“Why should anyone be frightened by a hat?”
Antoine de Saint-Exupéry, The Little Prince
“Some hats can only be worn if you’re willing to be jaunty, to set them at an angle and to walk beneath them with a spring in your stride as if you’re only a step away from dancing. They demand a lot of you.”
Neil Gaiman, Anansi Boys
“You can never have too many good hats.”
Phil Klingberg, Kimba Cricket Club (1993)
On this gusty afternoon I’m on our patio writing. I’m just up the road from where the Chappell brothers attended St Leonards Primary School in the palindromic suburb of Glenelg.
It’s sitting on the table quietly, but has a full and boisterous past. Faded and frayed, on its front an emblem; two golden stalks of wheat embrace the acronym KCC. Kapunda Cricket Club. Down one side; the crowded loops of a celebrated signature.
It’s in its fourth decade. Mothers, wives and girlfriends, everyone, please look away now for it’s never been caught within twenty-two yards of a twin-tub.
It’s my Greg Chappell cricket hat.
I was at high school when the Kapunda Cricket Club distributed these hats in 1982. Cold Chisel had released Circus Animals, the Violent Femmes erupted with their eponymous debut, and the Eagles presented their second greatest hits album, meaning there were only forty-three such offerings to come (thus far). On average each Australian household now contains six separate versions of “Desperado.”
My hat was there as I featured in four losing grand final sides on the West Coast (South Australia, not California). This doesn’t bother me as cricket was always more social than showdown, and provided a fun, often protracted afternoon and post-afternoon structure to my Saturdays. I enjoyed the temperate rhythms, wit and mateship because if you played cricket with a chap, then bumping into him at Adelaide Oval guaranteed a happily frothy conversation.
How’d you go if you could face your own bowling? Would your eyes light up? Or would you cringe at the crease? Like Tom Sawyer and Huckleberry Finn attending their own funerals it’s delicious to ponder, but unattainable. I’d endured a poor season when I made more runs than I took wickets. And my bowling wasn’t fearsome. More Les Paterson, than Lenny Pascoe.
I’d my cricket hat with me when old mate R. Bowden and I flew to New Zealand for that shamefully compulsory rite of passage, the Contiki Tour. On the South Island we visited Fox Glacier, where our tour guide advised us to take a hat. Yes, a fox hat.
It was summer, however in the photo we’re huddled on the bitter, elevated tundra. I’m petrified as I’ve climbed many icy steps to the frozen plateau, but know in that nagging way going up is easy; it’s the coming back down which gets unpleasant. I didn’t want my distorted limbs, innards and freshly bloodied cricket hat sent back across the Tasman in a chilly bin.
Like any commendable cap it’s versatile. An enthusiastic but fabulously incoherent golfer, on a par four I can go from Greg Norman to Norman Bates to General Stormin’ Norman Schwarzkopf (I’m assured he’d a hideous slice) in seven shots. I like to wear my Greg Chappell hat up and down, but more often, across the fairways, and remember a coach telling me, “You’ve got it arse-about. You hit a cricket ball in the air, and a golf ball along the ground.”
It was shielding my boofy face just before the change of millennium when, up the Riverland on the wonderful Waikerie golf course, I lipped out on the last. This would’ve given me a best-ever back nine of 39. The next morning at Renmark, sure I’d the sport sorted, I bludgeoned my way to, and swiftly beyond one hundred, like David Warner in a feisty frame of mind.
At Kimba playing Buckleboo during harvest an unspeakable northerly roared down the desert, blasting sand and flies and primordial horror. While umpiring in the reddish apocalypse a team-mate signed my hat with the names of West Indian cricketers Viv, Joel and Clive. He even spelt most of them adequately. But that was ages ago, and his ink is submerged beneath the yellowing cloth.
While we lived in Singapore my Greg Chappell hat spent three years in friendless and dark storage. How did I do this? Retrieving the hat from its tomb, I felt the antique brim, creased from its slumber, but still sturdy.
Now like a retiree forever doomed to two-fruit-and-ice-cream its solitary excursion is accompanying me and my Victa across our lawn. Given its unattractive capacity for making babies cry and dogs growl, my wife’s banished the hat from public appearances.
But on the backyard table it’s looking at me like Wilson the volleyball, from the Tom Hanks’ flick Cast Away. Later tonight with the wife and boys in bed I’ll continue to write and reflect over a Barossa shiraz, and when nobody’s peeking, I’ll stick it on my head.
I might even take a selfie.