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Footy’s Other Hemisphere

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When living overseas, footy becomes symbolic. A happy emblem of home. Like Merv’s XXXX-foamed moustache on the side of a London double-decker.

Singapore’s Boomarang Bar is one of those Australian themed-pubs that is both brilliant and dreadful. It shows AFL, NRL, and the races from Randwick and Flemington on big screens. It’s at Robertson Quay where the river is muddy and languid; it could pass for the Yarra.

The crowd is older than the backpackers at the Walkabout pub in Shepherd’s Bush, and mercifully, there is no Barnesy banging out over the thick, hot air. It’s Saturday afternoon, and the Crows and Hawthorn are underway in the preliminary final.

This Asian city’s mostly shy and undemonstrative so it’s exciting to see some punters in Hawks and Crows guersneys. Brash tribalism is rare here. There’s banter between the fans. “Ball,” intermittently choruses out across the quay. The footy is electrifying. The Hawks threaten constantly, but we persist.

We know that it could be Tippett’s valediction. He monsters Schoenmakers and with Walker, combines for eighteen contested marks. It’s close. Back home in Adelaide, my mate Bob texts. It’s too tense, too pulsating for him. He wants a personal media blackout.

Bob was in Edmonton in 1997, for the Crows’ first flag. It was a primitive world. Footy was inaccessible. No social media. No streaming. Many, like me, were sans mobile phone. During GF week Bob instructs me not to inform him of the result. With the discipline of a Roman soldier, he avoids it.

Then, at 2.30pm Saturday, Alberta time, to guarantee the authentic Australian experience, he and his friends watch a VHS recording of the game over a BBQ and beers. And like us seventeen hours previous, underground in Grote Street’s Players Bar, he is bewitched by Jarman’s sublime clinic, and Macleod’s exquisite poise and poetry. We love Bruce McAvaney’s climax: “Jarman. Jarman. That will do. That. Will. Do.” Bob rings after their final siren, waking us, in Glenelg, to our glorious and groggy Sunday morning.

With only the grand final telecast in Canada, he tells me he followed the Crows’ campaign on the internet. In ’97 this meant reading the footy online as an underling at AFL house, typed the action on their rustic website: Smart handballs to Bickley. Bickley kicks to Ellen. Essentially, it is a three-hour telegram. Like listening to Bradman’s 1948 Invincibles in the farm kitchen.

At the Boomarang Bar, we’re a disparate group. Like us, Annie is from Adelaide. She is avid; she streams 5AA’s call of practice matches. Nathan is from Tassie and loves the Hawks. His fiance, Alison, is from Vancouver. At half time I ask her, “Are you growing to love our footy?”  She replies that she’s, “Getting there.” As Adelaide and Christchurch are sister cities, our Kiwi friend Ariana supports the Crows.

In 2004 we were living just north of London in St Albans. I’d taken my Sherrin, and would occasionally have a few dobs by the Roman walls in Verulamium Park. Back home in the Barossa, Mum and Dad taped the Crows’ games, and mailed the wins to us. They saved plenty on postage that year.

My friend Barry, from Harrow, records the grand final on Sky Sports, and I enjoy Port’s triumph. Whilst I love beating Port in the Showdowns, I am an atypical Crows fan who barracks for them when they play interstate teams. It’s a residual from the State of Origin glory days of the 1980’s.

Barry’s an Irishman, and his Catholic passion is exceeded only by his worship of Wealdstone FC. I’m with him in Wiltshire by Salisbury Cathedral for the 2005 season closer when the Stones score in the last minute to avoid relegation by a single goal. In reverential electronic whispers, he texts me one fucking goal three times the following Sunday. Returning to Adelaide, Barry gives me four shares in Wealdstone FC. Every year I am posted the annual report.

Johncock puts us up with seconds left, but then the Hawks pinch the prize.I t was a tremendous contest and, wretchedly, the Crows fourth consecutive preliminary final loss. Annie and I agree that we’ve done well, and next season our youngsters like Dangerfield, Sloan and Walker will improve. Bob and I text. Mum and Dad message their pride. We take comfort in the future.

We leave the Boomarang, and walk home along the muddy Singapore River.

