Tag Archives: AFL

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AFL Round 10- Adelaide v Carlton: The Pogues or Paul Kelly?

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Our eldest son lost his front tooth yesterday. Already dangling, the other is now lurching across his gum. He is six.

Smiling, he is a little like Shane MacGowan, the lead singer of The Pogues. You know, the one who somehow maintains a pulse. Despite his sustained dedication to not, over these last four decades.

With the annual, happy promise of snow, a big Norwegian spruce in Trafalgar Square, and BBC Radio 2 being obliged to play “Fairytale of New York” every fourteen minutes across December, England does Christmas better than Australia.

It just works better in the dark and the cold.

“Fairytale of New York” is a superbly bleak song. Marrying misery with a rousing melody, the doomed couple bicker and snarl, and of course, it ends badly for them.

Which connects to both Carlton and Adelaide, except that it is only May. For much of the first half, the football goes back and forth, perversely suggesting the call and response form of the duet between Shane MacGowan and Kirsty MacColl

I could have been someone

Well so could anyone

You took my dreams from me

When I first found you

I kept them with me babe

I put them with my own

Can’t make it all alone

I’ve built my dreams around you

While this festive ode is euphoric, Sunday’s MCG fixture was dour, and for much of it, lacking music. There would be grander joy within an afternoon spent shopping in Luton. At least there’d be the chance that your umbrella might be picked up in the sleety gale and speared into a Bedfordshire oak tree.

In their peculiar tribute to “Fairytale of New York”, The Crows continue to set their watches to Christmas Island time, well behind that in Melbourne, chronologically and in humanitarian/football supporter terms. And so they only have two goals at the major break. Adelaide’s pre-season strategy of starting in an excruciating way persists into a tenth week. John Farnham has enjoyed shorter retirements.

Norwood boy and Crows fan Paul Kelly’s “How To Make Gravy” is our finest seasonal song. Like The Pogues’ tune, it is jubilant in its despair. Both are anchored in familial misfortune. Each begins with a gentle, welcoming melody, and then erupts into a torrent of regret.

Living in St Albans, just north of London, Paul Kelly’s tour de force was my umbilical cord to Australia. Its evocative power, and fraught, jailed brother were overwhelming. On many a Friday evening I played this song in our tiny townhouse, after beers at The Bunch of Cherries, The Ye Olde Fighting Cocks, or The Goat.

When Peter Luscombe’s drums kick in at

I guess the brothers are driving down

From Queensland and Stella’s flying in from the coast

They say it’s gonna be a hundred degrees

Even more maybe, but that won’t stop the roast

I’d be a goner. The heat, the ritual, the anguish. There I’d be, on our couch, blubbing away, wondering what the feck we were doing half a world from home, having, in a sense, voluntarily imprisoned ourselves. Both songs signify Christmas and the end of the year. Although winter has not begun, 2014 is already finished for The Blues and The Crows.

Yarran and Betts have some electric moments, while Thomas for Carlton and Laird for the vanquished, contribute meaningfully. Kade Simpson appears to roam about unchecked and collects a mammon of disposals. There are more clangers than a Chinese gong workshop, and Adelaide’s sixteen behinds is telling.

I’d like to say that the second half was artistic and masterful like Paul Kelly and The Pogues, but I can’t. The error and turnover rates fell. Each team kicked eight goals. It was close.

Within a few weeks, our son will have a new front tooth, and his smile will again be complete.

Adelaide needs to stop its decay, and stop it urgently.

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AFL Round 5: Adelaide v GWS- Jesus Was Way Cool, but Dangerfield is Risen

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12.40pm, Easter Sunday, 20 April

Adelaide oval

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Like everything else, public holidays are allocated cautiously in Singapore. Confucian, Hindu, Buddhist and Islamic celebrations of the island’s polytheism. To an Australian it is puzzling that Easter is only given Good Friday. What beyond the resurrection? No Monday holiday! It is like Bruce McAvaney saying

So it is half time here in the Grand Final. It is all set up for a riveting finish. Will there be a comeback? Goodbye from the MCG. Stay watching for Are You Being Served?

