technology with bemusement, he’s also a devotee of nostalgia, and I’m thrilled he can meld irony and joy. Their jazzy and bewitching song, ‘Aja’ fills the cabin, and he mentions, ‘Manny’s dad loves this. He reckons it’s goated.’ I say, ‘It’s great. When I was at uni, I played the cassette in my old Holden going to and from Kapunda.’

Earlier at Writers’ Week we heard my favourite ever novelist, Richard Ford. Alex came to this excursion (I see no other teenagers in the garden) knowing it’s significant to me and this is heartening. Listening to the author of The Sportswriter he made connections to his Year 11 English course, and these were deliberated over the day. We returned to Ford’s point that characters are not people, but instruments of language and I’m convinced this insight puts Alex in front of his ATAR competition, should this still exist, and not a few literature teachers.

When Alex turned thirteen, we spent a night in Hahndorf and then last year on his equivalent birthday Max and I stayed in Aldinga. Claire suggested acknowledging these rites of passage and for this idea I’m most grateful. Each is an occasion to pause and talk and contribute to our future selves in novel surrounds.

Yielding again to my paternal voice I declare, ‘I think we should swim between the flags.’ Alex nods. Late afternoon at Moana beach, it’s chilly in the water but splashing about we promptly acclimatise. Irregular sets of waves march in from the icy Southern Ocean and some hoist themselves up as green walls, while others crumple sullenly about us, all slovenly foam and disagreeability. This burst of activity provides a relaxing physical context on which to hang this sparkling day. We catch a couple each and are rushed shoreward like straw.

For dinner it’s the esplanade’s Deep Blue Café. We’re sat by the windows and the sun slants in, all gilded and promising. It’s a cheerful, assured place with table service and over pepperoni pizza and a fat burger talk moves to Alex’s favourite Beatle, George Harrison. While I’m a McCartney man I see the appeal of the band’s youngest Liverpudlian with his quiet genius and affable ways. I say, ‘How amazing that he was only twenty-six when the Beatles finished.’ Musically, Alex’s unquenchable and sees no generation gaps as his preferences range from Kanye to Miles to 1970’s Japanese avant-garde. Hopefully, this cultural inquisitiveness is a predictor of a hearty, fulfilling life.

Back in our dune-side cabin we speak of the soundtrack for the film Alex’s making and how esteemed directors Wes Anderson and Quentin Tarantino use wistful music in their art. He plays ‘Miserlou’ by Dick Dale, made famous in the Pulp Fiction opening credits. Intrigued by Bob Dylan, he’s shortlisted several of his tunes for their project and asks, ‘Do you think Paul Kelly is the Australian Bob Dylan?’ It’s an essential, probing question.

We then turn on the tele. As he’s about forty years too young for Escape to the Country, I surrender the remote.A Bond film. Skyfall. During a break, I show Alex a clip from The Trip to Spain during which over an entree of scallops Coogan and Brydon battle with their respective Roger Moore impersonations. He laughs at, ‘Come, come, Mr. Bond’ and reckons the next movie introduces Jane Bond.

Before 007 defeats the cyberterrorist in Scotland we hit our cots. Today’s gone well and there’s been lovely moments and also, I hope, fruitful investment.

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Alex. sixteen.

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Dear Alex

Happy 16th birthday! This year is the sweet spot between childhood and adulthood. It’s like being stuck in limbo, but in a good way. I wanted to take a moment to share some thoughts, advice, and, of course, celebrate the wonderful long horse person you are.

Life at sixteen is like a canvas waiting to be painted with vibrant colors, and from what I’ve seen, your life could be an exquisite artwork. Your circle of friends, the rich and fun beachside experiences – these are the moments that will shape your memories and relationships for years to come. Cherish them for they are the building blocks of a life well-lived.

I’m mightily impressed by your growing appreciation for the arts, particularly music, drama, and film. George Harrison and Revolver hold a special place in your heart, and I’m glad you’ve inherited a taste for timeless classics. The complexities of Scorsese, the boldness of Tarantino, and the brilliance of Kubrick – these auteurs have influenced your cinematic preferences. And let’s not forget The Big Lebowski, a film that has finally found its way into your heart, adding a touch of humor to your cinematic palette. Mark it zero!

As you continue to improve as a reader and a writer, remember that these skills will be your not-so-secret weapons, especially in the worlds of film, theatre, and literature that you hold so dear. Keep nurturing your creative spirit and be bold in exploring new genres and authors.

