Saturday and we’re debuting at the Adelaide Oval Hotel. You’re in a seminar at Ayers House so I take the tram in. Waiting for you, I sit on a bench, the invigorating sun with a startling August burst. Our afternoon stretches out like a ribbon of time as I read my new (second hand) purchase, the funny and hundred-year-old, Three Men in a Boat. Leisure and royal indulgence await us.

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Dragging our bumping cases, the glorious petite-train sound of the luggage wheels evokes the infinite joy of travel. We cross Hindley Street (stark by day) and then North Terrace, painterly as ever, before plunging into the railway station. Emerging in a balmy light we span the Torrens footbridge and photograph our progress. We’ve come to the Oval since we were kids but today’s like the first time.

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Later in the winter balminess we appear on the stadium concourse before circumnavigating the oval. There’s no traffic noise in this village but we’ve chirpy birdsong for company. At Light’s Vision we peer over the city and discuss the Colonel’s life and legacy. Adelaide sits below, quietly confident but still small and welcoming. Complemented by gentle chat we arrive back at the East Gate and ascend to our room for Happy Hour by candlelight.

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Thursday and we’re in the Festival Theatre for Chicago. Once upon a time you were in a production of this celebrated musical, and this delicious knowledge frames my experience. Before, during, and after the production, you whisper your theatrical insights to me, and these are magical, textual (and contextual) delights. I love the warmth of this secret discovery.

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After the performance, we skate into the night and trudge soggily back to the car through the flooding footpaths. Hindley Street is smeared with neon and desperation and steering beachward through the sheeting rain, the wipers squark and flap.