Watching the game in our River Valley home as the equatorial skies open, I become nostalgic. Has any built environment spread more psychological benefit than Adelaide oval? The rustic scoreboard is a temple, and the happiness, contagious.

I love that 50,000 can be there, and when the ball travels into the ground’s northern half we see the Morton Bay Figs, evergreen and embracing, surreptitiously poisoning the otherwise chain-smoking opposition fans with fresh oxygen. A goal kicked to this end provides among the most fetching views at a sporting venue.

Despite the arresting re-development, it remains a cricket ground. Just. TS Eliot declared, “April is the cruellest month,” but autumn is Adelaide’s exquisitely liveable season, measured out with sunny and still afternoons.

GWS have a Curtly (Hampton) and a Devon (Smith) in their team giving it a Port-of-Spain quality, and the Giants dominate play early. They don’t kick sufficient goals though. A murder of Crows may be the collective noun, but such is the home side’s initial impotence that a suicide of Crows seems apposite.

Dangerfield’s season has been erratic, and scattered with anomalous decision-making and sometimes poorly applied aggression, but today, he is astonishing. His centre clearances generate many goals. Once a concern, his kicking on the run displays brutal penetration and sniper accuracy.

He is the complete modern footballer. He is also an old-fashioned footballer, and would belong in an ancient black and white photo taken on a muddy suburban ground like Alberton or Victoria Park. He can be ferociously brave. Occasionally he is poetic and elegant. Dangerfield will collect a Brownlow.

Becoming the eighth Crow to reach 250 games, Scott Thompson accumulates nearly forty inventive possessions. He even plucks multiple one-handed marks, and this artistry conjures the darts commentator Sid Waddell

Taylor is so hot he could hit the bullseye standing one-legged in a hammock.

After the final change Podsiadly slots a check-side major, and for the third consecutive quarter the Crows get one within the opening minute to establish an attacking tone. While he does not kick many goals, he adds appreciably to the forward structure, along with Eddie Betts, through creativity, pressure and contest.

Petrenko is effervescent, and Sam Jacobs rucks like the big, cheerful country boy he is; deceivingly simple and occasionally unwieldy, but with critical effect. Then Betts soars for a screamer, unsuccessfully, but contractually obliging Fox Footy caller Anthony Hudson to hyperventilate. They then cross down to special comments monolith Barry Hall, who sounds like Barry White but without the intimate diction.

Of his intimidating size Amity Island’s Quint would have said, “This shark, swallow you whole,” and indeed, Crow Josh Jenkins is a monster fish. Able to roost it from outside fifty, he uses his battleship physique with military clout, and collects four goals.

A highlight of Adelaide’s performance is its imaginative use of the footy on the elongated ground. Podsially sets up a Rory Laird goal, courtesy of a smart handball into space. However, the forward line cannot house Lynch, Jenkins, Podsiadly and Taylor Walker. Who will make way?

In a passage more agricultural Yorkshire than Homebush, Lamb kicks to Plowman across the field. It comes then to Cameron whose kick drifts right of goal. This is emblematic of the Giants as their best is exciting, but inconsistency is their anchor. Treloar’s final term goal is a sizzling and accomplished individual effort.

Key GWS forward Jonathan Patton tries to be a general, but too many orange troops have deserted. However, after the main break the Crows kick ten, while GWS get seven. This is positive for the visitors, and probably of minor unease for Adelaide. Against Geelong or Hawthorn, the Giants would have been mauled, without respite.

It does not have the seismic impact of the Crows’ historic win at Football Park in March 1991, when, in a striking announcement, they conquered Hawthorn by 86 points. But it is their first home victory of the new Adelaide oval era.

It is a beginning and a return, and Easter Sunday belonged to Patrick Dangerfield.

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Dangerfield and the Rickenbacker guitar

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Patrick Dangerfield is the opening chord of A Hard Day’s Night by The Beatles.