Embarking on the next two years, remember that they won’t define your entire life, but do present wonderful opportunities to make exciting things happen. School will be as rewarding as you decide to make it, and your fondest hobby or subject could very well evolve into a fulfilling career. Take the time to investigate your passions and discover what truly brings you joy.

Financial independence is an important aspect of adulthood. So, aim to secure and maintain a job to not only learn about managing money but to also gain valuable insights into responsibility and accountability. There are skills to learn!

Our trip to Moana will be a bonding experience, and I look forward to this and similar escapes together and with Max too. It’s not just about the destination; it’s about the conversations and shared moments of discovery.

Never forget kindness. This is the value promoted by the Dalai Lama, and I reckon he’d know. In a world that can sometimes be challenging, kindness remains the unblinking beacon of light, guiding us eternally. Choose kindness for yourself and others.

Alex, you are growing into an amazing young man, and I am excited to see what lies ahead for you. Happy birthday! May this year bring you joy, growth, and unforgettable experiences.

PS- remember to place all cans and bottles in the recycling box. I don’t need to tell you why!

Love, Dad

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Photos both exquisite and ridiculous

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This cassette came my way when I was twelve. A Christmas gift from Mum and Dad. It made a deep impact upon me, and I’d wanted it for ages. Like a head-banded DK Lillee bowling, or Rick Davies playing footy for Sturt in the ’76 grand final, the pure and impressionable skill with which the gawky blokes of LRB harmonised made me quite starstruck. I imagine even then I was monstrously tone-deaf.

On my little tape player, I had this on repeat and at volume. Hearing it now on vinyl it rushes me back to 1978. Of course, I had no idea what the songs were about other than vague adult notions of love. As Claire noted, the vocal highlight is the dense opening line to ‘Reminiscing’ with their internal rhyme of ‘late’ and ‘gate’ and the exciting urgency. We’ve eighteen syllables following a trochaic (stressed-unstressed) rhythm-

Friday night it was late I was walking you home we got down to the gate
And I was dreaming of the night
Would it turn out right?

I’ve much gratitude for this gift from my parents and the effortlessly transportive nature of the music. Yes, it’s probably a bit soulless and as smooth as cat poo but it’s forever connected to my childhood.

Among the torrent of music that comes from Alex’s room is jazz and noise rock and the Beatles. I was surprised and secretly thrilled when I recently heard the slick tones of LRB and their deathless harmonies.

I took this during the official ceremony prior to the recent Test at Adelaide Oval. It’s Claire about to perform as the Auslan interpreter for Cricket Australia. I love these moments when the private and the public collide although I generally keep my thoughts in my head.

I was proud and thrilled and would like to have prodded the bucket-hatted bloke next to me in the Members’ and said, “How good is this? She’s very talented, oh, and by the way, I’m her husband.’ What a unique skillset. Other than for a post-match ‘kick and catch’ I’ve not trod on this hallowed turf so well done, Claire!

Utterly impractical and ridiculous. The car or the owner? Good question. I bought it in early 1991. Sadly, the odometer stopped working when it’d done 297,000-something and shortly after I sold it. I imagine, it then went, in an automotive sense, to God. I expect most of these are now in wrecking yards or serving as artificial reefs, home to snapper and sharks.

Commencing a long trip to or from Kimba, I’d often slide in Nevermind by Nirvana and spin the volume knob hard right. It was fun to pilot. I loved the sunroof, but it was noisy on the highway.

Still, it amused me and bemused my friends. I’ve now recovered although I’ll never surrender and own a station wagon, not even a Wagon Queen Family Truckster like the Griswolds on Vacation.

4

Sausage Roll Review: Tanunda Bakery and Café – Howzat

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It’s the week of the Adelaide Test and a vital plank in my psychological preparation is a drive up to the Barossa to see Mum and Dad.

Late morning, I steer along Gomersal Road which seems pot-hole free. Not before time. I’m listening to Classic FM as lots of New Year resolution lists recommend this as a calming strategy. Rachmaninov does seem more soothing than Rammstein.

Arriving at my parents’ home we chat about the following: cricket, Dad’s bowls, my park running, cricket, recent holidays, my wife Claire’s work, immediate family, our 101-year-old neighbour, cricket, extended family, and the weather including how the cool summer has meant Claire and I have done limited beach swimming.

