Monthly Archives: Mar 2024

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Max. fourteen.

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Happy 14th Birthday!

Smiling, I regularly think of the note you’d leave on the fridge whiteboard – a small yet significant gesture that speaks volumes about your character. Your ability to infuse humour into everyday life, coupled with your thoughtful nature is always a delight! The simple declaration became more than just a message; it’s a testament to your wit, your creativity, and your unique perspective on the world.

the cordial is pre-made

Watching you blossom in drama has been a joy. I like you telling me about the acting challenges you’ve been set and how these are progressing. I’m excited to see you on stage later this year, playing a character and entertaining the audience. Keep embracing those opportunities to express yourself and develop your skills.

And let’s not forget about basketball – a sport in which you truly have ability. Your talent on the court is undeniable, but what sets you apart is your understanding of teamwork and being able to bring others into the game. Of special interest is your ability to navigate both victories and defeats with grace. Remember, it’s not just about winning games; it’s about the lessons learned along the way, the friendships forged, and the growth that comes with every season.

Regrets are mostly not about the things we’ve done but rather the things we didn’t do. Given this, I believe you should keep playing basketball. You can do it!

In June I’m keen for you, Alex, and I to explore Bali together. Investigating new cultures, tasting exotic foods, and experiencing different landscapes will broaden our horizons. I hope during your life you’ll keep seeking out those adventures for it’s through travel that we learn about the world and ourselves.

Your imagination is limitless, and your ability to craft immortal expressions never fails to make me laugh. Hold onto that youthful spirit and sense of wonder, for it’s what makes you extraordinary. Lastly, I want to reminisce about that moment in a Singaporean swimming pool when you made that legendary declaration to me that you were

cooler than a robot, older than the wolf

As you embark on another year of new experiences, new challenges, and new triumphs, always remember how loved and cherished you are. You have a heart of gold, a mind full of dreams, and a spirit that’s destined to soar. Happy birthday, dearest Max.

Love Dad

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Mystery Pub: The Curious Case of the King William Hotel

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‘What’s this King William pub?’ I hear you inquire. As Daryl Somers used to remark, ‘I’m glad you asked.’ The CBD has a new boozer but is it just the old Ambassadors tarted up and rebadged? We were about to find out.

I’ve limited recollection of the former tavern but know it was one patronised by our old school friend Davo when he wasn’t wading through an elongated Friday lunch at The Griffins Head. Come to think of it, not a traditional culinary meal as I’m confident Davo doesn’t eat food.

Claire suffered a morning blowout on her acutely heeled shoe and like the Better Home and Gardens craft-segment host she secretly aspires to be, taped it up with clandestine assistance from some borrowed office supplies. It was fortunate that we only needed a brisk stroll from her Light Square workplace and so the only victim was the reduced opportunity for mystery to build for Mystery Pub (a key ingredient), but like Tom and Daisy in The Great Gatsby, neither of us cared.

Aggregated on the wooden bar were three softly glowing lamps offering unexpected contribution to the ambiance. Adelaide pubs are over lit (fluoro the darkest crime, ironically) and could learn from the moody atmospherics of hotels in Melbourne’s Fitzroy. Once, inside two evenings I visited ten of these for research purposes although the resultant scientific paper remains troublingly unpublished or even peer reviewed.

Featuring Sherlock Holmes and Dr. Watson, I lately read ‘The Hound of The Baskervilles’ and wondered what the Londoner sleuths would make of the pub’s beer situation. I probed, ‘Why don’t you have Coopers Pale Ale on tap?’ Mine host retorted, ‘We’re having trouble getting any.’ Peculiar, I thought, doffing my woollen cap, and extracting a pipe from the pocket of my houndstooth jacket. Noticing my appearance in the barroom mirror I was baffled to observe that in the hour since leaving my employment I’d grown a dapper, entirely Edwardian, moustache.

Safely in the beer garden there was however a sharp smell of fresh paint and utilising my detective skills I rapidly deduced that a person or persons had applied tint to the walls, probably during this past day. Inspecting the exposed bricks and decorative ladders which added to the interior design, we procured a table and during our two-drink sojourn, multitudes of Crows fans arrived with sunny expectation upon their faces, and this proved, of course, to be wholly without logic or reward.