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london & you

london & you

lost and excited along oxford street drinking in the colour and the promise on our first morning

in boxy bunks chatting in the dark like teenagers in orbit (the toilet flushing next door)

offering vegemite to europeans as the summer sun pushed in the hostel kitchen window

you sending home emails from the smoky lounge and me delighted by your wit and exuberance

blitzkrieg chunks and holes in cleopatra’s needle and putting our astonished hands into the cold wounds

ending an exhilarating first day with you proudly sipping a shandy in soho’s white horse pub and then

dipping hungrily into the rock ‘n’ roll guide to london after you, always knowing best, insisting on this gift for me

piccadilly circus to ourselves at 7am, jet-lagged and euphoric; awake since the 4:30am sunrise

like peering into cupped hands at a secret, mesmerised by the sutton hoo in the british museum quiet

a tiny squirrel in greenwich park and our pure delight as it scampered

you photographing me on the lords dressing room balcony, knowing I’d treasure the image

your hysterical laughter as I kept jumping at the spider web display in the museum

our soft afternoon calm, strolling by the round pond in kensington gardens

the abbey road pedestrian crossing and despite my tantrum and the traffic you persevering so the moment was caught

hot drinks huddled among the pigeons in the trafalgar square grey breeze

your pink thongs slapping and dashing up the theatre stairs as shrill bells ring for mamma mia and

chasing the yeoman warder’s baritone as it animated history and myth at the tower

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Homecoming

cricket

Like Gatsby preparing to again see Daisy, I’d imagined it vividly and often. However, our plane simply rose from the Heathrow runway, and ended our English adventure. Leaving became only a transaction, a mere connective between one life concluding and the old one, recommencing.

Returning to Australia after nearly thirty months is like being both troubled and delighted by the sudden, unmistakable scent of a forgotten friend. I ‘d missed our popular culture, and drifting through the in-flight entertainment during my 3am restlessness I discovered Billy Birmingham, the Twelfth Man, being interviewed by Adam Spencer.

Billy’s first success, I‘d forgotten, was co-writing 1983’s Australiana. How weirdly wonderful, as we rushed over the Tanami Desert, sleeping in the silently breathing below, to be stirred by those faintly pathetic puns- Well a few of the blokes decided to play some cricket. Boomer says, ‘Why doesn’t Wombat? Yeah, and let Tenterfield.’

I then watched Crowded House’s farewell concert from the Opera House. Could that have been a decade ago? I recall my sadness as we journeyed along the Grand Union Canal in a narrow boat, and I read in The Guardian of Paul Hester’s passing.

Through the 767’s window, the sun then burst up over the Western Plains. Not a stunning sunrise but as it’s my first Australian sunrise in nine hundred days, its poignancy makes me misty.

Which band could have served me other than Crowded House? Favourably compared to the Beatles with their fetching melodies, but manifestly local, they’re as effortless as a Sunday BBQ. When they performed, “Better Be Home Soon” I realised the golden corridor, my arrival, was close.

Scurrying about the Sydney airport shops, I beam at things unremarkable transformed by my excitement to native treasures. Powderfinger CDs. Steve Waugh’s autobiography. Boost Juice! Their realness is exhilarating. Within the terminal, the uncluttered spaces, affable colours and the brazen January light are deliciously Australian.

After the gloomy British currency, visiting an ATM makes me gawk at the crayfish-coloured banknotes. And everywhere, voices, our voices. Here, accents don’t crash like improper cymbals above a mortified English string section. I eavesdrop, and the chatter is as comforting as a Coopers.

Waiting with our hand luggage while my wife goes for a stroll, I fiddle with my Walkman radio, singularly ravenous for Australian sounds. My morning’s second musical epiphany occurs as Triple J plays Sarah Blasko’s version of Cold Chisel’s “Flame Trees.” Originally released as I began uni when life was inching beyond my dusty hometown, Kapunda.

I’d long appreciated the song’s jaded melancholia and evocations of happy hours and old friends. But the girl’s plaintive singing gives it an aching warmth. This is a welcome contracting of my planet back to the recognisable; a sensation not easily found in a confronting, often unknowable Europe. Having hugged me so tightly upon my homecoming, this song again sits in my heart.

It is fitting that Sydney was covered by cloud for when we land in Adelaide the unbounded sky is a cathedral. Walking across the tarmac, I take in the low, auburn hills and the thirsty plains and later, the idyllic drone of the cricket as we move through the empty afternoon streets of our screen-doored suburbs.

After months and hours of hungry longing, I am home.

flame trees

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Autumn 2004

derby

it is snug and perfectly pretty

a vague dog bark and whispering breeze.

listen.

now it is hushed.

trees guard the dappled streets

their molten leaves

fall

and carpet like painted snow.

we swim along the footpath

our shoes drown

under swirling colour.

the village green is proud and prim

its gnarled set of stocks

vivid like a sepia photograph.

suddenly, a boisterous tractor and

then it grumbles to a stop.

a green-capped farmer

vaults

from his cabin

nods at us and

saunters into the Red Lion

her antique vine, blazing burgundy

Friday lunchtime and

we’re blissfully cocooned

in this Derbyshire hamlet.