At long last, we get to the topic of cricket.

Prior to this I luncheoned at the Tanunda Bakery and Café as part of my endless investigation into our state’s sausage roll situation. I planned to write contemporary sausage roll situation but it’s difficult to eat historical (without frozen foodstuffs from decades past) and future samples.

Inside the busy bakery someone asked cautiously if there was a queue. Another replied rather unaccommodatingly that there wasn’t, and furthermore it was entirely the responsibility of each customer to establish their spot in the order and guarantee its integrity. This seemed especially burdensome for a Monday, so I decided instead to join the apparent and flawless queue adjacent to the counter. Like many queues over the previous millennium, it worked rather well.

There were no unpleasant incidents during those 87 seconds I waited to make my purchase.

I ventured outside to the shady patio. It was inviting with tables and chairs, and being the Barossa, a wooden wine barrel. For my continued safety and mystical comfort, I chose to eat by the wine barrel.

Just like most of the Tanunda footballers I encountered during my youth as a Kapunda Bomber, my sausage roll was compact and appeared competent.

A second glance was disappointing for the baked good looked a little diminished although I’m prepared to concede this might be a function of the contemporary consumer experience in which we expect everything to be excessively large including our cars, our beverages and of course, our schnitzels.

My first bite. Innocuous. Waiting for the delicious arrival of delicate spice and accompanying waft of pepper. It didn’t happen or perhaps is hugely delayed, giving me a minor zing tomorrow. The pastry was also only adequate.

Now we all know well that a sausage roll can be a cylindrical joy, a triumphant midday flourish. Either way the model in front of me, in the heart of the Barossa, was dissatisfactory.

Like Ted Mulry, I then jumped in my car and drove to Mum and Dad’s. There was cricket to chat about.

My sausage roll was purposeful rather than flavoursome. Admittedly, I had significant expectations, but these were mostly not met.

Three cricket bats out of five.

0

Discarded boots, our old car, and Hotel California

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Nostalgia and detachment are constantly at war.

For me, the former wins more than it should. But sometimes disinterest rears up like a startled horse and I make an utterly sensible decision.

In July of 1993 I bought a pair of boots and trudged about in them for decades, across continents. I wore them to work. I wore them to the footy. I wore them everywhere.

During recent years when they began to require frequent repairs, I determined that new soles and patched holes in the leather toes were just steps to guarantee the immortality of my beloved boots.

I’d be buried in them.

But one day in September I drove to an Op Shop on the Broadway, flipped open the collection bin lid, and deposited my boots. They’d become heavy to wear and almost curmudgeonly. I now saw them through different eyes.

Suddenly, we were done, and surgical detachment triumphed. I didn’t stare at them wistfully, shed a lonesome tear or even have a rush of cinematic vision, showing thirty years of life’s high (and low) lights of me in my boots.

I then made my way to the kiosk where I looked at the beach and sipped a cappuccino and relished the cheerful afternoon breeze.

*

Claire’s car is also in its third decade. No mere toiler, it’s a treat to pilot: compact, nippy, and gently joyous. It zips along Anzac Highway like a nimble fawn.

Having done 435,000 kilometres, I’ve been wondering about the time it’ll need replacement. Looking online at the cost of similar vehicles we may need to up the insurance for it seems to be worth more than I thought. Evaluating the RAV 4’s condition has triggered some introspection and a rediscovery of personal values on longevity and utility.

But I hope we can celebrate the half a million milestone when it should get a signed telegram from the King or at least someone in the Palace who can use a pen.

I now feel refurbished sentimentality for this precious motor and its unswerving everydayness. It could star in its own Little Golden Book.

*

On Boxing Day, the transformative power of objects again grabbed me. By the airport I drove past a sprawling discount shopping centre, sat fat and foolish. Cars were parked chaotically in the creek bed, nose-to-tail on the verges and, if I checked, likely on top of each other too. Instead, I went to Mr. V’s record store on Semaphore Road. He offers no festive discounts.

Exploring vinyl albums is a sentimental experience. I am returned to being a teenager and these artefacts lead to a wholly immersive bliss. While I enjoy flicking through the modern releases, I find a deeper delight at the 70’s and 80’s section where my younger self forever lives. Rationing this indulgence, I ponder purchasing one of these:

The Boys Light Up– Australian Crawl

Straight in a Gay, Gay World– Skyhooks

Place Without a Postcard– Midnight Oil.