George Harrison’s Rickenbacker strum is pop music’s most thrilling moment, and Adelaide’s most dynamic midfielder also electrifies. Both are anticipation and frisson. Dangerfield exhilarates just like The Fab Four’s two and a half minutes of frenzied, intoxicating genius. Both are astonishing illustrations of their respective art.

It’s a Mother’s Day game so I offer to listen to the footy via a radio app. The wife urges me, “to watch it live, so you’ll appreciate it better.” Radio streaming is brilliant, and one morning I found a local Mandarin station. Despite having limited Chinese I quickly establish that the show, certainly called the Wacky Breakfast Zoo, features a zany guy, a straight guy and to use media industry jargon, a chick. Sound familiar? Doubtless, there’ll soon be a Black Thunder stalking my Singaporean street, giving out icy cold cans of Coke and Whispering Jack CDs.

The Sydney Showgrounds arena is fetching in the autumnal sunshine, but the wood chopping at the Royal Easter Show makes more happy noise. Iconic Tassie axe man David Foster would have been terrifying in a forward pocket, and I once saw him departing the Adelaide Show in a 4WD, fresh from dichotomizing a feeble log. Struggling to mount a speed hump, his car appeared to have been assembled around his singletted bulk. Like the Bluesmobile outside the Cook County Building on Richard J Daley Plaza, it would surely disintegrate.

The Crows and Giants begin before lunch Singapore time. I’m at The Boomarang Bar, and not wanting to evoke the ancient Barossa rule of, “One at 11, or eleven at 1,” I get a frosty pint. With a cornucopia of splendid Australian beer from which to choose, Boomarang’s management could have Coopers Sparkling Ale, Little Creatures or Fat Yak as their ambassadorial lager. No, Pure Blonde is on tap. It’s like Phil Tufnell being Wisden’s Cricketer of the Century. Still, come June I’ll be watching the footy back in wintry Adelaide. A glass of Dutschke GHR and a boisterous fire will then suit.

GWS. The acronym suggests a K-Mart quality law firm to which Dennis Denuto of The Castle might have aspired. GWS, I’d also argue, could be a mildly exotic skin infection. I can hear my GP grimly saying, “I’m afraid you have GWS.”

And Giants? The Icelandic nu-folk listening, hipster marketer obviously said, “Greater and Giants totally share a ‘G’ and that is, you know, like, alliterative, so let’s go with that.” However, I hear you retort, your team is mascotted by a hostile bird, best known for Graham Kennedy’s 1975 infamy. Faaaark.

The dazzle from the empty orange seats is as sorry as the AFL’s probable excuses for the attendance: catastrophic competition from Mother’s Day luncheons, the eight race card at Gunnedah, Col Joye headlining the roast and three veg fixture over at the Rooty Hill RSL. In a pulsating heartland of three million people, that only 5,800 bother is alarming. GWS will be successful eventually, but I think they should become successful elsewhere.

With a population of over eighteen million, that Los Angeles has not hosted a NFL club for nearly two decades might indicate a vast community is not itself a guarantee of football permanence. Green Bay is a small municipality by American standards, and its team continues to thrive. Similarly, supporters in Tasmania, Cairns or Darwin would have attended a Crows and Giants encounter with an increased and vociferous presence.

Tom Lynch provides the best breakout performance by a carroty-haired youth since Richie Cunningham’s work in season one of Happy Days. With Arthur (Tex) Fonzarelli’s knee having jumped the shark, and Potsie (Tippett) taken by a swan on his lonely way to Inspiration Point, Lynch presents himself. When he laconically kicks his tenth, and becomes the first Crow to do so since Tony Modra in 1994, the few spectators remaining are glumly playing paper/rock/scissors to see who locks the gate.

Adelaide wins by 135 points, a solitary behind shy of their record, but I remark that it’s not a game I’d buy on DVD. All at The Boomarang nod agreement. We stroll out into the tropical afternoon.