The relationship between text and context is at its most fascinating when the boundary between these is indistinguishable. If the pub was our text and the context was our discourse, I then relished that fantastic experience of the immediate surroundings essentially vanishing as Claire recounted several items from her day. This was a delight.

A rotund troubadour then commenced a set of songs on his guitar to which he added his unexceptional singing. He played Vance Joy’s ubiquitous ‘Riptide’ and later, ‘Norwegian Wood (This Bird Has Flown)’ by the Beatles. While it incorporates splendid sitar moments from George Harrison, I newly learnt that my wife finds little value in this tune and admit that it wouldn’t make my top fifty of the Liverpudlians. Their number one? ‘And Your Bird Can Sing.’

Our scrumptious but wretchedly delayed potato dinner devoured, we farewelled the ghastly paint and the visible bricks and the now vanished musician and the ghostly lamps and the lack of kegged Coopers beer and ventured once more into the pulsing, discordant Friday city.

Alighting onto the footpath I said to Claire, ‘Careful in those shoes.’

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Three imaginary beers with my favourite author, Richard Ford

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The premise of Independence Day, Richard Ford’s Pulitzer Prize-winning novel, is simple. Frank Bascombe takes his sixteen-year-old son Paul on a road trip to the Baseball Hall of Fame in Cooperstown, New York, which ends badly. In Be Mine, the final instalment of the series, the narrator and his dying middle-aged son embark upon a last road trip, this time to Mt. Rushmore.

My son Alex and I are going on a short road trip to Moana, but our first stop is Writers’ Week as I want him to again witness the merits of a life with conversations and stories. He’s largely agreeable so with little persuasive effort, we’re here to listen to Richard Ford speak about his writing and probably, the characters of Frank and Paul.

While that’s fiction and our experiences are (aspirationally) real, the parallels seem both captivating and unsettling. The thought comes to me again: I’ve delayed a road trip with my sixteen-year-old son to hear a novelist enlarge upon a father and son on two heart-breaking road trips. I trust I’m not tempting any type of cosmic irony to drape its wicked self over this bonding weekend away.

Lunchtime underneath the canopy in the Pioneer Women’s Memorial Garden. That Alex is here with an open mind and open heart, and willing to indulge his dad strikes me as a scarce act of teenaged generosity. I vow to afterwards buy him a coke for the drive. I spot the Footy Almanac’s editor-in-chief Harmsy and we’ve a quick chat.

Richard Ford is interviewed for about forty minutes, and it’s engrossing. Profoundly considered and droll and pleasingly, approaching stern when provoked, he makes references to Virginia Woolf (he’s a fan) and Samuel Beckett (he’s not a fan). I record the discussion on my phone, and Claire (elsewhere unavoidably) and I will listen to it one night soon over a Shiraz as if it’s an unedited podcast.

I rarely carry my backpack but do today just in case there’s a book signing and in it’s my beloved copy of The Sportswriter. I’ve not anticipated an autograph since Joel Garner at an Angaston Oval cricket clinic in 1975. He was the biggest human I (or likely the Barossa) had ever seen. Following our applause, the interviewer invites us to form a queue.

Rushing politely, I find myself about a dozen deep in the line. Alex stands with me. He’s a Beatles fan (for which I’m also thankful) and I say, ‘You know that chatting with this writer will be my meeting McCartney moment?’ He nods.

Introducing ourselves, we shake hands. He’s sitting at a table. Eighty-years-old and greyhound fit, Ford has hypnotically blue eyes (matching his socks) reminiscent of the late Bond but alive actor, Daniel Craig. I’ve hazily rehearsed what I say, and the opportunity doesn’t get to me as I imagined it might.   

I begin, ‘I’ve read all the Bascombe novels three times except for the last. But I will. They’ve made such a huge impact upon me, and I’ve happily accepted that I’ll pretty much re-read them constantly from here on in.’

Desperately gushing? Probably.

Richard (we’ve progressed to first names) replies with an affirming chortle, ‘Well, some books can hang around.’

I tell him the story of a Saturday night last autumn just prior to the publication of his final Bascombe novel. I explain, ‘I’d read a preview of the book and was telling my wife Claire about it over a Shiraz (now a theme, I know). And I mentioned the central tragedy of the father and son relationship and the son dying. I then realised that all this represented a loss for me too as a reader, so I shed a few tears.’