Rather I zoom across the Pacific and buy Hotel California. It’s unstoppably captivating and I’ve always surrendered to its narrative power. Kapunda’s a long way from the Hollywood and Beverly Hills setting of these songs but my connection is strong as steel.

Listening is a cheerfully simple, analogue experience. With a crackle the needle descends on The Eagles and I’m again in a boxy Kingswood patrolling the homely streets of Kapunda. It’s the clumsy sway of the last dance at high school socials (formals or proms to some of you). It’s the boyish allure of American cityscapes.

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What to finally make of dumping my boots, refreshed appreciation for Claire’s car, and the untarnished radiance of an adolescent record? The past is seldom still, but sometimes rushes at us like a rampaging bull and leaves me standing in its dust, bewildered. I’m caught between nostalgia’s gilded cage and reality’s sharpening edges.

But I always was.

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Ripper 76 to Patsy Biscoe to The Fonz

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I bought my new turntable a house-warming gift yesterday.

Lenny’s Records on Henley Beach Road is near my work and poking through the racks, I contemplated Aja by Steely Dan and Living in the Seventies by Skyhooks before deciding on Bob Dylan’s tour de force, Blood on the Tracks. Nothing says welcome like an iconic album.

Living (mostly) alone decades previously in a farmhouse south of Wudinna, this CD was a Sunday evening ritual. With its warm songs of love and looming heartbreak, Dylan was excellent company, and offered much to ponder every rich listening.

On wintry nights I’d get the fireplace a-roarin’ and his wit and poetry were cantankerous comfort as the acoustic guitar and Minnesotan twang sprung about my big, empty home.

‘You’re Gonna Make Me Lonesome When You Go’ remains an uplifting song about impending hurt and there’s gleeful despair in the verse

I’ll look for you in old Honolulu

San Francisco, Ashtabula

Yer gonna have to leave me now I know

But I’ll see you in the sky above

In the tall grass in the ones I love

Yer gonna make me lonesome when you go.

Given the name’s lyricism, I’d like to visit Ashtabula, Ohio.

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On Thursday evening with old Kimba friends Bazz and Annie we enjoyed the world’s greatest compilation album which, of course, is Ripper 76. Among its curios is the theme song from everybody’s favourite show, Happy Days.

Over Coopers and pepperoni pizza, we spoke of this, and I mentioned how The Fonz (Henry Winkler to others) is touring Adelaide next year to promote his biography and Claire will be the Auslan interpreter. How great is this? The other day I asked, ‘Happy Days began when we were about ten. Did you ever imagine you’d work with The Fonz?’ I hope she asks who’s his preferred Tuscadero: Leather or Pinky?

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Having met Paul McCartney, the English singer Noel Gallagher from Oasis was asked how he felt and replied, ‘Macca’s a legend. It were fooking great. I mean my favourite band is Wings.’ Wednesday afternoon I popped on the triple live album, Wings Across America and loved side four’s closing track, ‘Listen to What the Man Said.’

Soldier boy kisses girl

Leaves behind a tragic world

But he won’t mind, he’s in love

And he says love is fine

It’s emblematic of McCartney’s enticing optimism and talent for a likable melody. However, Tom Scott’s soprano saxophone solo is the happy highlight, and I appreciated it soaring out across our summery garden.

My new turntable and I were getting on superbly.

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I was reassured to read that Neil Diamond was in my top five Spotify artists for 2023 along with Karen Carpenter heir apparent Weyes Blood, Lana Del Ray, The Beatles, and Belle and Sebastian. This is largely founded on Hot August Night being our Friday evening ritual (imposed by me). It’s a splendid, intensely familiar way to farewell the week and muster in the weekend.

So last night on the patio with Christmas lights twinkling and candles flickering I dropped the needle on side three (it’s good to mix it up) and its exquisite ‘Play Me’ with

You are the sun, I am the moon

You are the words, I am the tune

Play me

Of course, on the second verse Diamond sings, ‘Songs you sang to me/Songs you brang to me.’ Brang? Yet again, Claire and I had the conversation during which we agreed passionately that English is a cruel language and yes, the past tense of bring should plainly be brang.

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Late Sunday in Tanunda for a music festival, Claire and I had a brief chat with Here’s Humphrey star, retired naturopath and former deputy mayor of the Barossa, Patsy Biscoe.

It certainly was a memorable week in music.