Tag Archives: 2024 SANFL grand final

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Carrickalinga, Abbey Road, and the Visionary Pub Schnitzel

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During our annual Carrickalinga getaway I took some conscripts to parkrun at Myponga Reservoir, and I think we all enjoyed our ensemble endeavour. With water, stern hills, and forest it’s a fetching but searching physical test. Leonard rambled over the finish line and Claire and Trish then came down the final hill, legs whizzing not unlike the Tasmanian devil (Taz) in the Looney Tunes cartoons. It was a succession of warm moments across a brisk morning.

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Cindy Lee is a Canadian band who’s come to recent global attention with their remarkable album Diamond Jubilee. It’s not on Spotify or vinyl but available as a single two-hour track on YouTube. Hypnotic and haunting, it evokes 1960’s girl groups and also features jangly guitars bouncing across its thirty-two songs. It put me in mind of buskers you might happen upon somewhere off-beat like Boise, Idaho.

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Alain de Botton is an author I love to re-visit and this year he’s been in frequent demand. With Claire and I in an unbroken, anticipatory conversation about overseas trips, I was keen to purchase a book of his I’d previously appreciated. On level two of Adelaide’s Myer Centre is the most excellent Page and Turner, a sprawling second-hand bookstore and from here I bought The Art of Travel. The exquisitely observed prose possesses a deep, almost meditative fluency, and early in this work, he depicts the wonder of flight:

This morning the plane was over the Malay Peninsula, a phrase in which there lingers the smells of guava and sandalwood. And now, a few metres above the earth which it has avoided for so long, the plane appears motionless, its nose raised upwards, seeming to pause before its sixteen rear wheels meet the tarmac with a blast of smoke that makes manifest its speed and weight.

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The glow from Glenelg’s SANFL victory continues. Given the ultimate margin of five points and with only one score in the final seven minutes, the tension was sustained at stratospheric levels. The sole behind came from Tiger forward Lachie Hosie hitting the post; itself among our game’s most theatrical events and a unique scoring outcome among world sports. Contrastingly, in rugby, soccer, and American football if a goal post is brushed, the ball’s destination is all that counts: inside the goal is good and deflected away means nothing. The notion of the behind as a reward for goal-kicking inaccuracy seems distinctly Australian and effectively announces, ‘That’s not a goal, but good effort. Here, have a point!’

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Amidst the Carrickalinga escape, we spent a stout hour aboard the Yankalilla pub beer garden. This was an instructive text with the conversation moving from Asian and European travel to domestic matters. Returning to the holiday home, we’re welcomed by an array of aromatic curries which had been patiently preparing themselves in that most spiritually comforting of appliances: the slow cooker.

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One Hand Clapping is a new Paul McCartney documentary I saw one Sunday with Max and his mate Ethan. It includes songs recorded in the Abbey Road studios for Band on the Run and we witness him playing the guitar, the bass, the piano, and singing in his honeyed, jubilant tenor. He appears ignorant of his own seemingly easy genius and captivating enthusiasm, and I was reminded of this: when his former band split, McCartney was devastated for more than anybody on the adoring planet, he loved the Beatles.

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Alex and his school friend Judd camped in the Adelaide Hills to make a found-footage horror film for which Alex wrote an 8,000-word script. A chief challenge over the three days would be keeping phones and video cameras charged at their powerless camp site. I overheard Alex explaining how to solve this problem they would, ‘go to the pub for a schnitzel and plug in their devices there.’ First words, first steps, first day at school. Add to the accumulation of milestones: first pub schnitzel.

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The Last Moments of the 2024 Grand Final

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Norwood swarms forward, and with a brutal bump at half-back flashy nugget Mitch O’Neill flattens Dr. Chris Curran. It’s ferocious but ill-disciplined and the umpire’s whistle arrests this menacing surge. For long, agonised seconds the gentlemanly Tiger is on the ground before he enacts the biblical instruction, ‘Physician, heal thyself,’ rises and takes his deserved free kick. In the Sir Edwin Smith Stand, we exhale.

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Hunter Window streams around the eastern flank adjacent to the scoreboard and kicks, somewhat optimistically, for goal. Begging the ball to go through and confirm our seventh flag, we hold our breath. Glory sours to deflation as it sails mockingly across the goal front and out on the full. Despair! Norwood claims the ball and relaunches down the western wing. We again swing psychologically from the elated promise of attack to the gloomy duty of defense.

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Reigning Jack Oatey Medalist, Lachie Hosie, had no first-half possessions, but we all knew this would change, likely in spectacular style. It did. Imposing himself late, he slots two goals and then with an athletic leap at the point of the pack, he grabs a rousing mark. It lifts the Tiger faithful. The final score of the season is this kick for goal but it wobbles off the woodwork! Is there a more theatrical moment in footy than the Sherrin crashing into the goal post? The narrative effects are multiple. The scoring side claims what could be a telling single point addition, but the ball is given to the opposition, who steal it forwards like surprised thieves. Minor reward is replaced by the torment of major risk.

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There’s a menacing wave of red and blue as Norwood again flows through the centre square. Baynen Lowe launches the ball long and high. Like an American football kick, it achieves good hang time beneath the Riverbank Stand and both teams run on to it. We’re now inside the final minute and the execution of his disposal seems more prayerful than geographic precision. We need someone to scramble back and intercept this indiscriminate bomb. We’re five points up. And in what could be the concluding gesture of his 191-game career, Max Proud materialises miraculously by the goal square to rescue us yet again. With superior anticipation, he minsters customary relief. Norwood is thwarted.

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Time stretches cruelly, advancing at a glacial pace. The ball’s on the members wing. A desperate Redleg kick—but Will Chandler smothers it! There’s an appreciative roar for this startling defensive action during which the ball is arrested before it commences its trajectory. On all fours, Chandler leaps up and across at the kick and there’s a near-catastrophic but selfless beauty in his diving at a violently swinging boot. In that brief space and moment, danger and grace co-exist but only one can prevail. It’s grace.

The siren sounds.

photos courtesy of the author and screenshots from Channel 7