Richard continued peering at me fixedly with what I imagine’s a blend of deeply practised writerly attention and unshakeable southern manners. Acknowledging my revelations, he nods.

I’m now in full Sunday confessional mode, for I need this man to know how important his creations are to me. Perhaps I’m epiphanic, emblematically at large in New Jersey, like Frank Bascombe himself. ‘It’s the only time I’ve cried at a book before I’ve read it, such is the power of your storytelling, and the remarkable insights. Thank you for this.’

As he signs the title page, I feel a sense of gifted camaraderie. The waiting line is lengthy, and so I conclude, ‘I’m urging my wife to read your books when we retire. I talk about them so much.’

Richard laughs, ‘You’ll hand her a list!’

I also cackle, ‘I think so.’

He thanks me for coming and again we shake hands. The adage cautions against meeting your heroes but encountering this literary giant has been joyous. Alex and I stroll through the garden’s dappled light and up sundrenched King William Street.

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Mystery and Murder in Moana

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Hurtling past O’Halloran Hill on the Southern Expressway and Alex slides in a Steely Dan CD. Although he views this dad technology with bemusement, he’s also a devotee of nostalgia, and I’m thrilled he can meld irony and joy. Their jazzy and bewitching song, ‘Aja’ fills the cabin, and he mentions, ‘Manny’s dad loves this. He reckons it’s goated.’ I say, ‘It’s great. When I was at uni, I played the cassette in my old Holden going to and from Kapunda.’

Earlier at Writers’ Week we heard my favourite ever novelist, Richard Ford. Alex came to this excursion (I see no other teenagers in the garden) knowing it’s significant to me and this is heartening. Listening to the author of The Sportswriter he made connections to his Year 11 English course, and these were deliberated over the day. We returned to Ford’s point that characters are not people, but instruments of language and I’m convinced this insight puts Alex in front of his ATAR competition, should this still exist, and not a few literature teachers.

When Alex turned thirteen, we spent a night in Hahndorf and then last year on his equivalent birthday Max and I stayed in Aldinga. Claire suggested acknowledging these rites of passage and for this idea I’m most grateful. Each is an occasion to pause and talk and contribute to our future selves in novel surrounds.

Yielding again to my paternal voice I declare, ‘I think we should swim between the flags.’ Alex nods. Late afternoon at Moana beach, it’s chilly in the water but splashing about we promptly acclimatise. Irregular sets of waves march in from the icy Southern Ocean and some hoist themselves up as green walls, while others crumple sullenly about us, all slovenly foam and disagreeability. This burst of activity provides a relaxing physical context on which to hang this sparkling day. We catch a couple each and are rushed shoreward like straw.

For dinner it’s the esplanade’s Deep Blue Café. We’re sat by the windows and the sun slants in, all gilded and promising. It’s a cheerful, assured place with table service and over pepperoni pizza and a fat burger talk moves to Alex’s favourite Beatle, George Harrison. While I’m a McCartney man I see the appeal of the band’s youngest Liverpudlian with his quiet genius and affable ways. I say, ‘How amazing that he was only twenty-six when the Beatles finished.’ Musically, Alex’s unquenchable and sees no generation gaps as his preferences range from Kanye to Miles to 1970’s Japanese avant-garde. Hopefully, this cultural inquisitiveness is a predictor of a hearty, fulfilling life.

Back in our dune-side cabin we speak of the soundtrack for the film Alex’s making and how esteemed directors Wes Anderson and Quentin Tarantino use wistful music in their art. He plays ‘Miserlou’ by Dick Dale, made famous in the Pulp Fiction opening credits. Intrigued by Bob Dylan, he’s shortlisted several of his tunes for their project and asks, ‘Do you think Paul Kelly is the Australian Bob Dylan?’ It’s an essential, probing question.

We then turn on the tele. As he’s about forty years too young for Escape to the Country, I surrender the remote.A Bond film. Skyfall. During a break, I show Alex a clip from The Trip to Spain during which over an entree of scallops Coogan and Brydon battle with their respective Roger Moore impersonations. He laughs at, ‘Come, come, Mr. Bond’ and reckons the next movie introduces Jane Bond.

Before 007 defeats the cyberterrorist in Scotland we hit our cots. Today’s gone well and there’s been lovely moments and also, I hope, fruitful investment.