Tag Archives: Rolling Stones

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Seven Ways of Looking at a Sparkling Ale Longneck

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#1

This statesmanlike, red-labelled bottle is a narrative.

In the realm of ales, it’s Ulysses. A front bar round of pints is often comic theatre, and a butcher of ale (200ml for the uncertain) is a haiku revealing its buried fortune as you dig into its poetic earth. But the Coopers Sparkling Ale prose is of canonical eminence. Like engaging with longform art, there’s opportunity for immersive delight but also an obligation to contemplate life’s deeper themes. It’s your favourite novel, your Great Gatsby which you re-read on the lounge as an affirming annual indulgence after Boxing Day.

#2

No, this beer isn’t The Beatles. With a heart prone to menace and darkness it’s The Rolling Stones and their farewell letter to the sixties, Let It Bleed. Every glass contains Mick and Keef’s nightfall poetry and gritty realities, deathless swagger and irresolvable tension. We traverse from the ‘apocalyptic dread’ of that first foamy tumbler in ‘Gimme Shelter’ to the psychological ruin sweeping across, ’You Can’t Always Get What You Want.’ Now, the music fades and you drain the dregs into your cherished schooner as the glimmering sun slants in over the back lawn.

#3

My Friday evening ritual is a Sistine Chapel visit. Like many of life’s joys, one is sufficient but two is dastardly excess from which no good can result. Take in the grandeur, and purity of aspiration. Open-mouthed and fizzing of brain, I stare up at Michelangelo’s ceiling. But do it only once. And if you’re tempted, don’t return to the fridge for a second bottle. You’re done. What else can you request from a work of art?

#4

Each frosty longneck comes complete with engaging conversation, original observations, and deep introspection. Listen to its voice and you’re reminded of Richard Burton, all conquest and divine warmth, commencing his narration in Under Milkwood

To begin at the beginning:

It is spring, moonless night in the small town

Starless and bible-black

The cobblestreets silent and the hunched

courters’-and-rabbits’ wood limping invisible

down to the sloeblack slow, black, crowblack,

fishingboatbobbing sea.

#5

Old bull: No, let’s walk down and do the lot.

#6

It’s also a maverick. The only beer commonly viewed as being better out of a bottle and not taken from the keg. Why is it so? The scientists could tell us but at play there’s delightful alchemy. Flip the bottle top and shake hands with this twelfth apostle, this preternaturally talented twelfth man cricketer, this Lysithea (the twelfth moon of Jupiter). Another time when the reluctant rebel instructs those of us safely inside the fence line.

#7

Erect of glassed carriage it dominates its alfresco setting. A statement beverage, announcing itself as quietly authoritative. Warning against a flimsy heart but offering steely security of purpose. Depending on the light, it’s a romantic painting by Toulouse-Lautrec, or a Shakespearean sonnet, but ultimately, it’s dynamic and organic like Frank Lloyd Wright’s architectural wonder, Falling Water.

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Max and His Most Magnificent Apostrophe

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dogs

Already, at six, our youngest, Max has mastered something which, even at their towering heights Mick, Keith and the other Rolling Stones couldn’t get right.

He knows how to use the apostrophe of possession.

Last night doing homework at the dining table Max shows me a picture- a vague, blobby creature fashioned from newspaper. “I have to write a story about this person.”

And so we invented some of the creature’s backstory. Max decided that, like all good creatures, this one would play basketball. He named him Bob. With the character established I explained to Max that his story needed some action, some conflict and then, without any prompting from me, he opened his second paragraph just like this

Bob’s team

Sensational.

“Well done Max. This is one of Dad’s best days ever! Who taught you to put in the apostrophe?”

“Nobody. I just know it.”

Apostrophes suffer enormously in our world. Often cruelly forgotten. Sometimes put to work when they shouldn’t be. Abused by café-owners and green-grocers alike. How many pub menu boards advertise these?

Sausage’s and mash- $12

I love apostrophes, but Mick and Keith, in the midst of their astonishing run of form over a decade from the late sixties which included Let It Bleed and Exile on Main St omitted these. Twice. Their albums Beggars Banquet and Goats Head Soup, depending on the number of beggars and goats (that’d be a great party), should probably be Beggars’ Banquet and Goat’s Head Soup. This seems an odd mistake to make, given that Mick is happy conversing in French about noted seventeenth-century philosopher François Poullain de la Barre.

Of course as part of my concerns for your grammatical health, I should now remind you about the importance of using capital letters as evidenced sharply in this sentence

I helped my Uncle Jack off his horse.

But, last night at our wooden table, with a simple flick of his Bic, Max made my week with a punctuation mark.

Go on, hug an apostrophe!

stones